WOWOW PLUS Program Guide January 2021
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A Study of the Victorian and Edwardian Conceptions Of
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2012 Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little Women , The Secret Garden , and Peter Pan Leah Marie Kirkpatrick James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the English Language and Literature Commons Recommended Citation Kirkpatrick, Leah Marie, "Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little omeW n, The eS cret Garden, and Peter Pan" (2012). Masters Theses. 253. https://commons.lib.jmu.edu/master201019/253 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hidden Kisses, Walled Gardens, and Angel-kinder: a Study of the Victorian and Edwardian Conceptions of Motherhood and Childhood in Little Women, The Secret Garden, and Peter Pan Leah M. Kirkpatrick A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts English May 2012 Table of Contents List of Figures………………………………………………………………..…….....iii Abstract…………………………………………………………………………….....iv Introduction…………………………………………………………………………....1 I: The Invention of Childhood and the History of Children’s Literature…………..….3 II: An Angel in the House: the Victorian and Edwardian Wife and Mother………...27 III: Metaphysical Mothers: Mothers in The Secret Garden and Little Women………56 IV. -
Be a Disruptor Than to Defend Myself from Disruption.”
“I ultimately made the decision “The world that it would be more fun to wants us be a disruptor than to tell them that to defend myself the sky is falling. from disruption.” IT’s NOT.” – Le s L i e Mo o n v e s –Pe t e r Ch e r n i n aac e e s i ” – L “ . BEYO TECH NOL WELCOME NDDI OGY SRUP is the best ally democracy can have.” disruption and UNCERTAINTY good way to do it: embrace “There’s only one TION –Ad r i A n A Ci s n e r o s A Report on the AND PLEASE JOIN US INTERNATIONAL for the next International COUNCIL SUMMIT Council Summit September 14, 15, 16, 2011 April 26, 2012 Los Angeles Madrid, Spain CONTENTS A STEP BEYOND DISRUPTION 3 | A STEP BEYOND DISRUPTION he 2011 gathering of The Paley Center for Me- Tumblr feeds, and other helpful info. In addi- dia’s International Council marked the first time tion, we livestreamed the event on our Web site, 4 | A FORMULA FOR SUCCESS: EMBRacE DISRUPTION in its sixteen-year history that we convened in reaching viewers in over 140 countries. Los Angeles, at our beautiful home in Beverly To view archived streams of the sessions, visit 8 | SNAPSHOTS FROM THE COCKTAIL PaRTY AT THE PaLEY CENTER Hills. There, we assembled a group of the most the IC 2011 video gallery on our Web site at http:// influential thinkers in the global media and en- www.paleycenter.org/ic-2011-la-livestream. -
C Ntentasia 17-30 October 2016 Page 2
17-30 October 2016 ! s r a ye 2 0 C 016 g 1 NTENT - Celebratin www.contentasia.tv l www.contentasiasummit.com Aiello/Kamat take US$50m MAIN COLOR PALETTE YuppTV stake10 GRADIENT BG GRADIENT R: 190 G: 214 B: 48 R: 0 G: 0 B: 0 Take the green and the blue Take the green and the blue C: 30 M: 0 Y: 100 K: 0 C: 75 M: 68 Y: 67 K: 90 from the main palette. from the main palette. Opacity: 100% Opacity: 50% R: 0 G: 80 B: 255Original productionR: 138 G: 140 B: 143 will beBlending Mode: Normal Blending Mode: Hue C: 84 M: 68 Y: 0 K: 0 C: 49 M: 39 Y: 38 K: 3 20%-30% of total content within three years Asian investment company Emerald Media is spending US$50 million on YuppTV, giving the OTT platform the fuel to drive original programming up to between 20% and 30% of total content over the next two to three years and to fast-track global subscription ambitions. For its money, the pan-Asian investment platform gets a “significant minority” stake Japan takes centre stage in in YuppTV, based in the U.S. with manage- Cannes ment and engineering teams in India. Hangzhou and other Asia highlights @ The story is on page 7 MIPCOM Japan takes centre stage in Cannes Country of Honour status radiates across MIPCOM agenda Japan takes top spot on the MIPCOM calendar this year, with Country of Hon- our status radiating across the agenda. Highlights include screenings of the Japa- nese version of U.S. -
Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952), -
Spotlight on Asia-Pacific
Worldwide Satellite Magazine June 2008 SatMagazine Spotlight On Asia-Pacific * The Asia-Pacific Satellite Market Segment * Expert analysis: Tara Giunta, Chris Forrester, Futron, Euroconsult, NSR and more... * Satellite Imagery — The Second Look * Diving Into the Beijing Olympics * Executive Spotlight, Andrew Jordan * The Pros Speak — Mark Dankburg, Bob Potter, Adrian Ballintine... * Checking Out CommunicAsia + O&GC3 * Thuraya-3 In Focus SATMAGAZINE JUNE 2008 CONTENTS COVER FEATURE EXE C UTIVE SPOTLIGHT The Asia-Pacific Satellite Market Andrew Jordan by Hartley & Pattie Lesser President & CEO The opportunities, and challenges, SAT-GE facing the Asia-Pacific satellite market 12 are enormous 42 FEATURES INSIGHT Let The Games Begin... High Stakes Patent Litigation by Silvano Payne, Hartley & Pattie by Tara Giunta, Robert M. Masters, Lesser, and Kevin and Michael Fleck and Erin Sears The Beijing Olympic Games are ex- Like it or not, high stakes patent pected to find some 800,000 visitors wars are waging in the global satel- 47 arriving in town for the 17-day event. 04 lite sector, and it is safe to assume that they are here to stay. Transforming Satel- TBS: Looking At Further Diversification lite Broadband by Chris Forrester by Mark Dankberg Internationally, Turner Broadcasting The first time the “radical” concept has always walked hand-in-hand with 54 of a 100 Gbps satellite was intro- the growth of satellite and cable – duced was four years ago, 07 and now IPTV. Here’s Looking At Everything — Part II by Hartley & Pattie Lesser The Key To DTH Success In Asia by Jose del Rosario The Geostationary Operational Envi- Some are eyeing Asia as a haven for ronmental Satellites (GOES) continu- economic safety or even economic ously track evolution of weather over growth amidst the current global almost a hemisphere. -
Innovation Without Borders
International Council NewINNOVATION York WITHOUT CityBORDERS A report on the 2012 International Council summit, an independent forum for media and technology leaders from around the world at the Paley Center for Media. Digital isn’t an afterthought, it’s a primary thought. The main thing is to close the digital divide in You can’t separate this new world, either you’re connected or distribution and you’re out. –Ricardo Salinas content... there’s are other markets. other markets. are there you, for some news I have Angeles, and San Francisco. Los York, New between exists think the whole world guys You no king, one without the other. –Jeff Bewkes You need to build the –Yossi Vardi –Yossi –Avner Ronen –Avner technology that is native to a country’s problems. -Rishi Malhotra –Herb Scannell How do you make a 125 year Technology changes much Technology than the psychology faster of people. old company innovative? It’s all about the people. –Frank A. Bennack, Jr. PC_ICBook_FINAL.indd 1 3/18/13 11:07 PM The Innovation Imperative In November 2012, The Paley Center for Media convened the twentieth meeting of the International Council since this perennial gathering of global media leaders began in 1995. Delegates from here in the US to countries in Latin America, Europe, Asia, and the Middle East, assembled at the Paley Center’s New York headquarters and the Time Warner Center for three days of dialogue and debate under the guiding theme “Innovation without Borders.” Certainly, as a longtime convener of international media leaders, The Paley Center has seen that growth goes hand-in-hand with corporate investment and partnerships across borders. -
II-5-1 Outline
Chapter II: Current Status of Info-communications Industry II-5-1 Outline Recently new broadcasting media have entered the market one after another. II-5 Japanese broadcasting is basically divided into broadcasting have been launched in the terrestrial three media: terrestrial broadcasting, satellite broad- broadcasting area, and communications satellite Broadcasting service Broadcasting casting and cable television. All these categories (CS) broadcasting has also begun. In addition, the have seen new entrants in recent years. For ex- number of companies offering cable television ser- ample, since the beginning of the 1990s, community vices, providing original programming, has been FM radio broadcasting and foreign language FM steadily increasing. Fig. Major broadcasting media in Japan Year 19501960 1970 1980 1990 2000 Current status (Fiscal 1998) Terrestrial TV broadcasting •NHK (2 channels) Subscribers: 36,597,000 1953 (including BS) •The University of the Air Foundation •Commercial broadcasters: 127 • NHK (2 channels) FM radio broadcasting •The University of the Air 1969 Foundation •Commercial broadcasters: 47 Community FM broadcasting •Commercial broadcasters: 118 1992 Foreign language FM radio broadcasting •3 commercial broadcasters Terrestrial broadcasting Terrestrial 1995 (Tokyo, Osaka, Fukuoka) AM radio broadcasting 1925 • NHK (2 channels) •Commercial broadcasters: 47 BS broadcasting •NHK (2 TV channels) Subscribers: 9,464,000 1984 •Commercial TV broadcaster: 1 (1 channel) Subscribers: 2,534,000 •Commercial radio broadcaster: -
Tangled Landscapes: Essays from Wildness Memory and the Unbroken Sky
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2003 Tangled landscapes: Essays from wildness memory and the unbroken sky Danielle M. Lattuga The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lattuga, Danielle M., "Tangled landscapes: Essays from wildness memory and the unbroken sky" (2003). Graduate Student Theses, Dissertations, & Professional Papers. 5581. https://scholarworks.umt.edu/etd/5581 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes” or "No" and provide signature** Yes, I grant permission X No, I do not grant permission Author's Signature: PateT l/)s »rfiML' \(p Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 Tangled Landscapes: Essays from Wildness, Memory, and the Unbroken Sky By Danielle M. Lattuga B.Sc. St. Lawrence University, New York. 1995 Presented in partial fulfillment of the requirements For the degree of Master of Science The University of Montana' September 2003 Approved by: lairperson Dean, Graduate School Date UMI Number: EP41045 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Corporate Profile Movies, Music, Sports, Anime - Entertainment Comes in Many Forms
www.wowow.co.jp Corporate Profile Movies, music, sports, anime - entertainment comes in many forms. The red of burning passion, the blue of the clear sky, energetic orange, Entertainment has more than one color. bewitching purple, sorrowful black - all of these can be found in WOWOW. As long as there is expression in humanity, to deliver excitement to the whole world, we aim to be a comprehensive entertainment and media group. Becoming a comprehensive entertainment and media group All entertainment in every form WOWOW started broadcasting in 1991 as the first private satellite broadcasting ■Delivering WOWOW appeal through a variety of media station in Japan, and for the past quarter As the ways people enjoy TV diversify, so do too the ways to enjoy WOWOW. of a century has been a frontrunner in Accessibility through various media is one of WOWOW's strengths. pay TV. With WOWOW PRIME, LIVE, CINEMA and WOWOW MEMBERS ON Customers DEMAND, we are delivering Japanese BS and international entertainment gems on TV and other devices. CS In the past few years, changes in lifestyle ● SKY PerfecTV! have diversified how people enjoy video content. We are responding to these CATV changing customer needs by evolving ● Cable TV providers our services. We will produce unique content that sets WOWOW apart from IPTV T V・P C・T A B L E T the competition. As a group of top ● Platform providers ● Telecommunications SMARTPHONE producers, we will lead Japan's creativity operators and give birth to new expression. We will also work with creators inside and WEB outside the country to offer to offer fresh surprises and emotion to Japan and the rest of the world. -
WOWOW PLUS Program Guide April 2021
WOWOW PLUS Program Guide April 2021 Genre Drama Sports 1 THU 2 FRI 3 SAT 4 SUN 6:00 Ghost Warrior 5:25 Das Boot 6:30 Snitch Music / stage The Animation 7:30 Saving Private Ryan 7:00 LUPIN THE 3rd TVSP#09 9:00 Reversal of Fortune "ISLAND OF ASSASSINS" Movie Feature 10:30 Setup 8:30 Act of Valor 8:45 LUPIN THE 3rd TVSP#10 3 Tank movies "Indiana Jones" Franchise 3 Movies Based on Cooking Manga 11:00 Fascination 3 Tank movies "TOKYO CRISIS" 12:00 The Departed 10:30 Tobruk 10:30 Lethal Weapon "The Equalizer" Franchise The Art of SF for War Movies Academy Award for Best Picture 13:00 The November Man 12:30 The Beast of War 12:30 Lethal Weapon 2 14:45 Kiss of the Dragon 15:00 Troy 14:30 T-34 14:30 Lethal Weapon 3 Family Cinema 21st Century Masterpieces Academy Award Winning Movies & Related Programs 16:30 Joe Kidd 16:45 Lethal Weapon 4 18:15 Brick Mansions 18:00 DANNY THE DOG "Indiana Jones" Franchise "THE BLUE HEARTS" Special Music Feature 16:30 Raiders of the Lost Ark 19:00 The Blue Hearts "TAKANORI NISHIKAWA" Special 20:00 Line of Duty 3 #4 20:00 Line of Duty 3 #5 ENDLESS DREAMS THE BLUE HEARTS 18:45 Indiana Jones MEET THE MUTOID with ANTI BODY Special and the Temple of Doom 20:00 The Blue Hearts no Video 2 Clint Eastwood 90th Anniversary Feature"Jackie Chan" "THE BLUE HEARTS" Special 21:00 Saving Private Ryan (JP) 21:00 Koko no Mes 21:00 Indiana Jones VIDEO CLIP 1990-1993 #1~8 and the Last Crusade 20:45 LiSA LiVE is Smile Always "TAKURO YOSHIDA" Specials Golden Week Special "Dubbed Movies" Golden Week Special "Luc Besson" 23:15 Indiana Jones -
THE UNIVERSITY of HULL New Lives in the Ancestral Homeland
THE UNIVERSITY OF HULL New Lives in the Ancestral Homeland: Return migration from South America to mainland Japan and Okinawa being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Naoko Horikawa MSc January 2012 New Lives in the Ancestral Homeland: Return migration from South America to mainland Japan and Okinawa Naoko Horikawa MSc January 2012 Thesis Abstract This work presents a study of identity formation in migrants of Japanese and Okinawan descent who relocate from countries of South America to mainland Japan and to the island prefecture of Okinawa, initially to seek economic advantage. The migrants, called Nikkeijin, are predominantly progeny of earlier migrants from Japan to South America. In a cross-generational sense, they are return migrants. The ethnographic study, based on field research conducted in two sites on the mainland and in Okinawa, compares Nikkeijin experience and attitudes as they interact with native Japanese. Because of their Japanese background, Nikkeijin benefit from privileged visa status; nonetheless, in Japan they are treated as foreigners, and their identity diversifies. Nikkeijin are found to construct simultaneous social fields in both the country of departure and the new environment. This situation may be recognized through the concept of transnationalism. I argue that Nikkeijin self-identity can be multiple and flexible, and does not necessarily coincide with social identity. An increasing and officially promoted diasporic consciousness among migrants of Okinawan descent would seem to produce a different ethnic response to any on the mainland and a greater potential for integration. My thesis should contribute to the understanding of identity in Nikkeijin return migration. -
Unclassified DSTI/ICCP/TISP(97)7/FINAL
Unclassified DSTI/ICCP/TISP(97)7/FINAL Organisation de Coopération et de Développement Economiques OLIS : 24-Jun-1999 Organisation for Economic Co-operation and Development Dist. : 28-Jun-1999 __________________________________________________________________________________________ English text only DIRECTORATE FOR SCIENCE, TECHNOLOGY AND INDUSTRY Unclassified DSTI/ICCP/TISP(97)7/FINAL COMMITTEE FOR INFORMATION, COMPUTER AND COMMUNICATIONS POLICY Working Party on Telecommunication and Information Services Policies CONDITIONAL ACCESS SYSTEMS: IMPLICATIONS FOR ACCESS English text only 79578 Document complet disponible sur OLIS dans son format d'origine Complete document available on OLIS in its original format DSTI/ICCP/TISP(97)7/FINAL FOREWORD The following report was presented to the Working Party on Telecommunication and Information Services Policies (TISP) in September 1997 and was subsequently forwarded, in March 1998, to the Committee for Information, Computer and Communications Policy (ICCP), who agreed to its declassification through a written procedure. The report was prepared by Mr. Shigeyoshi Wakabayashi of the OECD’s Directorate for Science, Technology and Industry. It is published on the responsibility of the Secretary-General of the OECD. Copyright OECD, 1999 Applications for permission to reproduce or translate all or part of this material should be made to: Head of Publications Service, OECD, 2 rue André-Pascal, 75775 Paris Cedex 16, France. 2 DSTI/ICCP/TISP(97)7/FINAL TABLE OF CONTENTS FOREWORD.................................................................................................................................................