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Signatory ID Name CIN Company Name 02700003 RAM TIKA
Signatory ID Name CIN Company Name 02700003 RAM TIKA U55101DL1998PTC094457 RVS HOTELS AND RESORTS 02700032 BANSAL SHYAM SUNDER U70102AP2005PTC047718 SHREEMUKH PROPERTIES PRIVATE 02700065 CHHIBA SAVITA U01100MH2004PTC150274 DEJA VU FARMS PRIVATE LIMITED 02700070 PARATE VIJAYKUMAR U45200MH1993PTC072352 PARATE DEVELOPERS P LTD 02700076 BHARATI GHOSH U85110WB2007PTC118976 ACCURATE MEDICARE & 02700087 JAIN MANISH RAJMAL U45202MH1950PTC008342 LEO ESTATES PRIVATE LIMITED 02700109 NATESAN RAMACHANDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700110 JEGADEESAN MAHENDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 02700126 GUPTA JAGDISH PRASAD U74210MP2003PTC015880 GOPAL SEVA PRIVATE LIMITED 02700155 KRISHNAKUMARAN NAIR U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700157 DHIREN OZA VASANTLAL U45201GJ1994PTC021976 SHARVIL HOUSING PVT LTD 02700183 GUPTA KEDAR NATH U72200AP2004PTC044434 TRAVASH SOFTWARE SOLUTIONS 02700187 KUMARASWAMY KUNIGAL U93090KA2006PLC039899 EMERALD AIRLINES LIMITED 02700216 JAIN MANOJ U15400MP2007PTC020151 CHAMBAL VALLEY AGRO 02700222 BHAIYA SHARAD U45402TN1996PTC036292 NORTHERN TANCHEM PRIVATE 02700226 HENDIN URI ZIPORI U55101HP2008PTC030910 INNER WELLSPRING HOSPITALITY 02700266 KUMARI POLURU VIJAYA U60221PY2001PLC001594 REGENCY TRANSPORT CARRIERS 02700285 DEVADASON NALLATHAMPI U72200TN2006PTC059044 ZENTERE SOLUTIONS PRIVATE 02700322 GOPAL KAKA RAM U01400UP2007PTC033194 KESHRI AGRI GENETICS PRIVATE 02700342 ASHISH OBERAI U74120DL2008PTC184837 ASTHA LAND SCAPE PRIVATE 02700354 MADHUSUDHANA REDDY U70200KA2005PTC036400 -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Assam - a Study on Bihugeet in Guwahati (GMA), Assam
International Journal of Science and Research (IJSR) ISSN: 2319-7064 Impact Factor (2018): 7.426 Female Participation in Folk Music of Assam - A Study on Bihugeet in Guwahati (GMA), Assam Palme Borthakur1, Bhaben Ch. Kalita2 1Department of Earth Science, University of Science and Technology, Meghalaya, India 2Professor, Department of Earth Science, University of Science and Technology, Meghalaya, India Abstract: Songs, instruments and dance- the collaboration of these three ingredients makes the music of any region or society. Folk music is one of the integral facet of culture which also poses all the essentials of music. The instruments used in folk music are divided into four halves-taat (string instruments), aanodha(instruments covered with membrane), Ghana (solid or the musical instruments which struck against one another) and sushir(wind instruments)(Sharma,1996). Out of these four, Ghana and sushirvadyas are being preferred to be played by female artists. Ghana vadyas include instruments like taal,junuka etc. and sushirvadyas include instruments that can be played by blowing air from the mouth like flute,gogona, hkhutuli etc. Women being the most essential part of the society are also involved in the process of shaping up the culture of a region. In the society of Assam since ancient times till date women plays a vital role in the folk music that is bihugeet. At times Assamese women in groups used to celebrate bihu in open spaces or within forest areas or under big trees where entry of men was totally prohibited and during this exclusive celebration the women used to play aforesaid instruments and sing bihu songs describing their life,youth and relation with the environment. -
FROM the DESK of VCMD from the Editor’S Desk
Volume 2, Issue 6 Jan 2017 FROM THE DESK OF VCMD From The Editor’s Desk Dear Friends, Dear All, I wish all of you a very successful 2017. To be successful we The beginning of the calen- must first learn to deal with the failures because success dar year is at its heart a fan- would come only after innumerous failures. I want to leave some thoughts on what are stages of failures and how we tasy of newness and clean can deal with them. slates—of the chance to do things differently and with STAGES OF FAILURE YOU MUST KNOW TO ACHIEVE SUCCESS more attention to pur- pose .Last year has seen a lot Success, this is not just a word, but a feeling. It's an emotion that not everyone gets to taste. Suc- of economic changes and we cess is change, it is coping up with the situation, hope for a more stable and it's art. Success doesn't come easily, it doesn't peaceful year ahead. The come when you fail hundreds of times, but it hap- journey with Nishtha has pens when you decide not to quit, no matter how weaker and tougher the situ- been a wonderful experience ation gets. and we are delighted on re- ceiving various feed- Success comes when you decide not to quit, and rise up to the situation. If you back from our readers re- want to achieve success you must need to have patience to survive the inevita- garding our post and articles. ble. Do enjoy the articles and YOU WILL HAVE TO FACE ENORMOUS PAIN. -
Islami Bank Bangladesh Limited Corporate Investment Wing Sustainable Finance Division Corporate Social Responsibility Department Head Office, Dhaka
Islami Bank Bangladesh Limited Corporate Investment Wing Sustainable Finance Division Corporate Social Responsibility Department Head Office, Dhaka. Sub: Result of IBBL Scholarship Program, HSC Level-2019 Following 1500(Male-754, Female-746) students mentioned below have been selected finally for IBBL Scholarship program, HSC Level -2019. Sl. No. Name of Branch Beneficiary ID Student's Name Father's Name Mother's Name 1 Agrabad Branch 8880202516103 Halimatus Sadia Didarul Alam Jesmin Akter 2 Agrabad Branch 8880202516305 Imam Hossain Mahbubul Hoque Aleya Begum 3 Agrabad Branch 8880202508003 Md Mahmudul Hasan Al Qafi Mohammad Mujibur Rahman Shaheda Akter 4 Agrabad Branch 8880202516204 Proma Mallik Gopal Mallik Archana Mallik 5 Alamdanga Branch 8880202313016 Mst. Husniara Rupa Md. Habibur Rahman Mst. Nilufa Yeasmin 6 Alamdanga Branch 8880202338307 Sharmin Jahan Shormi Md. Abdul Khaleque Israt Jahan 7 Alanga SME/Krishi Branch 8880202386310 Tammim Khan Mim Md. Gofur Khan Mst. Hamida Khanom 8 Amberkhana Branch 8880202314017 Fahmida Akter Nitu Babul Islam Najma Begum 9 Amberkhana Branch 8880202402015 Fatema Akter Abdul Kadir Peyara Begum 10 Amberkhana Branch 8880202252201 Mahbubur Rahman Md. Juned Ahmed Mst. Shomurta Begum 11 Amberkhana Branch 8880202208505 Md. Al-Amin Moin Uddin Rafia Begum 12 Amberkhana Branch 8880202457814 Md. Ismail Hossen Md. Rasedul Jaman Ismotara Begum 13 Amberkhana Branch 8880202413118 Mst. Shima Akter Tofazzul Islam Nazma Begum 14 Amberkhana Branch 8880202378513 Tania Akther Muffajal Hossen Kamrun Nahar 15 Amberkhana Branch 8880202300618 Tanim Islam Tanni Shahidul Islam Shibli Islam 16 Amberkhana Branch 8880202234504 Tanjir Hasan Abdul Malik Rahena Begum 17 Anderkilla Branch 8880202497414 Arpita Barua Alak Barua Tapasi Barua 18 Anderkilla Branch 8880202269108 Sakibur Rahman Mohammad Younus Ruby Akther 19 Anwara Branch 8880202320115 Jinat Arabi Mohammad Fajlul Azim Raihan Akter 20 Anwara Branch 8880202263607 Mizanur Rahman Abdul Khalaque Monwara Begum 21 Anwara Branch 8880202181101 Mohammad Arif Uddin Mohammad Shofi Fatema Begum Sl. -
Pather Panchali
February 19, 2002 (V:5) Conversations about great films with Diane Christian and Bruce Jackson SATYAJIT RAY (2 May 1921,Calcutta, West Bengal, India—23 April 1992, Calcutta) is one of the half-dozen universally P ATHER P ANCHALI acknowledged masters of world cinema. Perhaps the best starting place for information on him is the excellent UC Santa Cruz (1955, 115 min., 122 within web site, the “Satjiyat Ray Film and Study Collection” http://arts.ucsc.edu/rayFASC/. It's got lists of books by and about Ray, a Bengal) filmography, and much more, including an excellent biographical essay by Dilip Bausu ( Also Known As: The Lament of the http://arts.ucsc.edu/rayFASC/detail.html) from which the following notes are drawn: Path\The Saga of the Road\Song of the Road. Language: Bengali Ray was born in 1921 to a distinguished family of artists, litterateurs, musicians, scientists and physicians. His grand-father Upendrakishore was an innovator, a writer of children's story books, popular to this day, an illustrator and a musician. His Directed by Satyajit Ray father, Sukumar, trained as a printing technologist in England, was also Bengal's most beloved nonsense-rhyme writer, Written by Bibhutibhushan illustrator and cartoonist. He died young when Satyajit was two and a half years old. Bandyopadhyay (also novel) and ...As a youngster, Ray developed two very significant interests. The first was music, especially Western Classical music. Satyajit Ray He listened, hummed and whistled. He then learned to read music, began to collect albums, and started to attend concerts Original music by Ravi Shankar whenever he could. -
Satyajit Ray
AU CINÉMA LE 9 DÉCEMBRE 2015 EN VERSION RESTAURÉE HD Galeshka Moravioff présente LLAA TTRRIILLOOGGIIEE DD’’AAPPUU 3 CHEFS-D’ŒUVRE DE SATYAJIT RAY LLAA CCOOMMPPLLAAIINNTTEE DDUU SSEENNTTIIEERR (PATHER PANCHALI - 1955) Prix du document humain - Festival de Cannes 1956 LL’’IINNVVAAIINNCCUU (APARAJITO - 1956) Lion d'or - Mostra de Venise 1957 LLEE MMOONNDDEE DD’’AAPPUU (APUR SANSAR - 1959) Musique de RAVI SHANKAR AU CINÉMA LE 9 DÉCEMBRE 2015 EN VERSION RESTAURÉE HD Photos et dossier de presse téléchargeables sur www.films-sans-frontieres.fr/trilogiedapu Presse et distribution FILMS SANS FRONTIERES Christophe CALMELS 70, bd Sébastopol - 75003 Paris Tel : 01 42 77 01 24 / 06 03 32 59 66 Fax : 01 42 77 42 66 Email : [email protected] 2 LLAA CCOOMMPPLLAAIINNTTEE DDUU SSEENNTTIIEERR ((PPAATTHHEERR PPAANNCCHHAALLII)) SYNOPSIS Dans un petit village du Bengale, vers 1910, Apu, un garçon de 7 ans, vit pauvrement avec sa famille dans la maison ancestrale. Son père, se réfugiant dans ses ambitions littéraires, laisse sa famille s’enfoncer dans la misère. Apu va alors découvrir le monde, avec ses deuils et ses fêtes, ses joies et ses drames. Sans jamais sombrer dans le désespoir, l’enfance du héros de la Trilogie d’Apu est racontée avec une simplicité émouvante. A la fois contemplatif et réaliste, ce film est un enchantement grâce à la sincérité des comédiens, la splendeur de la photo et la beauté de la musique de Ravi Shankar. Révélation du Festival de Cannes 1956, La Complainte du sentier (Pather Panchali) connut dès sa sortie un succès considérable. Prouvant qu’un autre cinéma, loin des grosses productions hindi, était possible en Inde, le film fit aussi découvrir au monde entier un auteur majeur et désormais incontournable : Satyajit Ray. -
APARAJITO/THE UNVANQUISHED (1956) 110 Min
3 October 2006 XIII:5 APARAJITO/THE UNVANQUISHED (1956) 110 min. Produced, written and directed by Satyajit Ray Based on the novel by Bibhutibhushan Bandyopadhyay Original Music by Ravi Shankar Cinematography by Subrata Mitra Film Editing by Dulal Dutta Kanu Bannerjee ... Harihar Ray Karuna Bannerjee ... Sarbojaya Ray Pinaki Sengupta ... Apu (young) Smaran Ghosal ... Apu (adolescent) Santi Gupta ... Ginnima Ramani Sengupta ... Bhabataran Ranibala ... Teliginni Sudipta Roy ... Nirupama Ajay Mitra ... Anil Charuprakash Ghosh ... Nanda Subodh Ganguli ... Headmaster Mani Srimani ... Inspector Hemanta Chatterjee ... Professor Kali Bannerjee ... Kathak Kalicharan Roy ... Akhil, press owner Kamala Adhikari ... Mokshada Lalchand Banerjee ... Lahiri K.S. Pandey ... Pandey Meenakshi Devi ... Pandey's wife Anil Mukherjee ... Abinash Harendrakumar Chakravarti ... Doctor Bhaganu Palwan ... Palwan SATYAJIT RAY (2 May 1921, Calcutta, West Bengal, British India—23 April 1992, Calcutta, West Bengal, India) directed 37 films. He is best known in the west for the Apu Trilogy— Apur Sansar/The World of Apu (1959), Aparajito/The Unvanquished (1957), and (his first film) Pather Panchali/Song of the Road (1955) and for Jalsaghar/The Music Room (1958). His last films were Agantuk (1991), Shakha Proshakha (1990), Ganashatru/An Enemy of the People (1989), Sukumar Ray (1987), Ghare-Baire/The Home and the World (1984) and Heerak Rajar Deshe/The Kingdom of Diamonds (1980). He was given an honorary Academy Award in 1992. SUBRATA MITRA (12 October 1930, Calcutta, West Bengal, India—7 December 2001) shot 17 films, 10 of them for Ray, including all three Apu films, Jalsaghar/The Music Room (1958) and Parash Pathar/The Philosopher’s Stone (1958). His last film was New Delhi Times (1986). -
Progress & Impact Report 2019
PROGRESS & IMPACT REPORT April 2019 - March 2020 BALIPARA FOUNDATION Assam India Naturenomics™ : Building Rural Futures IN GRATITUDE 2019-20 has been another phenomenal year for Balipara Foundation. As we enter our 2020 vision and as we reflect on the year gone by, we are humbled by the broadened engagement with our local communities in the Eastern Himalayas with the principles of Naturenomics™ and Rural Futures, the journey has been of constantly seeking to explore innovative conservation models towards uplifting socio-economic mobility and creating natural assets in the forest-fringe communities of the Eastern Himalayas. From restoring habitats to guiding the pathway towards shaping sustainable livelihoods, we have collaborated with the best in the field – our community tribes, Adivasi, Assamese, Bengali, Bodo, Bihari, Garo, Mishing, Nepali, Nyishi and Rajbongshi who are the stalwarts of the Foundation’s vision and endeavours. We are extremely proud of the decade of experimentation in various aspects of conservation which has led to the following in 2019-20 - increase in community participation, employment through ecosystem-based services, development of stewardship behavior within the forest-fringe communities and further propagation of indigenous knowledge. Our efforts are brought to fruition with the unstinting support of our Naturenomics™ partners - Assam Investment Advisory Society, Amalgamated Plantations, APPL Foundation, Axis Bank Foundation, Centre for Microfinance & Livelihood, Globally Managed Services, Hemendra Kothari Foundation, -
Satyajit Ray's Documentary Film “Rabindranath”
EUROPEAN ACADEMIC RESEARCH, VOL. I, ISSUE 6/ SEPEMBER 2013 ISSN 2286-4822, www.euacademic.org IMPACT FACTOR: 0.485 (GIF) Satyajit Ray’s Documentary Film “Rabindranath” : A Saga of Creative Excellence RATAN BHATTACHARJEE India Satyajit‟s Ray’s documentary film „Rabindranath‟ was a saga of creative excellence. Its wide range of conception is simply amazing. It is something more profound than a mere documentary. Ray was conscious that he was making an official portrait of India's celebrated poet and hence the film does not include any controversial aspects of Tagore's life. However, it is far from being a propaganda film. In his poem Matthew Arnold once paid his tribute to Shakespeare in the ever inimitable words: “Others abide our question. Thou art free. /We ask and ask: Thou smilest and art still,/Out-topping knowledge.” This is equally true of Satyajit Ray‟s Tagore. We ask and go on asking and Tagore smiles and is „stillout-topping knowledge‟. In 1623 the great Shakespearean editors did their fantastic job of publishing in the Folio edition posthumously the 36 out of the 37 plays. Almost comparable to this outstanding editing venture is the task undertaken by Satyajit Ray FASC (Film and Study Center) to develop its most comprehensive archive on the worksof Satyajit Ray. The total number of Ray films like Shakespeare‟s dramas is 37. „Rabindranath‟, the 54 min B/W documentary film directed by Satyajit Ray was a saga of creative excellence for its wide range of conception .Tagore is revered by the world‟s 250 million Bengali speakers in India and neighbouring 901 Ratan Bhattacharjee – Satyajit Ray’s Documentary Film “Rabindranath”: A Saga of Creative Excellence Bangladesh. -
Name of the Centre : DAV Bachra No
Name of the Centre : DAV Bachra No. Of Students : 474 SL. No. Roll No. Name of the Student Father's Name Mother's Name 1 19002 AJAY ORAON NIRMAL ORAON PATI DEVI 2 19003 PUJA KUMARI BINOD PARSAD SAHU SUNITA DEVI 3 19004 JYOTSANA KUMARI BINOD KUMAR NAMITA DEVI 4 19005 GAZAL SRIVASTVA BABY SANTOSH KUMAR SRIVASTAVA ASHA SRIVASTVA 5 19006 ANURADHA KUMARI PAPPU KUMAR SAH SANGEETA DEVI 6 19007 SUPRIYA KUMARI DINESH PARSAD GEETA DEVI 7 19008 SUPRIYA KUMARI RANJIT SHINGH KIRAN DEVI 8 19009 JYOTI KUMARI SHANKAR DUBEY RIMA DEVI 9 19010 NIDHI KUMARI PREM KUMAR SAW BABY DEVI 10 19011 SIMA KUMARI PARMOD KUMAR GUPTA SANGEETA DEVI 11 19012 SHREYA SRIVASTAV PRADEEP SHRIVASTAV ANIMA DEVI 12 19013 PIYUSH KUMAR DHANANJAY MEHTA SANGEETA DEVI 13 19014 ANUJ KUMAR UPENDRA VISHWAKARMA SHIMLA DEVI 14 19015 MILAN KUMAR SATYENDRA PRASAD YADAV SHEELA DEVI 15 19016 ABHISHEK KUMAR GUPTA SANT KUMAR GUPTA RINA DEVI 16 19017 PANKAJ KUMAR MUKESH KUMAR SUNITA DEVI 17 19018 AMAN KUMAR LATE. HARISHAKAR SHARMA RINKI KUMARI 18 19019 ATUL RAJ RAJESH KUMAR SATYA RUPA DEVI 19 19020 HARSH KUMAR SHAILENDRA KR. TIWARY SNEHLATA DEVI 20 19021 MUNNA THAKUR HIRA THAKUR BAIJANTI DEVI 21 19022 MD.FARID ANSARI JARAD HUSSAIN ANSARI HUSNE ARA 22 19023 MD. JILANI ANSARI MD.TAUFIQUE ANSARI FARZANA BIBI 23 19024 RISHIKESH KUNAL DAMODAR CHODHARY KAMLA DEVI 24 19025 VISHAL KR. DUBEY RAJEEV KUMAR DUBEY KIRAN DEVI 25 19026 AYUSH RANJAN ANUJ KUMAR DWIVEDI ANJU DWIVEDI 26 19027 AMARTYA PANDEY SATISH KUMAR PANDEY REENA DEVI 27 19028 SHIWANI CHOUHAN JAYPAL SINGH MAMTA DEVI 28 19029 SANDEEP KUMAR MEHTA -
51 International Film Festival of India, 2020
51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India.