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Executive Assistant
Executive Assistant (fixed term contract) August 2021 Thank you for your interest in the post of Executive Assistant at New Adventures. This post is being recruited via Creative Access. The contents of the pack include: • information about the company • a job description • a personal specification Recruitment Timeline Application deadline: Monday 30 Aug Interviews: w/c 13 Sept Successful candidate joins team: ASAP from offer date Travel expenses will only be available to candidates who make the second round of interviews. New Adventures, Matthew Bourne’s award-winning company New Adventures is proud to be a truly national dance-theatre company, touring across the UK and is Britain’s leading exporter of dance. For over 30 years Matthew Bourne and his company New Adventures have changed the popularity of dance in Britain, creating works that have altered the public perception of what is possible when it comes to telling stories without words. New Adventures is passionate about diversifying the dance landscape and investing in the future of dance, through delivering inclusive projects for people of all ages, abilities and backgrounds, and developing and inspiring emerging artists. In 2015 New Adventures became an Arts Council England National Portfolio Organisation enabling us to grow and develop our work on and offstage. Since 1986 Matthew Bourne has created 12 full-length productions and a triple bill of short works. This award-winning repertoire has inspired and thrilled millions of people worldwide. Perhaps best- known for its now legendary Swan Lake with its corps de ballet of menacing male swans, New Adventures’ intriguing twists on the ballet classics also include Nutcracker!, Sleeping Beauty, Cinderella, The Car Man based on the opera Carmen and Highland Fling based on La Sylphide set in contemporary Glasgow. -
A-Level Dance Resource List Resource List
Resource list A-level Dance (2230) Teaching and learning resources Resource list AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Contents Performance – books Performance - DVDs, CD ROMs Choreography – books Choreography - DVDs, CD ROMs General contextual and historical books General DVDs, videos and CD ROMs linked with areas of study, the three set works and the three dance genres General DVDs Jazz and Musicals – DVDs and videos Jazz dance - books American Musicals (30s and 40s mainly) Alvin Ailey and Revelations (1960): a set work for 2010 Modern dance – general: books Modern dance – general: resource packs Modern dance in Britain 1965-1985: books and resource packs Modern dance in Britain 1965-1985: DVDs or videos Beach Birds for Camera, Merce Cunningham (1991): a set work for 2010 Ballet – general: books and resource packs Cinderella, Ashton (1948): a set work for 2010 Diaghilev and the Ballets Russes: an area of study for 2010 Useful websites and organisations AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in 2 of 26 England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Books, DVDs, videos and resource packs for specific areas of the new GCE Dance specification for examination in 2009 (AS) and 2010 (A Level) Performance – books [OP] = Out of Print Blakey, W.P. (1992) The Muscle Book Stafford: Bibliotek Blakey, W.P. (1994) Stretching Without Pain Stafford: Bibliotek Cohan, R. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Bringing More Choice to Your Cinema About More2screen
PRESENTS THE GRADELINNIT COMPANY PRODUCTION OF ABOUT MORE2SCREEN More2Screen is a leading distributor of Event Cinema with an unparalleled reputation for the delivery of great cinema events to audiences around the world. Founded in 2006 by CEO Christine Costello, it has been a global pioneer in the harnessing of digital technology to bring the very best in live music, performance arts and cultural entertainment to local cinema audiences. More2Screen won the Screen Award ‘Event Cinema Campaign of the Year’ category in 2018 for the live broadcast of the musical Everybody’s Talking About Jamie, and recent releases include Kinky Boots The Musical, Gauguin from the National Gallery, London, Matthew Bourne’s Swan Lake and 42nd Street The Musical. FILMED LIVE AT THEATRE ROYAL, DRURY LANE, LONDON For more information visit More2Screen.com RUNNING TIME: 144 Minutes (PART 1 72 Minutes / INTERVAL 10 minutes / PART 2 62 minutes) BBFC: 12A BRINGING MORE CHOICE TO YOUR CINEMA Share your thoughts after the screening Live and recorded theatre, opera, #42ndStreetCinema @more2screen ballet, music & exhibitions @42ndStreetLDN / @More2Screen In Memory of Mark Bramble Director & Co-Author December 7th 1950 - February 20th 2019 PRODUCTION Book by Michael Stewart & Mark Bramble Music & Lyrics by Harry Warren & Al Dubin Based on the novel by Bradford Ropes CAST Director Mark Bramble Dorothy Brock Bonnie Langford Set Designer Douglas W. Schmidt Julian Marsh Tom Lister Costume Designer Roger Kirk Peggy Sawyer Clare Halse Lighting Designer Peter Mumford Sound Designer -
Performing Arts, Dance & Drama Courses
World class thinking. World class achieving. St Mary’s College PERFORMING ARTS Level 3 suite Pre-course reading and guidance Performing Arts Instagram: SMCperformingarts Level 3 Performing Arts WHY SHOULD I CHOOSE PERFORMING ARTS? The Performing Arts qualifications are an exciting and challenging journey from GCSE to Vocational College or University. Performances throughout the year in varying styles will satisfy your desire for ‘stage-time’ and theory elements will broaden your knowledge and appreciation of cultural, social and historical influences in the world of theatre. We offer independent qualifications in Acting and Dance (both worth 1.5 A level Equivalent) and our impressive full time course (3 A level Equivalent). World class thinking. World class achieving. Level 3 Performing Arts The courses we offer ➢Level 3 Foundation Diploma in Performing Arts (Dance) (1.5 A-Level Equivalent) Click here for the specification ➢Level 3 Foundation Diploma in Performing Arts (Acting) (1.5 A-Level equivalent) Click here for the specification ➢Level 3 Extended Diploma in Performing Arts (3 A-Level Equivalent) Click here for the specification World class thinking. World class achieving. Level 3 Performing Arts BTEC LEVEL 3 Foundation Diploma in Dance (1.5 A-Level 84 UCAS Points) Four internally assessed units covering: › Jazz › Street dance › Contemporary › Community Theatre Two externally assessed examinations – 1 written theory (Unit 1) – 1 written & performance based (Unit 3) World class thinking. World class achieving. Level 3 Performing Arts BTEC LEVEL 3 Foundation Diploma in Dance (1.5 A-Level – 84 UCAS Points) Practioner studies: • Matthew Bourne • Christopher Bruce • Andrew Winghart • Martha Graham • Bob Fosse • Street Dance styles Click to learn more about each person World class thinking. -
Dissertation Final Corrected
FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Consumer Alert Regarding Ticket Purchasing
CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116. -
Out and About with the Vic-Wells
President: Vice President: No. 480 - September 2012 Simon Russell Beale CBE Nickolas Grace Price 50p when sold Out and About with the Vic-Wells Shakespeare at the British Museum There will be a Vic-Wells visit to the British Museum’s current exhibition Shakespeare: staging the world on Monday, 1st October 2012. The exhibition provides a new insight into the emerging role of London as a world city four hundred years ago, interpreted through the innovative perspective of Shakespeare’s plays - and features over 190 objects. The exhibition creates a unique dialogue between these objects drawn from the museum’s collection. Great paintings, rare manuscripts, maps, drawings, armour, coins and other intriguing objects are all examined through the lens of Shakespeare’s plays. Shakespeare: staging the world also explores the theatre-going experience at the time. The newly built playhouses were situated in the suburbs: Bankside was an area with a dangerous and notorious reputation. The theatres needed to attract large numbers of playgoers and so performances had to appeal to a wide spectrum of society, from groundlings to courtiers. Objects excavated from the sites of the Globe and Rose theatres, such as a sucket fork for sweetmeats and the skull of a bear, illustrate the Southwark of Shakespeare’s day, the cultural world inhabited by the playhouse, which rubbed shoulders with bear-baiting arenas as well as brothels and pubs. The British Museum has produced, working with the Royal Shakespeare Company, a series of new digital interventions which appear throughout the exhibition, allowing visitors to encounter Shakespeare’s words and characters alongside the objects on The Lyte Jewel display. -
A Little Night Music
WELCOME It is a real pleasure to welcome you to the Quarry before last, and who share the role of Fredrika in Theatre for the first time in many months for our A Little Night Music. It’s a thrill to be able to perform co-production of Stephen Sondheim’s A Little Night Sondheim’s work in Jonathan Tunick’s original Music. This latest collaboration between Leeds orchestrations, with the brilliant Orchestra of Opera Playhouse and Opera North represents a significant North conducted by one of the world’s leading step for both organisations on the road back to a full interpreters of classic musical theatre, Jim Holmes. programme of performances for live audiences. Behind the scenes, our staff have been working The partnership between our two companies has incredibly hard to ensure a safe environment flourished since our work together five years ago for performers and audiences alike, and that on another Sondheim musical, Into the Woods, and will continue to be a top priority as we plan for has grown all the stronger during the pandemic. performances without restrictions in the coming Against the odds we made an all too brief return months. There is much to look forward to from to live performance together last October with both companies, with Pam Gems’ sensational play the Connecting Voices season, which included about the life of Edith Piaf at the Playhouse later Orpheus in the Record Shop, an extraordinary new this summer, and an autumn season that includes work by Leeds-based artist Testament, which was the magical Christmas show Wendy and Peter subsequently filmed for BBC4’s Lights Up festival. -
Swan Lake Resource Pack
RESOURCES FOR TEACHERS AND STUDENTS CONTENTS 1. OUTLINE OF THE RESOURCE PACK p03 2. THE PLOT OF SWAN LAKE p04 3. THE THEMES OF SWAN LAKE p06 - The Royal Family - Paparazzi - Identity - Rejection 4. THE CHARACTERS IN MATTHEW BOURNE’S SWAN LAKE p08 5. PRODUCTION ELEMENTS p11 - Physical Setting • Set Design • Costume Design • Lighting Design - Aural Setting 6. THE ROLE OF THE CHOREOGRAPHER p20 7. WORKSHEETS p27 8. REFLECTING AND REVIEWING p33 9. FURTHER WORK p35 - Essay Questions - References - Resources and Further Reading - Reviews and Articles - Credits MATTHEW BOURNE’S SWAN LAKE RESOURCES FOR TEACHERS AND STUDENTS 2 1. OUTLINE OF THE RESOURCE PACK This education resource pack aims to The central focus of this resource is to provide workable provide an insight into the creative tasks that address the key themes that Bourne researched, as outlined in his choreographic notebooks and choreographic process of Matthew and within interviews. Some of the themes explored in Bourne in the development and this pack have been described by Bourne, others are reinvention of Swan Lake. themes that might be identified by students or a Swan Lake audience. The pack follows a structure which provides information Symbols have been used to help differentiate between about the dance itself, but also provides tasks the following; research and/or further reading activities, which encourage students to explore composition, discussion and evaluation ideas, practical tasks and written performance and appreciation methods, the key work. Clearly some of the activities overlap each other. foundation to dance work at key stage 2, key stage 3 and at examination level at both key stage 4 and 5. -
About 3 Featured Artist 4 Event Details 14 Where to Get Tickets 16 How To
HOSTED BY: DESTINY FELLOWSHIP CHURCH CONTENTS About 3 Featured Artist 4 Event Details 14 How to Pay 15 Where to get Tickets 16 ABOUT Rooted in the confession of Psalm 14:2, Relentless exists to glorify God by uniting people in worship and prayer for a spiritual awakening in this generation. From its start in 2017, the Relentless Worship Experience has had a singular mission calling all people from across and around Cape Town to live for what matters most. For us, what matters most is the name and renown of Jesus. We believe in this generation and we are watching God use them to change the climate of faith around Cape Town. Relentless has had the privilege of encountering people whose lives have been transformed by the power of the Holy Spirit. Their voice is getting louder as they rise, united as a generation, bringing hope and light to the across Cape Town. Relentless is more than music. More than an event. Relentless is a generation living for His Name. The wave is growing and we invite you to join the movement. DON VINO Facebook: @donvinofanpage With many years of experience in the music industry since 2009 Don Vino along with his amazing band plays any genre of music from Jazz to Gospel, R&B to Afrikaans music. In more recent years. Don Vino has added Musical Theatre performances and Musical Director to his list of attributes. He made his debut theatre performance in the hit musical production David Kramer’s Songbook in 2007 which led him to his role as Music Director in 3 Wise Men, also a David Kramer produc- tion, and featured Mark Lottering, Riaad Moosa and Nik Rabinowitz.