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The Life and Letters of William Sharp and “Fiona Macleod”
The Life and Letters of William Sharp and “Fiona Macleod” Volume 2: 1895-1899 W The Life and Letters of ILLIAM WILLIAM F. HALLORAN William Sharp and What an achievement! It is a major work. The lett ers taken together with the excellent H F. introductory secti ons - so balanced and judicious and informati ve - what emerges is an amazing picture of William Sharp the man and the writer which explores just how “Fiona Macleod” fascinati ng a fi gure he is. Clearly a major reassessment is due and this book could make it ALLORAN happen. Volume 2: 1895-1899 —Andrew Hook, Emeritus Bradley Professor of English and American Literature, Glasgow University William Sharp (1855-1905) conducted one of the most audacious literary decep� ons of his or any � me. Sharp was a Sco� sh poet, novelist, biographer and editor who in 1893 began The Life and Letters of William Sharp to write cri� cally and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlis� ng his sister to provide the handwri� ng and address, and for more than a decade “Fiona Macleod” duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. and “Fiona Macleod” Sharp wrote “I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out”. This three-volume collec� on brings together Sharp’s own correspondence – a fascina� ng trove in its own right, by a Victorian man of le� ers who was on in� mate terms with writers including Dante Gabriel Rosse� , Walter Pater, and George Meredith – and the Fiona Macleod le� ers, which bring to life Sharp’s intriguing “second self”. -
Fh.A>..Et T. '-Fl)~
LOVE'S EXCESS AND UNMEANT BITTERNESSa AMBIVALENT LOVE RELATIONSHIPS IN COLERIDGE'S "CHRISTABEL" A Thesis Presented in Partial Fulfillment of the Requirements for the Degree lJ!aster of Arts by Diane !2ewhurst, B. ·A. The Ohio State University 1975 Approved by fh. a>..et T. '-fl)~ Adviser Department of English 11 Table of Contents Page Introduction • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 1 I. The Parent/Child Relationship ••••••••••••••••• 8· II. Friendship ••••••••••••••••••••••••••••••••••• 32 III. The Sexual Relationship••••••••••••••••••••• 50 Conclusion••••••••••••••••••••••••••••••••••••••• ?8 Notes •••••••••••••••••••••••••••••••••••••••••••• SJ List of Works Cited •••••••••••••••••••••••••••••• 90 1 Introduction During the many years which intervened be tween the composition and the publication of CHRISTABEL, it became almost as well known among literary men as if it had been on common sale.... From almost all of our most celebrated Poets, and from some with whom I had no personal acquaintance, I either received or heard of expressions of admiration that (I can truly say) ap peared to myself utterly disproportionate to a work that pretended to be nothing more than a common Faery Tale.... -This before publication. And since then, with very few exceptions, I have heard no thing but abuse, and this too in a spirit of bitterness at least as disproportionate to the pretensions of the poem, had it been the most pitiably below mediocrity, as the previous eulogies and far more in explicable. l Surely -
The Delius Society Journal Spring 2000, Number 127
Delius Journal 127.qxd 10-04-2000 09:18 Page 1 The Delius Society Journal Spring 2000, Number 127 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £20 per year UK students: £10 per year USA and Canada US$38 per year Africa, Australasia and Far East £23 per year President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 127.qxd 10-04-2000 09:18 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: 020 7935 4241 Fax: 020 7935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 127.qxd 10-04-2000 09:18 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial................................................................................................................ 6 ORIGINAL ARTICLES Delius and Verlaine, by Robert Threlfall............................................................ 7 Vilhelmine, the Muse of Sakuntala, by Hattie Andersen................................ 11 Delius’s Five Songs from Tennyson’s Maud, by Christopher Redwood.......... 16 The ‘Old Cheshire Cheese’Connection, by Jane Armour-Chélu.................... 22 Delius and the American Connections, by George Little.............................. -
Samuel Taylor Coleridge: a Critical Biography (Cambridge, Mass.: Blackwell Publishers, 1996): Pp
Thematic Analysis of “Christabel” Published in 1816, “Christabel” is a poem written in two parts, Part I written in 1798 and Part II in 1800. The poem was influenced by Percy’s Reliques of Ancient Poetry, a collection of medieval ballads— short, highly dramatic poems that originated in the folk tradition. These ballads were at one time transmitted orally among illiterate people, and they included pieces of Gothic horror such as vampirism, violence, eroticism, and strange, gloomy settings. The Gothic influence is plain in the work of novelist Matthew Lewis, whose book The Monk Coleridge discussed in an article for The Critical Review of February 1797. In his introduction to The Monk, John Berryman states that “this grotesque school helped usher in the English Romantic Movement and debauched taste without ever really participating in the glories of the movement unless in the book before us.” These tales also contain elements of medieval literature, such as haunted castles, magic spells, and treacherous journeys. “Medievalism” was much concerned with stories of unrequited love as an essential part of the Middle Ages’ courtly love tradition. The poem’s central character, Christabel, who searches for her long- absent lover, is very much in the same tradition. Part I begins with the tale of “the lovely lady” Christabel, the daughter of the rich but ineffectual Baron, Sir Leoline. (This name is ironic, for it implies all the attributes that the character lacks, namely the strength and courage of a lion.) In the poem’s opening scene, Christabel is in a dark and foreboding forest that is transformed into a unnatural landscape when the distinction between night and day is ominously disturbed. -
Prefiguring Modern Sexuality in ST Coleridge's ''Christabel'' (1797-180
Deconstructing Gender Stereotypes: Prefiguring Modern Sexuality in S.T. Coleridge’s ”Christabel” (1797-1800) Charles Ngiewith Teke To cite this version: Charles Ngiewith Teke. Deconstructing Gender Stereotypes: Prefiguring Modern Sexuality in S.T. Coleridge’s ”Christabel” (1797-1800). Alizés : Revue angliciste de La Réunion, Faculté des Lettres et Sciences humaines (Université de La Réunion), 2008, Dilemnas, pp.9-24. hal-02343091 HAL Id: hal-02343091 https://hal.univ-reunion.fr/hal-02343091 Submitted on 1 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Deconstructing Gender Stereotypes: Prefiguring Modern Sexuality in S.T. Coleridge’s “Christabel” (1797-1800) This essay grapples with a lesbian reading of Coleridge’s “Christabel.” This modern perspective with regard to gender differen- tiation and sexuality shows that the poem deconstructs the heterosex- ist culture that considers homosexuality as a psycho-somatic disorder and socially unacceptable. By gender we are generally referring to the social and cultural distinctions between men and women. Sexuality is seen from the perspective of eroticism, that is, desires or practices which have an erotic significance. It is connected with, but distin- guished from sex, which refers to the biological distinction between men and women and the activity associated with sexual intercourse. -
Ankenym Powysjournal 1996
Powys Journal, 1996, vol. 6, pp. 7-61. ISSN: 0962-7057 http://www.powys-society.org/ http://www.powys-society.org/The%20Powys%20Society%20-%20Journal.htm © 1996 Powys Society. All rights reserved. Drawing of John Cowper Powys by Ivan Opffer, 1920 MELVON L. ANKENY Lloyd Emerson Siberell, Powys 'Bibliomaniac' and 'Extravagantic' John Cowper Powys referred to him as 'a "character", if you catch my meaning, this good Emerson Lloyd S. — a very resolute chap (with a grand job in a big office) & a swarthy black- haired black-coated Connoisseur air, as a Missioner of a guileless culture, but I fancy no fool in his office or in the bosom of his family!'1 and would later describe him as 'a grand stand-by & yet what an Extravagantic on his own our great Siberell is for now and for always!'2 Lloyd Emerson Siberell, the 'Extravagantic' from the midwestern United States, had a lifelong fascination and enthusiasm for the Powys family and in pursuit of his avocations as magazine editor, publisher, writer, critic, literary agent, collector, and corresponding friend was a constant voice championing the Powys cause for over thirty years. Sometimes over-zealous, always persistent, unfailingly solicitous, both utilized and ignored, he served the family faithfully as an American champion of their art. He was born on 18 September 1905 and spent his early years in the small town of Kingston, Ohio; 'a wide place in the road, on the fringe of the beautiful Pickaway plains the heart of Ohio's farming region, at the back door of the country, so to speak.' In his high school days he 'was always too busy reading the books [he] liked and playing truant to ever study seriously...' He 'enjoyed life' and was 'a voracious reader but conversely not the bookworm type of man.'3 At seventeen he left school and worked a year at the Mead Corporation paper mill in Chillicothe, Ohio and from this experience he dated his interest in the art and craft of paper and paper making. -
The Lost Boy: Hartley Coleridge As a Symbol of Romantic Division
Halsall, Martyn (2009) The Lost Boy: Hartley Coleridge as a Symbol of Romantic Division. In: Research FEST 2009, July 2009, University of Cumbria. Downloaded from: http://insight.cumbria.ac.uk/id/eprint/840/ Usage of any items from the University of Cumbria’s institutional repository ‘Insight’ must conform to the following fair usage guidelines. Any item and its associated metadata held in the University of Cumbria’s institutional repository Insight (unless stated otherwise on the metadata record) may be copied, displayed or performed, and stored in line with the JISC fair dealing guidelines (available here) for educational and not-for-profit activities provided that • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. The full policy can be found here. Alternatively contact the University of Cumbria Repository Editor by emailing [email protected]. The Lost Boy: Hartley Coleridge as a Symbol of Romantic Division. Dr Martyn Halsall Late one freezing evening in 1798 the writer Samuel Taylor Coleridge was completing a poem. -
Francis Thompson and His Relationship to the 1890'S
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 Francis Thompson and His Relationship to the 1890's Mary J. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kearney, Mary J., "Francis Thompson and His Relationship to the 1890's" (1947). Master's Theses. 637. https://ecommons.luc.edu/luc_theses/637 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Mary J. Kearney ii'RJu\fCIS THOi.IPSOH A1fD HIS HELATI01,JSIUP TO Tim 1890'S By Mary J. Kearney A THESIS SUB::iiTTED IN P AHTI.AL FULFILLEENT OF 'riiE HEQUITKii~NTS FOB THE DEGREE OF liil.STEH 01!" ARTS AT LOYOLA UUIV:CflSITY CHICAGO, ILLINOIS June 1947 ------ TABLE OF CO:!TEdT8 CHAPTER PAGE I. Introduction. 1 The heritage of the 1890's--Victorian Liberalis~ Scientific ~laturalism--Intellectual Homanticism Spiritual Inertia--Contrast of the precedi~g to the influence of The Oxford :iJioveo.ent II. Francis Thompson's Iielationsh.in to the "; d <::: • ' 1 ... t ~ _.l:nF ___g_ uleC e \'!rl ers. • •• • • ••••••••• • 17 Characteristics of the period--The decadence of the times--Its perversity, artificiality, egoism and curiosity--Ernest Dawson, the mor bid spirit--Oscar Wilde, the individualist- the Beardsley vision of evil--Thompson's negative revolt--His convictions--The death of the Decadent movement. -
Link to Coleridge Poems
1 Poems for S. T. Coleridge Edward Sanders 1. Coleridge won a medal his 1st year in college (Cambridge 1792) for a “Sapphic Ode on the Slave Trade” 2. Pantisocracy Sam Coleridge and Bob Southey conceived of Pantisocracy in 1794 just five years after the beautiful tearing down of the Bastille twelve couples would found an intentional community on the Susquehanna River which flows from upstate New York ambling for hundreds of miles down thru Pennsylvania & emptying into the Chesapeake Bay The plan was to work maybe 2-3 hours a day with sharing of chores Each couple had to come up with 125 pounds So Southey & Coleridge strove to earn their shares through writing C. wrote to Southey 9-1-94 2 that Joseph Priestly might join the Pantisocrats in America The scientist-philosopher had set up a “Constitution Society” to advocate reform of Parliament inaugurated on Bastille Day 1791 Then “urged on by local Tories” a mob attacked & burned Priestly’s books, manuscripts laboratory & home so that he ultimately fled to the USA. 3. Worry-Scurry for Expenses In Coleridge from his earliest days worry-scurry for expenses relying on say a play about Robespierre writ w/ Southey in ’94 (around the time Robe’ was guillotined) to pay for their share of Pantisocracy on the Susquehanna & thereafter always reliant on Angels & the G. of S. Generosity of Supporters & brilliance of mouth all the way thru the hoary hundreds 3 4. Coleridge & Southey brothers-in-law —the Fricker sisters, Edith & Sarah Coleridge & Sarah Fricker married 10-4-95 son Hartley born September 19, 1996 short-lived Berkeley in May 1998 Derwent Coleridge on September 14, 1800 & Sara on Dec 23, ’02 5. -
Coleridge's Representation of Sexuality: a Re-Interpretation of Christabel (Part I)
www.galaxyimrj.com Galaxy: International Multidisciplinary Research Journal ISSN 2278-9529 Coleridge's Representation of Sexuality: A Re-interpretation of Christabel (Part I) Dr. Santanu Ganguly Assistant Professor, Netaji Nagar Day College, Kolkata Students of English literature, in West Bengal at least, are introduced to Romanticism very early in their academic calendar, and while explaining the features of Romanticism, the concerned teacher never fails to highlight Walter Pater’s famous characterization of Romanticism as the "addition of strangeness to beauty" (258). In defence of Pater, the Romantic poet whose name is most often quoted is Samuel Taylor Coleridge. The erratic Coleridge, whether under the influence of drugs or outside it, often came out with startling lines like "Is that a DEATH? and are there two? / Is DEATH that woman’s mate?" (193) in The Rime of the Ancient Mariner, or "A savage place! as holy and enchanted / As e’er beneath a waning moon was haunted / By woman wailing for her demon lover!" (297) in "Kubla Khan", which makes him the sine qua non of Romantic supernatural poetry. However, if students of Romanticism are directed to isolate one poem from Coleridge’s oeuvre which is typically supernatural, then almost always it is the popular Christabel (in two parts and characteristically unfinished), whose Part I forms a part of many syllabi. And quite rightly so, because Christabel — with its midnight setting, a full moon that appears both "small and dull" (216), dogs with unusual behaviours, a strange lady moaning at midnight in the middle of the forest, dead mothers as guardian spirits, and finally "a sight to dream of not to tell" (224) — contains all the ingredients of a horror story par excellence. -
UT154 Heaven in Wildflower Bklt
HEAVEN IN A WILD FLOWER: THE BRITISH ROMANTIC POETS COURSE GUIDE Professor Adam Potkay COLLEGE OF WILLIAM AND MARY Heaven in a Wild Flower The British Romantic Poets Professor Adam Potkay The College of William and Mary Recorded Books™ is a trademark of Recorded Books, LLC. All rights reserved. Heaven in a Wild Flower: The British Romantic Poets Professor Adam Potkay Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Ian McCulloch COURSE GUIDE Editor - James Gallagher Design - Edward White Lecture content ©2009 by Adam Potkay Course guide ©2009 by Recorded Books, LLC 72009 by Recorded Books, LLC Cover image: Detail of The Cornfield by John Constable, 1826 © Clipart.com #UT154 ISBN: 978-1-4407-2618-7 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus Heaven in a Wild Flower: The British Romantic Poets About Your Professor...................................................................................................4 Introduction...................................................................................................................5 Lecture 1 What Is Romanticism?...........................................................................6 Lecture 2 Folk Culture, the Ballad Tradition, and Robert Burns............................9 Lecture 3 Wordsworth and Coleridge: Ballads of Nature and the Supernatural ...........................................................................12 -
Masters of the Mind
Masters of the Mind A Study of Vampiric Desire, Corruption, and Obsession in Polidori's The Vampyre, Coleridge's Christabel, and Le Fanu's Carmilla By Astrid van der Baan Astrid van der Baan 4173163 Department of English Radboud University Nijmegen Supervisor: Marguerité Corporaal 15 August 2016 van der Baan 4173163/1 Acknowledgments I would like to express my gratitude for the help and support that I received from people while writing my BA thesis. First, I would like to thank my supervisor Dr Marguérite Corporaal for her advice and guidance during this project. Next, I would like to thank Anne van den Heuvel, Irene Dröge and Tessa Peeters for their support and feedback. I could not have finished my thesis without you guys! van der Baan 4173163/2 Table of Content Acknowledgments ...................................................................................................................... 1 Abstract ...................................................................................................................................... 3 Introduction ................................................................................................................................ 4 Chapter 1 The Vampyre (1819) ................................................................................................ 10 1.1 Introduction .................................................................................................................... 10 1.2 Main Gothic elements in The Vampyre .........................................................................