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The Journal of British Studies Daniel Hack. the Material Interests of The
The Journal of British Studies http://journals.cambridge.org/JBR Additional services for The Journal of British Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Daniel Hack. The Material Interests of the Victorian Novel. Victorian Literature and Culture Series. Charlottesville and London: University of Virginia Press, 2005. Pp. xi+226. \$39.50 (cloth). Nicholas Dames The Journal of British Studies / Volume 45 / Issue 03 / July 2006, pp 681 683 DOI: 10.1086/507238, Published online: 21 December 2012 Link to this article: http://journals.cambridge.org/abstract_S002193710000633X How to cite this article: Nicholas Dames (2006). The Journal of British Studies, 45, pp 681683 doi:10.1086/507238 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JBR, IP address: 160.39.206.75 on 31 Jul 2013 BOOK REVIEWS Ⅵ 681 a discussion of the political trilogy, Coningsby, Sybil, and Tancred, followed by a reading of Disraeli’s biography, Lord George Bentinck. This section argues that novels from this inter- mediary stage of his career helped Disraeli to imagine and articulate his Young England philosophy. The final section, “The Elder Statesman,” offers a cogent analysis of Disraeli’s final novels, Lothair and Endymion, as well as his unfinished Falconet. This final section is particularly noteworthy for providing a much-needed discussion of this final stage of Dis- raeli’s writing career. Chapter 3 also places these late novels, especially Lothair, within the longer trajectory of Disraeli’s novel writing, especially with regard to Tancred. Each chapter contains a subsection in which Flavin offers a plot synopsis of Disraeli’s published works and an explanation of the ways in which that philosophy, as charted in the novels, changed over time. -
Middlesex University Research Repository an Open Access Repository Of
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Farmer, Sandra Jean (1992) ’Trustees of posterity’: Benjamin Disraeli and the European Bildungsroman. PhD thesis, King’s College London. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/13473/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
The Informed Victorian Reader by Christie A. P. Allen a Dissertation
The Informed Victorian Reader by Christie A. P. Allen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2016 Doctoral Committee: Associate Professor Daniel S. Hack, Chair Professor Lucy Hartley Professor Adela N. Pinch Associate Professor Megan L. Sweeney Acknowledgements I would like to thank my excellent committee for the help and support they provided me in imagining, researching, and writing this dissertation. First and foremost, I’m grateful to my chair, Daniel Hack, for patiently reading and rereading my work over many years and for offering unfailingly helpful feedback. I have benefitted immeasurably from Danny’s expertise, as well as his ability to see the potential in my ideas and to push me to refine my arguments. I would also like to thank my readers, Adela Pinch, Lucy Hartley, and Megan Sweeney. Adela’s practical advice and optimism about my project have sustained me through the long process of writing a dissertation. I am grateful to Lucy for always challenging me to consider all sides of a question and to take my analysis a step further. I appreciate Meg’s thoughtful feedback on my chapters, and I will always be thankful to her for being a kind, conscientious, and resourceful mentor to me in my growth as a teacher as well as a writer. I appreciate the many other readers who have helped make this project possible. Kathryne Bevilacqua, Julia Hansen, and Logan Scherer offered feedback and moral support in the very early stages of dissertation-writing. -
No Longer an Alien, the English Jew: the Nineteenth-Century Jewish
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1997 No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot Mary A. Linderman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Linderman, Mary A., "No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot" (1997). Dissertations. 3684. https://ecommons.luc.edu/luc_diss/3684 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Mary A. Linderman LOYOLA UNIVERSITY CHICAGO "NO LONGER AN ALIEN, THE ENGLISH JEW": THE NINETEENTH-CENTURY JEWISH READER AND LITERARY REPRESENTATIONS OF THE JEW IN THE WORKS OF BENJAMIN DISRAELI, MATTHEW ARNOLD, AND GEORGE ELIOT VOLUME I (CHAPTERS I-VI) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY MARY A. LINDERMAN CHICAGO, ILLINOIS JANUARY 1997 Copyright by Mary A. Linderman, 1997 All rights reserved. ii ACKNOWLEDGMENTS I wish to acknowledge the invaluable services of Dr. Micael Clarke as my dissertation director, and Dr. -
“Going Over to Rome”: the Changing Attitudes Towards Roman Catholicism in Disraeli’S Sybil and Lothair
Monika Mazurek Pedagogical University, Kraków “Going over to Rome”: The Changing Attitudes towards Roman Catholicism in Disraeli’s Sybil and Lothair In 1850 Disraeli wrote in a letter to a lady friend, “[h]ere [London] we have only two subjects, and both gloomy ones - Religion and Rents” (qtd. in Davis 1976: 103). In the Victorian age, the age of great religious revival, the influence of religion was extensive and included far more than just ecclesiastical matters. Religion was inextricably intertwined with politics and religious questions were the cause of the downfall of many a government; they also inspired writers ranging from mere hacks to the ones that are now widely considered to be canonical. One of the questions reappearing in the public discourse was the role of Roman Catholicism in England, still perceived by many as dangerous for English identity. The aim of this paper is to compare the attitudes of Disraeli towards Roman Catholicism, concentrating on his two novels: Sybil (1845) and Lothair (1870), and to explain the apparent radical change of Disraeli’s views: in his earlier novels he seemed to be mostly sympathetic towards Catholicism while in Lothair he presented it as a threat to English society. Disraeli’s attitudes toward Roman Catholicism are coloured by his own re ligious identity. As is generally known, he was Jewish, baptized in the Church of England at the age of thirteen, apparently for purely pragmatic reasons; his father, who to all accounts seemed to be an agnostic in the mould of Enlight enment philosophers, made this decision in order to facilitate his children’s future careers. -
Benjamin Disraeli's Contarini Fleming and Alroy by Charles C
BENJAMIN DISRAELI'S CONTARINI FLEMING AND ALROY BY CHARLES C. NICKERSON Professor Nickerson teaches English at Bridgewater State College, Massachusetts 6 6 I ^ OETRY," Disraeli confided to his diary in the autumn of 1833, "is the safety-valve of my passions, but I wish to act what I write. My works are the embodification of my feelings. In Vivian Grey I have portrayed my active and real ambi- tion. In Alroy (1833) my ideal ambition. The P.R. [i.e., 'Psycho- logical Romance/ the original title of Contarini Fleming] (1832) is a devolopm* of my Poetic character. This Trilogy is the secret history of my feelings—I shall write no more about myself."1 It is difficult to know how to assess this much-quoted statement. Disraeli apparently meant that in Vivian Grey (1826-27), with its detailed narrative of schemings and counter-schemings, he had fore- shadowed his parliamentary ambitions 5 that in The Wondrous Tale of Alroy (1833), with its account of an ultimately self-sacrificing hero who seeks to reunite and restore to power a divided and humili- ated people, he had projected forth his sense of personal idealism and national destiny ; and that in the highly autobiographical Con- tarini Fleming (1832) he had sought to record the development of his own artistic sensibilities. That he should at the same time have vowed to write "no more about myself" is in itself significant, for it suggests that since his visit to the East a change had come over his attitude towards novel writing. Certainly Contarini and Alroy have little enough in common with Pofanilla (1828) and The Young Duke (1831), nor can they be said in any general way to anticipate Henrietta Temfle (1836), Venetia (1837), Coningsby (1844), or Sybil (1845). -
The Brass Bottle Guthrie, Thomas Anstey
The Brass Bottle Guthrie, Thomas Anstey Published: 1900 Categorie(s): Fiction, Fantasy, Humorous Source: http://www.gutenberg.org/etext/30689 1 About Guthrie: Thomas Anstey Guthrie (8 August 1856 - 10 March 1934), was an English novelist and journalist, who wrote his comic novels under the pseudonym F. Anstey. He was born in Kens- ington, London, to Augusta Amherst Austen, an organist and composer, and Thomas Anstey Guthrie. He was educated at King's College London and at Trinity Hall, Cambridge, and was called to the bar in 1880. But the popular success of his story Vice Versa (1882) with its topsy turvy substitution of a father for his schoolboy son, at once made his reputation as a humor- ist of an original type. He published in 1883 a serious novel, The Giant's Robe; but, in spite of its excellence, he discovered (and again in 1889 with The Pariah) that it was not as a serious novelist but as a humorist that the public insisted on regarding him. As such, his reputation was further confirmed by The Black Poodle (1884), The Tinted Venus (1885), A Fallen Idol (1886), and other works. Baboo Jabberjee B.A. (1897) , and A Bayard from Bengal (1902) are humorous yet truthful studies of the East Indian with a veneer of English civilization. Guthrie became an important member of the staff of Punch magazine, in which his voces populi and his humorous parodies of a reciter's stock-piece (Burglar Bill, &c.) represent his best work. In 1901, his successful farce The Man from Blankleys, based on a story that originally appeared in Punch, was first produced at the Prince of Wales Theatre, in London. -
The Changing Attitudes Towards Roman Catholicism in Disraeli's
Monika Mazurek Pedagogical University, Krakow “Going over to Rome”: The Changing Attitudes towards Roman Catholicism in Disraeli’s Sybil and Lothair In 1850 Disraeli wrote in a letter to a lady friend, “[hjere [London] we have only two subjects, and both gloomy ones - Religion and Rents” (qtd. in Davis 1976: 103). In the Victorian age, the age of great religious revival, the influence of religion was extensive and included far more than just ecclesiastical matters. Religion was inextricably intertwined with politics and religious questions were the cause of the downfall of many a government; they also inspired writers ranging from mere hacks to the ones that are now widely considered to be canonical. One of the questions reappearing in the public discourse was the role of Roman Catholicism in England, still perceived by many as dangerous for English identity. The aim of this paper is to compare the attitudes of Disraeli towards Roman Catholicism, concentrating on his two novels: Sybil (1845) and Lothair (1870), and to explain the apparent radical change of Disraeli’s views: in his earlier novels he seemed to be mostly sympathetic towards Catholicism while in Lothair he presented it as a threat to English society. Disraeli’s attitudes toward Roman Catholicism are coloured by his own re ligious identity. As is generally known, he was Jewish, baptized in the Church of England at the age of thirteen, apparently for purely pragmatic reasons; his father, who to all accounts seemed to be an agnostic in the mould of Enlight enment philosophers, made this decision in order to facilitate his children’s future careers. -
This Work Is Protected by Copyright and Other Intellectual Property Rights
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. /' { THE TECHNIQUE AND DEVELOPMENT OF DISRAELI'S NOVELS Dorothy Goldman Ph.D. 1979 ORIGINAL COPY IS TIGHTLY BOUND AND TEXT IS CLOSE TO THE EDGE OF THE PAGE ABSTRACT This thesis reveals how Disraeli adapts and develops fictional techniques. The nature of the less complex of these is defined in Part I, using five early novels. Ch. I establishes a characteristic and recurring trio, the hero, strong woman and sage, and their changing relationships. Ch. II analyses Disraeli's use of "doubles" and symmetry. Ch. Ill describes his literary background with reference to the fashionable novel, psychological study and Byronic influence, and it rejects autobiographical interpretations. Part II considers Disraeli's trilogy. Ch. IV is an analysis of the explicitly political Coningsby, laying particular emphasis on the novel's basic structure (the parallel between Coningsby and the "new" Tory party). Disraeli's incorporation of factual material in his fiction is introduced here. Ch. V. deals with the more socially concerned Sybil, extends the factual/fictional analysis and introduces Disraeli's increasing strength in embodying a novel's central theme - here in its language, in mysteries, misnamings, et al. -
9789004241923 Webready Con
Ancient Worlds in Film and Television Metaforms Studies in the Reception of Classical Antiquity Editors-in-Chief Almut-Barbara Renger, Freie Universität Berlin Jon Solomon, University of Illinois at Urbana-Champaign John T. Hamilton, Harvard University Editorial Board Kyriakos Demetriou, University of Cyprus Constanze Güthenke, Princeton University Miriam Leonard, University College London Mira Seo, University of Michigan The titles published in this series are listed at brill.com/srca Metaforms Ancient Worlds in Film and Television Studies in the Reception of Classical Antiquity Gender and Politics Editors-in-Chief Edited by Almut-Barbara Renger, Freie Universität Berlin Jon Solomon, University of Illinois at Urbana-Champaign Almut-Barbara Renger and Jon Solomon John T. Hamilton, Harvard University Editorial Board Kyriakos Demetriou, University of Cyprus Constanze Güthenke, Princeton University Miriam Leonard, University College London Mira Seo, University of Michigan LEIDEN • BOSTON The titles published in this series are listed at brill.com/srca 2013 This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/ by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. -
Rmitchell Bookreview Jvcdisra
© 2015 Taylor & Francis. This is an Accepted Manuscript of a book review published by Taylor & Francis in Journal of Victorian Culture on 26/06/15, available online: http://wwww.tandfonline.com/10.1080/13555502.2015.1058084 The Stories of My Life: Disraeli in Politics and Prose Disraeli: The Romance of Politics, by Robert O’Kell, Toronto, Buffalo, and London: University of Toronto Press, 2013. x + 595 pages, illustrated, £66.99 (hardback), ISBN 978-4426-4459-5. This literary life of Benjamin Disraeli is the most important book to be published on this intriguing figure in at least a decade, and represents a lifetime’s labour: O’Kell has been publishing on Disraeli and his writings since the 1970s. Genuinely interdisciplinary, it moves beyond the usual conventions of the literary biography, which often focuses on exploring how the context of the subject’s life has shaped the works, sometimes resulting in a roman à clef approach to the interpretation of fiction. Instead, O’Kell suggests a complex and ‘truly reciprocal’ relationship between Disraeli’s fiction and his political career, which he characterises by Disraeli’s own term ‘Psychological Romance’ (vii). His central preoccupation is how Disraeli uses his fiction to explore and resolve the tensions between his political ambitions and his desire for personal integrity. But equally O’Kell demonstrates how Disraeli used his literary imagination to inform his parliamentary rhetorics and to emplot his political machinations. Disraeli appears as the arch-fabricator of himself and the political cultures around him: this is, perhaps, no news, but never has it been shown in such depth and at such length. -
1 Art Architecture & Art of the Book
ART ARCHITECTURE & ART OF THE BOOK sl. stained, corners and head and tail of spine sl. bumped, in worn and rubbed slipcase repaired in parts with selotape. £150.00 1. (Album). THE “LONDON” CIGARETTE CARD 6. (Bach). Williams, Peter. THE ORGAN MUSIC OF J.S. ALBUM. 986 cards in total. ... c.[1930s]. BACH. I Preludes, Toccatas, Fantasias, Fugues, Sonatas, Sm. thick Landscape 4to. Enclosed in album. Sl. shaken, textured Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 buckram boards with gilt title to upper board, some minor soiling etc.). II Works based on Chorales (BWV 599-771 etc). III. A and rubbing. £200.00 Background. CUP 1980-84. 21 complete sets: 1. The Seashore, 50 colour cards, Wills. 2. Garden 1st Ed. 3 vols. Many musical examples, 2 maps. Ex.-libris Hints, 50 colour cards, Wills. 3. Feathered Friends, 25 colour cards, Malcolm Boyd with several marginal pencil annotations, good in Abdulla & Co. Ltd. 4. British Butterflies, 25 colour cards, Abdulla & Co. lightly browned and sl. chipped d/ws. £100.00 Ltd. 5. Interesting Door Knockers, 25 colour cards, Churchman’s. 6. History of Aviation, 25 sepia cards, Lambert & Butler. 7. The King’s Cambridge Studies in Music. Coronation, 50 colour cards, Godfrey Phillips Ltd. 8. Household Hints, Ex.-libris Malcolm Boyd, ex U.C. Wales, Cardiff and acknowledged Bach 50 colour cards, Wills. 9. Links with the Past, 25 b/w. cards, Nicholas expert (several books published including Bach in the ‘Master Musicians’ Series). Sarony & Co. 10. Figures of Speech, 50 colour cards, Ardath Tobacco Co. Ltd. 11.