Stevie Ray Vaughan Live: Play Hard & Floor

Total Page:16

File Type:pdf, Size:1020Kb

Stevie Ray Vaughan Live: Play Hard & Floor STEVIE RAY VAUGHAN LIVE: PLAY HARD & FLOOR IT! Stevie Ray Vaughan’s uniquely eclectic and fiery style sounded like no other guitarist, regardless of genre - a leading light in American blues. STEVIE RAY VAUGHAN LIVE: PLAY HARD & FLOOR IT! showcases the guitar master’s career with some of his finest performances caught on tape. Friend and Double Trouble bandmate drummer Chris Layton gives context to the performances in on-camera interviews. The special begins with Stevie Ray's debut at the 1982 Montreux Jazz Festival in Switzerland – an ‘electric’ unknown added to an acoustic blues night at the last minute. The songs were met by boos from an audience expecting a laid back evening of unadorned music, but today's audiences experience an archival gem of a star’s early promise on “Pride & Joy” and “Texas Flood.” Almost three years to the day, Stevie Ray headlined the 1985 Montreux festival to raves from a sold-out crowd, highlighted in the special with “Cold Shot,” “Scuttle Buttin’” and “Say What!” At Toronto's tiny El Mocambo club, the historic venue hosted an intense Stevie Ray set in 1983, living up to his motto of PLAY HARD & FLOOR IT! with “Love Struck Baby,” and Jimi Hendrix’s “Voodoo Chile (Slight Return).” The special closes with performances from the height of Stevie Ray’s career in his hometown of Austin, Texas in 1989, a year before his tragic death. Fans enjoyed pure magic that night including his #1 hit “Crossfire,” the instrumental “Riviera Paradise,” “Tightrope” and “The House is Rockin’,” all preserved in this special as a tribute to his talent. Song List “Pride & Joy” (Montreux 1982) “Texas Flood” (Montreux 1982) “Cold Shot” (Montreux 1985 with Johnny Copeland) “Scuttle Buttin’” (Montreux 1985) “Say What!” (Montreux 19885) “Love Struck Baby” (El Mocambo - Toronto 1983) “Voodoo Chile (Slight Return)” (El Mocambo - Toronto 1983) “Tightrope” (Austin 1989) “Riviera Paradise” (Austin 1989) “Crossfire” (Austin 1989) “The House is Rockin’” (Austin 1989) A presentation of WLIW21 in association with WNET.ORG. ST and CC. .
Recommended publications
  • Diana Rein Queen of My Castle Cd 1-Sheet
    Yes I Sing The Blues Walking Along Chill of the Night The Midnight Line Pure Soul Worth Queen of My Castle It’s You Time’s Ticking Away I Can’t Quit You My Love Heat One Foot In Get Down Zoe RELEASE DATE: June 21, 2019 Website: dianarein.com GENRE: Contemporary Blues/Blues Instagram: instagram.com/dianarein LABEL: Gulf Coast Records Facebook: facebook.com/dianareinmusic Twitter: twitter.com/dianarein Youtube: youtube.com/user/dstar781 DIANA REIN TO RELEASE QUEEN OF MY CASTLE ON GULF COAST RECORDS “I've known Diana for several years now and I'm proud to call her my friend. Working with her on this album for the last year has been a labor of love for both of us. Not only is she is an uber talented singer-songwriter/guitarist, but also one of the most diligent and dedicated artist I've ever worked with.” ~ Michael Leasure (Walter Trout Band) On June 21st, Diana Rein will release her new studio album Queen Of My Castle, the follow-up to her 2016 release Long Road. Queen of My Castle was co- produced by Michael Leasure (drummer Walter Trout Band) and mixed by Lincoln Clapp (who previously mixed Texas Flood by Stevie Ray Vaughan, one of Diana’s biggest influences). The new album is a collection of fifteen songs, one of which is a tribute to Stevie Ray Vaughan. The album kicks off with the autobiographical song “Yes I Sing the Blues” that talks about Diana’s introduction to the Blues. She tells her story wIth a modern twist on the blues and plays lead guitar in the Texas Blues vein.
    [Show full text]
  • Razorcake Issue #09
    PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask.
    [Show full text]
  • Profusion X Programs
    LATIN RELIGIOUS AMAZONIA CONTEMPORARY CHRISTIAN CARNIVAL BRASILEIRO GOSPEL PROFUSION X EL MOCAMBO ROCK FIESTA TROPICAL ADULT ALTERNATIVE HURBANO ALBUM ROCK PROGRAMS LATIN CONTEMPORARY BLEND ALTERNATIVE LATIN HITS CLASSIC ROCK LATIN JAZZ COFFEEHOUSE ROCK CLASSICAL INTERNATIONAL LATIN SOUTHWEST BLEND COLLEGE ROCK ARIAS & OVERTURES BELLISIMA MARIACHI FLASHBACK NEW WAVE CHAMBER MUSIC CARIBBEAN RHYTHMS MÚSICA CUBANA REALITY BITES INTIMATE CHAMBER CARIBBEAN WORLD BLEND MÚSICA DE LAS AMERICAS ROADHOUSE LIGHT CLASSICAL CHINESE PORTUGLISH BLEND COUNTRY EURO HITS PURO AMOR HIT COUNTRY FRENCH BISTRO BLEND REGIONAL MEXICAN MODERN COUNTRY GREEK ROMANCERO LATINO TRADITIONAL COUNTRY HAWAIIAN SALSA DANCE IRISH SPANGLISH BLEND DANCE ITALIAN BISTRO BLEND OLDIES ELECTROSPHERE ITALIAN CONTEMPORARY ‘60S REVOLUTION formerly Rock ‘N’ Roll Oldies) SPECIALTY POWER HITS ITALIAN TRADITIONAL ’70S HITS BEACH PARTY RETRO DISCO JAPANESE ’80S HITS BLUES RIVIERA DISCOTHÈQUE REGGAE MALT SHOP OLDIES formerly Golden Oldies) CHILLTOPIA SUBTERRANEAN RIVIERA SONGWRITERS OF THE ‘70S GOT KIDS? HEALTH & FITNESS SOUTH AFRICAN RHYTHMS UPBEAT OLDIES GREAT STANDARDS ’70S & ’80S WORKOUT UK HITS POP/ADULT CONTEMPORARY LOL! CLASSIC ALTERNATIVE WORKOUT WORLD BEAT ’90S HITS PARTY FAVORS CLASSIC ROCK WORKOUT JAZZ ADULT CONTEMPORARY URBAN GLOW BIG BAND SWING CHÍC BOUTIQUE CLASSIC R&B MODERN WORKOUT CLASSIC JAZZ VOCAL BLEND CITYSCAPES GROOVE LOUNGE NEW AGE SPA JAZZ CLASSIC HITS BLEND HOT JAMZ HIP HOP PUMP! JAZZ VOCAL BLEND CLUB 12 OLD SCHOOL FUNK ZEN RAT PACK DIVAS RAP INSTRUMENTAL SMOOTH
    [Show full text]
  • Picking Mechanics for Blues Guitar
    Picking Mechanics For Blues Guitar Antony Reynaert www.BestBluesGuitarLessonsOnline.com Contents Introduction I. Downstrokes Only . 5 A. When To Use B. Example C. Famous Players Using This Technique II. Alternate Picking . 6 A. When To Use B. Example C. Famous Players Using This Technique III. Economy Picking . .7 A. Why Use Economy Picking? B. Example C. Famous Players Using This Technique IV. Legato Technique . 8 A. When To Use B. Example C. Famous Players Using This Technique V. Sweep Picking . 9 A. When To Use B. Example C. Famous Players Using This Technique VI. Important Considerations . .. 10 copyright (c) Guitar Mastery Solutions Introduction: How To Free The Music Inside Of You By Overcoming Your Guitar Technique Limitations As a blues guitarist you want to express your feelings through your guitar. Before you can free the music in yourself, you need to clear the roadblock that is holding you back from expressing the music freely. Many guitar students struggle with their freedom of expression when playing blues solos, mainly because they believe that ‘blues is an easy style’ and because of this they never focus on blues guitar technique. This mistake causes the student to only get partial results when improvising and lays also at the root of why many struggle to play blues guitar solos effortless. How To Take Your Mind Of Guitar Technique Guitar technique should be practiced in order to take your mind of technique. Once you focused on the right exercises then you will find yourself in a place where you don’t have to actively think about technique anymore (even when playing the most challenging passages, licks, riffs or solos).
    [Show full text]
  • Son Sealsseals 1942-2004
    January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page.
    [Show full text]
  • Mood Music Programs
    MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
    [Show full text]
  • Guitar Songbook Series
    837 GUITARGUITAR SONGBOOKSONGBOOK SERIESSERIES DECADE SERIES GUITAR PLAY- ALONG SERIES Play the songs that defined an era with these great note-for-note transcription collections. The Guitar Play-Along Series will assist players in learn- ing to play their favorite songs quickly and easily. Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. Mac or PC users can also slow down the tempo by using the CD in their computer. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. INCLUDES TAB VOLUME 1 – ROCK 8 songs, including: Day Tripper • Message in a Bottle • Refugee • Shattered • Sunshine of Your Love • GUITAR Takin’ Care of Business • Tush • Walk This Way. _____00699570 Book/CD Pack...................$12.95 VOLUME 2 – ACOUSTIC THE 1950s INCLUDES THE 1980s INCLUDES 8 songs, including: Angie • Behind Blue Eyes • Best 30 pivotal songs from the early rock years, TAB 30 songs that shaped a decade, including: TAB of My Love • Blackbird • Dust in the Wind • Layla • including: All Shook Up • Be-Bop-A-Lula • Bo Diddley Every Breath You Take • Fight for Your Right (To Night Moves • Yesterday. • Donna • Hound Dog • Rebel ’Rouser • Rockin’ Party) • Hit Me with Your Best Shot • I Love Rock ’N _____00699569 Book/CD Pack...................$12.95 Robin • Tequila • Wake up Little Susie • more. Roll • Love Struck Baby • Money for Nothing • Mony, VOLUME 3 – HARD ROCK _____00690543 Guitar Recorded Versions...$14.95 Mony • R.O.C.K.
    [Show full text]
  • The Blues Foundation Archives: Immersion and Preservation
    The Blues Foundation Archives: Immersion and Preservation Stephanie Swindle Blues music, while still experienced through live performance, should also be documented and preserved in order to honor and promote one of the world's most essential genres of music. The influence of the blues tradition upon rock and roll artists of the nineteen fifties and sixties as well as upon the contemporary R&B and hip-hop musicians is evident in their similar subject matter, rhythmic underpinnings, and featured instrument - the guitar. Therefore, educating the public and providing scholars and fans with the resources to further appreciate and understand the blues is a significant task. The Blues Foundation is a non-profit organization devoted specifically to the preservation perpetuation of the blues. In its possession is twenty-five years worth of archival material that is in desperate need of preservation. The goal for this project is to work in conjunction with the staff and Executive Director of The Blues Foundation in order to write a grant proposal for a National Endowment for the Humanities preservation grant award. Organizing its archives, which is divided into photographs, autographed guitars, audio, video, concert, compact discs and cassettes, and miscellaneous, is the first step in a long process of preservation. In order to organize its media, The Blues Foundation will be served by submitting a grant proposal to the National Endowment for the Humanities to receive funding necessary to undertake such an elaborate project. Due to The Blues Foundation's vast amount of archival wealth, the Foundation and this project, in particular, merit NEH funding consideration.
    [Show full text]
  • Stevie Ray Vaughan
    An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear­ ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec­ man who urged me to book him was his older tric bass and Chris Layton on drums.
    [Show full text]
  • Rental Song List
    Song no Title 1 Syndicate 2 Love Me 3 Vanilla Twilight 4 History 5 Blah Blah Blah 6 Odd One 7 There Goes My Baby 8 Didn't You Know How Much I Love You 9 Rude Boy 10 The Good Life 11 Billionaire 12 Between The Lines 13 He Really Thinks He's Got It 14 If It's Love 15 Mockingbird 16 Your Love 17 Crazy Town 18 You Look Better When I'm Drunk 19 Animal 20 September 21 It's Gonna Be 22 Dynamite 23 Misery 24 Beauty In The World 25 Crow & The Butterfly 26 DJ Got Us Fallin' In Love 27 Touch 28 Someone Else Calling You Baby 29 If I Die Young 30 Just The Way You Are 31 Like A G6 32 Dog Days Are Over 33 Home 34 Little Lion Man 35 Nightmare 36 Hot Tottie 37 Jizzle 38 Lovin Her Was Easier 39 A Little Naughty Is Nice 40 Radioactive 41 One In A Million 42 What's My Name 43 Raise Your Glass 44 Hey Baby (Drop It ToThe Floor) 45 Marry Me 46 1983 47 Right Thru Me 48 Coal Miner's Daughter 49 Maybe 50 S & M 51 For The First Time 52 The Cave 53 Coming Home 54 Fu**in' Perfect 55 Rolling In The Deep 56 Courage 57 You Lie 58 Me & Tennessee 59 Walk Away 60 Diamond Eyes 61 Raining Men 62 I Do 63 Someone Like You 64 Ballad Of Mona Lisa 65 Set Fire To The Rain 66 Just Can't Get Enough 67 I'm A Honky Tonk Girl 68 Give Me Everything 69 Roll Away Your Stone 70 Good Man 71 Make You Feel My Love 72 Catch Me 73 Number One Hit 74 Party Rock Anthem 75 Moves Like Jagger 76 Made In America 77 Drive All Night 78 God Gave Me You 79 Northern Girl 80 The Kind You Can't Afford 81 Nasty 82 Criminal 83 Sexy & I Know It 84 Drowning Again 85 Buss It Wide Open 86 Saturday Night 87 Pumped
    [Show full text]
  • GW Nov 1985 SRV Benson.Pdf
    v THE WHAMMY BAR News and notes on guitarists the field. It was the last night of Lonnie Mack's and Wood smiling with delight. After the lucky enough to two-night stand at the Lone Star Cafe iii first song , it appeared that Richards and have seen it will New York City and the word was out that Wood were done for the night, but Mack not soon forget something special was going to happen. wasn 't going to let them off that easy. this wicked jam My first thought wp's that Stevie Ray Shifting gears into a slow blues number at Avery Fisher Vaughan would show up with his beat-up that must have lasted fifteen minutes, Hal l. Afte r the sunburst Stratocaster. Wrong . With cele­ Mack, Richards and Wood pulled out show, Miami Vice's brities in attendance such and pulled off a vast voca­ Don Johnson an­ as Dylan, Paul Simon , Mick bulary of classic blues fills nounced the band Jagger and Adrian Belew I leavin g the crowd dizzy would back him knew something big was with excitement. Overall, it on a solo album. going to take place. Mid­ was a fitting tribute to a [- Bill Milkowskll ... Last issue in this way through the Wham guitarist who has been space, we announced that the producers king's first set he called for tearing up fretboards for of "Electric God ," a fi lm "inspired by the his special guests to join a long time. [-Mark Bosch) legend of Jimi Hendrix." had no script, w him and out comes those .
    [Show full text]
  • Guitar Videos & Dvds
    220 GUITAR VIDEOS & DVDS BEGINNING GUITAR INSTRUCTION BEGINNING FRETBOARD GUITAR ROADMAPS ACCELERATE VOLUME 1 featuring YOUR GUITAR Fred Sokolow PLAYING with Tom Kolb Starter Series Fred Sokolow teaches the EXERCISES AND TIPS TO In this info-packed DVD, parts of movable fretboard patterns all MAKE YOU BETTER – FASTER the acoustic and electric guitar the pros use. Guitarists will learn featuring Tomo Fujita are described. Viewers will also how to solo and play back-up in Freely express yourself and learn: how to tune up, how to get all keys, all over the fretboard • improve your skills on guitar with good tone with an amplifier, how play movable chords and chord the easy-to-understand exercises and demonstrations on to hold the pick, left- and right-hand positioning, open progressions • play chord-based licks and arpeggios • this DVD. Covers: scale and picking exercises • interval chords, power chords, strumming patterns, string jam or play melodies with the blues box and with and ear training • rhythm studies • stylistic grooves. 55 muting, soloing and more. Features rock, blues and pentatonic and major scales • and much more. The minutes. country rock styles, a jam session with a live band, and a accompanying booklet comes complete with easy-to- ______00320458 DVD ....................................$24.95 detailed booklet. 44 minutes. follow notation and diagrams which correspond exactly ______00320237 VHS Video ...........................$24.95 ______00320326 DVD ......................................$9.95 to the DVD. 62 minutes. ______00320049 VHS Video .............................$9.95 ______00320325 DVD ....................................$16.95 BEGINNING CHORDS ______00320138 VHS Video ...........................$14.95 AND STRUMMING BEGINNING with Rick Plunkett GUITAR This video features Rick Plunkett, VOLUME 2 one of today’s finest guitar Ideal for the beginning to instructors, taking you step-by-step intermediate guitarist.
    [Show full text]