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The Journal of British Studies Daniel Hack. the Material Interests of The
The Journal of British Studies http://journals.cambridge.org/JBR Additional services for The Journal of British Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Daniel Hack. The Material Interests of the Victorian Novel. Victorian Literature and Culture Series. Charlottesville and London: University of Virginia Press, 2005. Pp. xi+226. \$39.50 (cloth). Nicholas Dames The Journal of British Studies / Volume 45 / Issue 03 / July 2006, pp 681 683 DOI: 10.1086/507238, Published online: 21 December 2012 Link to this article: http://journals.cambridge.org/abstract_S002193710000633X How to cite this article: Nicholas Dames (2006). The Journal of British Studies, 45, pp 681683 doi:10.1086/507238 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JBR, IP address: 160.39.206.75 on 31 Jul 2013 BOOK REVIEWS Ⅵ 681 a discussion of the political trilogy, Coningsby, Sybil, and Tancred, followed by a reading of Disraeli’s biography, Lord George Bentinck. This section argues that novels from this inter- mediary stage of his career helped Disraeli to imagine and articulate his Young England philosophy. The final section, “The Elder Statesman,” offers a cogent analysis of Disraeli’s final novels, Lothair and Endymion, as well as his unfinished Falconet. This final section is particularly noteworthy for providing a much-needed discussion of this final stage of Dis- raeli’s writing career. Chapter 3 also places these late novels, especially Lothair, within the longer trajectory of Disraeli’s novel writing, especially with regard to Tancred. Each chapter contains a subsection in which Flavin offers a plot synopsis of Disraeli’s published works and an explanation of the ways in which that philosophy, as charted in the novels, changed over time. -
Middlesex University Research Repository an Open Access Repository Of
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Farmer, Sandra Jean (1992) ’Trustees of posterity’: Benjamin Disraeli and the European Bildungsroman. PhD thesis, King’s College London. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/13473/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
No Longer an Alien, the English Jew: the Nineteenth-Century Jewish
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1997 No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot Mary A. Linderman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Linderman, Mary A., "No Longer an Alien, the English Jew: The Nineteenth-Century Jewish Reader and Literary Representations of the Jew in the Works of Benjamin Disraeli, Matthew Arnold, and George Eliot" (1997). Dissertations. 3684. https://ecommons.luc.edu/luc_diss/3684 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Mary A. Linderman LOYOLA UNIVERSITY CHICAGO "NO LONGER AN ALIEN, THE ENGLISH JEW": THE NINETEENTH-CENTURY JEWISH READER AND LITERARY REPRESENTATIONS OF THE JEW IN THE WORKS OF BENJAMIN DISRAELI, MATTHEW ARNOLD, AND GEORGE ELIOT VOLUME I (CHAPTERS I-VI) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY MARY A. LINDERMAN CHICAGO, ILLINOIS JANUARY 1997 Copyright by Mary A. Linderman, 1997 All rights reserved. ii ACKNOWLEDGMENTS I wish to acknowledge the invaluable services of Dr. Micael Clarke as my dissertation director, and Dr. -
“Going Over to Rome”: the Changing Attitudes Towards Roman Catholicism in Disraeli’S Sybil and Lothair
Monika Mazurek Pedagogical University, Kraków “Going over to Rome”: The Changing Attitudes towards Roman Catholicism in Disraeli’s Sybil and Lothair In 1850 Disraeli wrote in a letter to a lady friend, “[h]ere [London] we have only two subjects, and both gloomy ones - Religion and Rents” (qtd. in Davis 1976: 103). In the Victorian age, the age of great religious revival, the influence of religion was extensive and included far more than just ecclesiastical matters. Religion was inextricably intertwined with politics and religious questions were the cause of the downfall of many a government; they also inspired writers ranging from mere hacks to the ones that are now widely considered to be canonical. One of the questions reappearing in the public discourse was the role of Roman Catholicism in England, still perceived by many as dangerous for English identity. The aim of this paper is to compare the attitudes of Disraeli towards Roman Catholicism, concentrating on his two novels: Sybil (1845) and Lothair (1870), and to explain the apparent radical change of Disraeli’s views: in his earlier novels he seemed to be mostly sympathetic towards Catholicism while in Lothair he presented it as a threat to English society. Disraeli’s attitudes toward Roman Catholicism are coloured by his own re ligious identity. As is generally known, he was Jewish, baptized in the Church of England at the age of thirteen, apparently for purely pragmatic reasons; his father, who to all accounts seemed to be an agnostic in the mould of Enlight enment philosophers, made this decision in order to facilitate his children’s future careers. -
Benjamin Disraeli's Contarini Fleming and Alroy by Charles C
BENJAMIN DISRAELI'S CONTARINI FLEMING AND ALROY BY CHARLES C. NICKERSON Professor Nickerson teaches English at Bridgewater State College, Massachusetts 6 6 I ^ OETRY," Disraeli confided to his diary in the autumn of 1833, "is the safety-valve of my passions, but I wish to act what I write. My works are the embodification of my feelings. In Vivian Grey I have portrayed my active and real ambi- tion. In Alroy (1833) my ideal ambition. The P.R. [i.e., 'Psycho- logical Romance/ the original title of Contarini Fleming] (1832) is a devolopm* of my Poetic character. This Trilogy is the secret history of my feelings—I shall write no more about myself."1 It is difficult to know how to assess this much-quoted statement. Disraeli apparently meant that in Vivian Grey (1826-27), with its detailed narrative of schemings and counter-schemings, he had fore- shadowed his parliamentary ambitions 5 that in The Wondrous Tale of Alroy (1833), with its account of an ultimately self-sacrificing hero who seeks to reunite and restore to power a divided and humili- ated people, he had projected forth his sense of personal idealism and national destiny ; and that in the highly autobiographical Con- tarini Fleming (1832) he had sought to record the development of his own artistic sensibilities. That he should at the same time have vowed to write "no more about myself" is in itself significant, for it suggests that since his visit to the East a change had come over his attitude towards novel writing. Certainly Contarini and Alroy have little enough in common with Pofanilla (1828) and The Young Duke (1831), nor can they be said in any general way to anticipate Henrietta Temfle (1836), Venetia (1837), Coningsby (1844), or Sybil (1845). -
The Changing Attitudes Towards Roman Catholicism in Disraeli's
Monika Mazurek Pedagogical University, Krakow “Going over to Rome”: The Changing Attitudes towards Roman Catholicism in Disraeli’s Sybil and Lothair In 1850 Disraeli wrote in a letter to a lady friend, “[hjere [London] we have only two subjects, and both gloomy ones - Religion and Rents” (qtd. in Davis 1976: 103). In the Victorian age, the age of great religious revival, the influence of religion was extensive and included far more than just ecclesiastical matters. Religion was inextricably intertwined with politics and religious questions were the cause of the downfall of many a government; they also inspired writers ranging from mere hacks to the ones that are now widely considered to be canonical. One of the questions reappearing in the public discourse was the role of Roman Catholicism in England, still perceived by many as dangerous for English identity. The aim of this paper is to compare the attitudes of Disraeli towards Roman Catholicism, concentrating on his two novels: Sybil (1845) and Lothair (1870), and to explain the apparent radical change of Disraeli’s views: in his earlier novels he seemed to be mostly sympathetic towards Catholicism while in Lothair he presented it as a threat to English society. Disraeli’s attitudes toward Roman Catholicism are coloured by his own re ligious identity. As is generally known, he was Jewish, baptized in the Church of England at the age of thirteen, apparently for purely pragmatic reasons; his father, who to all accounts seemed to be an agnostic in the mould of Enlight enment philosophers, made this decision in order to facilitate his children’s future careers. -
This Work Is Protected by Copyright and Other Intellectual Property Rights
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. /' { THE TECHNIQUE AND DEVELOPMENT OF DISRAELI'S NOVELS Dorothy Goldman Ph.D. 1979 ORIGINAL COPY IS TIGHTLY BOUND AND TEXT IS CLOSE TO THE EDGE OF THE PAGE ABSTRACT This thesis reveals how Disraeli adapts and develops fictional techniques. The nature of the less complex of these is defined in Part I, using five early novels. Ch. I establishes a characteristic and recurring trio, the hero, strong woman and sage, and their changing relationships. Ch. II analyses Disraeli's use of "doubles" and symmetry. Ch. Ill describes his literary background with reference to the fashionable novel, psychological study and Byronic influence, and it rejects autobiographical interpretations. Part II considers Disraeli's trilogy. Ch. IV is an analysis of the explicitly political Coningsby, laying particular emphasis on the novel's basic structure (the parallel between Coningsby and the "new" Tory party). Disraeli's incorporation of factual material in his fiction is introduced here. Ch. V. deals with the more socially concerned Sybil, extends the factual/fictional analysis and introduces Disraeli's increasing strength in embodying a novel's central theme - here in its language, in mysteries, misnamings, et al. -
1 Art Architecture & Art of the Book
ART ARCHITECTURE & ART OF THE BOOK sl. stained, corners and head and tail of spine sl. bumped, in worn and rubbed slipcase repaired in parts with selotape. £150.00 1. (Album). THE “LONDON” CIGARETTE CARD 6. (Bach). Williams, Peter. THE ORGAN MUSIC OF J.S. ALBUM. 986 cards in total. ... c.[1930s]. BACH. I Preludes, Toccatas, Fantasias, Fugues, Sonatas, Sm. thick Landscape 4to. Enclosed in album. Sl. shaken, textured Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 buckram boards with gilt title to upper board, some minor soiling etc.). II Works based on Chorales (BWV 599-771 etc). III. A and rubbing. £200.00 Background. CUP 1980-84. 21 complete sets: 1. The Seashore, 50 colour cards, Wills. 2. Garden 1st Ed. 3 vols. Many musical examples, 2 maps. Ex.-libris Hints, 50 colour cards, Wills. 3. Feathered Friends, 25 colour cards, Malcolm Boyd with several marginal pencil annotations, good in Abdulla & Co. Ltd. 4. British Butterflies, 25 colour cards, Abdulla & Co. lightly browned and sl. chipped d/ws. £100.00 Ltd. 5. Interesting Door Knockers, 25 colour cards, Churchman’s. 6. History of Aviation, 25 sepia cards, Lambert & Butler. 7. The King’s Cambridge Studies in Music. Coronation, 50 colour cards, Godfrey Phillips Ltd. 8. Household Hints, Ex.-libris Malcolm Boyd, ex U.C. Wales, Cardiff and acknowledged Bach 50 colour cards, Wills. 9. Links with the Past, 25 b/w. cards, Nicholas expert (several books published including Bach in the ‘Master Musicians’ Series). Sarony & Co. 10. Figures of Speech, 50 colour cards, Ardath Tobacco Co. Ltd. 11. -
Lord Beaconsfield and English Society
KU ScholarWorks | The University of Kansas Pre-1923 Dissertations and Theses Collection http://kuscholarworks.ku.edu Lord Beaconsfield and English Society by Bertha A. Jones May 15th, 1902 Submitted to the Department of History of the University of Kansas in partial fulfillment of the requirements for the Degree of Master of Arts This work was digitized by the Scholarly Communications program staff in the KU Libraries’ Center for Digital Scholarship. Grsduat- Thesis Jones,Pertha 1902 Lord 'Peaconsfield and English society. Graduate Thesis. "LORD BEACONSFIELD AND ENGLISH SOCIETY". Bertha A. Jones . May 15, 1902. UNIVERSITY OF KANSAS . Lord Beaconsfield and English Society. PLAN. I. Introduction. f A. A short sketch of Lord Beaconsfield s life. B. The English view of Lord Beaoonsfield. II. Lord Beaoonsfield and the Aristocracy. III. Lord Beaoonsfield and the Middle Classes. IV. Lord Beaconsfield and the Lower CI V. Conclusion. A. Lack of material on the subject. f B. A summary of Lord Beaoonsfield s views. Bibliography. 1. "Sybil", Earl of Beaoonsfield. London, Longmans, Green,& ©o., 1881, Hughenden Edition. 2. "Conin^sby", dftto. 3. "Tancred", ditto. 4. "Venetia", ditto. 6. "Contarini Fleming", "The Rise of Iskander", ditto. 6. "The Young Duke", "Count Alaroos", ditto. H."Alroy", ditto. 8. "Lothair", Earl of Beaoonsfield,NewrYork, I.K.Funk & Co. Two Parts, no date. 9. "Endymion", Earl of Beaoonsfield, New York, Thomas Y Crowell & Co., no date. 10. T'Lord Beaoonsfield", Georg Brandes, translated by Mrs. George Sturge. New York, Chas. Scribner's Sons, 1880. 11. "Beaconsfield", Geo. M. Towle. New York, D. Appleton & Co.1900. 12. "The Jew in English Fiction", Rabbi Philipson. -
The Self-Fashioning of Disraeli, 1818±1851
The Self-Fashioning of Disraeli, 1818±1851 Benjamin Disraeli remains a commanding ®gure in the history and ideology of the British Conservative party, and a remarkable example of ascent to high of®ce from outside the traditional elite. This is the ®rst book to bring together specialists in history, literary studies and psychiatry to show how he successfully fashioned his personality in the formative years up to his emergence as Conservative leader in the House of Commons. The analysis of this process of self-fashioning ± the situation to which it responded, the problems of an outsider's integration and advancement in British society, the goals it sought to reach, the techniques which it employed, and the sources on which it drew ± offers fresh insight into Disraeli's character and career. Vital aspects of his personality and outlook discussed here include his education, Jewishness, romanticism, orientalism, historical scholarship and political ideas, and the psychiatric disorder of his mid-twenties, which is examined seriously for the ®rst time. CHARLES RICHMOND has practised law in New York and London, and is a member of the New York Bar and of the Institute of Historical Research, University of London. PAUL SMITH was formerly Professor of Modern History, University of South- ampton. His books include Disraelian Conservatism and Social Reform (1967), Disraeli: A Brief Life (1996) and, as editor, Lord Salisbury on Politics (1972). THE SELF-FASHIONING OF DISRAELI 1818 ^ 1851 EDITED BY CHARLES RICHMOND AND PAUL SMITH published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb2 1rp, United Kingdom cambridge university press The Edinburgh Building, Cambridge, cb2 2ru, United Kingdom http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011±4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia # Cambridge University Press 1998 This book is in copyright. -
The Many Lives of Benjamin Disraeli
The Many Lives of Benjamin Disraeli: Fame, Legacy, Representations Interdisciplinary symposium convened by Sandra Mayer, with Megan Kearney Supported by: TORCH Celebrity Research Network and The Oxford Centre for Life-Writing Tuesday, 24 March 2015 Abstracts and Bio Notes Rob Bandy & Oliver Cox Working with Hughenden: Solving the Statesman’s Rooms This paper will explain the developing collaboration between Oxford University and the National Trust at Hughenden Manor. We will look at the case study provided by the ‘Congress of Berlin’ room to demonstrate the different ways in which Disraeli can be presented to a variety of audiences. We will then consider the ways in which this process has resulted in the property staff embarking on a number of exciting new projects. This collaboration is one part of the Thames Valley Country House Partnership (www.tvhcp.org) which links researchers in the University of Oxford with partners in the heritage sector. Hughenden Manor is one of twenty partner properties. Rob Bandy is Heritage Manager at the National Trust, Hughenden Portfolio. He studied Middle Eastern and Early Islamic History (BA Hons) at the School of Oriental and African Studies, London, followed by later Islamic and Ottoman History, as well as Historiography (MA, SOAS). His PhD research centres on the Long 19th Century and the creation of British identity through the excavation and exhibition of ancient Middle Eastern and Egyptian archaeology (SOAS). Before becoming the Hughenden Heritage Manager and taking care of the Disraeli Collection, he was for two years curator of a local museum. Oliver Cox is Knowledge Exchange Fellow at TORCH | The Oxford Research Centre in the Humanities. -
Young England: Part 1
YOUNG ENGLAND: PART 1 Laurie Langbauer Professor, The University of North Carolina at Chapel Hill THE FIRST decades of the nineteenth century in Britain witnessed an extraordinary display of noteworthy publication by juvenile authors. Recent scholarship, building on the theories of Christine Alexander and Juliet McMaster, has restored that Romantic-era juvenile writing to literary history (Kittredge, Owen and Peterson, Stabler). In The Juvenile Tradition I argued that writing by young people had a decided cultural presence at that time—juvenile writing was recognised as such and provided young writers with a shared sense of identity and heritage. Young writers looked to others like them, and they were also generally read, reviewed, and understood in this time as participating in a tradition, giving voice to youth. Literary juvenilia is a new field. Pioneers like Alexander and McMaster, beginning in the latter part of the last century, were the first “to examine childhood writings as a body of literature, almost a genre, in their own right” (3). McMaster pointed to a tradition, arguing the juvenile writer “has her eye on the Canon” (281). Nevertheless, the International Society of Literary Juvenilia was only officially constituted in 2017; the Journal of Juvenilia Studies first published in 2018. To advance the new field’s importance, scholars have argued that it helps transform literary history. Keeping sight of the influence of this youth movement changes our literary genealogies, for instance. Understanding Romanticism as part of youth movements alters its identity and importance. Additionally, recognising the importance of youth disarms customary notions of developmental history. If early work becomes important in itself—not mere apprenticeship, not subordinated to some looked-for end, not just the first step in a progressive history—then historiography too must change.