Commonlit | Lin-Manuel Miranda
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
2021/2022 Season Announcement
For immediate release Publicist: Brian McWilliams [email protected] SAN FRANCISCO PLAYHOUSE ANNOUNCES 2021-2022 SEASON First full in-person season since COVID-19 pandemic to feature THE GREAT KHAN, TWELFTH NIGHT, HEROES OF THE FOURTH TURNING, THE PAPER DREAMS OF HARRY CHIN, WATER BY THE SPOONFUL, and FOLLIES SAN FRANCISCO (July 11, 2021) — San Francisco Playhouse (Artistic Director Bill English; Producing Director Susi Damilano) announced today the six plays that will comprise its 2021/22 Season. In announcing their first full in-person season since the COVID-19 pandemic shut down production in March 2020, the company reasserted its commitment to producing bold, challenging, and uplifting plays and musicals for the Bay Area community. “We feel passionately that coming at this moment in American history, our 19th Season may well be our most important,” said Bill English, Artistic Director. “We will joyfully collaborate with artists who speak from widely unique perspectives on universal themes that generate greater empathy and compassion. It is in this spirit that we present our 2021/22 Season, which spans from a world premiere to the San Francisco professional premiere of a Sondheim classic. This season focuses on plays that show us the light at the end of the tunnel, that help us believe that hope and redemption are within our reach.” Mainstage The San Francisco Playhouse 2021/22 Season will begin with the World Premiere of The Great Khan by veteran Bay Area playwright and actor Michael Gene Sullivan, followed by Kwame Kwei-Armah and Shaina Taub’s musical adaptation of Shakespeare’s Twelfth Night. -
Broadway Guest Artists & High-Profile Key Note Speakers
Broadway Guest Artists & High-Profile Key Note Speakers George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE Amy Weinstein has been developing, creating, marketing and producing education programs in partnership with some of the finest Broadway Artists and Creative teams since 1998. A leader and pioneer in curriculum based standards and exciting and educational custom designed workshops and presentations, she has been recognized as a cutting edge and highly effective creative presence within public and private schools nationwide. She has been dedicated to arts and education for the past twenty years. Graduating from New York University with a degree in theater and communication, she began her work early on as a theatrical talent agent and casting director in Hollywood. Due to her expertise and comprehensive focus on education, she was asked to teach acting to at-risk teenagers with Jean Stapleton's foundation, The Academy of Performing and Visual Arts in East Los Angeles. Out of her work with these artistically talented and gifted young people, she co-wrote and directed a musical play entitled Second Chance, which toured as an Equity TYA contract to over 350,000 students in California and surrounding states. National mental health experts recognized the play as an inspirational arts model for crisis intervention, and interpersonal issues amongst teenagers at risk throughout the country. WGBH/PBS was so impressed with the play they commissioned it for adaptation to teleplay in 1996. -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
"In the Heights" Rocks CSUEB
Mise en Scéne Winter Edition VOLUME 5 ISSUE 3 Inside this Issue Upcoming Shows 2 "In The Heights" rocks CSUEB Our Students 3 Rev up the congas, rock the timbales and get ready to hear the free flow spin in the Tony and Grammy award winning Broadway musical IN THE Checking In 4 HEIGHTS. This milestone musical by composer Lin-Manuel Miranda and playwright Quiara Alegria Hudes broke new ground by creating a fusion of music and dance from across Latin America made fresh with A Letter from the Chair 5 an urban New York hip-hop vibe.IN THE HEIGHTS tells the universal story of a vibrant community in New York’s Washington Heights neighborhood – a place where the coffee from the corner bodega is light Featured Faculty 6 and sweet and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes and dreams Information 7 where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. The CSUEB production features students from CSUEB, Foothill College and SJSU. The show Cal State East Bay also features vibrant dance numbers that incorporate salsa, merengue, hip-hop and break dancing choreographed by Laura Elaine Ellis and Theatre and Dance Department Associate Choreographer Cat Delos Santos. Laura proudly admits to 25800 Carlos Bee Blvd having seen the show several times on Broadway and in Los Angeles and she is drawing inspiration from the original choreographer Andy Hayward CA 94542 Blankenbuehler. Director, Darryl V. -
Bullseye with Jesse Thorn Is a Production of Maximumfun.Org and Is Distributed by NPR
00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:11 Jesse Host I’m Jesse Thorn. It’s Bullseye! Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:20 Jesse Host Lin-Manuel Miranda grew up in a working-class neighborhood, north of Harlem. He went to a fancy school for gifted kids, on the Upper East Side. He went to college at Wesleyan, and not long after he graduated, he had a hit Broadway musical— [“Huddle Formation” fades out to be replaced with “In the Heights”.] In the Heights. 00:00:34 Clip Clip “In the Heights” from the Broadway musical In the Heights plays. ENSEMBLE: In the Heights I can’t survive without café USNAVI: I serve café ENSEMBLE: 'Cause tonight... [Music fades out as Jesse speaks] 00:00:41 Jesse Host He’s also the creator and star of Hamilton: the award-winning, massively influential musical about the founding f—well, you know what. This is a little silly. I’m explaining the plot of Hamilton on NPR. You know what Hamilton is. These days, Lin-Manuel is in a spot where not many artists find themselves. He can do pretty much whatever he wants! He can take on almost any project. -
Spotlight on Learning Oliver
Spotlight on Learning a Pioneer Theatre Company Classroom Companion Pioneer Theatre Company’s Student Matinee Program is made possible through the support of Salt Lake Oliver County’s Zoo, Arts and Music, Lyrics and Book by Lionel Bart Parks Program, Salt Dec. 2 - 17, 2016 Lake City Arts Council/ Directed by Karen Azenberg Arts Learning Program, The Simmons “Bleak, dark, and piercing cold, it was a night for the well-housed and Family Foundation, The fed to draw round the bright fire, and thank God they were at home; Meldrum Foundation and for the homeless starving wretch to lay him down and die. Many Endowment Fund and hunger-worn outcasts close their eyes in our bare streets at such times, R. Harold Burton who, let their crimes have been what they may, can hardly open them in Foundation. a more bitter world.” “Please sir, I want some more.” – Charles Dickens, Oliver Twist (1837) All these years after Charles Dickens wrote these words, there are still Spotlight on Learning is provided families without homes and children who are hungry. to students through a grant As this holiday season approaches, I am grateful for health, home, and family provided by the — but am also reminded by Oliver! to take a moment to remember those less George Q. Morris Foundation fortunate. I thank you for your support of Pioneer Theatre Company and wish you the merriest of holidays, and a happy and healthy New Year. Karen Azenberg Approx. running time: Artistic Director 2 hours and 15 minutes, including one fifteen-minute intermission. Note for Teachers: “Food, Glorious Food!” Student Talk-Back: Help win the fight against hunger by encouraging your students to bring There will be a Student Talk-Back a food donation (canned or boxed only) to your performance of Oliver! directly after the performance. -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA Hamilton 8/2 Final upload.indd 1 8/2/21 2:41 PM HOLLYWOOD PANTAGES THEATRE August 17-August 31, 2021 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Remmie Bourgeois Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Karlee Ferreira John Michael Fiumara Tré Frazier Aaron Alexander Gordon Vincent Jamal Hooper Jared Howelton Sabrina Imamura Carina-Kay Louchiey Yvette Lu Taeko McCarroll Mallory Michaellann Candace Quarrels Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Tommar Wilson Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISORS PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo Amber White MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates The Telsey Office John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING -
Danger, Danger
FINAL-1 Sat, Apr 27, 2019 6:22:37 PM tvupdateYour Weekly Guide to TV Entertainment For the week of May 5 - 11, 2019 Emily Watson stars in “Chernobyl” INSIDE Danger, •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 Hollywood Q&A Page14 danger • On Monday, May 6, join Soviet scientist Valery Legasov (Jared Harris, “The Terror”), nuclear physicist Ulana Khomyuk (Emily Watson, “Genius”) and head of the Bureau for Fuel and Energy of the Soviet Union Boris Shcherbina (Stellan Skarsgård, “River”), as they seek to uncover the truth behind one of the world’s worst man-made catastrophes in the premiere of “Chernobyl,” on HBO. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS BUY SELL please call ✦ 40 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, PARTS & ACCESSORIESBay 4 (978) 946-2375 Group Page Shell We Need: SALES & SERVICE Motorsports 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE1 x 3” We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Apr 27, 2019 6:22:38 PM COMCAST ADELPHIA 2 CHANNEL Kingston Sports Highlights Atkinson Londonderry 10:30 p.m. NESN Red Sox Final Live ESPN Softball NCAA ACC Tournament NESN Baseball MLB Seattle Mariners Salem Sunday Sandown Windham (60) TNT Basketball NBA Playoffs Live Women’s Championship Live at Boston Red Sox Live GUIDE Pelham, 10:55 a.m. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) APR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 24 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 19, 22 JUSTIN BIEBER B200 3; CC 8; DLP 11; RBL 25; J. COLE B200 68; PCA 14; RBA 37 LUIS FIGUEROA TSS 21 STEPHEN HOUGH CL 11 LYDIA LAIRD CA 29; CST 33 21 SAVAGE B200 103; RBH 49 A40 13, 26; AC 9, 16, 20; CST 23, 26, 35, 36, KEYSHIA COLE ARB 14 FINNEAS A40 36; AK 18; RO 20 WHITNEY HOUSTON B200 197; RBL 22 LAKE STREET DIVE RKA 46 24KGOLDN B200 65; A40 4; AC 25; -
Movie Review: 'Moana'
Movie Review: ‘Moana’ By Joseph McAleer Catholic News Service NEW YORK – The same tropical setting that provided the backdrop for the 1949 musical “South Pacific” now lends its exotic flavor to the animated feature “Moana” (Disney). As for the feminism-friendly story of the movie’s eponymous heroine, well, as Rodgers and Hammerstein’s lovelorn Seabees so famously declared, “There is nothing like a dame.” The spunky heroine of Disney’s 56th animated film is a 16-year-old Polynesian princess (voice of Auli’i Cravalho) who seeks not a boyfriend but a grand adventure on the high seas, all to save her world from destruction. There’s no mistaking the entertainment value of “Moana,” gloriously rendered in 3- D, with a delightful array of characters and toe-tapping songs co-written by Lin- Manuel Miranda of Broadway’s “Hamilton.” The film also offers good lessons about family, friendship and the need to be responsible. But Christian parents may be concerned to find that Jared Bush’s screenplay is steeped in indigenous mythology. “Moana” presents a view of creation at odds with the biblical account, and could confuse impressionable minds. Well-catechized teens, however, will likely slough these elements off as mere fantasy. As “Moana” tells it, in the beginning was not God but a comely goddess named Te Fiti, who commanded the oceans and brought life to the world. Te Fiti was joined by a demigod (half -god, half-human) named Maui (voice of Dwayne Johnson). Maui had a nifty talent of pulling islands up from the sea with his trusty fishhook.