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Ã44 Y > Y Yy Yy .5 Œ Œ ≈ Herbie Hancock ‘Chameleon’ Herbie Hancock SONG TITLE: CHAMELEON ALBUM: HEAD HUNTERS LABEL: COLUMBIA 100 Funk Feel GENRE: JAZZ FUNK/JAZZ FUSION c WRITTEN BY: HERBIE HANCOCK, A BERNIE MAUPIN, > > PAUL JACKSON AND HARVEY MASON y y y y y y y A C y y y y y y y PRODUCED BY: HERBIE HANCOCK AND DAVID RUBINSON 4 œ œ œ œ ã 4 5 Œ ≈ 5 5 5 Œ ≈ 5 5 UK CHART PEAK: . N/A BACKGROUND INFO After the 1973 album release Harvey Mason was ‘Chameleon’ is the opening track on the legendary replaced by Mike Clark whose drumming is also legendary. Both drummers would work with the Head Hunters album by Herbie Hancock and his newly formed band, released in 1973. The album is band, with and without Hancock. a landmark in the jazz-funk and jazz-fusion genres. It was the biggest selling jazz album of all time until Harvey Mason is known for his unique feel and George Benson’s groove, amazing precision and solid time keeping. Breezin’ was released in 1976. Head Hunters is an influential album nearly fifty years after He is one of today’s most critically acclaimed and its release. revered drummers. He has worked with a who’s who of the jazz and jazz-fusion world. After the success Fill of the Head Hunters, Head Hunters is the culmination of a highly Harvey Mason’s sound became experimental period in Herbie Hancock’s career. y familiar toy an even wider audiencey when in 1976 hey y y y A C y y y recorded the multi-platinum-selling Whilst in Miles Davis’s quintet Hancock released a Breezin’ with number of solo albums in the hard bop and modern guitarist George Benson.œ He continued working œ œ with Benson, recording the legendary jazz styles related to the group. These were very Œ In Flight, ≈ Œ successful and include classics such as ‘Watermelon[3]ã 5 including the masterpiece ‘The World Is A Ghetto’. He 5 5 5 ’ ’ . started recording solo albums in 1975 and achieved . Man’, later reworked for the Head Hunters album. Upon leaving Davis’ quintet in the summer of significant success in the late 1970s. He recorded 11 1968, Hancock started to experiment with electric solo albums to date. In addition he also recorded instruments influenced by Miles Davis and his with Herbie Hancock, Chick Corea, Donna Summer, groundbreaking jazz-fusion style. He recorded Patrice Rushen, Rufus, Joe Henderson, Casiopea, The Brothers Johnson, Carole King and the classic Mwandishi in 1971, Crossings in 1972, and Sextant Survival in 1973. The experimental and at times ethereal of The Fittest with the band Headhunters, amongst nature of these records pushed Hancock to pursue an many others. Since 1990 he has been the drummer earthier and more grounded, funky sound. with smooth jazz sensation Fourplay, together with bassist Nathan East, pianist Bob James and guitarists Lee Ritenour and Larry Carlton. Drums Grade 6 > 31 y y y y y y y A C y y y y y y y œ Œ ≈ œ œ Œ ≈ œ [5]ã 5. 5 5 5. 5 5 y y y y ‰ Aj Œ œ Œ œ œ œ œ [7]ã ‘ 5. 5 > > > + B > y y y y y A C y y y y y y y y A œ Œ ‰ œ œ Œ ≈ œ [9]ã 5. 5 5. 5 5 J f C y y y y y y y y y y y y y y A œ Œ ≈ œ œ Œ ≈ œ [11]ã 5. 5 5 5. 5 5 Chameleon Herbie Hancock Music by Herbie Hancock, Harvey Mason Jr., Paul Jackson & Bennie Maupin c 100 Funk Feel A > > y y y y y y y A C y y y y y y y 4 œ œ œ œ ã 4 5. Œ ≈ 5 5 5. Œ ≈ 5 5 Fill y y y y y y y A C y y y œ Œ ≈ œ œ Œ [3]ã 5. 5 5 5. ’ ’ > y y y y y y y A C y y y y y y y œ Œ ≈ œ œ Œ ≈ œ [5]ã 5. 5 5 5. 5 5 y y y y ‰ Aj Œ œ Œ œ œ œ œ [7]ã ‘ 5. 5 > > > + B > y y y y y A C y y y y y y y y A œ Œ ‰ œ œ Œ ≈ œ [9]ã 5. 5 5. 5 5 J f C y œ y y y y œy y y y œ y y y y œy A [11] 5 Œ ≈ 5 5 5 Œ ≈ 5 5 Drums Grade 6 Drums Grade ã . 32 © Copyright 1973 Hancock Music Company/Cigum Music Company/Funkdivity Music. Kobalt Music Publishing Limited. All Rights Reserved. International Copyright Secured. C y y y y y y A C y y y y y y y œ Œ ≈ œ œ Œ ≈ œ [13]ã 5. 5 5 5. 5 5 Fill y y y y y y y A C y y y œ Œ ‰ œ œ Œ [15]ã 5. 5 5. ’ ’ J C A C y y ‰ yj ‰ Aj C y y y y y y A œ œ. œ œ œ Œ ≈ œ [17]ã 5 5 5 5. 5 5 > > > > > > C y y y y y y y y y y y y y y A œ Œ ≈ œ œ Œ ≈ œ [19]ã 5. 5 5 5. 5 5 > > C y y y ‰ yj ‰ Aj C y y y y y y y œ œ. œ œ œ Œ ≈ œ. e [21]ã 5 5 5 5. 5 5 > > > > > > y y y y y y y A C y y y y y A A e œ Œ ≈ œ. e œ Œ ≈ œ. e [23]ã 5 5 5 5. 5 5 > > > > > > > > > > ‰ j Œ ‰ j ‰ œ y y y y y. y y y A C J œ œ œ œ œ e ≈ e ‰ œ œ œ [25]ã 5 5 5 5 5 5 5 5 J > > > > > Fill y y y y y y y y y y y y œ œ. œ œ œ œ œ [27] 5 Œ ≈ 5 5 5 5 ã . ’ ’ 6 Drums Grade > > > > > 33 Drum Break D > y y y y y y y A C y y y y y y œ œ œ œ œ y œ œ 5 Œ ≈ 5 5 . 5 ≈ ≈ 5 5 . œ [29]ã . @ > > > > > y y y y y y y y y y y Œ ‰ Aj œ ‰. œ œ. œ œ ‰. œ œ œ œ œ œ œ [31]ã 5 5 5 5 . R . @R > > > > > > > > Develop (Groove Solo) C y œ y y y y œy y 5 5 Œ ≈ 5 5 . œ [33]ã @ ’ ’ ’ ’ p > > Fill [35]ã ’ ’ ’ ’ ’ ’ ’ ’ [37]ã ’ ’ ’ ’ ’ ’ ’ ’ f Band Enters > > > > > > ‰ j Œ ‰ j œ y y y y y. 1 1 y A C J œ œ œ œ œ e ≈ e ‰ œ D [39]ã 5 5 5 5 5 5 5 5 J > f > > > > > > > y y y y y y y A C y y A @ @ œ Œ ≈ œ. œ œ œ e . œ œ [41]ã 5. 5 5 5 5 y y > > > o o E C y y y y y y A C y y y y y y y œ Œ ≈ œ œ Œ ≈ œ [43]ã 5. 5 5 5. 5 5 F Fill y y œ y y y y œy A C y œ y y [45] 5 Œ ≈ 5 5 5 Œ Drums Grade 6 Drums Grade ã . ’ ’ 34 + F > y y y y y A C y y y y y y y y A œ Œ ‰ œ œ Œ ≈ œ [47]ã 5. 5 5. 5 5 J f C y y y y y y y y y y y y y y A œ Œ ≈ œ œ Œ ≈ œ [49]ã 5. 5 5 5. 5 5 C y y y y y y A C y y y y y y A œ Œ ≈ œ œ Œ ≈ œ [51]ã 5. 5 5 5. 5 5 C y y y y y y y y y y y y y y A œ Œ ≈ œ œ Œ ≈ œ [53]ã 5. 5 5 5. 5 5 + G y y y y ‰ yj ‰ Aj C y y y y y y A œ œ. œ œ œ Œ ≈ œ [55]ã 5 5 5 5. 5 5 > > > > > > C y y y y y y y y y y y y y y A œ Œ ≈ œ œ Œ ≈ œ [57]ã 5. 5 5 5. 5 5 > > > > C y y y ‰ yj ‰ Aj C y y y y y y A œ œ. œ œ œ Œ ≈ œ [59]ã 5 5 5 5. 5 5 > > > > > > Fill C y y y y y y y y y y y œ Œ ≈ œ œ Œ [61]ã 5. 5 5 5. ’ ’ > > > U > > > > > > > ‰ j Œ ‰ j œ y y y y y. y 1 J œ œ œ œ œ e e [63] 5 5 5 5 5 5 ≈ 5 Ó ã 6 Drums Grade > > > 35.
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