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Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount -
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy Webb, Robert Forster, Leonard Cohen, Pamela Des Barres, Ian Hunter, Mod Art & a Few of Our Other Favourite Things. 2017/18 CATALOGUE 2017/18 CATALOGUE CONTENTS For over forty years Omnibus Press has been publishing the stories that matter from the music NEW TITLES 4 world. Omnibus Press is the World’s/Europe’s GIFT GUIDE 26 largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist ROCK 28 of over two hundred and seventy titles currently in THE BEATLES 37 print and many more as digital downloads. POP 39 Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, PUNK & ALTERNATIVE 41 rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list METAL 44 to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist GRAPHIC NOVELS 45 Pete Frame, three editions of which remain in print to this day and have been the basis of two PHOTOGRAPHY 46 BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed CLASSICAL 48 Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, RHINEGOLD 49 Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music OTHER 50 Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by THE LITTLE BLACK SONGBOOK 51 magazines and critics as being amongst the finest rock biographies ever published. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
BBB-2017E.Pdf
Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept. -
1303 JOHNNY COPELAND.Cdr
International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 Texas Greats Mid Price Music Series Johnny Copeland Working Man’s Blues AVAILABLE NOW Born into desperate poverty in Homer, Louisiana, in 1938, Johnny Clyde Copeland went on to bring the legacy of Texas blues to more far flung audiences than anyone before him. His unique blend of old and new styles helped define the modern blues sound that is carrying us into the 21st century. A young Copeland and his partner Joe Hughes, formed a band called the Deuces of Rhythm and started playing house parties. Before long they were getting decent paying gigs.Copeland cut his first record, “Rock & Roll Lily” in 1958 for Mercury Records. This was the start of a career that would span almost four decades and three continents. After 1973 Copeland started touring tirelessly and was able to keep his chops up while getting to go to Europe 1. Daily Bread and Asia. In the early 1980’s the blues made a comeback (Johnny Copeland) - Copyright Control and Johnny was poised to take full advantage. When 2. Drinking New York City Dry (Johnny Copeland) Johnny Clyde Copeland Inc. things started to happen for Johnny, they happened fast. 3. Wella Wella Baby (Johnny Copeland) Par-Too Music In 1981 he was awarded the blues world’s version of an 4. -
Johnny's Blues Heart
Johnny’s Blues Heart By Kojon Heard The true life story of Grammy award winnning blues ambassador Johnny Clyde Copeland 2018 (832) 570 - 4461 [email protected] instagram.com@smackwater790_ghetto_baby facebook.com/kojonheard 1 INT. JOHNNY’S HOME - EVENING 1 A middle aged, charcoal colored Johnny Clyde Copeland sits staring out of his window, softly strumming his guitar. The radio is on in the background, when the radio DJ announces one of Johnny’s earlier songs. As he picks up his lit cigarette from an ashtray, takes a drag. There is a blank look on his face as the music takes him back. DISSOLVE 2 INT. YOUNG JOHNNY’S BEDROOM - MORNING 2 1950, the camera closes in on a handsome young boy the color of midnight. He is zoned in on his guitar. He jumps to attention from the voice of his MOTHER, from another room. MOTHER Johnny if you don’t get your narrow ass to school, I’ma come in there. And you don’t wanna know what I’ma do with that guitar. 3 EXT. OUTSIDE - MORNING 3 Young Johnny is running frantically towards his school bus that pulls off and leaves before he gets there. He slams his school books to the ground. 4 EXT. OUTSIDE - MORNING 4 Young Johnny is walking to school singing at the top of his lungs. 5 INT. CLASSROOM - MORNING 5 The teacher is in front of the class teaching her lesson. Young Johnny’s head is bobbin back and forth, trying to fight the sleep. He finally succumbs. his neighbor ROBERT reaches over and hits him. -
'Blues Boy' Hubbard
Blues Boy Hubbard courtesy of Todd Wolfson. Henry ‘Blues Boy’ Hubbard “I Just Fell In Love With T-Bone Walker Licks” By Scott M. Bock lues Boy Hubbard has helped anchor the rich Austin Hubbard says that he stopped leading his own band when he hit age music scene for six decades. Now, eighty years old, he 75 and his second guitarist left town. He works with the East Side Kings talks about his career without regret despite the fact that when he feels like playing. Today, he sits on a chair while on stage but Bhe never gained much notice outside of Austin. While many his hands still run the fret board with ease. musicians he taught or worked with were busy recording and “My real full name is Henry L. Hubbard. I was born 16th February 1934. I’m from La Grange, Texas – born and raised. It was just me and touring, Hubbard made a living for years leading a band that my brother. That’s it. I went from the first grade to the twelfth grade and backed national artists and, when times were lean, worked day finished high school there. La Grange is east from Austin on Highway 71. jobs to take care of his family. The first town is Bastrop, the next one is Smithfield, and then La Grange. Hubbard is a confident man who laughs easily while sitting in his From La Grange you can get on Highway 10 and go to Houston. comfortable apartment. He wears large glasses, a cowboy hat, and It’s a small town. -
Muziek Voor Volwassenen / Johan Derksen
BUMALIJST RTV RIJNMOND Programma: Muziek voor volwassenen / Johan Derksen Uitzending: 9.00-12.00 uur DATUM: 26 maart 2016 TIJD TITEL ARTIEST ALBUM TITEL COMPONIST LABEL LABELNR 1 2:29 Hush Billy Joe Royal You heard it here first! South Ace Records CDCHD 1250 2 6:29 Blackjack Albert Collins/Robert Cray/Johnny Copeland Showdown Charles Alligator Records SNTCD-954 3 3:00 Love of the common people The Four Preps You heard it here first! Hurley/Wilkins Ace Records CDCHD 1250 4 4:03 Turn the look on love Sarah Brown Sayin' What I'm Thinkin' Brown Blind Pig BPCD 5030 5 2:21 Shakin' all over Johnny Kid and the Pirates You heard it here first! Heath Ace Records CDCHD 1250 6 3:33 I'll make love to you anytime Lukas Nelson and Promise of the Real Something Real J.J. Cale Royal Potato 7 2:38 California dreamin' Barry McGuire You heard it here first! John Phillips/Michelle Phillips Ace Records CDCHD 1250 8 4:17 Sweet woman blues Phil Upchurch Whatever happened to the blues Van Buren Go Jazz vBr 2066 2 9 2:53 I don't care James Brown You heard it here first! Brown Ace Records CDCHD 1250 10 5:37 It's too late Innes Sibun East Monroe Sibun Ulftone Music UTCD 026 11 2:47 I'm your puppet Dan Penn You heard it here first! Penn/Oldham Ace Records CDCHD 1250 12 4:10 I gotta play the blues for you Gary B.B. Coleman Dancin' My Blues Away Coleman/Austin Ichiban Records ICH 1049 CD 13 3:06 Mustang Sally Sir Mack Rice You heard it here first! Rice Ace Records CDCHD 1250 14 5:40 So many roads Guy Smeets Band Guy Smeets Band Marshall Zwaard Music 15 3:25 I got my -
Carlinhos Brown, Un Ciclone Da Bahia Armato Di Ritmo, Danze E Tamburi
06VAR01A0607 ZALLCALL 12 21:24:38 07/05/97 Domenica 6 luglio 1997 12 l’Unità2 LINEE eSUONI L’artista brasiliano travolge il pubblico di «Arezzo Wave» con uno spettacolo che ha i colori del carnevale «Texas blues» Napoli Minà: «Zucchero La scomparsa Carlinhos Brown, un ciclone da Bahia corre da solo» di Johnny «Zucchero è un cavallo che corre da solo...». Gianni Mi- nà, conduttore insieme a Isa- Copeland armato di ritmo, danze e tamburi bella Rossellini della serata «’Te voio bene assaje» che ha Johnny Copeland, Un mix di samba, jazz latino, percussioni africane, ancora più torrido che nel disco «Alfagamabetizado», che ha contribuito a far- visto centomila persone in chitarrista e cantante lo conoscere anche in Europa. Musica popolare, come anche nell’esibizione dell’algerino Cheb Mami, star del «rai». piazza Plebiscito a Napoli per considerato uno dei più Zucchero, liquida così la celebri esponenti del mancata chiamata sul palco «Texas blues», è morto ieri DALL’INVIATA Lindsay, ex Lounge Lizards, e di- di Lucio Dalla e Antonello al Columbia Presbyterian stribuito in Italia dalla Virgin), Venditti da parte del protago- Hospital di Manhattan, a AREZZO. Con la pioggia e con lo mostra capace di giocare e nista del concerto. “Li dove- New York, per qualche lampo lontano, che però sperimentare partendo dalle ra- vamo chiamare io e Isabella, complicazioni cardiache. non hanno scoraggiato pubblico e dici della musica bahiana per poi lui mi ha detto ‘ci penso Copeland aveva 60 anni. musicisti, venerdì sera su Arezzo andare in mille direzioni, dal io’...». Solo che alla fine Zuc- Sette mesi fa, l’artista era Wave è piombato anche un ciclo- samba al reggae, dal latin jazz al chero, cheavevagiàfattospo- stato sottoposto ad un ne brasiliano. -
Sarcoma Foundation of America April 2011
Sarcoma Foundation of America April 2011 The Sarcoma Foundation of America advocates for increased research to find new and better therapies to treat patients with Sarcoma. Table of Contents VIP Concert Ticket Packages Now VIP Concert Tickets Gala & Conference on Sale Federal Campaign Rufus & Martha Wainwright Present: A Celebration of Kate McGarrigle Quick Links Our Website To Benefit the Sarcoma Foundation of America Donate Now Email Us On May 12 and 13 at The Gala & Educational Town Hall in New York City, Conference Tickets Rufus and Martha Wainwright will present: A Celebration of Kate McGarrigle A star-studded lineup appears at both shows! Rufus Wainwright · Martha Wainwright · Norah Jones · Anna McGarrigle · Jimmy Fallon · Emmylou Harris · Antony (of Antony and the Johnsons) · Krystle Warren · Teddy Thompson · Justin Bond · Jenni Muldaur · Sloan Wainwright While both concerts are nearly sold out, 100 VIP tickets for each night’s concert are available Thursday, May 12, $300 per ticket Friday, May 13, $600 per ticket VIP Packages include: Best Loge Seating, Post Concert Reception with the Artists and Great Gift Bags! All VIP Package Proceeds Benefit the Sarcoma Foundation of America The Town Hall is located at 123 West 43rd Street in New York City. To purchase VIP tickets, or for more information, please contact Tracy Reid at Absolutely Live Entertainment (646) 233-2950 or [email protected]. $100 per VIP Ticket is not tax-deductible. Contributions are fully deductible to the extent allowed by law. (Tax ID #52-2275294) Annual Gala and Patient Educational Conference On Pace to be Most Successful Ever May 1 & 2, New York City This year’s Annual Patient Educational Conference and Gala are set for May 1 and 2. -
ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt. -
Capital Blues Messenger Capital Blues Messenger
CapitalCapital BluesBlues MessengerMessenger Celebrating the Blues in the District of Columbia, Maryland and Virginia February 2011 Volume 5 Issue 2 2011 IBC Memphis Results January DCBS- Promoted Blues Events Valentine’s Day And Black History Month Plus More Blues News Inside Photo: www.memphisinternationals.org THE DC BLUES SOCIETY Become a DCBS member! Inside This Issue P.O. BOX 77315 Members are key to the livelihood of the January Blues Events 3 WASHINGTON, DC DCBS. Member‘s dues play an important IBC Results, April 17 Fundraiser 4 part in helping DCBS fulfill its mission to McLean MLK Event, Black History 5 20013-7315 promote the Blues and the musicians who Month, 2011 Blues Music Awards keep the music alive, exciting and accessi- www.dcblues.org ble. Members receive discounts on advance North Atlantic Blues Festival 6 Valentine’s Day Blues, WPFW The DC Blues Society is a non-profit 501(c)(3) sale tickets to DCBS events, DCBS merchan- 7 Membership Drive organization dedicated to keeping the Blues alive dise and from area merchants and clubs through outreach and education. The DC Blues when you present your DCBS membership CD Reviews 8 Society is a proud affiliate of the Blues Foundation. card (see p 11). Members also receive the Blues Calendar 9 monthly Capital Blues Messenger (CBM) Salute to Veteran Patients, Pinetop 10 The Capital Blues Messenger is published monthly newsletter and those with e-mail access get Perkins Youth Workshops, RIP (unless otherwise noted) and sent by e-mail or U.S. the CBM via e-mail plus additional e-mail DCBS Discounts,, Photo Contest, mail to members.