DOCSLIB.ORG

Download the Digital Booklet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

- P A R T 1 - ASYLUM OF THE DALEKS TRACKS 1 - 8 DINOSAURS ON A SPACESHIP TRACKS 9 - 11 A TOWN CALLED MERCY TRACKS 12 - 17 THE POWER OF THREE TRACKS 18 - 20 THE ANGELS TAKE MANHATTAN TRACKS 21 - 29 THE BELLS OF SAINT JOHN TRACKS 30 - 37 - P A R T 2 - THE RINGS OF AKHATEN TRACKS 1 - 10 C O L D W A R TRACKS 11 - 12 HIDE TRACK 13 JOURNEY TO THE CENTRE OF THE TARDIS TRACK 14 THE CRIMSON HORROR TRACKS 15 - 17 NIGHTMARE IN SILVER TRACKS 18 - 29 THE NAME OF THE DOCTOR TRACKS 30 - 37 (BONUS TRACKS) TRACKS 38 - 39 P A R T 1 1. THEY ARE EVERYWHERE 2. S AVE US 3. DALEK PARLIAMENT 4. OSWIN OSWALD 5. TOWARDS THE ASYLUM 6. A PROBE IN THE SNOW 9. DINOSAURS ON A SPACESHIP / PTERODACTYLS 7. AMY AND RORY TOGETHER 10. BRI A N 8. THE TERRIBLE TRUTH DINOSAURS ON A SPACESHIP 11. TAKE A RIDE ON TRICEY ASYLUM OF THE DALEKS A TOWN CALLED MERCY 12. MAKE PEACE 13. WELCOME TO MERCY 14. OUT WEST 15. GUNSLINGERS 16. THE SALVATION OF KAHLER JEX 17. OUR LITTLE TOWN’S PROSECUTOR 18. CUBES 19. WHILE WE WAITED 20. BRIAN’S LOG THE POWER OF THREE THE BELLS OF SAINT JOHN 21. NEW YORK NEW YORK 22. I AM YOU 23. MELODY MALONE 24. LITTLE ANGELS 25. MY HUSBAND’S HOME 26. HIDE THE DAMAGE 30. CUMBRIA 1207 27. ALMOST THE END 31. MONKING ABOUT 28. TOGETHER OR NOT AT ALL - THE SONG OF AMY AND RORY 32. SPOONHEADS 29. GOODBYE POND 33. CL A R A? 34. A TURBULANT FLIGHT 35. BAH BAH BIKER 36. UP THE SHARD THE ANGELS TAKE MANHATTAN 37. I MIGHT CHANGE MY MIND west musically. For some reason, I have two lap-steel I don’t know why. The Doctor’s monologue to the in Silver’. The Cyberman theme that originated in ALBUM INTRODUCTION guitars. I haven’t played either of them since making parasitic monster-planet Akhaten rivalled his speech the second series had many more variations in this the soundtrack to this episode. in The Pandorica Opens for bravura and swagger. episode, as well as a version which nodded towards Series 7! No, but seriously, Series 7. I know I’m The Long Song in this episode featured heavily in the Michel Legrand’s score to the famous chess scene in supposed to elaborate now, but let me just let it hang In ‘Power of Three’, Chris Chibnall explored the theme Doctor Who Prom at the Royal Albert Hall in 2013. the Steve McQueen movie The Thomas Crown Affair. there enigmatically before I do. Series 7. *walks away of how The Doctor’s experience of life is fast and enigmatically* active while ours is sometimes slow and tedious. It’s Mark Gatiss’ ‘Cold War’ was a dark claustrophobic If there was ever any doubt how much Matt Smith a difficult theme to pull off but the episode was funny period drama set in 1983 when Ultravox had just will be missed when he leaves Doctor Who, watch Is someone actually trying to make this whole Doctor and emotional. It was a completely different type of missed out on topping the UK charts with Vienna. ‘The Name of the Doctor’. He is brilliant. His ability Who music thing harder or what? I mean, dinosaurs episode to score because of its lightness. I sometimes There was no recording session for this episode, the to shift between moods and tones is mesmerising. on spaceships, cowboys in spaceships, motorbikes think lightness is harder to achieve than heaviness but piece instead relying on a mostly electronic score. We recorded the orchestra in Cardiff and a few going up buildings, beloved characters jumping off I don’t exactly know why. days later viola and cor anglais at Air for the buildings, a parliament of Daleks, weird cubes, a sort- ‘Hide’ was Neil Cross’ creepy, scary ghost story which very intimate tragic moments around the talk of of musical, ghosts, very red faces, the Doctor’s grave ‘The Angels Take Manhattan’ certainly was not light. was for the most part realised electronically. Neil The Doctor’s grave. Please don’t make The Doctor go (spoilers), Clara and and...I mean seriously. Series 7. Those stone-faced ghouls plunged my favourite city wanted to keep the sound of the episode relatively to Trenzalore again this year. Please. into darkness and took two of The Doctor’s favourite simple and represent the unseen forces with a drone ‘Asylum of the Daleks’ was fun and, weirdly (but companions away from him forever. When you know or a sustained discordant note. gratifyingly) was nominated for a BAFTA (I only you are going to lose a companion, you sort of build up say weirdly because I was asked which episode to it from the beginning of the series. Musically, Amy Steven Thompson’s ‘Journey to the Centre of the to put forward and I wrote back ‘The Angels Take and Rory’s base-jump scene (Together or Not at All) was TARDIS’ took the notion of the TARDIS’s impossible MURRAY GOLD. 2013. Manhattan’). The piece of music in which Oswin’s bedded in near the opening of ‘Asylum of the Daleks’ size and turned it into a breathless chase around its condition is revealed ‘The Terrible Truth’ is one of my and Halia Meguid’s vocal was in Amy’s hallucinatory interior. Again, this was an episode in which no studio favourite cues so far. dance scene in the same episode (Halia’s voice was recording session was available and the score was backwards with a jazz bass under it). mostly achieved electronically. ‘Dinosaurs on a Spaceship’ introduced us to some dinosaurs and to Brian Williams, Rory’s dad. This ‘The Bells of Saint John’ saw The Doctor return in ‘The Crimson Horror’ was mad brilliant and horrible, meant that Mark Williams (the actor who played 2013 popping over to fix Clara Oswald’s internet from and I now call my worst enemies Mr Sweet. him) came to present the Doctor Who Symphonic the year 1207. In one of the tracks, I put down a quick The relationship between real life mother and spectacular at Sydney Opera house which, frankly, vocal and delivered it to the dub on a separate track daughter Diana Rigg and Rachael Stirling created a was good news because he is a lot of fun. Note to self, so that the mix engineer could lose it easily as I knew melodramatic heart that beat darkly until the brutal I want a ride on a triceratops. he wouldn’t want it. He left it in. Bah bah bah. ending. This was the first episode to come out the cutting room in the series and saw the return of the Toby Whithouse’s excellent morality tale ‘A Town Called Neil Cross’ ‘The Rings of Akhaten’ had heart and much loved duo Strax and Madame Vastra. Mercy’ the first Western to be produced since Doctor charm in abundance. Although for some reason Who returned to the screens in 2005, meant a chance nobody seemed to know it had extended musical Chess playing Cybermen (who could also move to use slide guitars and banjos and to generally head sequences until a week or two before shooting began. VERY quickly) appeared in Neil Gaiman’s ‘Nightmare P A R T 2 C O L D W A R 11. COLD WAR 12. SKALDAK THE RINGS OF AKHATEN 1. THE LEAF 2. SOMETHING AWESOME 3. MARKET DAY 4. MERRY GEJELH 5. GOD OF AKHATEN 6. THE SPEEDER 7. NEVER WAKE 8. THE LONG SONG 9. INFINITE POTENTIAL 10. ALWAYS YOU, NEVER A REPLACEMENT JOURNEY TO THE CENTRE OF THE TARDIS 14. A MACHINE THAT MAKES MACHINES 13. I AM A GHOST HIDE NIGHTMARE IN SILVER 15. CRIMSON HORROR 16. SWEETVILLE 17. THOMAS THOMAS THE CRIMSON HORROR 18. HEDGEWICK’S WORLD 19. TIBERIAN SPIRAL GALAXY 20. UPGRADE IN PROGRESS 21. THE DREAM OF CYBERIA 22. WHAT A BRAIN 23. CAN’T WIN 24. YOUR ORDERS COME FROM ME 25. OTHER GOOD NEWS 26. THE IMPOSSIBLE GIRL 27. CYBER ARMY 28. THE EMPEROR’S WIFE 29. SOME WEDNESDAY CREDI TS Album produced by Murray Gold Co-produced and compiled by Jake Jackson Conducted and Orchestrated by Ben Foster Mixed and Mastered at Air Studios, London by Ray Staff Crouch End Festival Chorus directed by David Temple Solo vocals: Halia Meguid Solo viola: Bruce White Cor Anglais: Janey Miller Thanks to the brilliant Ben Foster, Jake Jackson, Dave Foster, Gerry O Riordan, Air Studios, Marcus Wilson, Steven Moffat, Hothouse Music. This compilation Ⓟ & © 2013 BBC Worldwide Limited under exclusive licence to Silva Screen Records Limited. BBC & Doctor Who, word marks and logos are trademarks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996 Doctor Who © & logo TM BBC 2010 THE NAME OF THE DOCTOR All images BBC © 2012 & 2013 30. TO SAVE THE DOCTOR Dalek © BBC / Terry Nation 1963 31. A LETTER TO CLARA The Daleks were created by Terry Nation 32. WHAT IS HIS NAME? Licensed by BBC Worldwide Limited. 33. A SECRET HE WILL TAKE TO HIS GRAVE 34. TRENZALORE 35. I AM INFORMATION A BBC Music/BBC Worldwide Production 36. PAIN EVERLASTING Thanks to Dominic Walker, Suzi Scott, Georgie Britton and Matt Nicholls 37. REMEMBER ME Published by BBC Worldwide / Universal Music Publishing Executive Producers for Silva Screen Records Ltd: Reynold D’Silva and David Stoner Release co-ordination: Pete Compton Artwork and Design: Stuart Ford (BONUS TRACKS) This compilation Ⓟ & © 2013 BBC Worldwide Limited.
Recommended publications
  • Spring 2020 C O N T E N T S

    Spring 2020 C O N T E N T S

    The CRIMSON HISTORICAL REVIEW An Undergraduate Journal of History at the University of Alabama Volume II, No. II Spring 2020 C O N T E N T S Staff Information ii Contributors Page iii Letter from the Chief Editor Jodi Vadinsky iv A R T I C L E S Demystifying Feminine Ireland During Cecilia Barnard 01 the Rebellion of 1798 Borders and Bodies: The El Paso Eve Galanis 13 Quarantine and Mexican Women’s Resistance Chile: Democracy to Destabilization to Ethan Legrand 29 Dictatorship Turning Point of Cold War Diplomacy: Reuben Francis 41 The Impact of the South Asian Crisis of 1971 on US-Chinese Rapprochement Of Course Someone You Know Is Gay: Victoria Carl 60 Alabama’s Gay Student Union, 1983- 1984 i S T A F F Executive Board Review Board Associates Faculty Editor Cecilia Barnard Nikolas Clark Dr. Margaret Peacock Mariella Giordano Lindsey Glick Troy Watley Declan Smith Chief Editor Katie Kroft Philip Marini Jodi Vadinsky Griffin Specker Jacob Wolfe Production Editor Ashley Terry Caroline Lawrence Lily Mears Jasmine James Jackson C. Foster Logan Goulart Noah Dasinger Production Editor Elect Riley LoCurto James Gibbs John Pace Courtney Lowery Design Editor Copy Editors Charlie Wright Kenzie Wilbourne Ashley Terry Review Board Executive Corinne Baroni Lily Mears Claire Sullivan Aaron Eitson The Crimson Historical Review is composed of undergraduate students at the University of Alabama who are passionate about history, academic writing, and publishing. Interested in becoming a staff member? Undergraduate students at the University of Alabama are invited to contact [email protected]. The CHR is not operated by the University of Alabama.
  • The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM

    The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM

    DOCTOR WHO SERIES 10 EPISODE 8 "X" by Toby Whithouse TONE DRAFT (DRAFT TWO) 22/11/16 (SHOOTING BLOCK 6) DW10: EP 8 'The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM. 1 Space. The sun rising over the peaceful blue Earth. VOICE OVER The Monks have been with us from the beginning. Primordial soup: a fish heaves itself from the swamp, its little fins work like pistons to drag itself up the bank, across the sandy earth. The most important and monumental struggle in the planet’s history. It bumps into the foot of a Monk, waiting for it. VOICE OVER (CONT’D) They shepherded humanity through its formative years, gently guiding and encouraging. Cave paintings: primitive man. Before them, what can only be a Monk. It holds a spear, presenting it to the tribe of men. VOICE OVER (CONT’D) Like a parent clapping their hands at a baby's first steps. Another cave painting: a herd of buffalo, pursued by the men, spears and arrows protruding from their hides. Above and to the right, watching, two Monks. Benign sentinels. VOICE OVER (CONT’D) They have been instrumental in all the advances of technology and culture. Photograph: Edison, holding a lightbulb. The arm and shoulder of a Monk next to him, creeping into the frame. VOICE OVER (CONT’D) They watched proudly as man invented the lightbulb, the telephone, the internet... Photograph: the iconic shot of Einstein halfway through writing the equation for the theory of relativity on a blackboard.
  • Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E

    Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E

    Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J.
  • The Wall of Lies

    The Wall of Lies

    The Wall of Lies Number 142 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA MFinal STATE Adelaide, May--June 2013 WEATHER: Cold, wet, some oxygen Free Austerity Budget for Rich, Evil by staff writers Australian budget mildly inconvenient for terrible people. The Tuesday 14 May 2013 federal Australian budget has upset miners, their friends and well wishers around the world. Miners have claimed $11 billion in tax breaks, largely for purchasing smaller companies who have spent on exploration. Across Europe, countries suffering severe austerity cuts have looked beyond their own suffering to reach out to the maggots unable to use this scam any more. In Cyprus a protest march of malnourished children wound its way through Nicosia, Greeks self immolated and an ensemble of Latvians showed solidarity by playing The Smallest Violins In The World. “Come on, what else are you going to do with the rocks? Leave them in the ground until someone who’s O ut willing to pay to dig them up comes along?” asked a t N An untended consequence of No bloated mining executive. ow the severe budget involves pets ! unable to afford faces. But then apparently choked on their own bile. BBC/ABC Divorce, Dr Who Love Child by staff writers BBC cancels ABC contract, Doctor Who excluded. News broke on 17 April 2013 via a joint BBC/Foxtel press release that BBC Worldwide (formerly BBC Enterprises) had decided to Chameleon Factor # 80 finish its output deal with the ABC when the current three year O contract expires mid-2014.
  • A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, Noahzepponi@Gmail.Com

    A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]

    University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
  • Blink by Steven Moffat EXT

    Blink by Steven Moffat EXT

    Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper.
  • Vector 273 Worthen 2013-Fa BSFA

    Vector 273 Worthen 2013-Fa BSFA

    VECTOR 273 — AUTUMN 2013 Vector The critical journal of the British Science Fiction Association Best of 2012 Issue No. 273 Autumn 2013 £4.00 page 1 VECTOR 273 — AUTUMN 2013 Vector 273 The critical journal of the British Science Fiction Association ARTICLES Torque Control Vector Editorial by Shana Worthen ........................ 3 http://vectoreditors.wordpress.com BSFA Review: Best of 2012 Features, Editorial Shana Worthen Edited by Martin Lewis ................................ 4 and Letters: 127 Forest Road, Loughton, Essex IG10 1EF, UK [email protected] In Review: The Best of US Science Fiction Book Reviews: Martin Lewis Television, 2012 14 Antony House, Pembury Sophie Halliday ........................................... 10 Place, London E5 8GZ Production: Alex Bardy UK SF Television 2012: Dead things that [email protected] will not die Alison Page ..................................................12 British Science Fiction Association Ltd The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Registered in England. Limited 2012 in SF Audio by guarantee. Tony Jones ................................................... 15 BSFA Website www.bsfa.co.uk Company No. 921500 Susan Dexter: Fantasy Bestowed Registered address: 61 Ivycroft Road, Warton, Tamworth, Mike Barrett ................................................ 19 Staffordshire B79 0JJ President Stephen Baxter Vice President Jon Courtenay Grimwood RECURRENT Foundation Favourites: Andy Sawyer ... 24 Chair Ian Whates [email protected] Kincaid in Short: Paul Kincaid ................. 26 Treasurer Martin Potts Resonances: Stephen Baxter ................... 29 61 Ivy Croft Road, Warton, Nr. Tamworth B79 0JJ [email protected] THE BSFA REVIEW Membership Services Peter Wilkinson Inside The BSFA Review ............................ 33 Flat 4, Stratton Lodge, 79 Bulwer Rd, Barnet, Hertfordshire EN5 5EU Editorial by Martin Lewis...........................
  • June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace

    June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace

    No. 495 - June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace Nothing like a Dame (make that two!) The VW’s Shakespeare party this year marked Shakespeare’s 452nd birthday as well as the 400th anniversary of his death. The party was a great success and while London, Stratford and many major cultural institutions went, in my view, a bit over-bard (sorry!), the VW’s party was graced by the presence of two Dames - Joan Plowright and Eileen Atkins, two star Shakespeare performers very much associated with the Old Vic. The party was held in the Old Vic rehearsal room where so many greats – from Ninette de Valois to Laurence Olivier – would have rehearsed. Our wonderful Vice-President, Nickolas Grace, introduced our star guests by talking about their associations with the Old Vic; he pointed out that we had two of the best St Joans ever in the room where they would have rehearsed: Eileen Atkins played St Joan for the Prospect Company at the Old Vic in 1977-8; Joan Plowright played the role for the National Theatre at the Old Vic in 1963. Nickolas also read out a letter from Ronald Pickup who had been invited to the party but was away in France. Ronald Pickup said that he often thought about how lucky he was to have six years at the National Theatre, then at Old Vic, at the beginning of his career (1966-72) and it had a huge impact on him. Dame Joan Plowright Dame Joan Plowright then regaled us with some of her memories of the Old Vic, starting with the story of how when she joined the Old Vic school in 1949 part of her ‘training’ was moving chairs in and out of the very room we were in.
  • THE CRIMSON HORROR.Fdr

    THE CRIMSON HORROR.Fdr

    (Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number 1 INT. MRS GILLYFLOWER’S HOUSE. PARLOUR. DUSK. 1 The crashing chords of a pipe organ. Someone is bashing out the tune of a grim and worthy hymn. We’re in a large, red- walled room, suffocating in Victorian bric-a-brac. Track past a series of strange still-lifes. Those oddly disturbing Victorian tableaux - colourful birds stuffed and arranged on twigs, surrounded by artificial flowers and under big glass bell-jars. Gas-light glints in the creatures’ beady glass eyes. The playing stops and a woman rises from the organ. We don’t see her face as she runs her hand over the line of bell-jars. MRS GILLYFLOWER Like pretty maids all in a row. She makes a gentle cooing. Then there’s another sound. A strangely horrible gurgling. Like a contented baby. A door opens behind the woman, framing a black-bonneted silhouette. CUT TO: 2 INT. MILL. SPIRAL STAIRCASE. DUSK. 2 Tap, tap, tap. A white cane clatters away as a pair of neat little feet ascend a darkened, spiral staircase. The staircase finally ends in a door, padded with old, stained green baize. Fumbling, lace-gloved female hands flutter around the bottom of the door, eventually locating a sort of cat-flap. The hands push through a bowl of grisly-looking food. From the other side of the door comes the sound of heavy, ragged breathing.
  • Scuttlebutt from the Spermaceti Press 2021

    Scuttlebutt from the Spermaceti Press 2021

    Jan 21 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) did not gather in New York to celebrate the Great Detective’s 167th birthday this year, but the somewhat shorter long weekend offered plenty of events, thanks to Zoom and other modern technol- ogy. Detailed reports will be available soon at the web-site of The Baker Street Irregulars <www.bakerstreetirregulars.com>, but here are few brief paragraphs to tide you over: The BSI’s Distinguished Speaker on Thursday was Andrew Lycett, the author of two fine books about Conan Doyle; his topic was “Conan Doyle’s Questing World” (and close to 400 people were able to attend the virtual lecture); the event also included the announcement by Steve Rothman, editor of the Baker Street Journal, of the winner of the Morley-Montgomery Award for the best article the BSJ last year: Jessica Schilling (for her “Just His Type: An Analysis of the Découpé Warning in The Hound of the Baskervilles”). Irregulars and guests gathered on Friday for the BSI’s annual dinner, with Andrew Joffe offering the traditional first toast to Nina Singleton as The Woman, and the program continued with the usual toasts, rituals, and pap- ers; this year the toast to Mrs. Hudson was delivered by the lady herself, splendidly impersonated by Denny Dobry from his recreation of the sitting- room at 221B Baker Street. Mike Kean (the “Wiggins” of the BSI) presented the Birthday Honours (Irregular Shillings and Investitures) to Dan Andri- acco (St. Saviour’s Near King’s Cross), Deborah Clark (Mrs. Cecil Forres- ter), Carla Coupe (London Bridge), Ann Margaret Lewis (The Polyphonic Mo- tets of Lassus), Steve Mason (The Fortescue Scholarship), Ashley Polasek (Singlestick), Svend Ranild (A “Copenhagen” Label), Ray Riethmeier (Mor- rison, Morrison, and Dodd), Alan Rettig (The Red Lamp), and Tracy Revels (A Black Sequin-Covered Dinner-Dress).
  • The Ultimate Foe

    The Ultimate Foe

    The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g.
  • October, 2020

    October, 2020

    Lambda Sci-Fi DC Area Gaylaxians (202) 232-3141 – Issue # 367 – October 2020 E-MAIL: [email protected] WEBSITE: www.lambdascifi.org The LSF Book Discussion Group If you’re interested in lively dis- cussions of F&SF books (with an em- To our ConFAB Friends, phasis on elements of interest to the LGBT ConFABulous 2020 will be a community), we invite you to join the LSF one-day virtual convention on Saturday, Book Discussion Group. Each month, we October 10 (Noon to Midnight). conduct fascinating round-table discussi- The con will have some of the ons of works by significant F&SF authors. same features as our face-to-face con- Before the COVID-19 shut-down ventions, including a single track of panels orders, the LSF Book Discussion Group and plenty of opportunities to play board usually met on the 4th Thursday of every games, card games, and RPGs through month, starting at 7:00 PM, at Peter & virtual connections. Rob’s home: 1425 “S” St., NW – for Do you have an idea for panelists "Reading is the key directions or more details, call 202-483- or a panel topic that you'd like to organize? 6369. Now, book discussions are held Please send your ideas to John Till: that opens doors virtually (same “4th Thursday” schedule). [email protected] to many good The next book discussion will be held on Do you have an idea for an RPG October 22nd (via Zoom). session? Send John Till an idea about the things in life. Here are the details for the next game you’d like to run: the game system, several discussions: the time frame (we recommend 2-3 hours Reading shaped Oct.