OSSTMM 3 – the Open Source Security Testing Methodology Manual
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Projects on the Move
:FDDLE@KP Free Software Projects 8elg$kf$[Xk\fm\im`\nf]]i\\jf]knXi\Xe[`kjdXb\ij GIFA<:KJFEK?<DFM< Finally there’s a free alternative to the proprietary Flash on the web. Unfortunately, it implements Microsoft technology whose software patents might render the free Moonlight license useless. BY CARSTEN SCHNOBER Microsoft and Novell formed an alliance Flash format as a global standard for problems to newcomers because you can with the aim of establishing a Flash al- complex, interactive web content. The download a prebuilt version of the pl- ternative for Linux. After one year of co- proprietary browser plugin by Adobe is ugin from the project website and click operation between developers from both like a red flag to a bull for many Linux to install (Figure 1). Thus far, Moonlight companies, a beta version of the Silve- users. Because the source code is not supports only Linux systems using Fire- light free implementation, Moonlight, is available, developers and users of the fox, although the makers claim that it now available. Many members of the free operating system have been forced will support OpenSolaris and the Kon- Linux community suspect that the to rely on Adobe providing updates. In queror and Opera browsers in the near Moonlight Linux implementation [1] is the past, Adobe has been reticent with future. being used to establish Microsoft's Sil- respect to timeliness and completeness. For licensing reasons, the binary pack- verlight [2] technology on a cross-plat- age leaves out all multimedia codecs, form basis, thereby infiltrating the soft- ;Xe^\ijXe[9\e\]`kj thus seriously limiting its own function- ware freedom fighters’ fortress. -
Rich Internet Applications
Rich Internet Applications (RIAs) A Comparison Between Adobe Flex, JavaFX and Microsoft Silverlight Master of Science Thesis in the Programme Software Engineering and Technology CARL-DAVID GRANBÄCK Department of Computer Science and Engineering CHALMERS UNIVERSITY OF TECHNOLOGY UNIVERSITY OF GOTHENBURG Göteborg, Sweden, October 2009 The Author grants to Chalmers University of Technology and University of Gothenburg the non-exclusive right to publish the Work electronically and in a non-commercial purpose make it accessible on the Internet. The Author warrants that he/she is the author to the Work, and warrants that the Work does not contain text, pictures or other material that violates copyright law. The Author shall, when transferring the rights of the Work to a third party (for example a publisher or a company), acknowledge the third party about this agreement. If the Author has signed a copyright agreement with a third party regarding the Work, the Author warrants hereby that he/she has obtained any necessary permission from this third party to let Chalmers University of Technology and University of Gothenburg store the Work electronically and make it accessible on the Internet. Rich Internet Applications (RIAs) A Comparison Between Adobe Flex, JavaFX and Microsoft Silverlight CARL-DAVID GRANBÄCK © CARL-DAVID GRANBÄCK, October 2009. Examiner: BJÖRN VON SYDOW Department of Computer Science and Engineering Chalmers University of Technology SE-412 96 Göteborg Sweden Telephone + 46 (0)31-772 1000 Department of Computer Science and Engineering Göteborg, Sweden, October 2009 Abstract This Master's thesis report describes and compares the three Rich Internet Application !RIA" frameworks Adobe Flex, JavaFX and Microsoft Silverlight. -
Aplicaciones Enriquecidas Para Internet: Estado Actual Y Tendencias
Universidad de San Carlos de Guatemala Facultad de Ingeniería Escuela de Ciencias y Sistemas APLICACIONES ENRIQUECIDAS PARA INTERNET: ESTADO ACTUAL Y TENDENCIAS Miguel Alejandro Catalán López Asesorado por la Inga. Erika Yesenia Corado Castellanos de Lima Guatemala, enero de 2012 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA FACULTAD DE INGENIERÍA APLICACIONES ENRIQUECIDAS PARA INTERNET: ESTADO ACTUAL Y TENDENCIAS TRABAJO DE GRADUACIÓN PRESENTADO A JUNTA DIRECTIVA DE LA FACULTAD DE INGENIERÍA POR MIGUEL ALEJANDRO CATALÁN LÓPEZ ASESORADO POR LA INGA. YESENIA CORADO CASTELLANOS DE LIMA AL CONFERÍRSELE EL TÍTULO DE INGENIERO EN CIENCIAS Y SISTEMAS GUATEMALA, ENERO DE 2012 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA FACULTAD DE INGENIERÍA NÓMINA DE JUNTA DIRECTIVA DECANO Ing. Murphy Olympo Paiz Recinos VOCAL I Ing. Enrique Alfredo Beber Aceituno VOCAL II Ing. Pedro Antonio Aguilar Polanco VOCAL III Ing. Miguel Ángel Dávila Calderón VOCAL IV Br. Juan Carlos Molina Jiménez VOCAL V Br. Mario Maldonado Muralles SECRETARIO Ing. Hugo Humberto Rivera Pérez TRIBUNAL QUE PRACTICÓ EL EXAMEN GENERAL PRIVADO DECANO Ing. Murphy Olympo Paiz Recinos EXAMINADOR Ing. Juan Álvaro Díaz Ardavin EXAMINADOR Ing. Edgar Josué González Constanza EXAMINADOR Ing. José Ricardo Morales Prado SECRETARIO Ing. Hugo Humberto Rivera Pérez HONORABLE TRIBUNAL EXAMINADOR En cumplimiento con los preceptos que establece la ley de la Universidad de San Carlos de Guatemala, presento a su consideración mi trabajo de graduación titulado: APLICACIONES ENRIQUECIDAS PARA INTERNET: ESTADO ACTUAL -
Internet Recruiting Power: Opportunities and Effectiveness
IESE UNIVERSITY OF NAVARRA INTERNET RECRUITING POWER: OPPORTUNITIES AND EFFECTIVENESS José Ramón Pin* Miriam Laorden** Inés Sáenz-Diez*** RESEARCH PAPER No 439 July, 2001 Published by the International Research Centre on Organizations (IRCO) * Professor of Organizational Behaviour, IESE ** Manager at IRCO, IESE *** Research Associate at IRCO, IESE. Research Division IESE University of Navarra Av. Pearson, 21 08034 Barcelona - Spain Copyright © 2001, IESE Do not quote or reproduce without permission INTERNET RECRUITING POWER: OPPORTUNITIES AND EFFECTIVENESS Abstract Recruiting via the Internet, or e-Recruitment, is a phenomenon that has led to the appearance of a new market in which there is an unprecedented level of interaction between employers and potential employees. In this paper we describe the actual and emergent models in the e-Recruitment market, assess the changes this new recruitment tool is bringing about in companies’ practices and strategies, and analyse the risks and opportunities of e-Recruitment for companies and for job candidates. INTERNET RECRUITING POWER: OPPORTUNITIES AND EFFECTIVENESS I. Introduction 1. Research aims The main goal of this research project is to analyse the e-Recruitment tools that use new technologies, and more specifically everything that is done in this area over the Internet. The scope of the analysis is mainly Europe, although we could hardly have done it without comparing the European level with the market in the US, due to its broader experience in using these tools and the fact that it is a more mature market. The study focuses on three main objectives: Objective I. Describe current and emerging models in the European Internet recruitment market and define key actors. -
Herbie Hancock Mr. Hands Mp3, Flac, Wma
Herbie Hancock Mr. Hands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Mr. Hands Country: Europe Released: 1992 Style: Fusion MP3 version RAR size: 1631 mb FLAC version RAR size: 1810 mb WMA version RAR size: 1691 mb Rating: 4.6 Votes: 840 Other Formats: MP3 VOX WMA AHX VQF DTS ASF Tracklist Hide Credits Spiraling Prism 1 6:22 Bass – Byron MillerDrums – Leon Ndugu Chancler 2 Calypso 6:42 Just Around The Corner 3 Bass – Freddie WashingtonDrums – Alphonse MouzonGuitar – Melvin "Wah Wah" 7:34 WatsonPercussion – Sheila Escovedo 4 AM 4 5:21 Bass – Jaco PastoriusDrums – Harvey MasonPercussion – Sheila Escovedo Shiftless Shuffle 5 7:08 Bass – Paul Jackson Drums – Harvey MasonTenor Saxophone – Bennie Maupin 6 Textures 6:38 Companies, etc. Made By – DADC Austria Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Distributed By – Sony Music Credits Percussion – Bill Summers (tracks: 1, 4, 5) Producer – David Rubinson, Herbie Hancock Notes Jewel case 8-page booklet Originally released on LP in 1980 Barcode and Other Identifiers Barcode (Text): 5 099747 124020 Barcode (Scanned): 5099747124020 Label Code: LC 0162 Matrix / Runout: 01-471240-10 11 A1 DADC AUSTRIA Price Code: CB 741 Price Code: CDM Other (Sony Code): 01-471240-10 Rights Society: BIEM/STEMRA Other (Mould stamp): * Other versions Category Artist Title (Format) Label Category Country Year JC 36578 Herbie Hancock Mr. Hands (LP, Album) Columbia JC 36578 US 1980 PCT 36578 Herbie Hancock Mr. Hands (Cass, Album) Columbia PCT 36578 US 1980 PC 36578 Herbie Hancock Mr. Hands (LP, Album) Columbia PC 36578 US 1980 JCA 36578 Herbie Hancock Mr. -
Introducing Silverlight From?
02_0672330148_ch01.qxd 9/25/08 2:23 PM Page 3 Silverlight 2 Unleashed, published by SAMS, Copyright 2009 Pearson Education, Inc. ISBN 0672330148 CHAPTER 1 IN THIS CHAPTER . Where Does Silverlight Come Introducing Silverlight From? . Using Third-Party Plug-Ins . Running on Multiple Platforms . Making the Web Application Secure t all started when Microsoft presented its revolutionary I . Introducing Silverlight.net user interface (UI) framework, Windows Presentation Foundation, to an enthusiastic crowd of graphics designers, . What Do You Need to Run software developers, and businessmen in March 2006 at the Silverlight? new MIX conference in Las Vegas. Microsoft also added . Updating Your Runtime— one session about a lesser-known technology with the Automatically rather barbarian name Windows Presentation Foundation . Trying Silverlight Demos Everywhere, or WPF/E. There was nothing much to see yet, but the abstract was enticing: “With WPF/E you’ll be able . What Do You Need to Develop to build rich, interactive experiences that run in major Web Silverlight? browsers on major platforms as well as on mobile devices.” . Reading the Documentation A little more than a year later, at the second edition of the . Looking into Silverlight’s same MIX conference, Scott Guthrie (general manager at Future Microsoft, responsible for most of the .NET teams) climbed on stage and gave the crowd an amazing software demon- stration. The barbarian WPF/E was gone; in its place was Silverlight (see Figure 1.1). A bright new logo revolved on the screens. Gradients and animations were all over the place. Planes flew over the web browser’s window, connecting US cities while Scott was planning his next trips; a chess application let the browser’s JavaScript engine play against .NET, demonstrat- ing without any doubt the superior power of the compiled .NET application over JavaScript’s interpreted code. -
Futurism-Anthology.Pdf
FUTURISM FUTURISM AN ANTHOLOGY Edited by Lawrence Rainey Christine Poggi Laura Wittman Yale University Press New Haven & London Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the Kingsley Trust Association Publication Fund established by the Scroll and Key Society of Yale College. Frontispiece on page ii is a detail of fig. 35. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Nancy Ovedovitz and set in Scala type by Tseng Information Systems, Inc. Printed in the United States of America by Sheridan Books. Library of Congress Cataloging-in-Publication Data Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman. p. cm. Includes bibliographical references and index. ISBN 978-0-300-08875-5 (cloth : alk. paper) 1. Futurism (Art) 2. Futurism (Literary movement) 3. Arts, Modern—20th century. I. Rainey, Lawrence S. II. Poggi, Christine, 1953– III. Wittman, Laura. NX456.5.F8F87 2009 700'.4114—dc22 2009007811 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43 The Founding and Manifesto of Futurism (1909) F. -
Silverlight Interview Questions
By OnlineInterviewQuestions.com Silverlight Interview Questions Silverlight is a very powerful development tool that has been used by many organizations in order to create engaging content for effective user experiences for both the web as well as mobile applications. It is a very popular web-based knowledge that was launched by Microsoft for individuals in the design world. It has also been considered as a competition to the famous Adobe’s Flash. Some of the big organization using Silverlight include Yahoo!, NASA, Indian Premier League (IPL), Continental Airlines, etc. These organizations have been using Silverlight to enhance their business manifolds. Thus, many companies have recently started to incorporate Silverlight into their systems for effective and efficient handling of their business. In lieu of which many organizations are looking for candidates that can provide adequate solutions to increase their market presence. Such organizations are looking for candidates with adequate theoretical knowledge in addition to good hands-on-training skills. This field also requires candidates to have excellent communication as well as presentation skills. Therefore, some basic, as well as advanced Silverlight interview questions, have been asked in order to scrutinize the perfect candidate that can make the cut. Read below some of the frequently asked Silverlight interview questions, if you either a fresher or an experienced individual to gain insight on the topic or brush up your past knowledge to land your dream job! Q1. What is the use of Silverlight? Silverlight is an open – source development tool manufactured by Microsoft, which is essentially used to create and deploy interactive user experiences along with media and internet applications for various internet and mobile applications. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Head Hunters of the Amazon
Head Hunters of the Amazon F. W. Up de Graff Head Hunters of the Amazon Table of Contents Head Hunters of the Amazon...................................................................................................................................1 F. W. Up de Graff..........................................................................................................................................1 FOREWORD.................................................................................................................................................2 INTRODUCTION.........................................................................................................................................3 HEAD HUNTERS OF THE AMAZON........................................................................................................4 CHAPTER II..................................................................................................................................................6 CHAPTER III..............................................................................................................................................14 CHAPTER IV..............................................................................................................................................17 CHAPTER V................................................................................................................................................21 CHAPTER VI..............................................................................................................................................28 -
“Head Hunters”—Herbie Hancock (1973) Added to the National Registry: 2007 Essay by Bob Gluck (Guest Post) *
“Head Hunters”—Herbie Hancock (1973) Added to the National Registry: 2007 Essay by Bob Gluck (guest post) * Original album Original label Herbie Hancock Herbie Hancock’s “Head Hunters” charted a new course for a musician who had come to see the entire world as his potential audience. In crafting this recording, Hancock renewed an historic idea while furthering something novel: jazz that audiences could dance to. Not since the big band era had jazz quite so successfully reached out a broad net, merging music for attentive listening with an approach that gave everybody something to hold onto. This had been the goal of late 1950’s and early 60’s “hard bop.” That music, made famous by drummer Art Blakey and pianist Horace Silver, injected widely beloved African American musical styles— gospel and the Blues—into modern jazz. By softening bebop’s blazing fast angularity, hard boppers crafted a more accessible, finger snapping, more populist style. In fact, this was the music Herbie Hancock first played as he began his professional career at the beginning of the 1960s with Donald Byrd’s band and on his own early recordings. In the late 1960s and early 1970s, Hancock’s mentor, Miles Davis, began to update this concept of bridging popular Black music—R&B and funk--with jazz. Yet it was Hancock’s “Head Hunters” that most successfully reached the younger generation with this new synthesis. Hancock first gained the attention of a wider public when his 1962 hard bop tune “Watermelon Man” became, in the hands of Mongo Santamaria, a Latin dance craze. -
Adobe Flex 4.5 Fundamentals Training from the Source
Adobe® Flex® 4.5 Fundamentals Training from the Source Michael Labriola Jeff Tapper Matthew Boles Foreword by Adam Lehman, Adobe Flash Builder Product Manager Adobe® Flex® 4.5 Fundamentals: Training from the Source Michael Labriola/Jeff Tapper/Matthew Boles This Adobe Press book is published by Peachpit. For information on Adobe Press books, contact: Peachpit 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) For the latest on Adobe Press books, go to www.adobepress.com To report errors, please send a note to [email protected] Copyright © 2012 by Michael Labriola and Jeffrey Tapper Adobe Press Editor: Victor Gavenda Project Editor: Nancy Peterson Development Editor: Robyn G. Thomas Technical Editor: Steve Lund Production Coordinator: Becky Winter Copy Editor: Jessica Grogan Compositor: Danielle Foster Indexer: Emily Glossbrenner Cover Design: Peachpit Press Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For infor- mation on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the authors, Adobe Systems, Inc., nor the publisher shall have any lia- bility to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it.