We Call It Master and Servant” “Forget All About Equality” “Domination's the Name of the Game”
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Libro EVERYTHING COUNTS Final
Everything Counts! Everything Counts! Valuing environmental initiatives with a gender equity perspective in Latin America 1 Everything Counts! The designation of geographical entities in this book, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of IUCN or IDRC Canada concerning that legal status of any country, territory, or area, or of its authorities, or concerning the elimination of its frontiers or boundaries. The views expressed in this publication do not necessarily reflect those of IUCN or IDRC Canada. The publication of this book was made possible through the financial support provided by the International Development Research Centre (IDRC) to the project: “Asumiendo el reto de la equidad de género en la gestión ambiental en América Latina”. Pubished by: IUCN-ORMA, The World Conservation Union Regional Office for Mesoamerica, in collaboration with: Rights Reserve: © 2004 The World Conservation Union Reproduction of this text is permitted for non-commercial and educational purposes only. All rights are reserved. Reproduction for sale or any other commercial purposes is strictly prohibited, without written permission from the authors. Quotation: 333.721.4 I -92e IUCN. ORMA. Social Thematic Area Everything Counts! Valuing environmental initiatives with a gender equity perspective in Latin America / Comp. por IUCN-ORMA. Social Thematic Area; Edit. por Linda Berrón Sañudo; Tr. por Ana Baldioceda Castro. – San José, C.R.: World Conservation Union, IUCN, 2004. 203 p.; 28 cm. ISBN 9968-743- 87 - 9 Título en español: ¡Todo Cuenta! El valor de las iniciativas de conservación con enfoque de género en Latinoamérica 1.Medioambiente. -
Recent Decisions
Fordham Law Review Volume 11 Issue 3 Article 4 1942 Recent Decisions Fordham Law Review Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Fordham Law Review, Recent Decisions, 11 Fordham L. Rev. 311 (1942). Available at: https://ir.lawnet.fordham.edu/flr/vol11/iss3/4 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. 1942] RECENT DECISIONS RECENT DECISIONS CORPOnRTIONS-INTERL0CKING DIRECTORATES-RIGHT OF MINORITY STOCKHOLDER TO Vom TRANSACTION.-The defendants were majority stockholders and directors of the Empire Power Corporation, and also majority stockholders and directors of the Long Island Lighting Company. In 1931-1932 the Long Island Company owed an aggregate of $10,000,000 to banks and was finding it increasingly difficult to borrow further from those sources. It borrowed from the Empire Corporation on an unsecured note payable within one year. Several other loans were subsequently negotiated with the Empire Corporation, all to be paid within a year, and these notes were constantly renewed over a ten year period by Empire so that at the time of the commencement of this action Long Island was indebted to Empire in the sum of $5,000,000. In 1936, partly through the marketing of a bond issue, the Long Island Company paid off all its unsecured indebtedness, except that owing to Empire. -
Song Title Version 1 More Time Daft Punk 5,6,7,8 Steps All 4 L0ve Color Me Badd All F0r Y0u Janet Jackson All That I Need Boyzon
SONG TITLE VERSION 1 MORE TIME DAFT PUNK 5,6,7,8 STEPS ALL 4 L0VE COLOR ME BADD ALL F0R Y0U JANET JACKSON ALL THAT I NEED BOYZONE ALL THAT SHE WANTS ACE OF BASE ALWAYS ERASURE ANOTHER NIGHT REAL MCCOY BABY CAN I HOLD YOU BOYZONE BABY G0T BACK SIR MIX-A-LOT BAILAMOS ENRIQUE IGLESIAS BARBIE GIRL AQUA BLACK CAT JANET JACKSON BOOM, BOOM, BOOM, BOOM!! VENGABOYS BOP BOP BABY WESTUFE BRINGIT ALL BACK S CLUB 7 BUMBLE BEE AQUA CAN WE TALK CODE RED CAN'T BE WITH YOU TONIGHT IRENE CANT GET YOU OUT OF MY HEAD KYLIE MINOGUE CAN'T HELP FALLING IN LOVE UB40 CARTOON HEROES AQUA C'ESTLAVIE B*WITCHED CHIQUITITA ABBA CLOSE TO HEAVEN COLOR ME BADD CONTROL JANET JACKSON CRAZY FOR YOU MADONNA CREEP RADIOHEAD CRY FOR HELP RICK ASHLEY DANCING QUEEN ABBA DONT CALL ME BABY MADISON AVENUE DONT DISTURB THIS GROOVE THE SYSTEM DONT FOR GETTO REMEMBER BEE GEES DONT LET ME BE MISUNDERSTOOD SANTA ESMERALDA DONT SAY YOU LOVE ME M2M DONT TURN AROUND ACE OF BASE DONT WANNA LET YOU GO FIVE DYING INSIDE TO HOLDYOU TIMMY THOMAS EL DORADO GOOMBAY DANCE BAND ELECTRIC DREAMS GIORGIO MORODES EVERYDAY I LOVE YOU BOYZONE EVERYTHING M2M EVERYTHING COUNTS DEPECHE MODE FAITHFUL GO WEST FATHER AND SON BOYZONE FILL ME IN CRAIG DAVID FIRST OF MAY BEE GEES FLYING WITHOUT WINGS WESTLIFE FOOL AGAIN WESTLIFE FOR EVER AS ONE VENGABOYS FUNKY TOWN UPS INC GET DOWN TONIGHT KC & THE SUNSHINE BAND GET THE PARTY STARTED PINK GET UP (BEFORE THE NIGHT IS OVER) TECHNOTRONIC GIMME GIMME GIMME ABBA HAPPY SONG BONEY M. -
The Basis of Vicarious Liability
THE BASIS OF VICARIOUS LIABILITY I If a master choose to give orders to his servant, no one can fail to understand why he should be held liable for the conse- quences of their commission.' Nor is the case in substance dif- ferent when he ratifies his servant's act. To stamp what is done for him with the seal of his approval is tacitly, but obviously, to accept the act as his own ;2 and that is true no less where the ratification is implicit, than where it is expressly made manifest.3 No one, however, deems it necessary to take objection to lia- bility which is consequent upon a general negligence.4 I may knowingly employ a clearly incompetent person.' I may con- sciously fail to provide proper means for the performance of the allotted work. I may fail to give my servant information which I know to be essential to the right completion of his task.7 I may fail to take adequate precautions against the commission of a tort in my presence.8 In cases such as these, where the master is directly involved, it is essential to any scheme of law that he should be held liable for such damage as his servant may cause. The problem is far different where express authority does not exist. A state in which it is an accepted doctrine that the sins of the servant may, even when unauthorized, be visited upon the master, has won a tolerable respect for its law. Yet the thing is sufficiently novel to be worth some careful investigation. -
What Is Family Law?: a Genealogy Part II
What is Family Law?: A Genealogy Part II The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Janet Halley, What is Family Law?: A Genealogy Part II, 23 Yale J.L. & Human. 189 (2011). Published Version http://digitalcommons.law.yale.edu/yjlh/vol23/iss2/1/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12991692 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Yale Journal of Law & the Humanities Volume 23 | Issue 2 Article 1 5-8-2013 What is Family Law?: A Genealogy Part II Janet Halley Follow this and additional works at: http://digitalcommons.law.yale.edu/yjlh Part of the History Commons, and the Law Commons Recommended Citation Halley, Janet (2011) "What is Family Law?: A Genealogy Part II," Yale Journal of Law & the Humanities: Vol. 23: Iss. 2, Article 1. Available at: http://digitalcommons.law.yale.edu/yjlh/vol23/iss2/1 This Article is brought to you for free and open access by Yale Law School Legal Scholarship Repository. It has been accepted for inclusion in Yale Journal of Law & the Humanities by an authorized administrator of Yale Law School Legal Scholarship Repository. For more information, please contact [email protected]. Halley: What is Family Law?: A Genealogy Part II Articles What is Family Law?: A Genealogy Part II Janet Halley INTRODUCTION This Article offers a genealogy of domestic relations law (later renamed family law). -
Othello and the Master-Servant Dialectic
Magadalen Wing-Chi Ki Othello and the Master-Servant Dialectic We cannot be all masters, nor all masters Cannot be truly follow’d. (Othello 1.1.43–4)1 HOMAS RYMER famOUsly concludes that Othello is “a Bloody TFarce,” a “tragedy of the Handkerchief,” because he cannot make sense of the master/servant logic in the play.2 First, he believes that “neither His- tory nor Heraldry” would allow Othello—a “Black-amoor”—to become a master. Second, an audience can recognize nothing grand in the characters: “noble Desdemona” falls in love with a black soldier and behaves like a “Country Chamber-maid.” “We see nothing done by [Othello] or related concerning him that comports with the condition of a General—or, indeed, of a Man.”3 Third, Iago is “the most intolerable” of servants because, unlike “other Souldiers of our acquaintance,” he is a “dissembling, false, insinuat- ing rascal instead of an open-hearted, frank, plain-dealing Souldier.”4 As a result, Rymer calls it “an affront” to present these masters and this servant to an audience. This essay argues that the master-servant dialectic is central to the tragedy of Othello, and highlights five modes of master-servant relation- ship featured in the play, namely, might and the Hegelian master-servant dialectic, language and Lacanian master-slave discourse, prerogative and 1 All references to Othello are to the Arden Shakespeare, ed. E.A.J. Honigmann (Surrey: Thomas Nelson & Sons, 1997). 2 Thomas Rymer,A Short View of Tragedy (1693), in A Routledge Literary Sourcebook on Wil- liam Shakespeare’s Othello, ed. -
The Partial Performance Interesst Of
MARQUETTE LAW REVIEW Vol. 38 FALL, 1954 No. 2 THE PARTIAL PERFORMANCE INTEREST OF THE DEFAULTING EMPLOYEE-PART ONE CALVIN W. CORMAN* I. INTRODUCTION The problem of the defaulter's part performance interest is funda- mental in that it brings into conflict basic doctrines underlying the Anglo-American legal system. It pits contracts against restitution, con- dition precedent against unjust enrichment, sanctity of the legally bind- ing promise against legal abhorrence of the unnecessary forfeiture. The problem is basically one of evaluating conflicting interests. Few questions that have occurred so frequently and have such practical im- portance have at the same time created such diversity of views and have become so difficult of adequate solution.' Text writers, beginning with Woodward,2 divide the subject as to the type of contract performance involved. Four classifications have been established: the service contract, construction contract, contract for the sale of goods, and contract for the payment of money. The first of these classifications, the iervice contract, is to be considered in this article. Keener 3 classifies the problem on the basis of default causation, i.e., where the default is wilful or inexcusable, or performance is im- possible or illegal. Consideration will be given primarily to the "wilful" default and to contracts both valid and voidable. Distinction is drawn between the employment contract calling for the creation of an end unit product and the service-employment contract providing for continued employment * B.B.A., LL.B., Baylor University; LL.M., University of Michigan; Professor of Law, Marquette University Law School; Member, Wisconsin and Texas Bars; Member, Milwaukee and Wisconsin Bar Associations. -
The Scholar and Her Servants: Further Thoughts on Postcolonialism and Education
Claremont Colleges Scholarship @ Claremont CMC Faculty Publications and Research CMC Faculty Scholarship 1-1-2007 The cholS ar and Her Servants: Further Thoughts on Postcolonialism and Education Nita Kumar Claremont McKenna College Recommended Citation Kumar, Nita. "The choS lar and Her Servants: Further Thoughts on Postcolonialism and Education." The oP litics of Gender, Community and Modernities: Essays on Education in India. New Delhi: Oxford University Press, 2007. This Book Chapter is brought to you for free and open access by the CMC Faculty Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CMC Faculty Publications and Research by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Chapter 12 The Scholar and her Servants: further thoughts on Postcolonialism and Education The hypothesis of the paper is twofold. By juxtaposing the two subject-positions of mistress and servant, moving between one and the other to highlight how each is largely constructed by the interaction, we illuminate the questions of margin and centre, silence and voice, and can ponder on how to do anthropology better. But secondly, to the work of several scholars who propose various approaches to these questions, I add the particular insight offered by the perspective of education. Because one of the subject-positions is that of ‘the scholar’, someone professionally engaged in knowledge production, the new question I want to consider is regarding the formation of this authoritative knowledge, its seemingly autonomous history, and the existing and potential intersections of that history with the history of the ‘non-scholar’. If I study India the question is how the history of India impinges on the history of the subjects involved in the study. -
POP Vol 1 Song List
NO. Song Title Version Popularized by 5001 1 MORE TIME DAFT FUNK 5002 99 RED BALLOONS NENA 5003 A GIRL LIKE YOU EDWYN COLLINS 5004 ABOUT A GIRL NIRVANA 5005 ACROSS THE UNIVERSE FIONA APPLE 5006 AGAIN LENNY KRAVITZ 5007 ALIVE AND KICKING SIMPLE MINDS 5008 ALL I WANNA DO SHERYL CROW 5009 ALL I WANT TOAD THE WET SPROCKET 5010 ALL THE SMALL THINGS BLINK 182 5011 ALWAYS ERASURE 5012 ALWAYS AND FOREVER HEATWAVE 5013 AMERICAN WOMAN LENNY KRAVITZ 5014 ANGELS R. WILLIMAS 5015 ANTMUSIC ADAM AND THE ANTS 5016 BABE STYX 5017 BE STILL MY BEATING HEART STING 5018 BREAKOUT SWING OUT SISTERS 5019 BUSES AND TRAINS BACHELOR GIRL 5020 CALIFORNICATION RED HOT CHILLI PEPPERS 5021 C’EST LA VIE EMERSON, LAKE AND PALMER 5022 CHAMPAGNE SUPERNOVA OASIS 5023 COLORS OF THE WIND VANESSA WILLIAMS 5024 DANCIN’ IN THE MOONLIGHT KING HARVEST 5025 DAYS OF WINE AND ROSES CHRIS CONNORS 5026 DEEP INSIDE OF YOU THIRD EYE BLIND 5027 DON’T LOOK BACK IN ANGER OASIS 5028 DON’T SAY GOODBYE HUMAN NATURE 5029 DON’T SPEAK NO DOUBT 5030 EIGHTEEN ALICE COOPER 5031 ETERNITY ROBBIE WILLIAMS 5032 EVERYTHING COUNTS DEPECHE MODE 5033 FIELDS OF GOLD STING 5034 FIRE ESCAPE FASTBALL 5035 FIRST TIME STYX 5036 FOREVER AND A DAY MICHAEL LEARNS TO ROCK 5037 FOREVER YOUNG ALPHAVILLE 5038 HANDBAGS AND GLADRAGS STEREOPHONICS 5039 HAVE A NICE DAY STEREOPHONICS 5040 HELLO I LOVE YOU DOORS 5041 HERE WITH ME DIDO 5042 HOLD THE LINE TOTO 5043 HUMAN HUMAN LEAGE 5044 I STILL HAVEN’T FOUND WHAT I AM LOOKING FOR U2 5045 IF I EVER LOSE MY FAITH IN YOU STING 5046 I’LL BE OVER YOU TOTO 5047 I’LL SUPPLY THE LOVE TOTO 5048 I’M DOWN TO MY LAST CIGARETTE K. -
1980S Retro Playlist
1980s Retro Playlist Instructor Song Name Time Artist BPM Contributor Uses Take A Chance On Me 4:07 Abba 107 Lisa Piquette I love this for an opening song Richard Poison Arrow 3:24 ABC 126 Newman intro song while class is setting up I Saw the Sign 3:12 Ace of Base 97 J Sage fast flat. Great for cadence drills My roommate at UCSB was in love with Adam Ant, so I can't think of the 1980s without thinking of her and this song! It has a great beginning for your cyclists; there's no way to not grab that distinctive drum Goody Two Shoes 3:28 Adam Ant 95 J Sage beat for your higher-cadence flats. Take On Me 3:47 Aha 84 Lisa Piquette Fast Cadence, Hill Back to the 80s 3:43 Aqua Annette Warm up Freeway of Love 5:33 Aretha Franklin 126 Lisa Piquette Cadence Surges Venus 3:37 Bananarama 126 Lisa Piquette Muscular Endurance Richard Take My Breath Away 4:12 Berlin 96 Newman cool down In my Top 5 for sure. I thought this song was so unique at the time—it didn't sound like many of the other typical songs of the era. The Scottish accents and the bagpipes gave it an exotic sound. I use this in almost all of my retro playlists. You can only climb to it, and at 2:28 you power out of the saddle after Big Country 3:55 Big Country 125 J Sage he sings "When every single hope has been shattered" until 2:45. -
Intervent and Compromise in Sang Hu's Movies from 1947 to 1948 By
Intervent and Compromise in Sang Hu’s Movies from 1947 to 1948 by Jie Wu A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts Approved November 2012 by the Graduate Supervisory Committee: John Zou, Chair Xiaoqiao Ling Stephen West ARIZONA STATE UNIVERSITY December 2012 ABSTRACT During 1947-1948, three commercial films:Everlasting Love(不了情, 1947) Long Live the Wife (太太萬歲,1947) and Happiness and Sorrow of Middle Ages (哀樂中年,1948) from the director Sang Hu 桑弧 were released. Although the results from box-office were stunning, they suffered fierce criticism from progressive critics largely because the films lacked descriptions of China as a nation-state with critical explorations on nationalism, anti-imperialism, and feudalism. This ideological bias resulted in a long time neglect of the artistic and social value of these three films. This paper attempts to analyze the directors original intention through the love story vehicle, illustrate his concern toward individuals, society, urban culture and moral standards and further discuss this new film genre through a comparison of today’s film market. In my opinions, his films contain considerable artistic and social values which deserve scholarly attentions. They show great compassion toward the dilemma of ordinary human beings and privilege the perspectives of common citizens; The director depicts various kinds of interpersonal relationships in a semi-colonial city and thus demonstrates considerable concern with the social realities. In their particular political environment, these films negotiate the economic market and yet successfully contribute their own intervention in the wider cultural discussion of post-war social reconstruction and the development of ethical values. -
Revising the Roles of Master and Servant: a Theory of Work Law
ARTICLE 4 (NAYAK-YOUNG).DOCX (DO NOT DELETE) 9/29/15 2:25 PM REVISING THE ROLES OF MASTER AND SERVANT: A THEORY OF WORK LAW Stephen Nayak-Young* In this article, I critically examine the claim that work law is best conceived as a subspecies of contract law, arguing that this characterization is neither descriptively accurate nor normatively instructive. Rather than understanding work law as a set of restraints on freedom of contract, we should see it as creating and defining special relationships, much like the codified definitions of marriages and business partnerships. I trace the development of work relationships through the common law of “master and servant” and their more recent statutory modification. I argue that the history and present form of work law are not consistent with the contract- centered view of work law as “interfering” with an otherwise free labor market. In addition, I set the stage for a future research project in which I will argue that since work relationships permit employers to exercise authority over workers, a just work law would narrowly circumscribe employers’ authority in order to achieve work law’s justifiable aims while minimizing overreaching by employers. I.WORK LAW AS I SEE IT ......................................................................... 1224 A. Brief Introduction .................................................................. 1224 B. What I Mean By “Work Law” ............................................... 1225 II.INITIAL SKIRMISH WITH THE FREEDOM-OF-CONTRACT VIEW ............ 1227 III.MOTIVATIONS FOR THE FREEDOM-OF-CONTRACT VIEW ................... 1233 A. Maine’s “From Status to Contract” ....................................... 1233 B. Where Maine Went Wrong ................................................... 1235 IV.WHY THE FREEDOM-OF-CONTRACT VIEW IS MISTAKEN .................. 1238 A. Master and Servant ...............................................................