20Th-Century Repertory

Total Page:16

File Type:pdf, Size:1020Kb

20Th-Century Repertory Mikrokosmos List 615. - 2 - October 2016 ....MAHLER DISCOGRAPHY (3 kg book: special shipping rate) 1 Mahler Discography by Peter Fulop: 2774 items, color printed, Timings, best MIKROKOSMO DHR 7300 A++ 20 pressings just to name a few features. Mahler 4th Sym with P.van Kempen included 1949 (ask for Dedication) ....20TH-CENTURY REPERTORY 2 Baird, Tadeusz: 4 Essays; Expressions for Vln & Orch; Variations - Wilkomirska vln, PHILIPS 839273 A 8 cond.Rowicki (green label) S 3 Balanchivadze: Pno Con 4 - Tcherkasov, cond.Provatorov S MELODIYA C10 9671 A 25 4 Barraque: Piano Sonata - R.Woodward pno 1972 S UNICORN UNS 263 A 15 5 Berio: Laborintus 2 - Ens Musique Vivante, cond.comp S HARMONIA M MV 34764 A 15 6 Berio: Sinfonia - Swinge Singers, New York PO, cond.comp S CBS S 3461079 A 10 7 Berio: Tempi concertati/Jolas: D'un opera de voyage/Varase: Offandes - Jarry vln, ADES 12001 A 8 Debost fl, Fremy pno, etc, Domaine Musical, cond.G.Amy (avant-garde jacket) S 8 Bochanski, Jan: 3 Chopin Variations and othe piano works - S.Schubert-Weber pno, FSM 53758 A 15 G.Losch vcl 1988 S 9 Boulez: Structures for 2 Pnos Book 1, 2 - Kontarsky Duo 1965 (French pressing) WERGO WER. 60011 A 8 (bklt) S 10 Britten: 6 Metamorphoses, Phantasy Quartet/ Crosse: Ariadne - Francis ob, Horwitz ARGO ZRG 842 A 8 vln, etc (UK) (p.1976) S 11 Cage: Sixteen Dances - New Music Concerts, cond.Zukofsky 1982 S CP2 15 A 25 12 Copland: Billy The Kid, Rodeo, Fanfare - Dallas SO, cond.Johanos (US) 1967 S TURNABOUT TV 34169 A 8 13 Dallapiccola: Canti di Prigionia/Castiglioni: Gyro/Guezec: Reliefs Polychromes - ERATO STU 70537 A 10 FB2 ORTF Choir, Ars Nova Ens, cond.Couraud (gatefold) S 14 Falla: Hrpschrd Con; Pno Pcs (Tombeau de Ducas & Debussy, Serenata Andaluza, NONESUCH H 71135 A 8 Fant Baetica, etc) - J-C.Richard, cond.Ravier S 15 Finzi: Intimations of Immorality - Partridge, cond.Handley (HP's Golden List) S LYRITA SRCS. 75 A 25 16 Gerhard, Roberto: Symphony No.1, Dances from the Ballet Don Quixote - EMI ASDBR 613 A 12 ER1 cond.Dorati (booklet) S 17 Goleminov, Marin: Sym Impressions, The Master Was Standing before the Sun - BALKANTON BCA 11163 A 12 cond.Dafov S 18 Henze: 5 Symphonies - Berlin PO, cond.comp (gatefold) (p.1966) S 2 x DGG SLPM 139203 A 15 GY7 19 Kaelin, Pierre: Messire Francois - Mollet bar, cond.Kaelin SM SM 3340 A 8 20 Klop, Henk: Organ Improvisations on the Cavalle-Coll organ in the St Augustinuskerk FESTIVO 83 A 8 in Amsterdam - H.Klop organ S 21 Koechlin, Charles: Violin Sonata, Cello Sonata - Alberti, Bary, Roux (gatefold) CYBELIA CY 663 A 15 1970s S 22 Ligeti: SQs, Aventures, Double Con, Lontano, Vcl Con, Volumina, etc - Arditi SQ, 5 x WERGO WER 60095 A 75 Palm, etc, cond.Maderna, Janigro, Gielen, etc S 23 Martin, Frank: Polyptyque, Ballade, Ballade - Y.MENUHIN, Nicolet, cond.Stoutz EMI ASD 3185 A 8 EE1 (P.1972) S 24 Martin, Frank: Polyptyque, Ballade, Ballade - Y.MENUHIN, Nicolet, cond.Stoutz EMI ASD. 3185 A 10 ER3 (p.1972) S 25 Martin, Frank: 8 Preludes; 3 Minnelieder; 3 Christmas Songs - comp.pno, E.Ameling IRAMAC 6520 A 8 sop, Ode fl (gatefold) S 26 Martin, Frank: Der Cornet - Mayer-Reinach, cond.comp. (gatefold) S JECKLIN 539 A 8 27 Messiaen: Oiseaux Exotiques, Le reveil des oiseaux, La bouscarle - Y.Loriod, Czech SUPRAPHON 80366 A 8 PO, cond.V.Neumann S 28 Meynaud, Michel: Pno Con 1/Mozart: Pno Con K.459 - M.Roy pno, COLOSSEUM SM 801 A 8 cond.M.Meynaud 1978 S 29 Meynaud, Michel: Pno Con 5/Tcherepnin: Bagatelles for Pno & Orch/Wagner: COLOSSEUM SM 802 A 10 Lohengrin Ov - M.Roy, cond.Meynaud 1978 S 30 Moeran: Sym in g - English SO, cond.Dilkes (TAS) S EMI ASD. 2913 A 10 EE1 31 Nancarrow: Studies for Player Piano Vol.3 1969 S 1750 ARCH S 1786 A 10 32 Ohana, Mauricio: 24 Preludes - Pennetier pno (p.1976) S ARION ARN 636 A 8 33 Oldfield, Mike: The Orchestral Tubular Bells (arr.Bedford) - comp.guitar, Royal PO, VIRGIN 88557 A 12 cond.Bedford 1974 S 34 Orff: De temporum fine comedia - cond.Karajan (gatefold) (nice bound-in booklet) S DGG 2530432 A 8 35 Part, Arvo: Tabula Rasa, Fratres, Cantus, - G.KREMER, T.GRINDENKO, ECM 1275 A 25 A.SCHNITTKE, K.JARRETT, cond.Sondeckis (gatefold) 1977-84 S 36 Pauer, Jiri: Horn Concerto/O.Flosman: Horn Concerto - MacDonald, cond.Maga AUDITE 63414 A 10 1985, 1982 S 37 Pijper: Pno Concerto, 6 Sym Epigrams, 6 Adagios/ Badings: Con for 2 Vlns - PHILIPS A 2242 A 8 Krebbers, Olof vln, Henkemans pno, cond.Beinum, Flipse, Otterloo (gatefold) 38 Prokofiev: Sinfonietta/Franck: Psyche - USSR RSO, cond.Dalgat (good jacket) OLD MELODIYA D 7581 A 10 ER1 39 Rachmaninov: Pno Con 2 - F.von Woskurovitch, Waldenburg PO, cond.G.Gerharden LAFAYETTE LR 15 A– 10 (pseudonyms) 40 Satie: Mercure; Socrate - Mesple, Millet, Guiot, Esposito, cond.Dervaux (gatefold) EMI C069 11677 A 10 October 2016 - 3 - Mikrokosmos List 615. (p.1972) S 41 Satie: Parade, Socrates, En habit se cheval; Pieces for 2 & 4 Hands - Fevrier, Auric, 2 x ADES 19011 A 15 cond.Rosenthal + Bertin's comments on 7" (gatefold) (p.1968) S 42 Satie: Works for 4 Hands (Belle excentrique, 3 Morceaux, Fils des Etoiles, Croquis, FIF 40009 A 12 Pensee Rose 1) - C.C.Arruda, P.Maranca pno 1980 S 43 Strauss, Richard: Sonataina in F, Serenade, Gavotte from Op.4 - Boston Wind Ens, ARGO RG 147 A– 10 cond.E.Simon 1958 44 Takemitsu: Coral Island; Water Music; Vocalism AI for tape - cond.Wakasugi S RCA VICS(UK) 1334 A 12 45 Tournier, Marcel: Images (4 volumes)/Gaubert: Sarabande/Britten: Inetrlude from EVASION EC 100907 A 20 Ceremony of Carols - A.Redditi harp (p.1971) S 46 Tubin: Sym 2 - Estonian SSO, cond.Lilje 1987 S MELODIYA C10 26821 A 12 47 Varese: Ameriques, Arcana - ORTF Orch, cond.Constant (gatefold) (p.1973) S ERATO STU 70726 A 10 FB2 48 Varese: Offrandes, Integrales, Octandre, Ecuatorial - DeGaetani, T.Paul, NONESUCH H 71269 A 8 Contemporary Ch Ens, cond.A.Weisberg (p.1972) S 49 Walton: Facade/Ibert: Divertissement - Zorina, Philadelphia Orch, cond.Ormandy COLUMBIA MS2EYE 6449 A 10 UA4 S 50 Wiener, Jean: Complete Piano Music - Yagoubi pno 1986 S 2 x CHANT DU M LDC 78867 A 15 51 Xenakis: Astrees, Nomos Alpha, ST4, Morsima-Amorisma - cond.Simonovitch (ASD EMI CVC 2086 A 8 FR1 label) S 52 Xenakis: Bohor I, Concret P-H II, Diamorphoses II, Orient-Occident III (Electro- NONESUCH H 71246 A 8 Acoustic Music) S 53 Zimmermann, Heinz Werner: Psalmkonzert/H.Barbe: Canticum Simeonis - Krebs, CANTATE 640229 A 8 McDaniel, Losch, cond.Ziegler 1962 54 Dallas Wind Symphony: Owen Reed, M.Gould, R.Nixon, C.Williams.F.Perkins - 2 x REFERENCE/ RR 38 A 50 cond.Dunn (gatefold) 1990 S 55 Electronic Music: Cage: Fontana Mix; Berio: Visage; Mimaroglu: Agony (silver label) TURNABOUT TV 34046 A 8 (l.1966) S 56 French Organ Music: A.Renaud, Guilmant, Widor, Boellmann - F.Asma organ TE DEUM 11900 A 10 57 Kronos Quartet: In Formation (Benshoof, Geist, Dorsey, etc) (gatefold) (TAS) 1979 REFERENCE/ RR. 9 A 40 (45 rpm) S 58 Musique Experimentale II: L.Ferrari: Tautologos I; I.Malec: Reflets; E.Brown: Times BAM LD 72 A 40 Five; F.Bayle: Vapeur; F.Mache: Terre de feu; P.Carson: Turmac - cond.P.Schaeffer ....ROMANTIC MUSIC 59 Berlioz: L'Enfance du Christ excs/Delalande: Psalm 69 - Senechal, Ogeas, Steffner, DECCA SXL 20505 A 8 FD3 Strasbourg Chorale, cond.Hoch S 60 Berlioz: Sym Fantastique - Paris OpO, cond.La Conte CONCERT HA MMS/GUILDE A 10 2122 61 Brahms: Sym 1/Webern: 6 Orch Pieces/Dvorak: Sym 8/Heider: Edition 2 x LUFTHANSA F 60879 A 20 1970/Wagner: Rienzi Ov - Bundesjugend Orch, cond.Wangenheim 1971-2 S 62 Bruckner: Musik im Schloss - I.Gunther, cond.H.Gunther S GARNET G 40107 A 15 63 Grieg: Works for Orchestra (Peer Gynt, Sym Dances, Lyric Ste, Holberg Ste, Sigurd 3 x VOX QSVBX 5140 A 20 Jorsalfar, etc) - cond.Abravanel 1965 S 64 Liszt: Complete Organ Works - J.Sebesthen organ (p.1974) (in 2 volumes) S 6 x VOX SVBX+ 5328 A 30 65 Messager: Isoline ballet suite; 2 Pigeons ballet suite/ Hahn: Le Bal de Beatrice ANGEL S 36769 A 8 d'Este - Orch de Paris, Jacquillat S 66 Mussorgsky: Pictures; Night on Bare Mountain - St.Louis SO, cond.L.Slatkin 1975 TURNABOUT TV(UK) 34633 A 10 S ....CLASSICAL PERIOD 67 Beethoven: Sym 1; Pno Con 1 - Verney, Hanover Band dig, 1982 (with poster) S NIMBUS 2150 A 8 68 Beethoven: Sym 2/Mozart: Sin Concertante K.190 - C.Weymann, J.Maintz vln, Orch DEUTSCHEN A 6373 A 20 der Deutschen Kinderartzte, cond.Melkus 1980 S 69 Boccherini: Vln Con in D (H.Heller vln, cond.W.Hofmann)/Mozart: Serenata Notturna AUDITORIUM ARL-ST 203 A 15 K.239; Allegro K.245 (Mannheim ChO) S 70 Haydn: Organ Concertos 1, 2 & 4 - J.Guillou organ, cond.Klopfenstein (French PHILIPS 6518001 A 8 gatefold) S 71 Hummel: Double Con Op.17; Pno Quintet Op.74 - List pno, Glenn vln, Vienna ChO, MONITOR MCS 2155 A 8 cond.Marzendorfer, Vermont Fest Players (p.1977) S 72 Hummel: Mandoline Concerto, Int & Variations for Ob & Orch, Rondo de Societe - ERATO STU 70700 A 10 FB2 Saint-Clivier, Chambon, Queffelec, cond.Paillard (gatefold) (p.1972) S 73 Monza, Carlo: Sonatas 1 & 2 for Dulcimer & Harp/Chiesa, Melchior: Sonata 1 in TUDOR 67802 A 12 G/Conti, Angelo: Grazioso - K-H.Schickhaus dulcimer, G.Haag harp (gatefold) (p.1976) S 74 Mozart: Divertimenti K.251, 247 - Hucke, Penzel, Seifert, Maier, J.Koch, Lemmen, HARMONIA M HM 30646 A 10 Buhl 1963 S 75 Mozart: Fl Con K.313 (Reissberger fl); Horn Con K.417, 495 (Freund hrn) - Vienna CONCERT HA SMS 2655 A 15 SSO, cond.Osterreicher S 76 Mozart: Pno Con K.271 (Hokanson pno); Fl Con K.314 (Dohn fl) - Ludwigsburger FO, BAYER BR 30050 A 8 Mikrokosmos List 615.
Recommended publications
  • 20Th-Century Repertory
    Mikrokosmos List 650. - 2 - October 2019 ....20TH-CENTURY REPERTORY 1 Absil: Clarinet Quartet/Pelemans, Willem: Clar Quartet/Cabus, Peter: Clar ZEPHYR Z 18 A 10 Quartet/Moscheles: Prelude et fugue - Belgian Clarinet Quartet (p.1982) S 2 Albrecht, Georg von: 2 Piano Sonatas; Prelude & Fugue; 3 Hymns; 5 Ostliche DA CAMERA SM 93141 A 8 Volkslieder - K.Lautner pno 1975 S 3 Alpaerts, Flor: James Ensor Suite/Mortelmans: In Memoriam/E.van der Eycken: DECCA 173019 A 8 Poeme, Refereynen - cond.Weemaels, Gras, Eycken S 4 Amelsvoort: 2 Elegies/Reger: Serenade/Krommer-Kramar: Partita EUROSOUND ES 46442 A 15 Op.71/Triebensee: Haydn Vars - Brabant Wind Ensemble 1979 S 5 Antoine, Georges: Pno Quartet Op.6; Vln Sonata Op.3 - French String Trio, MUSIQUE EN MW 19 A 8 Pludermacher pno (p.1975) S 6 Badings: Capriccio for Vln & 2 Sound Tracks; Genese; Evolutions/ Raaijmakers: EPIC LC. 3759 A 15 Contrasts (all electronic music) (gold label, US) 7 Baervoets: Vla Con/P.-B.Michel: Oscillonance (2 vlns, pno)/C.Schmit: Preludes for EMI A063 23989 A 8 Orch - Patigny vla, Pingen, Quatacker vln, cond.Defossez (p.1980) S 8 Baily, Jean: 3 Movements (hn, tpt, pf, string orch)/F.M.Fontaine: Concertino, DGG 100131 A 8 Fantasie symphonique (orch) - cond.Baily S 9 Balanchivadze: Pno Con 4 - Tcherkasov, USSR RTVSO, cond.Provatorov , (plain MELODIYA C10. 9671 A 25 Melodiya jacket) S 10 Banks, Don: Vln Con (Dommett, cond.P.Thomas)/ M.Williamson: The Display WORLD RECO S 5264 A 8 (cond.Hopkins) S 11 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth:
    [Show full text]
  • H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: Lawrence H
    P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #148 [Closing: Noon, Central Daylight Time; Tuesday, July 18th, 2017] Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #148! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Dayight Time; Tuesday, July 18th, 2017. SPECIAL INSTRUCTIONS FOR ONLINE: The internet version is essentially the same as the print version which is sent worldwide except that no bidsheet is provided, since all you really need to do is send me an e-mail with careful notation of your bids and the lot numbers of the items in which you are interested. A brief description of the item helps in case of mis-readings of lot numbers. If you are a new bidder and I do not have your physical address, obviously I will need it. And if you wish to authorize me to charge your winnings to a Visa, Mastercard or American Express card which I do not already have on file, I do not suggest that you send this information via e-mail since it is not very secure. You are welcome to quote an account number for me via the phone/FAX number or via the physical address shown above – or you may wait for me to send you a copy of your invoice and quote the account number by return mail.
    [Show full text]
  • Elizabeth Sprague Coolidge Foundation Collection [Finding Aid]
    Elizabeth Sprague Coolidge Foundation Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1980 Revised 2014 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012012 LC Online Catalog record: http://lccn.loc.gov/2012562124 Processed by the Music Division of the Library of Congress Collection Summary Title: Elizabeth Sprague Coolidge Foundation Collection Span Dates: 1894-1953 Bulk Dates: (bulk 1920-1953) Call No.: ML29 Creator: Coolidge, Elizabeth Sprague, 1864-1953 Extent: 56,680 items ; 109 containers ; 48.50 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog.
    [Show full text]
  • 7. Advocating the Poetics of Sound in the Cycle Les Nuits D´Été by Hector Berlioz
    DOI: 10.2478/RAE-2018-0007 Review of Artistic Education no. 15 2018 59–73 7. ADVOCATING THE POETICS OF SOUND IN THE CYCLE LES NUITS D´ÉTÉ BY HECTOR BERLIOZ Loredana Viorica Iațeșen52 Abstract: By consulting monographies, musicological studies, specialty articles about the personality of romantic musician Hector Berlioz and implicitly linked to the relevance of his significant opera, one discovers researchers’ constant preoccupation for historical, stylistic, analytical, hermeneutical comments upon aspects related to established scores (the Fantastic, Harold in Italy symphonies, dramatic legend The Damnation of Faust, dramatic symphony Romeo and Juliet, the Requiem, etc.). Out of his compositions, it is remarkable that the cycle Les nuits d´été was rarely approached from a musicological point of view, despite the fact that it is an important opus, which inaugurates the genre of the orchestral lied at the end of the 19th century and the beginning of last century. In this study, we set out to compose as complete as possible an image of this work, both from an analytic-stylistic point of view by stressing the text-sound correspondences and, above all, from the perspective of its reception at a didactic level, by promoting the score in the framework of listening sessions commented upon as part of the discipline of the history of music. In what follows, I shall argue that the cycle of orchestral lieder Les nuits d´été by Hector Berlioz represents a work of equal importance to established opera. Key words: romantic composer, orchestral lied, text-sound relationship, critical reception 1. Introduction 1.1. Les Nuits d'été, Possible Meanings of the Title Unlike other works by Hector Berlioz, there is little documentary information about this ensemble of six poems on music entitled Les Nuits d'été, on the lyrics of Théophile Gautier.
    [Show full text]
  • Fonds Andre Jolivet
    FONDS ANDRE JOLIVET Correspondance 2 Partitions 3 Partitions dédicacées 3 Partitions non dédicacées 7 Méthodes et études instrumentales 17 Iconographie 19 Programmes et affiches 20 Livres 23 Livres dédicacés 23 Livres non dédicacés 27 Revues 31 Revues dédicacées 31 Revues non dédicacées 31 Objets 34 Annexe : Ouvrages de la bibliothèque d’André Jolivet non conservés par la Médiathèque Musicale Mahler. 35 Mis à jour le 02/02/07 Médiathèque Musicale Mahler – Fonds André Jolivet 2 CORRESPONDANCE - 1 lettre d’Edmont Costère à André Jolivet (datée 17 janvier 1954), insérée initialement dans l’ouvrage d’E. Costère Lois et styles des harmonies musicales : genèse et caractères de la totalité des échelles, des gammes, des accords et des rythmes. (PUF, 1954). - 1 lettre de Louis Emié à André Jolivet (datée 24 février 1961), insérée initialement dans l’ouvrage de Louis Emié Le Volubilis. (Yves Filhol, 1960). - 1 carte d’Oskar Fried à André Jolivet (datée 2.12.1933). - 1 lettre de R. Lepoutre à André Jolivet sur papier à en-tête de La Revue Musicale (datée 19 novembre 1951). - 1 billet signée « Paul » (s.d.) avec un dessin. - 1 lettre de Jean Vilar à André Jolivet (2 feuilles recto-verso datées « Samedi 11 » avec enveloppe non timbrée), insérée initialement dans Sophocle : Antigone. Version André Bonnard. (Rencontre, 1950). - 1 lettre à Mme Jolivet ( ?) d’un expéditeur à identifier (datée 31.V.54). Médiathèque Musicale Mahler – Fonds André Jolivet 3 PARTITIONS Partitions dédicacées Partitions dédicacées par l’Auteur à André Jolivet [autre : indiqué entre crochets]. Les partitions ne portent aucune annotation manuscrite [autre : indiqué en NB].
    [Show full text]
  • Louise Bertin (1805-1877)
    1/6 Data Louise Bertin (1805-1877) Pays : France Langue : Français Sexe : Féminin Naissance : Bièvres (Essonne), 15-01-1805 Mort : Paris, 6e arrondissement (France), 26-04-1877 Note : Musicienne, compositeur d'opéras et poète ISNI : ISNI 0000 0001 2138 2579 (Informations sur l'ISNI) Louise Bertin (1805-1877) : œuvres (53 ressources dans data.bnf.fr) Œuvres musicales (53) "Si la mort est le but. CG 439" La Esmeralda (1866) (1836) de Charles Gounod avec Louise Bertin (1805-1877) comme Auteur du texte Le loup-garou Reviens !. Piano (1827) Ah, dors en paix, mon bel enfant Voir plus de documents de ce genre data.bnf.fr 2/6 Data Documents sur Louise Bertin (1805-1877) (8 ressources dans data.bnf.fr) Livres (5) Louise Bertin, , Pierrette Germain-David, Louise Bertin and opera in , Denise Lynn Boneau, compositrice, amie de Michèle Friang, Sampzon : Paris in the 1820s and [Chicago (Ill.)] : [D. L. Victor Hugo Éditions Delatour France , 1830s Boneau] , [1990] (2019) DL 2019 (1990) Catalogue des livres de , Paris : M. A. Aubry , 1877 [Recueil. Dossiers , Antoine de Latour littérature et d'histoire la biographiques Boutillier du (1808-1881), Paris : Le plupart bien reliés par Retail. Documentation sur Correspondant : Les Débats Simier, Koehler, etc. Louise Bertin] , 1876-1936 composant la bibliothèque (1876) de feu Mlle Louise Bertin... (1877) [Recueil. Dossiers , Gaëtan Picon biographiques Boutillier du (1915-1976), Édouard Retail. Documentation sur Grenier (1819-1901), Jean Victor Hugo] Monfisse [et autre(s)], Paris (1840) : Au bureau
    [Show full text]
  • NI 5646 NI NI 5646 Mastered and Manufactured in the UK
    kf=RSQS ïïïKïó~ëíçåÉKÅçKìâ Photographs courtesy of the Foundation Weigl Karl 2 19 idiomatischen Sequenzbildungen. Bemerkenswert ist nach der fin de siede - WORLD PREMIERE RECORDINGS Stimmung heraufbeschwörenden Coda des harmonisch höchst eigenwilligen Larghettos die Einleitung zum humorvoll-spielerischen Finale: Scherz, Augenzwinkern? Schaut her, ihr Modernen? Hoffen wir, daß Pablo Casals' Prophezeiung endlich wahr wird: "Karl Weigls Musik wird nicht verloren sein. Man wird zu ihr zurückkommen, wenn der Sturm sich gelegt haben wird..." Artis Quartett, Wien Das Artis Quartett wurde 1980 an der Wiener Musikhochschule gegründet. Nach weiteren Studien beim LaSalle Quartett am College Conservatory of Music in Cincinnati (1984/85) und etlichen Preisen bei internationalen Musikwettbewerben begann das Quartett seine internationale Karriere, die es in die wichtigsten Musikzentren der Welt führte. Reisen in den Fernen Osten sowie nach Nord- und Südamerika wurden durch die Teilnahme an den wichtigsten Musikfesten Europas ergänzt, darunter die Festivals in Salzburg und Schleswig-Holstein, das Flandern Festival, die Schubertiade Feldkirch, die Wiener, Pariser und Berliner Festwochen sowie das Pablo Casals Festival in Prades. String Quartet No. 1 in C minor, Op. 20 44.05 Seit 1988 spielt das Artis-Quartett auf Einladung der Gesellschaft der 1 I Allegro con fuoco - Stürmisch bewegt 10.2810.28 Musikfreunde in Wien eine eigene jährliche Konzertserie im Wiener Musikverein. In 2 II Adagio - Sehr langsam 12.0012.00 England gastiert es regelmäßig in der Wigmore Hall. 3 III Wild und bacchantisch -furioso 11.53 Bis heute hat das Quartett mehr als 20 CDs aufgenommen, die mit diversen Preisen 4 IV Andante moderato - Sehr langsam 9.44 9.44 ausgezeichnet wurden, darunter dem Grand Prix International du Disque, dem Prix String Quartet No.
    [Show full text]
  • The Missing Saxophone Recovered(Updated)
    THE MISSING SAXOPHONE: Why the Saxophone Is Not a Permanent Member of the Orchestra by Mathew C. Ferraro Submitted to The Dana School of Music in Partial Fulfillment of the Requirements for the Degree of Master of Music in History and Literature YOUNGSTOWN STATE UNIVERSITY May 2012 The Missing Saxophone Mathew C. Ferraro I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ____________________________________________________________ Mathew C. Ferraro, Student Date Approvals: ____________________________________________________________ Ewelina Boczkowska, Thesis Advisor Date ____________________________________________________________ Kent Engelhardt, Committee Member Date ____________________________________________________________ Stephen L. Gage, Committee Member Date ____________________________________________________________ Randall Goldberg, Committee Member Date ____________________________________________________________ James C. Umble, Committee Member Date ____________________________________________________________ Peter J. Kasvinsky, Dean of School of Graduate Studies Date Abstract From the time Adolphe Sax took out his first patent in 1846, the saxophone has found its way into nearly every style of music with one notable exception: the orchestra. Composers of serious orchestral music have not only disregarded the saxophone but have actually developed an aversion to the instrument, despite the fact that it was created at a time when the orchestra was expanding at its most rapid pace. This thesis is intended to identify historical reasons why the saxophone never became a permanent member of the orchestra or acquired a reputation as a serious classical instrument in the twentieth century. iii Dedicated to Isabella, Olivia & Sophia And to my father Michael C.
    [Show full text]
  • Elizabeth Sprague Coolidge Foundation Collection
    Elizabeth Sprague Coolidge Foundation Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1980 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2012562124 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu012012 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2012 Revised 2014 Collection Summary Title: Elizabeth Sprague Coolidge Foundation Collection Span Dates: 1894-1953 Bulk Dates: (bulk 1920-1953) Call No.: ML29 Creator: Coolidge, Elizabeth Sprague, 1864-1953 Extent: 56,680 items Extent: 109 containers Extent: 48.50 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2012562124 Summary: Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually.
    [Show full text]
  • Louise-Angelique Bertin
    16 LOUISE-ANGELIQUE BERTIN Dilettante or Icon? by Douglas M. Bennett, (Please note that the pagination is not exactly similar to that in Newsletter 85) What is drawing me to travel to the high Franche-Comte in February? Those that know me will expect to hear of at least a rare stage outing by Gerard Depardieu, or an encounter with Carole Bouquet. They’d be wrong! If you opted for an almost forgotten amateur female composer and her French Grand Opera, barely heard of since its unsuccessful run at the Paris Opéra in 1836, you’d be on the mark. But, what are we to make of a woman composer from the early 19th Century, whose well- connected journalistic pedigree gained her access to musical opportunities that others couldn’t get, and who, by the age of 31 had had 5 operas staged; yet after that age (she reached the age of 72) published only one set of piano pieces? Is she a valid feminist Icon or just a child of her time (grasping artistic glory by whatever means in the midst of the roller coaster ride of France, and particularly Paris, in a series of experiments with democracy and autocracy in almost equal doses that sowed the seeds of modern media-led government)? Even allowing for some alleged early efforts at painting and her later two volumes of poetry, the label ‘renaissance woman’ would seem an exaggeration without substantial further evidence. It would be easy to be dismissive, but Berlioz was impressed by (but mildly critical of) her music, and he usually resisted bending his knee even under financial pressure (he was resident critic on Bertin père’s Journal des Débats).
    [Show full text]
  • Women Composers Author Index
    Women Composers Author Index À Beckett, G.A., Mrs., 1817?-1863. Abrams, Harriet, 1760-1825. My home must be where'er thou art : a song / the And must we part : a favorite duett : for two words by Mark Lemon ; the music by Mrs. G.A. à voices with an accompaniment for the piano forte / Beckett. composed by Miss Abrams. [London] : Office of the Music Book, [1850?]. London : C. Mitchell, [1811?]. [1811?] [1850?] Vocal music Vocal music 3 p.; WCC No. 0032; First line: And must we part for 6 p.; WCC No. 0115; First line: 'Tis more than vain evermore. For 2 voices and piano, or harp, or to bid me seek. For voice and piano. harpsichord. Reel: 01 Reel: 01 À Beckett, G.A., Mrs., 1817?-1863. Abrams, Harriet, 1760-1825. The one I dare not name : a ballad, sung by Mr. And must we part for evermore : duett / composed Hudson, in the musical drama of The young by Miss Abrams. pretender / written by Mark Lemon ; the music London : Rt. Birchall, [1806?]. [1806?] composed expressly for this work by Mrs. G.A. À Vocal music Beckett. 3 p.; WCC No. 0031; First line: And must we part for [London] : Published at the Office of The Music evermore. For 2 voices and piano, or harp, or book, [1847?]. [1847?] harpsichord. Songs (Medium voice) with piano Reel: 01 1 score (5 p.) ; 35 cm.; WCC No. 2170; For medium voice and piano. First line: I love with an Abrams, Harriet, 1760-1825. unchanging love..; Lemon, Mark, 1809-1870. Crazy Jane : a favorite song / the words by M.
    [Show full text]
  • Albuquerque Morning Journal, 04-24-1922 Journal Publishing Company
    University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 4-24-1922 Albuquerque Morning Journal, 04-24-1922 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 04-24-1922." (1922). https://digitalrepository.unm.edu/ abq_mj_news/545 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. CITY CITY EDITION ALBUQUEILGUE ING EDITION ronry.THiRD year. 1922. Duily by Carrier or Mall, 85c a Month VOL. CLXX11I. No. 21. Albuquerque, New Mexico, Monday, April 24, ' Single Copies 60 MARY RESIGNS COAL STRIKE IS LAD! ASIOB IS IS DEAD VICE PRESIDENT Thirteen Senate Leaders Face IN LEADERSHIP OF OPERA COMPANY ALONG GUEST OF HONOR Bitter Battles to Retain Seats 2 OTHERS HURT 0 OTHERS AR E (By The AMiirlnlrd l'rM.) Chicago. April 3. Mary AT ft RECEPTION IN BATTLE Garden announced tonight L FAS her retirement ns director OF III Gl general of the Chicago firnnd 1 1ms Opera company, which she One the Viscount- An Boot- held for the ptist year. S For Every House of Alleged "T am an artist and I have FIRE ess Has a Bright Greet- Near Los Angeles decided that my plate is with H0TEJJ! legger the artists, not over them," she ing or a Witty Remark; Is Raided By a Band of declured in a stntement which Efforts to Get Non-organi- was taken as an Indication that Six Hundred Guests Are Talks of Jlhildhood Days.
    [Show full text]