DOCSLIB.ORG

Current, April 14, 1983 University of Missouri-St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Current, April 14, 1983 University of Missouri-St University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 4-14-1983 Current, April 14, 1983 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, April 14, 1983" (1983). Current (1980s). 93. http://irl.umsl.edu/current1980s/93 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. , April 14, 1983 UNIVERSITY OF MISSOURI-SAINT LOUIS 'Issue 450 . Freeze denounced Earl Swift both refus ed to com­ and also to create an ad hoc Kevin A. Curtin co-news editor ment on the action. committee on admissions The assembly also passed a requirements. In its regular meeting held motion "that the Assembly on Wines said that the motion Sunday, the UMSL Student As­ Monday, May 2, 1983, take com­ regarding a performance audit of· sembly passed a motion that plete control of the University the university system is "merely denounces freezes on nuclear Center for a time not to exceed 24 a commitment to study the weapons passed by local, county hours." This motion passed by possibilities of doing it." He or state governments. acclamation, which is an en­ added that there is a huge legal The motion, which was brought thusiastic vote of approval process involved. "We want to to the assembly as new business, without a formal ballot. make sure that the univerSity denounces any proposed freeze Wines and Swift again declined isn't wasting money," Wines resolutions "which would man­ to comment on thi s motion. said. " It would probably involve date a freez~ on U.S. nuclear The assembly also unanimously using state money to audit, not weapons modernizations pro­ approved a motion that places an university money." grams before any meaningful immediate freeze on funding for Th e assembly believes the ad and verifiable arms reduction the Student Escort program " un­ hoc committee is necessasry to agreements with the U.S.S.R. til a written guarantee is ob­ monitor admissions requirements are achieved." tained from Chief IWiliiam G·I throughout the university sys­ Th e motion passed by a margin Karabas that our money will only tem. A representative from the Sharon Kubatzky of 9 to 8, and two assembly mem­ support evening hours." Associated Black Collegians Swift said that the action is a JACK FROST: Jeff Hutsler, a member of the UMSL men's bers abstained. Assembly Rep. would serve on the committee to measure to emphasize an escort baseball team, watches his teammates keep warm. See related Joe Lamb sponsored the motion. insure equity. The committee story, page 16. Student AssocIatIOn PresId ent program, not a "Student Patrol." would report its findings to the Larry Wines and Vice President He said that the money was mis­ UMSL UniverSity Senate. spent. " Until the administration "Here at UMSL, our senate is willing to assure us that the sets admissions requirements," escort program is operated the Wines said. "But at Co lumbia. ' Budget process assailed way we want it, we're not going to there is a fight between the give it any money," Swift said. "If faculty and the provost over who we have to, we'll run it ourselves." can change admission require­ Wines said. " Last year we had The Opera Workshop group Although tentative allocations In other business, the <'s­ ments. We want to stay on top of enough money. This year we rt!quested $4,034 but only re­ have been made for 1983-84, the sembly decided to examine the Student Activities Budget Com­ didn't. " ceived $400. The Mathematics possibilities of calling for a per­ See "Assembly," page 6 mittee is coming under fire from Cl ub received only $120 of the Lettner and Anderson said formance audit of the univerSity two of its members because 01 $835 it requested arid the Psy­ they were disturbed with Dean of the methods, procedures and chology Organization received Student Affairs Lowe S. rationale used in allocating the $25 of their $750 request. MacLean's actions during the funds. "They (the budget committee) Flasher- caught In U MSL library budget hearings. Lettner add ed The· two committee members, are dead set against any aca­ that MacLean'S role is to be a Cedric R. Anderson, and Roland demic ti'es whatsoever," Ander­ and the flasher was referred neutral party who directs the Daniel J. Johnson Lettner, said that they think the son said. "That reflects harshl y to. the dean of student affairs flow of the budgetary body. This reporter whole budget process is "ridi­ on the speech communication for counseling and dis­ year, however, MacLean would culous." department. ., A flasher was. caught in the ciplinary action. police said. give 10-minute scenarios on the Thomas Jefferson Library on Similar such incidents have groups during the hearings, Anderson added that one thing "We were $16,000 over allo­ April 4, a library spokeman occurred before in the Ii brary. according to Lettner. he was upset about was the riders cations after the budgets were said. several on the fifth floor, the MacLean responded by saying being attached to groups' all 0.­ reviewed," Lettner said. "Larry spokesman said. This is the that Lettner had only attended cations. He said that an example About 2 p.m. a female stu­ .- Wines, Student Association pre­ first incident to take place on one budget committee meeting. of riders being attached to sup­ dent reported to library per­ si dent and member of the budget the fourth floor. MacLean serves as ex-officio plementary allocations could be sonnel someone flashing committee, just started cutting chairman on the budget commit­ seen in the University Program among the shelves on Level4. 7)<2 percent off all big budgets. He The male student arrested tee. He has no voting privileges Board's 1982-83 budget. Ander­ UMSL police were called and wanted to cut all small budgets fits th'e description of some­ in this capacity. "It is the stu­ son said the board received library personnel went to before the meeting began." one seen flashing in the li­ dents' decisions, not mine," . $2 ,000 to bring speakers to cam­ investigate . The budget committee met brary . in November. the MacLean said. "Whatever they pus. However, according to .. recently to hold hearings for A chase ensued to Level 5 spokesman said. UMSL police come up with, I have to go along Anderson, they were told that campus organizations request­ where the flasher, a short, are patrolling the building with it. That policy was decided $1,000 of this money had to be ing funds for 1983-84. Although thin, male UMSL student who more frequenty. when Student Association used to used for a black speaker. The requ.ests increased by 28 percent wore glasses, a beige sweater be called Central Council. That committee brought Dick Gregory, a over last year, the committee and brown Levis, was caught "Hopefully. students will was back in 1977 ." black human activist, to campus tentatively allocated $205,089, and arrested. Police had help us by reporting anything Several groups on campus that on March 16 . an increase, of only 2 percent arrived within five minutes, strange on the fourth or fifth have academic ties felt a bud­ Anderson said that the budget from 1982- 83 . the spokesman said. floors or anyplace in the li­ getary cut for 1983-84. The foren­ committee's primary respon- No charges were pressed brary," the spokesman said. " Last year five groups got 100 sics and debate team requested percent of what they requested. $14 ,588. It received only $3 ,000. See " Committee," page 6 Not one group got that this year," .. Student Assembly discusses reorganization is put forth by the Executive Wines' proposal is to re- "The student court cannot outlaw Wines said. "We could write in . there that no blonde-haired, Erik Schaffer committee. '~ It causes pro- organize the assembly into three a bylaw. They can 'only interpret reporter our constitution. blems," said Wines, "because branches: the executive, the See "Reorganization," page 7 you don't have a real flow of legislative, and the judicial "We could write anything," The UMSL Student Assembly ideas." branches. The executive branch currently is. discussing the pos­ The only division within the would be made up of the pres i- sibility of a reorganization which, assembly is the Student Court, dent, vicepresident, a student according to Larry Wines, presi­ and this, according to Wines, is advocate, a public relations per- dent of the Student Association, budgeted through the Student son, the various heads of the inside would provide a better balance of Association. The court makes departments such as the Student power and would enable students rlliings on traffic violations, Foundation, the University Pro- Chad Welcome aboard to become more involved in stu­ grievances between students, gram board and the University dent government. and conducts impeachment Center. "Then the legislative Chad Everett, starof"Medi­ Junior-college basketball .. The assembly presently is proceedings. body," Wines said, "would have a cal Center," is extremely standout Ted Meier has made up of elected represen­ fiscal committee, a 'budget pro- popular with some UMSL decided to cast his lot with students. the Rivermen. tatives, one for every 500 stu­ "We don't have a real balance cess, a rules committee, and page 9 dents. The president and vice of power now, " Wines said. "We would deal with more legislative page 17 president are elected at large have one, basically all-powerful matters." Wines said the legisla- and also are members of the assembly which has members tive body would also deal with the Streaking assembly.
Load more

Recommended publications
  • Three Forms of Death in David Rabe's the Basic Training of Pavlo
    The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2019 Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones Sloan Garner University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Garner, Sloan, "Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones" (2019). Honors Theses. 625. https://aquila.usm.edu/honors_theses/625 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones By Sloan Garner A Thesis Submitted to the Honors College of The University of Southern Mississippi In Partial Fulfillment of Honors Requirements May 2019 ii Approved by Alexandra Valint, Ph.D., Thesis Advisor Associate Professor of English, Director of Graduate Studies Luis Iglesias, Ph.D. Interim Director of School of Humanities Stacy Reischman Fletcher, M.F.A. Director of School of Visual and Performing Arts Ellen Weinauer, Ph.D. Dean of Honors College iii Abstract In this thesis, I argue there are three main forms of death that progress chronologically in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones.
    [Show full text]
  • Fd Playbill Draft 05
    WHTC's New Play Development Series AMERICAN WOMEN presents a Lab production of Actors' Equity Association (AEA), founded in 1913, FREEZER DREAMS represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, By Jess Foster and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of Directed by Cyndy A. Marion** excellence. www.actorsequity.org Featuring: Katie Hartman, Sarah Levine, Cynthia Shaw, Heather Lee Rogers, David Sedgwick*, and Jen Wiener Special Props/Sets: John C. Scheffler, Costumes: Derek Nye Lockwood, Lighting Design: Debra Leigh Siegel, Fight Choreography: Michael G. Chin, Assistant Director/ASM: Alanna Dorsett, Stage Management & Sound Design: Elliot Lanes, Master Electrician: Shawn Wysocki Moderated discussion led by Dramaturg Vanessa R. Bombardieri will directly follow each COMING MAY 3-19, 2013 performance Marsha Norman's Pulitzer Prize-winning 'NIGHT, MOTHER Joria Productions 260 West 36th Street, 3rd floor Sat. Nov. 17th at 1pm & 7pm, 2012 Save the Date: For WHTC's 10th Anniversary Celebration! *MemberActors’ Equity/Equity Approved Showcase Monday, January 14th, 2013 **Member SDC at The Players , Gramercy Park 6:30 p.m. - 9:00 p.m. Show Graphic by Jen Wiener/Program designed by Leslie Feffer www.whitehorsetheater.com This program was made possible in part through the sponsorship of The Field and with funding provided by WHTC sponsors Ballet, Wings Theatre Company, Michael Chekhov Theater Company, Mansfield Council for the Arts, Hackmatack Playhouse, and the COMPANY BIOS: Harry Hope Theatre.
    [Show full text]
  • David Rabe's Good for Otto Gets Star Studded Cast with F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perl
    David Rabe’s Good for Otto Gets Star Studded Cast With F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perlman and More t2conline.com/david-rabes-good-for-otto-gets-star-studded-cast-with-f-murray-abraham-ed-harris-mark-linn-baker-amy- madigan-rhea-perlman-and-more/ Suzanna January 30, 2018 Bowling F. Murray Abraham (Barnard), Kate Buddeke (Jane), Laura Esterman (Mrs. Garland), Nancy Giles (Marci), Lily Gladstone (Denise), Ed Harris (Dr. Michaels), Charlotte Hope (Mom), Mark Linn- Baker (Timothy), Amy Madigan (Evangeline), Rileigh McDonald (Frannie), Kenny Mellman (Jerome), Maulik Pancholy (Alex), Rhea Perlman (Nora) and Michael Rabe (Jimmy), will lite up the star in the New York premiere of David Rabe’s Good for Otto. Rhea Perlman took over the role of Nora, after Rosie O’Donnell, became ill. Directed by Scott Elliott, this production will play a limited Off-Broadway engagement February 20 – April 1, with Opening Night on Thursday, March 8 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street). Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures a whole American community on the edge. Like their patients and their families, Dr. Michaels (Ed Harris), his colleague Evangeline (Amy Madigan) and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness, to hold onto the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity.
    [Show full text]
  • An Interview with David Rabe Philip C. Kolin
    Spring 1989 135 An Interview with David Rabe Philip C. Kolin Coming from America's heartland (Dubuque, Iowa), David Rabe was drafted in 1965 at the age of 25 and completed a tour of duty in the literal Vietnam that he would later project symbolically on the American stage. Defining that event for himself, Rabe became one of the most promising playwrights of the post-1970 theatre. After his discharge from the Army, Rabe finished an MA. in theatre at Villanova University and worked on the early drafts of what critics have labeled his Vietnam Trilogy— The Basic Training of Pavlo Hummel, Sticks and Bones, and Streamers. He then put in an 18-month stint as a feature writer for the Sunday Pictorial magazine of the New Haven Register, publishing more than two dozen hauntingly beautiful and painful stories on the draft resistance movement, drugs, sports, the arts, and various rituals in American society, topics that also surface in the plays. In 1970 Rabe began an eventful 12-year friendship with Joe Papp who introduced, directed, produced, and defended Rabe's early work. Papp's admiration for Rabe was unqualified: "He is the most important writer we've ever had" (quoted in Mel Gussow, "2nd David Rabe Play to Join, Tavlo Hummel' at Public Theater," New York Times [Nov. 3, 1971]: 43). Pavlo Hummel and Sticks and Bones made theatre history when both plays were performed at the same time at the Public Theater, Pavlo at the Newman and Sticks at the Anspacher. In March of 1972 Papp prevailed upon Rabe to move Sticks to Broadway (Rabe's first appearance there) where Rabe won a Tony.
    [Show full text]
  • GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
    A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I.
    [Show full text]
  • The City of Conversation
    The Wallis Presents the West Coast Premiere of Anthony Giardina’s Timely Political Play The City of Conversation Starring Christine Lahti, Jason Ritter, Steven Culp, Michael Learned, Deborah Offner, Nicholas Oteri, Johnny Ramey, David Selby and Georgia King New Production Directed by Michael Wilson May 17-June 4; Opening Set for Fri, May 20 (Beverly Hills, CA April 8) The divisive world of Washington D.C. politics moves to center stage of the Bram Goldsmith Theater at the Wallis Annenberg Center for the Performing Arts when Anthony Giardina’s searing political comic drama The City of Conversation opens for a limited run in May. Starring Christine Lahti, Jason Ritter and Georgia King in a new production directed by Michael Wilson, The City of Conversation is an inside-the-Beltway play about politics in family—and families in politics— as it delves into the ever-changing tapestry of U.S. Government and the people who shape it off the senate floor. Previews begin Tuesday, May 17, and the Opening Night is Friday, May 20, through June 4. “Presenting the West Coast Premiere of The City of Conversation is both exciting for The Wallis and quite timely,” said Paul Crewes, The Wallis’ new Artistic Director. “Tony’s play brilliantly expresses both sides of political discourse in a way that reflects the current heated presidential election cycle. Michael Wilson’s vision coupled with his incredible cast will elevate this political drama to a new level surely to resonate with our audiences and throughout our community.” When the play opened at Arena Stage in Washington D.C.
    [Show full text]
  • 9780521661089 Index.Pdf
    Cambridge University Press 0521661080 - Contemporary American Playwrights Christopher Bigsby Index More information Index Absurd Person Singular, Artist Descending a Staircase, Accidental Death of an Anarchist, , Arturo Ui, –, After the Fall, , As Brother is to Brother (Rabe), see Sticks and Bones Akalitis, Joanne, Ascent of Man, The, – Albee, Edward, vii–viii, , , , , , Atlantic City, Guare and, Ayckbourn, Alan, Norman and, Rabe and, , Bacchae, The, Vogel and, , , , , , Backes, Nancy, , Wilson and, Bakhtin, Mikhail, , –, Alfred, William, Bal (Nelson), , , , All God’s Chillun, Bald Prima Donna, The, All My Sons, , , Balm in Gilead (Wilson), –, Allen, Annulla, , , , Baltimore Waltz, The (Vogel), , , , Allen, Woody, –, , –, Altman, Robert, Baraka, Amiri (LeRoi Jones), , , , American Buffalo, , , –, Barnett, Gene A., American Comedy, An (Nelson), , – Barr-Albee-Wilder workshop, American Daughter, An (Wasserstein), , – Barry, Philip, , , American Dream, The, , , , , Bartholomew Fair, And Baby Makes Seven (Vogel), , , –, Basic Training of Pavlo Hummel, T he (Rabe), , – , –, , , , Anderson, Robert, Bauer, Wolfgang, –, , , , André Beaumarchais, Pierre Augustin Caron de, André, John, – Beckett, Samuel, –, , Angels Fall (Wilson), , –, Howe and, –, , , Angels in America (Kushner), viii, , , Kushner and, , –, –, –, , Norman and, , Animal Crackers, Rabe and, , Anna Christie, Vogel and, Anne Frank, Wilson and, , Annulla, An Autobiography (Mann), , –, Behan, Brendan, , , , , , Bellow, Saul, , , Any
    [Show full text]
  • Mary Moody Northen Theatre As the First Participant of Our New Women's Plays and Playwrights ?Rogram
    MARYMOODY NORTHEN THEATRE NOTE TO OUR PATRONS Ii is a world resplendentin excellence The bringing of a professional playwright to the St. Edward's A world that expands our horizons University Theatre is a very important expansion of the guest artist aspect of our program. Miss Sallie Bingham, the author of The Wall As easily as it uplifts our hearts Between is brought to the Mary Moody Northen Theatre as the first participant of our New Women's Plays and Playwrights ?rogram. It is the world of the Performing Arts This new program screens new plays from across the nation and And we are pleased that you are sharing selects one to be produced as part of our major season. The playwright is brought to our campus to work with theatre faculty and students with Part of it with us her play. Through this program we hope to encourage and foster not only new plays and playwrights, but also a better understanding and appreciation for women's issues and ideas. Working with Miss Bingham has been not only a pleasure but also a rewarding educational experience for both faculty and students. We hope you will share in the excitement of this new aspect of our program by your continued patronage and support. Donald W. Seay Director of Theatre MEDICAL TRANSPORTATION PROGRAM Answering the needs of those who are sick and do not have a ride to a doctor's appointment forms the basis of the Austin Volunteer Medical Transportation Program. This program, almost a year old, is a joint project of the Austin Volunteer Center, Lutheran Social Services, the Adult Services Council, the Texas Department of Human Resources and St.
    [Show full text]
  • The Politics of Decolonization: Race, Power, and Ideology in Contemporary American Drama
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1995 The olitP ics of Decolonization: Race, Power, and Ideology in Contemporary American Drama. Byung-eon Jung Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Jung, Byung-eon, "The oP litics of Decolonization: Race, Power, and Ideology in Contemporary American Drama." (1995). LSU Historical Dissertations and Theses. 6023. https://digitalcommons.lsu.edu/gradschool_disstheses/6023 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced frommicrofilm the master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • August Wilson Ve David Rabe'in Seçilen Oyunlarında Öznellik Ve
    Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 2013 17 (3): 71-78 Story-telling and Subjectivity in the Selected Dramas of August Wilson and David Rabe Ahmet BEŞE (*) Abstract: The tensions between past and present, self and other, life and death, and the topics as confusion, self-doubt, and self-questioning in an unstable and infinitely changeable state of insights fill the works of contemporary American dramatists by means of story-telling. Story-telling as dramatic narrative can specifically be seen in the dramas of both August Wilson and David Rabe. Their plays include contemporary forms of story-telling in order to reveal fractured and fragmented characters and their subjectivity. Rabe employs stories, especially in his famous Vietnam trilogy; meanwhile storytelling as part of the oral narrative experiences of African-Americans is the central prominence to the development of August Wilson’s plays. This study attempts to reflect the function of story-telling in the selected dramas of the authors under discussion, and to analyze how the characters reveal themselves and their subjectivity in stories. Keywords: Story-telling, Subjectivity, American Drama, African-American, Vietnam War August Wilson ve David Rabe’in Seçilen Oyunlarında Öznellik ve Hikaye Anlatımı Öz: Geçmiş ve an, ben ve öteki, yaşam ve ölüm gibi konular ve şaşkınlık, öz sor- gulama gibi iç duygular Amerikan tiyatro yazarlarının yapıtlarında sıkça yer almakta ve daha çok hikaye anlatımı yoluyla aktarılmaktadır. Hikaye anlatımı, çağdaş Amerikan oyun yazarlarından August Wilson ve David Rabe’in yapıtlarında özellikle dikkat çeki- cidir. Yazarlar, hikaye anlatımı yoluyla yapıtlarında bölünmüş ve parçalanmış kişilerin öznelliğini aktarırlar. Rabe’in hikaye anlatımı tekniği özellikle Vietnam üçlemesinde karşımıza çıkarken, Afrikalı-Amerikalı toplumun sözlü edebiyat geleneğinin önemli bir parçası olan hikaye anlatımı August Wilson’un yapıtlarının merkezinde yer alır.
    [Show full text]
  • Catalogue of New Plays 2016–2017
    PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents.
    [Show full text]
  • In Th Is Issue
    A LITERARY QUARTERLY 2018 X Vol. 8. No. 1 Slipcase art from from art Slipcase ESSAY Genius Communitas by Nisi Shawl POEMS Suite of Poems The First Fifteen Lives of Harry of August Lives Fifteen The First by Neile Graham Singers of the Deep a response to Alexander Pushkin’s “Arion” by Maya Chhabra GRANDMOTHER MAGMA IN THIS ISSUE Why Science Is Practiced So Awkwardly Reflections on Gender and Science, by Evelyn Fox Keller by Jennifer Stevenson by Claire North Claire by BOOK REVIEWS The Wayward Children series by Seanan McGuire Mountain X by Ursula Pflug The Obama Inheritance Chris Roberts Chris edited by Gary Phillips Luminescent Threads edited by Alex Pierce and Mimi Mondal The Emerald Circus by Jane Yolen “If your takeaway…is that The Cascadia Subduction Zone sounds really interesting, you’re not wrong — it’s a wonderful journal filled with thoughtful FEATURED ARTIST and insightful criticism.” Chris Roberts h Niall Harrison, The Guardian, May 12, 2016 $5.00 Managing Editor Arrate Hidalgo Reviews Editor Nisi Shawl VOL. 8 NO. 1 — 2018 Features Editor ESSAY L. Timmel Duchamp Genius Communitas h Arts Editor by Nisi Shawl 1 Kath Wilham POEMS $5.00 Suite of Poems by Neile Graham h 6 Singers of the Deep a response to Alexander Pushkin’s “Arion” by Maya Chhabra h 26 GRANDMOTHER MAGMA Why Science Is Practiced So Awkwardly Reflections on Gender and Science, by Evelyn Fox Keller by Jennifer Stevenson h 10 BOOK REVIEWS The Wayward Children series, by Seanan McGuire reviewed by Arley Sorg h 14 Mountain, by Ursula Pflug reviewed by Joanne Rixon h 17 The Obama Inheritance, edited by Gary Phillips reviewed by Cynthia Ward h 19 Luminescent Threads, edited by Alex Pierce and Mimi Mondal reviewed by Ayana Jamieson h 21 The Emerald Circus, by Jane Yolen reviewed by Kristin King h 24 FEATURED ARTIST Chris Roberts h 28 Subscriptions and single issues online at: To order by check, payable to: www.thecsz.com Aqueduct Press Print subscription: $16/yr; P.O.
    [Show full text]