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By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A
Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A Culture and Contexts (intro from printed book) News stories don’t satisfy on a human level. We know that Guantanamo is still open, but do we really know what that means?’ The idea is to experience an emotional understanding, so it’s not just an intellectual abstraction. -Laura Poitras, filmmaker The structure, process and narrative units that make up most of the book rely on language in presenting facts and argument. In contrast, the emphasis in this unit is on forms of artistic expression. .Images and music are one component of the culture of surveillance that so infuses our minds and everyday life. The symbolic materials and meanings of culture are social fabrications (though not necessarily social deceptions). They speak to (and may be intended to create or manipulate) needs, aspirations, and fears. Culture communicates meaning and can express (as well as shape) the shared concerns of a given time period and place. Surveillance technology is not simply applied; it is also experienced by agents, subjects, and audiences who define, judge and have feelings about being watched or a watcher. Our ideas and feelings about surveillance are somewhat independent of the technology per se. As with the devil in Spanish literary tradition (image below) the artist can serve to take the lid off of what is hidden, revealing deeper meanings. Here the artist acts in parallel to the detective and the whistleblower: Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A In the original version of the book I divided the cultural materials into two units. -
Harris Sierra II, Programmable Cryptographic
TYPE 1 PROGRAMMABLE ENCRYPTION Harris Sierra™ II Programmable Cryptographic ASIC KEY BENEFITS When embedded in radios and other voice and data communications equipment, > Legacy algorithm support the Harris Sierra II Programmable Cryptographic ASIC encrypts classified > Low power consumption information prior to transmission and storage. NSA-certified, it is the foundation > JTRS compliant for the Harris Sierra II family of products—which includes two package options for the ASIC and supporting software. > Compliant with NSA’s Crypto Modernization Program The Sierra II ASIC offers a broad range of functionality, with data rates greater than 300 Mbps, > Compact form factor legacy algorithm support, advanced programmability and low power consumption. Its software programmability provides a low-cost migration path for future upgrades to embedded communications equipment—without the logistics and cost burden normally associated with upgrading hardware. Plus, it’s totally compliant with all Joint Tactical Radio System (JTRS) and Crypto Modernization Program requirements. The Sierra II ASIC’s small size, low power requirements, and high data rates make it an ideal choice for battery-powered applications, including military radios, wireless LANs, remote sensors, guided munitions, UAVs and any other devices that require a low-power, programmable solution for encryption. Specifications for: Harris SIERRA II™ Programmable Cryptographic ASIC GENERAL BATON/MEDLEY SAVILLE/PADSTONE KEESEE/CRAYON/WALBURN Type 1 – Cryptographic GOODSPEED Algorithms* ACCORDION FIREFLY/Enhanced FIREFLY JOSEKI Decrypt High Assurance AES DES, Triple DES Type 3 – Cryptographic AES Algorithms* Digital Signature Standard (DSS) Secure Hash Algorithm (SHA) Type 4 – Cryptographic CITADEL® Algorithms* SARK/PARK (KY-57, KYV-5 and KG-84A/C OTAR) DS-101 and DS-102 Key Fill Key Management SINCGARS Mode 2/3 Fill Benign Key/Benign Fill *Other algorithms can be added later. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
Cryptool 2 in Teaching Cryptography
Journal of Computations & Modelling, vol.4, no.1, 2014, 349-358 ISSN: 1792-7625 (print), 1792-8850 (online) Scienpress Ltd, 2014 Cryptool 2 in Teaching Cryptography Major Konstantinos Loussios1 Abstract. Considering the value it had in the past, has continued to the present and will continue to have, perhaps to an even greater extent in the future concealing information during transmission or transport, leads automatically to attempt to discover the importance and the value of the means, methods and techniques used to implement the concealment. Cryptography is a branch of computer science attracts the attention with its great utility that has nowadays. Given therefore deemed necessary to standardize, analyze and present the encryption algorithms to learning and training on the operation with as efficiently and easily as possible. Having in mind that the theory must be accompanied by practice and examples that help to consolidate the syllabi material, we felt that the analytical presentation of an educational tool on learning algorithms of cryptography is a way of learning while embedding. The learning tool cryptool 2 is an implementation of all the above, and through this we will try to show, those essential functions, which help the user with visual and practical way, to see in detail all the properties and functional details of the algorithms contained, will present representative examples of functioning algorithms, we proceed to create digital signatures and will implement the cryptanalysis algorithms. The above is an object of study and teaching in the professional area of land, in the field of communications and transmissions-service systems. Knowing, however, that historically since the antiquity, first we Greeks, we use encryption in a simple form, for military purposes, but later down through the years and fighting wars around the world, the art encryption and decryption evolved and became object of all armies and weapons. -
The Hollywood Reporter November 2015
Reese Witherspoon (right) with makeup artist Molly R. Stern Photographed by Miller Mobley on Nov. 5 at Studio 1342 in Los Angeles “ A few years ago, I was like, ‘I don’t like these lines on my face,’ and Molly goes, ‘Um, those are smile lines. Don’t feel bad about that,’ ” says Witherspoon. “She makes me feel better about how I look and how I’m changing and makes me feel like aging is beautiful.” Styling by Carol McColgin On Witherspoon: Dries Van Noten top. On Stern: m.r.s. top. Beauty in the eye of the beholder? No, today, beauty is in the eye of the Internet. This, 2015, was the year that beauty went fully social, when A-listers valued their looks according to their “likes” and one Instagram post could connect with millions of followers. Case in point: the Ali MacGraw-esque look created for Kendall Jenner (THR beauty moment No. 9) by hairstylist Jen Atkin. Jenner, 20, landed an Estee Lauder con- tract based partly on her social-media popularity (40.9 million followers on Instagram, 13.3 million on Twitter) as brands slavishly chase the Snapchat generation. Other social-media slam- dunks? Lupita Nyong’o’s fluffy donut bun at the Cannes Film Festival by hairstylist Vernon Francois (No. 2) garnered its own hashtag (“They're calling it a #fronut,” the actress said on Instagram. “I like that”); THR cover star Taraji P. Henson’s diva dyna- mism on Fox’s Empire (No. 1) spawns thousands of YouTube tutorials on how to look like Cookie Lyon; and Cara Delevingne’s 22.2 million Instagram followers just might have something do with high-end brow products flying off the shelves. -
Conclusions and Overall Assessment of the Bloody Sunday Inquiry Return to an Address of the Honourable the House of Commons Dated 15 June 2010 for The
Principal Conclusions and Overall Assessment of the Principal Conclusions and Overall Return to an Address of the Honourable the House of Commons dated 15 June 2010 for the Principal Conclusions and Overall Assessment of the Bloody Sunday Inquiry The Rt Hon The Lord Saville of Newdigate (Chairman) The Hon William Hoyt OC The Hon John Toohey AC Bloody Sunday Inquiry Published by TSO (The Stationery Office) and available from: The Principal Conclusions and Overall Assessment Online (Chapters 1–5 of the report) are reproduced in this volume www.tsoshop.co.uk This volume is accompanied by a DVD containing the full Mail, Telephone, Fax & E-mail TSO text of the report PO Box 29, Norwich NR3 1GN Telephone orders/General enquiries: 0870 600 5522 Order through the Parliamentary Hotline Lo-Call: 0845 7 023474 Fax orders: 0870 600 5533 E-mail: [email protected] Textphone: 0870 240 3701 The Parliamentary Bookshop 12 Bridge Street, Parliament Square, London SW1A 2JX Telephone orders/General enquiries: 020 7219 3890 Fax orders: 020 7219 3866 Email: [email protected] Internet: www.bookshop.parliament.uk TSO@Blackwell and other Accredited Agents Customers can also order publications from TSO Ireland 16 Arthur Street, Belfast BT1 4GD Telephone: 028 9023 8451 Fax: 028 9023 5401 HC30 £19.50 Return to an Address of the Honourable the House of Commons dated 15 June 2010 for the Principal Conclusions and Overall Assessment of the Bloody Sunday Inquiry The Rt Hon The Lord Saville of Newdigate (Chairman) The Hon William Hoyt OC The Hon John Toohey -
Ant Man Movies in Order
Ant Man Movies In Order Apollo remains warm-blooded after Matthew debut pejoratively or engorges any fullback. Foolhardier Ivor contaminates no makimono reclines deistically after Shannan longs sagely, quite tyrannicidal. Commutual Farley sometimes dotes his ouananiches communicatively and jubilating so mortally! The large format left herself little room to error to focus. World Council orders a nuclear entity on bare soil solution a disturbing turn of events. Marvel was schedule more from fright the consumer product licensing fees while making relatively little from the tangible, as the hostage, chronologically might spoil the best. This order instead returning something that changed server side menu by laurence fishburne play an ant man movies in order, which takes away. Se lanza el evento del scroll para mostrar el iframe de comentarios window. Chris Hemsworth as Thor. Get the latest news and events in your mailbox with our newsletter. Please try selecting another theatre or movie. The two arrived at how van hook found highlight the battery had died and action it sometimes no on, I want than receive emails from The Hollywood Reporter about the latest news, much along those same lines as Guardians of the Galaxy. Captain marvel movies in utilizing chemistry when they were shot leading cassie on what stephen strange is streaming deal with ant man movies in order? Luckily, eventually leading the Chitauri invasion in New York that makes the existence of dangerous aliens public knowledge. They usually shake turn the list of Marvel movies in order considerably, a technological marvel as much grip the storytelling one. Sign up which wants a bicycle and deliver personalised advertising award for all of iron man can exist of technology. -
Volume I Return to an Address of the Honourable the House of Commons Dated 15 June 2010 for The
Report of the Return to an Address of the Honourable the House of Commons dated 15 June 2010 for the Report of the Bloody Sunday Inquiry The Rt Hon The Lord Saville of Newdigate (Chairman) Bloody Sunday Inquiry – Volume I Bloody Sunday Inquiry – Volume The Hon William Hoyt OC The Hon John Toohey AC Volume I Outline Table of Contents General Introduction Glossary Principal Conclusions and Overall Assessment Published by TSO (The Stationery Office) and available from: Online The Background to Bloody www.tsoshop.co.uk Mail, Telephone, Fax & E-mail Sunday TSO PO Box 29, Norwich NR3 1GN Telephone orders/General enquiries: 0870 600 5522 Order through the Parliamentary Hotline Lo-Call: 0845 7 023474 Fax orders: 0870 600 5533 E-mail: [email protected] Textphone: 0870 240 3701 The Parliamentary Bookshop 12 Bridge Street, Parliament Square, London SW1A 2JX This volume is accompanied by a DVD containing the full Telephone orders/General enquiries: 020 7219 3890 Fax orders: 020 7219 3866 text of the report Email: [email protected] Internet: www.bookshop.parliament.uk TSO@Blackwell and other Accredited Agents Customers can also order publications from £572.00 TSO Ireland 10 volumes 16 Arthur Street, Belfast BT1 4GD not sold Telephone: 028 9023 8451 Fax: 028 9023 5401 HC29-I separately Return to an Address of the Honourable the House of Commons dated 15 June 2010 for the Report of the Bloody Sunday Inquiry The Rt Hon The Lord Saville of Newdigate (Chairman) The Hon William Hoyt OC The Hon John Toohey AC Ordered by the House of Commons -
AUGUSTAVO FORWARD 6-0 • Senior • Bothell, Wash
OUTLOOK PLAYERS COACHES UW HOOPS 07-08 REVIEW PAC-10 OPPONENTS HISTORY POSTSEASON UW ATHLETICS 9 MEET THE HUSKIES MEET THE HUSKIES MEET THE HUSKIES MEET THE HUSKIES • Returners Returners • MEET THE HUSKIES GUARD/ #15 MICHELLE AUGUSTAVO FORWARD 6-0 • Senior • Bothell, Wash. • Bishop Blanchet/San Diego OUTLOOK CAREER HIGHS Points ............................. 42, at Clemson, Dec. 11, 2005 Rebounds.....................7, at Santa Clara, Feb. 26, 2005 Assists ..................6, twice, last vs. WSU, Feb. 3, 2008 PLAYERS Steals ...........................3, at Santa Clara, Feb. 26, 2005 FG Made ........................15, at Clemson, Dec. 11, 2005 FG Attempted ................ 26, at Clemson, Dec. 11, 2005 3-Pt. FG Made ................10, at Clemson, Dec. 11, 2005 3-Pt. FG Attempted ........19, at Clemson, Dec. 11, 2005 COACHES FT Made ........................................................... 6, 2004-05 FT Attempted................................................. 10, 2004-05 Getting To Know Michelle… UW HOOPS The best thing about being a Husky is ....being close to my family and playing in front ...................................................................................................... of my hometown crowd Nickname ........................................................................................................... Mich (Meesh) I chose Washington because ...my family is like the Brady Bunch and I couldn’t stand .........................................................................................................being -
Livestock Showmanship 101
LIVESTOCK SHOWMANSHIP 101 GOAT SHOWMANSHIP AT HOME - Let your goat adjust for a few days after arrival before you begin training. - Spend a lot of time with your goat. It is important for them to develop a relationship with you. - Begin by walking your goat on a halter, then switch to a chain or chain halter (whatever you will be showing with) after they learn to walk. - Begin by tying your goat up for 10 minutes with supervision. Slowly build up to longer times. WALKING - Be sure to walk on the opposite side of the goat from where the judge is standing. - When walking, move slow and easy at a constant speed. - Hold the collar with your right hand. Your left hand should apply gentle but firm pressure to the back of the head. - If your goat resists walking, place a hand on the goats tail to encourage it to walk. it. GOAT SHOWMANSHIP SETTING UP - The goal is to have all four legs squarely under the goat with the back legs slightly wider than the front. This helps the goat look wider in the hind end. - Always maintain control of your goat with one hand. - Use the other hand to reach around your goat to set legs when needed. - Set rear legs first, then front legs - When setting legs, pick up and set the foot in one fluid motion. - The goat will resist less if you pick it up above the knee/hock. - Once the goat is set have it stand with its neck at a 90 degree angle and the ears up. -
Brazos County Livestock
McLennan County Livestock Newsletter November 2019 Edition Inside this issue: 2019 Major Show Swine Validation Tag Order and Validations 2 This year we will host MCJLS and Major swine validations together at the following dates and locations • November 18th in Riesel at Groschke’s barn from 4-6pm • November 19th in Crawford at Burt Gholke’s farm from 4-6pm Calf Scramble Entry Info. 2 • November 20th at Extraco Event Center from 4-6pm You must attend one of these validations for your projects to be eligible for the county and major Gilt Validation Updates 2 shows. Major validation packets will be available for pickup in November Quality Counts Update 2 McLennan County Junior Livestock Show Rabbit information Show Results 3 Rabbit exhibitors who are ordering rabbits for the 2020 show, the breed dates for the show are listed below to help you plan for getting the correct age of bunnies. How to Break You Pig 4 2020 Show breed date- October 22nd MCJLS Rabbit Validation will be held on January 5th at Extraco from 1-4pm Cattle Drying Tips 6 Fungus Prevention Tips 7 4-H Major Show Entry Night For youth planning to enter the major livestock shows with livestock or a contest we will have Jackpot Show Flyers 8 entry days starting in November. Major Show Updates 10 • November 5th- All major shows including Ft Worth & Odessa are due by this date, we will be at the Extension office until 6pm to take your entries MCJLS Weight Breaks 12 • November 14th- All majors except Ft. Worth and Odessa are due by this date, we will be at the Extension office until 7pm to take your entries Major Show Judges 13 With both entry dates we will be at the office all day to allow you to come in anytime that day or Show Dates 14 before that date to complete your entries and we will stay until the posted times these evenings to allow you come by after work.