Master Song List

Total Page:16

File Type:pdf, Size:1020Kb

Master Song List Thursday, April 1, 2021 Master Song List 1. ABC (The Jackson 5) - G 2. Africa (Toto) 3. After Midnight (Jerry Garcia & Merl Saunders) - E 4. Ain’t It Funky Now (James Brown) 5. Ain’t Life Grand (Widespread Panic) 6. Ain’t No Mountain High Enough (Marvin Gaye/ Tammi Terrell) + 7. Ain’t No Stoppin' Us Now (McFadden & Whitehead) 8. Ain’t Nobody (Chaka Khan) - E/ Eb + 9. Ain’t Too Proud to Beg (The Temptations) - B 10. All About That Bass (Meagan Trainor) - A + 11. All For Us (Labrinth & Zendaya) + 12. All I Do (Stevie Wonder) 13. All of Me (John Legend) 14. All Night Long (Lionel Ritchie) - Ab 15. All The Single Ladies (Beyoncé) + 16. Alright (Jamiroquai) - C min 17. Am I Wrong (Anderson .Paak & ScHoolboy Q) 18. American Girl (Tom Petty) - D 19. Angel (Shaggy) - F# 20. Another Brick In The Wall (Pink Floyd) 21. At Last (Etta James) - F + 22. Atlantic City (Bruce Springsteen) - A 23. ATLiens (OutKast) 24. Baby I Love Your Way (Peter Frampton) - E 25. Baby I Need Your Lovin’ (The Four Tops) 26. Bang Bang (Jesse J & Ariana Grande & Nikki Minaj) + 27. Be Young Be Foolish Be Happy (The Tams) - Bb 28. Beast of Burden (The Rolling Stones) - E Page !1 of !17 29. Beautiful (Snoop Dogg & Pharrell Williams) - E min 30. Beautiful Girls Remix (Lil’ Sonic) 31. Because You Loved Me (Celine Dion) 32. Before I Let Go (Frankie Beverly & Maze/ Beyoncé) + 33. Bennie and The Jets (Elton John) - G 34. Betray Your Heart (D’Angelo) + 35. Better Together (Jack Johnson) - F 36. Big Poppa (The Notorious B.I.G.) 37. Big Time (Peter Gabriel) 38. Billie Jean (Michael Jackson) - F# min 39. Black Magic Woman (Santana/ Fleetwood Mac) + 40. Blind (Talking Heads) - D min 41. Blister In The Sun (Violent Femmes) - G 42. Blurred Lines (Robin Thicke) - G 43. Bo Diddley (Bo Diddley) - C 44. Body (Loud Luxury & brando) 45. Boogie on Reggae Woman (Stevie Wonder) - G 46. Boogie Shoes (KC & The Sunshine Band) - B 47. Boys (Lizzo) + 48. Break My Heart (Dua Lipa) + 49. Breakdown (Tom Petty) 50. Brenda (O.C. Smith) 51. Brick House (The Commodores) - A min 52. Brown Eyed Girl (Van Morrison) - G 53. Buddy Holly (Weezer) 54. Build Me Up Buttercup (The Foundations) - C + 55. Bust a Move (Young MC) - E 56. Bustin’ Loose (Chuck Brown) - E 57. Butterflies (Michael Jackson) 58. Cake By The Ocean (DNCE) 59. California Stars (Wilco & Billy Bragg) 60. Call Me Maybe (Carly Rae Jepsen) - G + 61. Callin' Baton Rouge (Garth Brooks) - D 62. Came Here For Love (Ella Eyre & Sigala) + 63. Can You Get To That (Funkadelic) - E 64. Can’t Feel My Face (The Weeknd) - C 65. Can't Get Enough of Your Love Baby (Barry White) 66. Can’t Help Falling In Love (Elvis Presley) - D Page !2 of !17 67. Can’t Hide Love (Earth Wind & Fire) 68. Can’t Stop The Feeling (Justin Timberlake) - B 69. Can’t Take My Eyes Off You (Frankie Valli) - E + 70. Can’t You See (Marshall Tucker Band) - D 71. Canned Heat (Jamiroquai) 72. Car Wash (Rose Royce) 73. Caravan (Van Morrison) 74. Carolina Girls (Chairmen Of The Board) - D 75. Carolina In My Mind (James Taylor) 76. Carry Your Heart (Blue Dogs) 77. Celebration (Kool & The Gang) 78. Chain of Fools (Aretha Franklin) 79. Chameleon (Herbie Hancock) - B 80. Chan Chan (Buena Vista Social Club) - D min 81. Change The World (Eric Clapton & Babyface) 82. Christmas in LA (Vulfpeck) 83. Cissy Strut (The Meters) - C 84. Closer R3hab Remix (The Chainsmokers & Halsey) 85. Club Can’t Handle Me (Flo Rida) 86. Cocaine (Eric Clapton) 87. Coconuts (Widespread Panic) 88. Cold Beverage (G. Love & Special Sauce) 89. Cold Water (Major Lazer & Justin Bieber & MØ) 90. Come Fly With Me (Frank Sinatra) - B 91. Come Together (The Beatles) + 92. Coming Home (Leon Bridges) - F# 93. Cool Me Out (Lamont Dozier) 94. Cosmic Girl (Jamiroquai) 95. Could It Be I’m Falling In Love (The Spinners) 96. Could You Be Loved (Bob Marley) + 97. Country Roads (John Denver) 98. Crazy (Gnarls Barkley) - C min 99. Crazy In Love (Beyoncé) - D min + 100. Crazy Little Thing Called Love (Queen) - A 101. Crazy Love (Van Morrison) - A 102. Cruisin’ (Smokey Robinson/ D’Angelo) + 103. Crushin Yeah (J Dilla) 104. Cupid Shuffle (Cupid) - G min Page !3 of !17 105. Cut The Cake (Average White Band) 106. Daddy’s Little Girl (Michael Buble) 107. Dancing in the Street (Martha & The Vandellas) - E + 108. Days Like This (Van Morrison) - Eb 109. Diamonds (Rihanna) + 110. Diamonds On The Soles Of Her Shoes (Paul Simon) - D 111. Dixie Chicken (Little Feat) - A 112. Dixieland Delight (Alabama) - G 113. DJ Got Us Fallin’ In Love (Usher & Pitbull) 114. Do I Do (Stevie Wonder) - B + 115. Do It Again (Steely Dan) 116. Do That Stuff (Parliament) - E 117. Do To Me (H.E.R.) + 118. Domino (Van Morrison) 119. Don’t Get Around Much Anymore (Natalie Cole) - Bb + 120. Don’t Know Why (Norah Jones) - Bb + 121. Don’t Start Now (Dua Lipa) + 122. Don’t Stop Believin’ (Journey) - E + 123. Don’t Stop the Music (Rihanna) - D + 124. Don’t Stop Til You Get Enough (Michael Jackson) - B + 125. Don’t You Forget About Me (Simple Minds) - E 126. Don’t You Worry About a Thing (Stevie Wonder) + 127. Double Shot Of My Baby's Love (The Swingin’ Medallions) 128. Down With Disease (Phish) 129. Dreams (Fleetwood Mac) + 130. Drop It Like It’s Hot (Snoop Dogg & Pharrell Williams) 131. Dynamite (The Roots) 132. Dynamite (Taio Cruz) 133. Easy (Lionel Ritchie) - Ab 134. Electric Feel (MGMT) - C min 135. Escapade (Janet Jackson) + 136. Every Breath You Take (Police) + 137. Everybody Have Fun Tonight (Wang Chung) 138. Everything (Michael Bublé) - D 139. Everything I Do Gon’ Be Funky (Allen Toussaint) 140. Express Yourself (Charles Wright) - D 141. Fantasy (Mariah Carey) - G + 142. Feel It Still (Portugal. The Man) + Page !4 of !17 143. Feel Like Making Love (D’Angelo/ Roberta Flack) + 144. Feelin’ Alright (Traffic/Joe Cocker) - C 145. Feels (Calvin Harris & Pharrell Williams) 146. Ffun (Con Funk Shun) - F 147. Finesse (Bruno Mars & Cardi B) + 148. Fire (Ohio Players) - C 149. Fire on the Bayou (The Meters) - D 150. Fireball (Pitball & John Ryan) 151. Firework (Katy Perry) + 152. Flash Light (Parliament) - C 153. Float On (Modest Mouse) - D 154. Fly Like an Eagle (Steve Miller Band) - A min 155. Fly Me to the Moon (Frank Sinatra) - A min 156. Folson Prison Blues (Johnny Cash) 157. Footloose (Kenny Loggins) 158. For Once In My Life (Stevie Wonder) - F + 159. For The Love Of You (The Isley Brothers) 160. Forever Young (Rod Stewart) 161. Forget You (Cee Lo Green) - B 162. Free (Zac Brown Band) - C# 163. Freeway of Love (Aretha Franklin) + 164. Friends In Low Places (Garth Brooks) - A 165. Funky Broadway (Wilson Pickett) 166. Funkytown (Lipps Inc.) - C 167. Georgia On My Mind (Ray Charles) 168. Get Down (War) 169. Get Down On It (Kool & The Gang) - E min 170. Get Lucky (Daft Punk & Pharrell Williams) - B min 171. Get Ready (The Temptations) 172. Get The Party Started (Pink) 173. Get Up Offa That Thing (James Brown) - F# 174. Get Ur Freak On (Missy Elliot) 175. Gettin’ Jiggy Wit It (Will Smith) - B min 176. Gin and Juice (Snoop Dogg) 177. The Girl From Ipanema (Antonio Carlos Jobim) - G 178. Give It To Me Baby (Rick James) - B min 179. Give Me Just a Little More Time (Chairmen of the Board) - F 180. Give Me One Reason (Tracy Chapman) - Bb + Page !5 of !17 181. Give Up The Funk (Parliament) - E 182. The Glamorous Life (Sheila E.) - Eb min 183. The Glory of Love (Otis Redding) 184. Go Stupid 4 U (Robin Thicke) - E min 185. God Gave Me You (Blake Shelton) 186. God Make Me Funky (The Headhunters) - E 187. God Only Knows (Beach Boys) - A 188. Gold Coins (Charlie XCX) 189. Gold Digger (Kanye West) 190. Gold Dust Woman (Fleetwood Mac) + 191. Good Golly Miss Molly (Little Richard) - G 192. Good Kisser (Usher) + 193. Good Times (Chic) - E 194. Got ’Til It’s Gone (Janet Jackson) + 195. Got To Be Real (Cheryl Lynn) + 196. Got To Give It Up (Marvin Gaye) - A + 197. Gravity (John Mayer) - G 198. Green Earrings (Steely Dan) - A min 199. Groove Is In The Heart (Deee-lite) + 200. Groove Me (King Floyd) - D 201. Hang On Sloopy (The McCoys) - D 202. Happy (Pharrell Williams) - F + 203. Hard to Handle (The Black Crowes/ Otis Redding) - B/ Bb 204. Hava Nagila (Harry Belafonte) 205. Havana (Camila Cabello & Young Thug) - G min + 206. Have I Told You Lately That I Love You (Van Morrison) - G 207. Have You Ever Seen the Rain (CCR) - C 208. Having a Party (Sam Cooke) - G 209. Heatwave (Martha & The Vandellas) - C + 210. Hella Good (No Doubt) + 211. Hello (Adele) + 212. Here Comes The Sun (The Beatles) - A 213. Hey Baby (Bruce Channel) 214. Hey Nineteen (Steely Dan) 215. Hey Pocky A-Way (The Meters) - D 216. Hey Soul Sister (Train) - C 217. Hey Ya (OutKast) - G 218. Hit Or Miss (Bo Diddley) Page !6 of !17 219. Hit The Road Jack (Ray Charles) 220. Ho Hey (The Lumineers) - C 221. Hold On I’m Comin’ (Sam & Dave) - E 222. Holding Back The Years (Simply Red/ Gretchen Parlato) + 223. Hollaback Girl (Gwen Stefani) 224. Hollywood Swingin’ (Kool & The Gang) - E 225. Home (Edward Sharpe/ Magnetic Zeros) - B min + 226. Honky Tonk Woman (The Rolling Stones) - G 227. Hot In Herre (Nelly) - E min 228. Hotline Bling (Drake) 229. How Do You Stop (James Brown) 230.
Recommended publications
  • MCA-700 Midline/Reissue Series
    MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063.
    [Show full text]
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Telling and Retelling the Tale. Adapting the Murder Ballad 'Duncan and Brady'for the Stage As Past and Future Visions of a Folk Crime
    Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705 (2016) Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research, 2 . ISSN 2058-5535 [Article] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/18923/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award.
    [Show full text]
  • UNDERNEATH the MUSIC Ellington
    ABSTRACT Title of Document: UNDERNEATH THE MUSIC Ellington Rudi Robinson, Master of Fine Arts, 2008 Directed By: Professor, Jefferson Pinder, and Department of Art I see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life. UNDERNEATH THE MUSIC By Ellington Rudi Robinson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts 2008 Advisory Committee: Professor Jefferson Pinder, Chair Professor Patrick Craig Professor Margo Humphries Professor Brandon Morse Rex Weil © Copyright by Ellington Robinson 2008 Preface The smell of the coffee bean aroma surrounded by the books and music, the phone rings. “Good afternoon, thank you for calling Borders Books and Music, how can I help you?” “El! What’s up man, I have some bad news.” This is an all too familiar greeting.
    [Show full text]
  • 2)GEORGE PORTER Jr Di Massimo Luna.Pdf
    Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana.
    [Show full text]
  • Council of the District of Columbia Committee of The
    C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District
    [Show full text]
  • Go-Go, Yesterday and Today
    Brown and the Soul Searchers, Trouble Funk, Lead Go-Go, Yesterday Head, Hot, Cold Sweat, Cro Magnum Funk, Stacy & the Soul Servers, Class Band & Show, Mouse and Today Trap, The Shadows, and go-go icons including Ice Berg Slim and Big Tony, began to add the "live" by Iley Brown II features of go-go to their shows or recordings: he early 1970s in Washington, D.C., choreography, smoke and fog machines, go-go marked the beginning of a new musical dances, and extended instrumental solos including T sound that was still untitled. Basements in the trademark cowbells, whistles, and drum and neighborhoods throughout the city were convert­ conga solos added to known radio songs popular­ ed into after-school stages and rehearsal halls for ized by local radio stations. Radio hits that became budding bands and musicians. In many parts of go-go hits were "Family Affair" by Experience the city, an organist would meet up with percus­ Unlimited, "Run joe" by Chuck Brown, and sionists and drummers, who "Trouble Funk Express" by in turn would know of a Trouble Funk, which is a horn player. Bands were cob­ take from "Trans Europe bled together, and bonds Express" by Kraftwerk. were formed. In live performances audi­ To satisfy audiences of ences engaged the bands in teenagers, young adults, and call-and-response segments grown-ups, local "funk" of songs, usually during bands would play the radio percussion breaks ranging hits of Mandrill, Kool & The from a three-minute teaser Gang, New Birth, Average - a short percussion solo White Band, or Herbie with strains of the radio Hancock, among others.
    [Show full text]
  • Through the Iris TH Wasteland SC Because the Night MM PS SC
    10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G.
    [Show full text]
  • Life's Balancing
    A BAHÁ’Í COMPANION FOR YOUNG EXPLORERS SEPTEMBER /OCTOBER 2012 Life’s Balancing Act ‘ABDU’L-BAHÁ IN CANADA ARE YOU A SMART SPENDER? tt Bahá’í National Center 1233 Central Street Evanston, Illinois 60201 U.S. 847.853.2354 [email protected] WHAT’S INSIDE SUBSCRIPTIONS: 1.800.999.9019 WWW.BRILLIANTSTARMAGAZINE.ORG © 2012 NATIONAL SPIRITUAL ASSEMBLY OF THE BAHÁ’ÍS OF THE UNITED STATES FAVORITE F E ATURES Amethel Parel-Sewell EDITOR /CREATIVE DIRECTOR C. Aaron Kreader DESIGNER/ILLUSTRATOR Bahá’u’lláh’s Life: Mission of Peace Amy Renshaw SENIOR EDITOR 3 He was known as “Father of the Poor.” Susan Engle ASSOCIATE EDITOR Annie Reneau ASSISTANT EDITOR Foad Ghorbani PRODUCTION ASSISTANT Riley’s Rainforest CONTRIBUTORS 4 Can more money make you happier? Lisa Blecker • Hartley Bayan Carlson • Steven Courtney Keyvan Geula • Dan Jones • Gabrielle Kang-Auger Tayyab Asadullah Kermani • Dr. Philip Koomen • Tuesday Rain LeDuc Nur’s Nook • Doug Marshall • Leily Anastasia Moghaddam Vijay A. Mohandas • Novin Nekoui • Ng Li Li • Donna Price 6 Build a balanced bird with beads. Gail Radley • Hannah Reimer • Dr. Stephen Scotti • Tihut Tamrat Ranger Kait Thomas • Taylor Thurston • Dr. Ken Yeang Original illustrations by C. Aaron Kreader, unless noted. Maya’s Mysteries By Lisa Blecker: Photography for pp. 6 and 8 8 Amaze your friends with a cool balancing trick. By Foad Ghorbani: Art for pp. 5 and 17 Historical photos courtesy of National Bahá’í Archives, unless noted. Story and activity credits: We Are One By Amy Renshaw: 11, 14, 16, 24, 27 11 Explore and care for the place we all call home.
    [Show full text]
  • How Chelsee Learned to Love Budgeting
    How Chelsee learned to love budgeting [music] 0:00:01 Nicole Antoinette: I'm Nicole Antoinette, and this is Real Talk Radio, a podcast filled with honest conversations about... everything! Today's episode is part of our new series called: But How Though? Where I ask people that exact question, how? How do you get out of debt? How do you change career? How do you stop comparing yourself to people on the Internet? How do you have more fulfilling sex? Build stronger friendships, decide whether or not to have kids? Each episode of the series explores a different question like that with a different featured guest, someone who is so bravely joining me to share the ups and downs of how they've managed to close the gap between what they say they want and what they actually do. 0:00:42 NA: Speaking of the how, let's talk for a second about how this show gets made, because behind the scenes, our podcast does things pretty differently in a few ways, first, we are 100% listener funded with no ads or sponsors, and also all of our guests get paid and higher rates are always paid to our guests of color, as well as our queer and trans guests and others with traditionally marginalized identities. The funding to create this show and pay all the guests comes entirely from our Patreon community, which operates on a shame-free sliding scale that allows each community member to support from within their own means. Tons of fun stuff happens over in that community, I host live workshops, share exclusive bonus episodes and lots more, and no matter where on the sliding scale, your monthly pledge falls, you still get access to all of the same events and bonuses.
    [Show full text]
  • U.S. Army Board Study Guide Version 5.3 – 02 June, 2008
    U.S. Army Board Study Guide Version 5.3 – 02 June, 2008 Prepared by ArmyStudyGuide.com "Soldiers helping Soldiers since 1999" Check for updates at: http://www.ArmyStudyGuide.com Sponsored by: Your Future. Your Terms. You’ve served your country, now let DeVry University serve you. Whether you want to build off of the skills you honed in the military, or launch a new career completely, DeVry’s accelerated, year-round programs can help you make school a reality. Flexible, online programs plus more than 80 campus locations nationwide make studying more manageable, even while you serve. You may even be eligible for tuition assistance or other military benefits. Learn more today. Degree Programs Accounting, Business Administration Computer Information Systems Electronics Engineering Technology Plus Many More... Visit www.DeVry.edu today! Or call 877-496-9050 *DeVry University is accredited by The Higher Learning Commission of the North Central Association, www.ncahlc.org. Keller Graduate School of Management is included in this accreditation. Program availability varies by location Financial Assistance is available to those who qualify. In New York, DeVry University and its Keller Graduate School of Management operate as DeVry College of New York © 2008 DeVry University. All rights reserved U.S. Army Board Study Guide Table of Contents Army Programs ............................................................................................................................................. 5 ASAP - Army Substance Abuse Program...............................................................................................
    [Show full text]