Middlesex University Research Repository an Open Access Repository Of
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Rhinehart Collection Rhinehart The
The The Rhinehart Collection Spine width: 0.297 inches Adjust as needed The Rhinehart Collection at appalachian state university at appalachian state university appalachian state at An Annotated Bibliography Volume II John higby Vol. II boone, north carolina John John h igby The Rhinehart Collection i Bill and Maureen Rhinehart in their library at home. ii The Rhinehart Collection at appalachian state university An Annotated Bibliography Volume II John Higby Carol Grotnes Belk Library Appalachian State University Boone, North Carolina 2011 iii International Standard Book Number: 0-000-00000-0 Library of Congress Catalog Number: 0-00000 Carol Grotnes Belk Library, Appalachian State University, Boone, North Carolina 28608 © 2011 by Appalachian State University. All rights reserved. First Edition published 2011 Designed and typeset by Ed Gaither, Office of Printing and Publications. The text face and ornaments are Adobe Caslon, a revival by designer Carol Twombly of typefaces created by English printer William Caslon in the 18th century. The decorative initials are Zallman Caps. The paper is Carnival Smooth from Smart Papers. It is of archival quality, acid-free and pH neutral. printed in the united states of america iv Foreword he books annotated in this catalogue might be regarded as forming an entity called Rhinehart II, a further gift of material embodying British T history, literature, and culture that the Rhineharts have chosen to add to the collection already sheltered in Belk Library. The books of present concern, diverse in their -
The Journal of British Studies Daniel Hack. the Material Interests of The
The Journal of British Studies http://journals.cambridge.org/JBR Additional services for The Journal of British Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Daniel Hack. The Material Interests of the Victorian Novel. Victorian Literature and Culture Series. Charlottesville and London: University of Virginia Press, 2005. Pp. xi+226. \$39.50 (cloth). Nicholas Dames The Journal of British Studies / Volume 45 / Issue 03 / July 2006, pp 681 683 DOI: 10.1086/507238, Published online: 21 December 2012 Link to this article: http://journals.cambridge.org/abstract_S002193710000633X How to cite this article: Nicholas Dames (2006). The Journal of British Studies, 45, pp 681683 doi:10.1086/507238 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JBR, IP address: 160.39.206.75 on 31 Jul 2013 BOOK REVIEWS Ⅵ 681 a discussion of the political trilogy, Coningsby, Sybil, and Tancred, followed by a reading of Disraeli’s biography, Lord George Bentinck. This section argues that novels from this inter- mediary stage of his career helped Disraeli to imagine and articulate his Young England philosophy. The final section, “The Elder Statesman,” offers a cogent analysis of Disraeli’s final novels, Lothair and Endymion, as well as his unfinished Falconet. This final section is particularly noteworthy for providing a much-needed discussion of this final stage of Dis- raeli’s writing career. Chapter 3 also places these late novels, especially Lothair, within the longer trajectory of Disraeli’s novel writing, especially with regard to Tancred. Each chapter contains a subsection in which Flavin offers a plot synopsis of Disraeli’s published works and an explanation of the ways in which that philosophy, as charted in the novels, changed over time. -
No Longer an Alien, the English Jew: the Nineteenth-Century Jewish
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1997 No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot Mary A. Linderman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Linderman, Mary A., "No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot" (1997). Dissertations. 3684. https://ecommons.luc.edu/luc_diss/3684 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Mary A. Linderman LOYOLA UNIVERSITY CHICAGO "NO LONGER AN ALIEN, THE ENGLISH JEW": THE NINETEENTH-CENTURY JEWISH READER AND LITERARY REPRESENTATIONS OF THE JEW IN THE WORKS OF BENJAMIN DISRAELI, MATTHEW ARNOLD, AND GEORGE ELIOT VOLUME I (CHAPTERS I-VI) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY MARY A. LINDERMAN CHICAGO, ILLINOIS JANUARY 1997 Copyright by Mary A. Linderman, 1997 All rights reserved. ii ACKNOWLEDGMENTS I wish to acknowledge the invaluable services of Dr. Micael Clarke as my dissertation director, and Dr. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
“Going Over to Rome”: the Changing Attitudes Towards Roman Catholicism in Disraeli’S Sybil and Lothair
Monika Mazurek Pedagogical University, Kraków “Going over to Rome”: The Changing Attitudes towards Roman Catholicism in Disraeli’s Sybil and Lothair In 1850 Disraeli wrote in a letter to a lady friend, “[h]ere [London] we have only two subjects, and both gloomy ones - Religion and Rents” (qtd. in Davis 1976: 103). In the Victorian age, the age of great religious revival, the influence of religion was extensive and included far more than just ecclesiastical matters. Religion was inextricably intertwined with politics and religious questions were the cause of the downfall of many a government; they also inspired writers ranging from mere hacks to the ones that are now widely considered to be canonical. One of the questions reappearing in the public discourse was the role of Roman Catholicism in England, still perceived by many as dangerous for English identity. The aim of this paper is to compare the attitudes of Disraeli towards Roman Catholicism, concentrating on his two novels: Sybil (1845) and Lothair (1870), and to explain the apparent radical change of Disraeli’s views: in his earlier novels he seemed to be mostly sympathetic towards Catholicism while in Lothair he presented it as a threat to English society. Disraeli’s attitudes toward Roman Catholicism are coloured by his own re ligious identity. As is generally known, he was Jewish, baptized in the Church of England at the age of thirteen, apparently for purely pragmatic reasons; his father, who to all accounts seemed to be an agnostic in the mould of Enlight enment philosophers, made this decision in order to facilitate his children’s future careers. -
Benjamin Disraeli's Contarini Fleming and Alroy by Charles C
BENJAMIN DISRAELI'S CONTARINI FLEMING AND ALROY BY CHARLES C. NICKERSON Professor Nickerson teaches English at Bridgewater State College, Massachusetts 6 6 I ^ OETRY," Disraeli confided to his diary in the autumn of 1833, "is the safety-valve of my passions, but I wish to act what I write. My works are the embodification of my feelings. In Vivian Grey I have portrayed my active and real ambi- tion. In Alroy (1833) my ideal ambition. The P.R. [i.e., 'Psycho- logical Romance/ the original title of Contarini Fleming] (1832) is a devolopm* of my Poetic character. This Trilogy is the secret history of my feelings—I shall write no more about myself."1 It is difficult to know how to assess this much-quoted statement. Disraeli apparently meant that in Vivian Grey (1826-27), with its detailed narrative of schemings and counter-schemings, he had fore- shadowed his parliamentary ambitions 5 that in The Wondrous Tale of Alroy (1833), with its account of an ultimately self-sacrificing hero who seeks to reunite and restore to power a divided and humili- ated people, he had projected forth his sense of personal idealism and national destiny ; and that in the highly autobiographical Con- tarini Fleming (1832) he had sought to record the development of his own artistic sensibilities. That he should at the same time have vowed to write "no more about myself" is in itself significant, for it suggests that since his visit to the East a change had come over his attitude towards novel writing. Certainly Contarini and Alroy have little enough in common with Pofanilla (1828) and The Young Duke (1831), nor can they be said in any general way to anticipate Henrietta Temfle (1836), Venetia (1837), Coningsby (1844), or Sybil (1845). -
The Changing Attitudes Towards Roman Catholicism in Disraeli's
Monika Mazurek Pedagogical University, Krakow “Going over to Rome”: The Changing Attitudes towards Roman Catholicism in Disraeli’s Sybil and Lothair In 1850 Disraeli wrote in a letter to a lady friend, “[hjere [London] we have only two subjects, and both gloomy ones - Religion and Rents” (qtd. in Davis 1976: 103). In the Victorian age, the age of great religious revival, the influence of religion was extensive and included far more than just ecclesiastical matters. Religion was inextricably intertwined with politics and religious questions were the cause of the downfall of many a government; they also inspired writers ranging from mere hacks to the ones that are now widely considered to be canonical. One of the questions reappearing in the public discourse was the role of Roman Catholicism in England, still perceived by many as dangerous for English identity. The aim of this paper is to compare the attitudes of Disraeli towards Roman Catholicism, concentrating on his two novels: Sybil (1845) and Lothair (1870), and to explain the apparent radical change of Disraeli’s views: in his earlier novels he seemed to be mostly sympathetic towards Catholicism while in Lothair he presented it as a threat to English society. Disraeli’s attitudes toward Roman Catholicism are coloured by his own re ligious identity. As is generally known, he was Jewish, baptized in the Church of England at the age of thirteen, apparently for purely pragmatic reasons; his father, who to all accounts seemed to be an agnostic in the mould of Enlight enment philosophers, made this decision in order to facilitate his children’s future careers. -
This Work Is Protected by Copyright and Other Intellectual Property Rights
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. /' { THE TECHNIQUE AND DEVELOPMENT OF DISRAELI'S NOVELS Dorothy Goldman Ph.D. 1979 ORIGINAL COPY IS TIGHTLY BOUND AND TEXT IS CLOSE TO THE EDGE OF THE PAGE ABSTRACT This thesis reveals how Disraeli adapts and develops fictional techniques. The nature of the less complex of these is defined in Part I, using five early novels. Ch. I establishes a characteristic and recurring trio, the hero, strong woman and sage, and their changing relationships. Ch. II analyses Disraeli's use of "doubles" and symmetry. Ch. Ill describes his literary background with reference to the fashionable novel, psychological study and Byronic influence, and it rejects autobiographical interpretations. Part II considers Disraeli's trilogy. Ch. IV is an analysis of the explicitly political Coningsby, laying particular emphasis on the novel's basic structure (the parallel between Coningsby and the "new" Tory party). Disraeli's incorporation of factual material in his fiction is introduced here. Ch. V. deals with the more socially concerned Sybil, extends the factual/fictional analysis and introduces Disraeli's increasing strength in embodying a novel's central theme - here in its language, in mysteries, misnamings, et al. -
Copyright by Jacob Charles Ptacek 2015
Copyright by Jacob Charles Ptacek 2015 The Dissertation Committee for Jacob Charles Ptacek Certifies that this is the approved version of the following dissertation: Unknown Publics: Victorian Novelists and Working-Class Readers, 1836-1870. Committee: Carol Mackay, Co-Supervisor Coleman Hutchison, Co-Supervisor Wayne Lesser Allen Macduffie Michael Winship Unknown Publics: Victorian Novelists and Working-Class Readers, 1836-1870. by Jacob Charles Ptacek, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2015 Dedication To My Mother, I‘m pretty sure I promised this one to you… Acknowledgements Every work of scholarship labors under pretty significant debts, and this one— which has been in the works for a long time—has more than its fair share. Foremost among my academic debts are to my committee members. Coleman Hutchison not only graciously agreed to work with a relative stranger, but gave unstinting advice and support both in person and via email. Despite a schedule that would crush lesser humans, he found time to give me detailed comments and drafts. His skillful editing and advice not only made the content of this dissertation better, but improved the very words on the page. I have learned more than I can say from his example. Carol MacKay has been so essential to this project, and to my time in graduate school, that she deserves a paragraph of her own. Many of the ideas in this dissertation were first inspired by her courses on the Victorian novel, and Carol has overseen many, many iterations of the content over many years. -
CLLC Periodical Corpus
1 CLLC Victorian Periodical Corpus Some Statistics: as at February 2008 o number of articles: 182 o number of authors: 21 (14 men and 7 women) o number of words: 1,765,454 Background of Corpus Some years ago Dr. Ellen Jordan – a social historian with a special interest in the Victorian era – came to the CLLC with an attribution problem. She was interested to know if the computational stylistics techniques being developed at the Centre could determine the probability of correctness of her "strong hunch" that Anne Mozley had written a number of anonymous articles of interest to her. She was told that she would need to build up a corpus of well attributed articles by comparable authors – similar in date and genre to her "mystery" articles. Ellen decided that she would choose articles written by well regarded female journalists in "high class" literary journals around the 1850s and 60s. Thus, the corpus began to take shape. The first articles were transcribed from photocopies Ellen had taken from the periodical Journals themselves. The authors, apart from Anne Mozley, were Frances Power Cobbe, George Eliot, Harriet Martineau, Margaret Oliphant and Elizabeth (Lady Eastlake) Rigby. Ellen was then approached by Eileen Curran to test what Eileen suspected were Wellesley misattributions of the two Scottish writers John Stuart Blackie and John Hill Burton, both of whom were born in 1809 in Edinburgh, attended the same College and wrote for Tait's Edinburgh Review. In order to do this testing, it was necessary to begin adding male authors to the corpus. The authors added at this stage were those whose articles could be downloaded as electronic texts from the online Gutenberg collection. -
Rmitchell Bookreview Jvcdisra
© 2015 Taylor & Francis. This is an Accepted Manuscript of a book review published by Taylor & Francis in Journal of Victorian Culture on 26/06/15, available online: http://wwww.tandfonline.com/10.1080/13555502.2015.1058084 The Stories of My Life: Disraeli in Politics and Prose Disraeli: The Romance of Politics, by Robert O’Kell, Toronto, Buffalo, and London: University of Toronto Press, 2013. x + 595 pages, illustrated, £66.99 (hardback), ISBN 978-4426-4459-5. This literary life of Benjamin Disraeli is the most important book to be published on this intriguing figure in at least a decade, and represents a lifetime’s labour: O’Kell has been publishing on Disraeli and his writings since the 1970s. Genuinely interdisciplinary, it moves beyond the usual conventions of the literary biography, which often focuses on exploring how the context of the subject’s life has shaped the works, sometimes resulting in a roman à clef approach to the interpretation of fiction. Instead, O’Kell suggests a complex and ‘truly reciprocal’ relationship between Disraeli’s fiction and his political career, which he characterises by Disraeli’s own term ‘Psychological Romance’ (vii). His central preoccupation is how Disraeli uses his fiction to explore and resolve the tensions between his political ambitions and his desire for personal integrity. But equally O’Kell demonstrates how Disraeli used his literary imagination to inform his parliamentary rhetorics and to emplot his political machinations. Disraeli appears as the arch-fabricator of himself and the political cultures around him: this is, perhaps, no news, but never has it been shown in such depth and at such length. -
HOLLAND HOUSE: a LITERARY SALON .L THESIS the DEGREE
HOLLAND HOUSE: A LITERARY SALON .l THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH IN THE GlW>UATE SCHOOL OF THE TEXAS WOMAN'S UNIVERSITY COLLEGE OF ARTS .lND SCIENCES BY YOLANDE TYLER LAYFIELD, B. A. DENTON,. TEXAS AUGUST, 19.58 Texas Woman's University University Hill ( Denton, Texas ____A.-.x..UGUB_T, __ 19 __ 58_ We hereby recommend that the thesis prepared under our supervision by-~Y....O,..L...,A...,.ND,_..E.__T_.YL.-E .... R.___..L ... A ....Y .....FI.-EI ... ,-n _____ _ entitled -~H=O~L=LA=ND~H=O"-'U=S=E'-":--'4=---cL=I=T"--ERARY==-S=AL==--O"--N"'------ be accepted as fulfilling this part of the requirements for the Degree of MASTER OF ARTS . Committee ~ ]A oQJL t.i.f=4i e.~Q.A.Aov i; ~, ~~ \Jv, lArCA.Qj&.r- ----- 1.506S2 PREFACE I have P1ade 2. stud~{ of lfolland nouse, foremost literary s~,lon i :1 eirhteenth- 1.nd nineteenth-century London: its his tory; its host and hostess durin::: the tine of the third Lord Tlollr-,nd, wl10 -i,Jss born in 1'(73 and who died in 1840; its r e lB i~ l r:• rn,hi:, to the tii.10s; its li l: cr.'lry and r>olitic~:.l influence; .: :"'.,.: o linitcc1 nur,1ber of its babitues, includinc Dr ...Tohn Allen, Sydnr•y Smlt.li , Samuel Ro ,~ers, Hem0 71 Luttrell, Thomo.s ~'-1oore, and Lord r;y-ron. Lord Hollc.nd W,'J.s a literary man res:'.,ected for his :·,rt:i.stlc o.nc'l.