Christmann, Francis 2011-11-03 Transcript

Total Page:16

File Type:pdf, Size:1020Kb

Christmann, Francis 2011-11-03 Transcript Oral History Interview of Francis Christmann Interviewed by: Elissa Stroman November 3, 2011 Lubbock, Texas Part of the: Women’s History Initiative Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Copyright and Usage Information: An oral history release form was signed by Delbert Trew on November 3, 2011. This transfers all rights of this interview to the Southwest Collection/Special Collections Library, Texas Tech University. This oral history transcript is protected by U.S. copyright law. By viewing this document, the researcher agrees to abide by the fair use standards of U.S. Copyright Law (1976) and its amendments. This interview may be used for educational and other non-commercial purposes only. Any reproduction or transmission of this protected item beyond fair use requires the written and explicit permission of the Southwest Collection. Please contact Southwest Collection Reference staff for further information. Preferred Citation for this Document: Christmann, Francis Oral History Interview, November 3, 2011. Interview by Elissa Stroman, Online Transcription, Southwest Collection/Special Collections Library. URL of PDF, date accessed. The Southwest Collection/Special Collections Library houses almost 6000 oral history interviews dating back to the late 1940s. The historians who conduct these interviews seek to uncover the personal narratives of individuals living on the South Plains and beyond. These interviews should be considered a primary source document that does not implicate the final verified narrative of any event. These are recollections dependent upon an individual’s memory and experiences. The views expressed in these interviews are those only of the people speaking and do not reflect the views of the Southwest Collection or Texas Tech University. 2 Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Technical Processing Information: The Audio/Visual Department of the Southwest Collection is the curator of this ever-growing oral history collection and is in the process of digitizing all interviews. While all of our interviews will have an abbreviated abstract available online, we are continually transcribing and adding information for each interview. Audio recordings of these interviews can be listened to in the Reading Room of the Southwest Collection. Please contact our Reference Staff for policies and procedures. Family members may request digitized copies directly from Reference Staff. Consult the Southwest Collection website for more information. http://swco.ttu.edu/Reference/policies.php Recording Notes: Original Format: Born Digital Audio Digitization Details: N/A Audio Metadata: 44.1kHz/ 16bit WAV file Further Access Restrictions: N/A Related Interviews: Transcription Notes: Interviewer: Elissa Stroman Audio Editor: David Rauch Transcription: Emilie Meadors Editor(s): Katelin Dixon Interview Series Background: The Women’s History Initiative began formally in June 2015 with a concentrated effort to record the stories of prominent women from across the South Plains. The interviews target doctors, civic leaders, teachers, secretaries, and others whose stories would otherwise be lost. 3 Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Transcript Overview: This interview features Francis Christmann of Lubbock, Texas. Christmann talks about her experiences with both Allegro and the Lubbock Music Club. As such, Christmann discusses how these groups functioned in her life and the manner in which these groups have evolved over time. Christmann also talks about the structure of the groups and her involvement at local, state, and national levels. Length of Interview: 01:28:19 Subject Transcript Page Time Stamp Background 5 00:00:00 High school years 9 00:08:51 Early involvement in music clubs 11 00:13:03 Changes in club demographics 13 00:17:59 Children 15 00:22:43 Other music club involvement 17 00:27:46 Working way up in music clubs, roles held in the club 21 00:34:04 Club meetings, order, locations 23 00:38:25 Favorite programs 25 00:42:11 Current involvement 27 00:47:44 Federated aspect of the club, hierarchy and structure 30 00:55:50 Summer music camps 33 01:01:36 Changes in the process to become a club member 35 01:08:45 Singing in churches 37 01:12:48 Legacy of the clubs 41 01:19:57 Keywords gender roles, music clubs, social clubs, women’s studies, West Texas music 4 Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Elissa Stroman (ES): This is Elissa Stroman, and today’s date is November 3, 2011. Today I interviewed Francis Christmann at her home on Fourteenth Street. This interview is a part of the series of oral history interviews I’m conducting with members of the music club communities of the South Plains. Ms. Christmann has been a member of both the Allegro and the Lubbock Music clubs since the 1950s and she’s been involved in the Texas and National Federation of Music Clubs since the sixties and seventies, so we spoke on her involvement with all those organizations. Okay, so the first question I’ve been asking all the ladies is where and when were you born? Francis Christmann (FC): I was born at the Edna Gladney Home in Fort Worth, Texas, November 15, 1928. ES: 1928, okay. FC: And adopted nine days later. ES: Really, okay. Well then—interesting, okay so tell me about your parents, what did they do? FC: Well, my mother at the time, I was—she adopted me, was just a housewife. We moved to Thurber, Texas, as I say, when I was nine days old. Thurber, now, is a ghost town. ES: Right, it’s got a really great restaurant though. FC: Oh yes, and that’s where the First Presbyterian Church used to be up on what we called New York Hill. The house that is still there, the big white house by the Smokestack, was our home because my grandfather was superintendent of the brick plant. All the brick you find in Lubbock, Tarleton, Texas Tech, all over at the time, he made. ES: So when I go by and eat at the Smokestack and I look at that white house, you grew up there. FC: If you’ll look at the Smokestack you’ll see my grandfather’s name, Joseph Lee Watson. 5 Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program ES: Oh, that is one of my questions. What’s your maiden name? I guess I should have asked. FC: My maiden name was Dalmasso. ES: Okay. FC: A good Italian name, and I married a German and so we fought constantly, but it was fun making up. ES: Now how do you spell Dalmasso? FC: D-a-l-m-a-s-s-o. ES: Okay. FC: And my father actually sold Thurber when the miners went on strike. It was the only totally unioned [sic] town in the United States, but he sold it house by house. My father was with Texas Pacific Coal and Oil Company. So when the miners went on strike, they said, “To heck with you.” They discovered oil in Ranger which was eight miles away. ES: Right, so just move over there. FC: So we moved from oil town to oil town. I actually went to the first grade in Thurber. My mother had graduated in 1925 from Thurber High School, and as I say, we went from oil town to oil town until he was sent for the last oil town to Kermit and my mother had had it. So my grandmother and grandfather were here; my grandfather, as you can tell when I was born it was the Depression years, so this is my second time around, had lied about his age to get a job with the state highway department repairing roads. But anyway, my mother decided it was time that she did something for me. I was ready for high school, and she went to work for the Dunlap Company and ended up buying for forty-two stores, junior sportswear. She was a go-getter. 6 Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program ES: Especially in that day. Well, I mean I guess it makes sense. FC: Well this was in the forties. ES: In the forties, okay. FC: I graduated from Lubbock High School in ’45. ES: Okay. FC: And North Texas State in ’49. ES: Okay and what were your degrees? What did you get a degree in? FC: Voice with a violin minor. ES: Okay, when you were growing up did your mom play any instruments? FC: No, but she sure kept that hickory stick close to be sure I practiced. ES: Oh really? Okay so y’all had a piano in the home? FC: That was why I chose the violin in the beginning. At four years old when I started, we owned a piano. I’ve always been different. ES: So you had a piano in the house, but you wanted to learn something else so you picked up the violin? Okay so you took various lessons from different people? 7 Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program FC: Yes. ES: So as y’all moved around you would find different teachers to teach you violin? Nice. FC: I studied with the Dunn Sisters in Lubbock. ES: Oh okay, okay yeah. FC: Dor. Dunn’s two, Bula and Mary for piano and Bula for violin. ES: I’ve heard their names passed around. A lot of people have taken from them. FC: Tech didn’t really have a music school at that time. We had one professor, Dr. Julian Paul Blitz. We were on the third floor of the ad building, and he was the only teacher.
Recommended publications
  • Albuquerque Morning Journal, 04-24-1922 Journal Publishing Company
    University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 4-24-1922 Albuquerque Morning Journal, 04-24-1922 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 04-24-1922." (1922). https://digitalrepository.unm.edu/ abq_mj_news/545 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. CITY CITY EDITION ALBUQUEILGUE ING EDITION ronry.THiRD year. 1922. Duily by Carrier or Mall, 85c a Month VOL. CLXX11I. No. 21. Albuquerque, New Mexico, Monday, April 24, ' Single Copies 60 MARY RESIGNS COAL STRIKE IS LAD! ASIOB IS IS DEAD VICE PRESIDENT Thirteen Senate Leaders Face IN LEADERSHIP OF OPERA COMPANY ALONG GUEST OF HONOR Bitter Battles to Retain Seats 2 OTHERS HURT 0 OTHERS AR E (By The AMiirlnlrd l'rM.) Chicago. April 3. Mary AT ft RECEPTION IN BATTLE Garden announced tonight L FAS her retirement ns director OF III Gl general of the Chicago firnnd 1 1ms Opera company, which she One the Viscount- An Boot- held for the ptist year. S For Every House of Alleged "T am an artist and I have FIRE ess Has a Bright Greet- Near Los Angeles decided that my plate is with H0TEJJ! legger the artists, not over them," she ing or a Witty Remark; Is Raided By a Band of declured in a stntement which Efforts to Get Non-organi- was taken as an Indication that Six Hundred Guests Are Talks of Jlhildhood Days.
    [Show full text]
  • 1St Time Charm! Master’S Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano
    Fall 2008 1st Time Charm! Master’s Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano Exciting Acquisition— a First for the College of Music rriving in spring 2007 from the McNulty workshop in the Czech Republic, this gorgeous fortepiano, an 1805 Walter und Sohn copy, Ahas already become an important educational and performance tool within the College of Music. Many, many thanks are due to Professor Emeritus Michael Collins, philanthropist Paul Voertman and the National Endowment for the Arts for their generosity that enabled us to purchase this instrument. One of its most interesting uses has been the recording project planned in conjunction with an upcoming book by UNT musicology alumnus James “Chip” Parsons, Professor of Music at Missouri State University and a former student of Professor Collins. A-R Editions will publish Dr. Parsons’ book on early alternate settings of Schiller’s poem “An die Freude” (heard in the famous last movement of Beethoven’s 9th Symphony). The accompanying CD, coordinated by UNT faculty Elvia Puccinelli, will include selections based on the facsimile scores included in the book. (For more about the fortepiano and its impact, go to page 17.) Contents Dean’s Message ......................................................4 William W. “Bill” Winspear Transitions ................................................................6 1933-2007 Welcome to New Faculty ..........................................8 International Relationships .......................................11 illiam W. “Bill”
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 605. - 2 - December 2015 ....20TH-CENTURY REPERTORY 1 Absil: Suite/Rivier: Grave & Presto/Pierne: Int & Variations/Desenclos: Quartet - MHS 817 A 10 Marcel Mule Saxophone Quartet S 2 Arnold, Malcolm: Pno Trio/Shostakovich: Pno Trio 2/Loeillet : Trio Son in b - Lyric CONCERT DI CS 234 A 10 Trio S 3 Badings: Ballade/Roesgen-Champion: Caomplainte et Rondeau/H.Andriessen: PHILIPS N 695 A 10 Intermezzo/Tomasi: La petite chevrier corse - Barwahser fl, Berghout hrp (Dutch Minigroove) 10" 4 Baervoets: Vln Con (Octors vln)/ M.Quintet: Vla Con (Ruymen vla) - cond.Defossez CULTURA 50677 A 25 (gatefold) S 5 Berio: Serenata I/Boulez: Sonatine/Stockhausen: Zeitmasze/Messiaen: VEGA C30A 139 A 12 Canteyodjaya - Gazzeloni, Y.Loriod, cond.Boulez (artist dir. by authors) 1957 6 Bjornstad, Ketil: Preludes Vol.1 - comp.pno Oslo, 1984 S UNITON U 25 A 15 7 Bland, Ed: Sketches-Set I (instr ens), Brass Quintet, Piece for Ch Orch, For Violin, For CAMBRIA C 1026 A 12 Clarinet - Negyesy vln, Powell cl, etc, cond.Shulman, Brehm (1986) S 8 Blomdahl, Karl-Birger: In the Hall of Mirrors (sort of opera) - M.Hallin, B.Ericson, EXPO NORR RIKSLP 6 A 10 Vikstrom, Naslund, cond.Ehrling 1966 (gatefold) S 9 Bodin, Lars-Gunnar: Clouds - I.Maros sop, Ljunggren ms, Muhle alto (electronic FYLKINGEN FYLP 1020 A 20 music) S 10 Bon, Maarten: Boreal (2 Versions: Violin & Pianola); Display IV-V; Nee die ideen - COMPOSERS' 8404 A 10 comd.pno, Hulst vln, Ensemble of 12 Cello Players, etc (1984) S 11 Boucourechliev: Archpiel 3 - Pludermacher pno, Strasbourg Perc Ens (silver
    [Show full text]
  • WOW NEWS TOWER (Reg
    WOW NEWS TOWER (Reg. U. S. Pat. OR.) ISSUED TO INCREASE ENJOYMENT OF WOW RADIO PROGRAMS VOL. VIII -No. 3 OMAHA, NEBRASKA, DECEMBER 1, 1943 PUBLISHED MONTHLY "Your America" Puts Spot on Omaha to Seek 'KODY' For °Union Pacific STARS OF UNION PACIFIC'S "YOUR AMERICA" North Platte Use 45 NBC Stations Station The biggest thing that has ever In order to perpetuate the pio- happened in radio in Omaha is neering spirit of the west, the call "Your America," the Union Pacific's letters of Station KGNF will be coast -to -coast NBC program series. changed to KODY, if the FCC For the first time in Omaha's approves a petition filed in Wash- radio history, a Class A network ington recently by John J. Gillin, show, comparable in quality to such Jr., President of Radio Station headliners as "The Voice of Fire- WOW, Inc., new owners of the stone," or "The Cities Service Con- North Platte property. cert," will originate in Omaha. The new call letters are singu- It will also be the first time since larly appropriate, because the North the late "Empire Builders" series Platte transmitter is located on the for the Great Northern, on NBC, site of the original William F. (Buf- that a railroad has used a trans- falo Bill ") Cody ranch. continental radio hook -up. The FCC approved the WOW "Your America," which has been purchase of the station in an order in rehearsal for several weeks, will issued a fortnight ago. The order use mostly talent from Omaha and approved the assignment of the vicinity.
    [Show full text]
  • Pope, Andrew S. (1935- )
    Collection 492 Pope, Andrew S. (1935- ). Collection, 1753-2018, n.d. 79 feet, 9.5 inches; oversize Andrew Pope is a native of Jonesboro, LA. For college, he attended Southwestern Louisiana Institute (now the University of Louisiana at Lafayette) and graduated in 1958. He was then drafted into the U.S. Army, where he worked at the National Security Agency in Fort Meade, MD. He left the service in 1961 and worked as a Department of Defense security specialist for 37 years. As a teenager, Mr. Pope collected opera memorabilia and listened to music programs on the radio. Living near Louisiana Polytechnic Institute in Ruston (now Louisiana Tech University), he was able to attend many concerts. In 1957 Mr. Pope heard the famous tenor Jussi Bjorling in recital and received an autographed program, which sparked his interest in collecting opera autographs. After 43 years of opera and concerts, he amassed a large collection with the help of many dealers. Mr. Pope currently resides in Minden, LA. This collection contains opera and theater memorabilia Mr. Pope collected over the years. The materials include photographs of vocalists, programs, letters, publicity, music sheets, and postcards. A great number of the photographs and letters have been framed. Andrew Pope donated this collection. Series: A. Personal 1-01 through 1-05 B. Photographs 1-06 through 1-18 C. Illustrations 1-19 through 1-21 D. Autographs 1. Photographs 2-01 through 2-09 2. Postcards 2-10 3. Paper 2-11 through 2-12 4. Programs 2-13 through 2-27 5. Souvenir Programs/Libretto 2-28 6.
    [Show full text]
  • 75 Years Ago, Peace at Last: World War II Ends from the Desk of Denton County Judge Andy Eads
    Denton County Historical Commission Retrospect August 2020 Special Edition Commemorating the 75th Anniversary of the End of World War II The Denton County Historical Commission’s Retrospect Dedicated to the Men and Women of the Greatest Generation who Have Called Denton County Home August 2020 75 Years Ago, Peace at Last: World War II Ends From the Desk of Denton County Judge Andy Eads-- It has long been said the efforts of “The Greatest Generation” contributed greatly during World War II. While this generation paid the ultimate sacrifice over- seas, at home they pulled together in ways never be- fore seen. In the span of six years, no region across the U.S. was spared from the ravages of World War II. Denton County, like many other areas, experienced the loss of lives while also pulling together to purchase war bonds to support the government, plant victory gar- dens and fill labor shortages on county farms to har- ABOVE: General Douglas Arthur (L) and Lt. General Richard K. vest crops of blackberries, wheat, oats and cotton. Sutherland watch as Japan’s Foreign Affair Minister Mamoru Remembered today, the attack on Pearl Harbor Shigemitsu signs the formal surrender on board the USS Mis- affected the U.S. like no other, reaching deep into the souri. USSMissouri.org heart of the United States – even into Denton County the Acme Brick Plant in Denton, one example of many where William Claude Castleberry Jr. was killed in ac- throughout the U.S. tion aboard the USS Arizona – one of more than 2,300 Denton County’s biggest contribution to World War casualties.
    [Show full text]
  • December 1935)
    Gardner-Webb University Digital Commons @ Gardner-Webb University The Etude Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1935 Volume 53, Number 12 (December 1935) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 53, Number 12 (December 1935)." , (1935). https://digitalcommons.gardner-webb.edu/etude/54 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The Etude Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE ty^usic ffhCagazine -f Si-lent ni^ht! /.Ho — ly ni^ht! ^ * . t V ■f r '• ■f J V' *' - i . •• • » » • • » * 4 • * • • * ** * i * " • ' . ^ • V • • • • ♦ , ^ 4 * • • I .' - . ■ • • • '•• • ; > I s (^(yI■ '■ ' / fl m / December 1935 PriceD- 25^ Cents^ Editor THE ETUDE JAMES FRANCIS COOKE Associate Editor Published Monthly EDWARD ELLSWORTH By HIPSHER THEODORE PRESSER CO. Music Magazine 1712 Chestnut Street A MONTHLY JOURNAL FOR TEACHERS, STUDENTS AND ALL LOVERS OF MUSIC PHILADELPHIA, PENNA. Vol. LIII No. 12 • DECEMBER, 1935 The World of Music Interesting and Important Items
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 615. - 2 - October 2016 ....MAHLER DISCOGRAPHY (3 kg book: special shipping rate) 1 Mahler Discography by Peter Fulop: 2774 items, color printed, Timings, best MIKROKOSMO DHR 7300 A++ 20 pressings just to name a few features. Mahler 4th Sym with P.van Kempen included 1949 (ask for Dedication) ....20TH-CENTURY REPERTORY 2 Baird, Tadeusz: 4 Essays; Expressions for Vln & Orch; Variations - Wilkomirska vln, PHILIPS 839273 A 8 cond.Rowicki (green label) S 3 Balanchivadze: Pno Con 4 - Tcherkasov, cond.Provatorov S MELODIYA C10 9671 A 25 4 Barraque: Piano Sonata - R.Woodward pno 1972 S UNICORN UNS 263 A 15 5 Berio: Laborintus 2 - Ens Musique Vivante, cond.comp S HARMONIA M MV 34764 A 15 6 Berio: Sinfonia - Swinge Singers, New York PO, cond.comp S CBS S 3461079 A 10 7 Berio: Tempi concertati/Jolas: D'un opera de voyage/Varase: Offandes - Jarry vln, ADES 12001 A 8 Debost fl, Fremy pno, etc, Domaine Musical, cond.G.Amy (avant-garde jacket) S 8 Bochanski, Jan: 3 Chopin Variations and othe piano works - S.Schubert-Weber pno, FSM 53758 A 15 G.Losch vcl 1988 S 9 Boulez: Structures for 2 Pnos Book 1, 2 - Kontarsky Duo 1965 (French pressing) WERGO WER. 60011 A 8 (bklt) S 10 Britten: 6 Metamorphoses, Phantasy Quartet/ Crosse: Ariadne - Francis ob, Horwitz ARGO ZRG 842 A 8 vln, etc (UK) (p.1976) S 11 Cage: Sixteen Dances - New Music Concerts, cond.Zukofsky 1982 S CP2 15 A 25 12 Copland: Billy The Kid, Rodeo, Fanfare - Dallas SO, cond.Johanos (US) 1967 S TURNABOUT TV 34169 A 8 13 Dallapiccola: Canti di Prigionia/Castiglioni: Gyro/Guezec: Reliefs Polychromes - ERATO STU 70537 A 10 FB2 ORTF Choir, Ars Nova Ens, cond.Couraud (gatefold) S 14 Falla: Hrpschrd Con; Pno Pcs (Tombeau de Ducas & Debussy, Serenata Andaluza, NONESUCH H 71135 A 8 Fant Baetica, etc) - J-C.Richard, cond.Ravier S 15 Finzi: Intimations of Immorality - Partridge, cond.Handley (HP's Golden List) S LYRITA SRCS.
    [Show full text]
  • A History of Music Aurora, Illinois
    A HISTORY OF MUSIC IN AURORA, ILLINOIS BY JOHN REX McMULLEN EDITED BY KEVIN KAISERSHOT April 2020 Submitted in partial fulfillment of the requirements For the Doctor of Music Education degree Chicago Musical College August 1955 F O R E W O R D Let me start by saying that Dr. John R. McMullen was a friend of mine and that we shared the same birth date, albeit 40 years apart – July 27. We also share the experience of having both taught instrumental music in the Aurora East School District #131; he for 25 years and myself 31 years. I met and got to know him by way of his frequent visits to Aurora, Illinois in the late 1980s as I was directing the Aurora American Legion Band. Our conversations were primarily band related, but I got to know him personally and over the years we were regular pen pals. John promoted a great deal of my music via his association with the Sabbar Shrine Concert Band and the Beavers Tucson Concert Band. These two groups operated in the Tucson, Arizona community where John made his residence and where he was also an active playing member. My taking on the challenge of completely retyping his entire dissertation was a labor of love. After John told me about his dissertation, and that the only copy outside of his personal copy and one housed in the Chicago Musical College was in the Aurora, Illinois public library, I knew I had to find a way to read it. The only difficulty was that the Aurora library copy was designated “reference” and could not be checked out.
    [Show full text]