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University of Copenhagen1
Blasting the Language of Colonialism Three Contemporary Photo-Books on Greenland Sandbye, Mette Published in: KULT. Postkolonial Temaserie Publication date: 2016 Citation for published version (APA): Sandbye, M. (2016). Blasting the Language of Colonialism: Three Contemporary Photo-Books on Greenland. KULT. Postkolonial Temaserie, 14, 66-89. http://postkolonial.dk/files/KULT%2014/6%20Mette%20Sandbye%20final.pdf Download date: 02. okt.. 2021 Blasting the Language of Colonialism: Three Contemporary Photo-Books on Greenland Mette Sandbye, University of Copenhagen1 ABSTRACT: Throughout the nineteenth and most of the twentieth centuries, photography was among the main tools for communicating knowledge about Greenland to the rest of the world, not least to the Danish public. Photography was originally used by Arctic explorers as well as by the colonial system. With few exceptions, such as the documentary photographs and films of Jette Bang, the visual image transmitted through photography was highly stereotypical: ice and wild nature, peopled by tough sealers and hunters. Documentary photography and art in general, from Greenland as well as Denmark, usually confirmed this image. Recently, however, new narratives have begun emerging among contemporary artists, many of whom use photography in radically new ways to construct an alternative ‘ethno-aesthetics’, to use Pia Arke’s term. This article discusses three photography books, published almost simultaneously: Pia Arke’s Scoresbysundhistorier (2003)/Stories from Scoresbysund (2010), Jacob Aue Sobol’s Sabine (2004), and Julie Edel Hardenberg’s Den stille mangfoldighed/The Quiet Diversity (2005). It brings them together to show how they simultaneously follow recent developments in contemporary global art as well as step into the tradition of that most referential of media, photography, and manage to ‘blast’ this tradition from within, thereby representing an important renewal of the discourse of photography. -
PRODUCT RANGE Effective from 01.09.2014
PRODUCT RANGE Effective from 01.09.2014. LEICA PRODUCTS LEICA S 04 S 04 S-E 05 S PROTECTION PLAN 05 S-LENSES 06 S-ACCESSORIES 08 LEICA M 09 M 09 M-P 10 M MONOCHROM 11 M-E 12 M-A 13 M7 14 MP 15 M À LA CARTE 16 M-LENSES 17 M-ACCESSORIES 23 M-FILTERS 28 LEICA T 30 CAMERA 30 LENSES 31 ACCESSORIES 32 LEICA X 33 X VARIO 33 X 34 X-E 35 X-ACCESSORIES 36 COMPACT CAMERAS 38 D-LUX 38 D-LUX 6 39 V-LUX 40 C 41 GENERAL ACCESSORIES 42 CASES 42 CARRYING STRAPS 43 CAMERA TRIPOD 44 LEICA SPORT OPTICS PRODUCTS 45 WARRANTY PERIODS 57 03 LEICA S LEICA S-E Medium Format SLR camera Order no. RRP in £ RRP in £ Medium Format SLR camera Order no. RRP in £ RRP in £ inc VAT ex VAT inc VAT ex VAT @20% @20% @20% @20% S (Typ 006) 10 803 17,700.00 14,750.00 S-E (Typ 006) 10 812 12,480.00 10,400.00 black black Package includes Package includes Charger 100-240 V with integrated US mains plug plus interchangeable mains plugs Rapid Charger S with integrated US mains plug plus interchangeable mains plugs (Euro, GB, AUS) and car charging cord, lithium ion battery, LEMO ®-USB cable, (Euro, GB, AUS), lithium ion battery, carrying strap, camera body cap, eyepiece LEMO® sync cable, carrying strap, camera body cap, eyepiece cap, instruction cap, instruction manual, warranty card, software: Leica Image Shuttle, Adobe ® manual, protection plan - camera body, warranty card, software: Leica Image Photoshop® Lightroom® (available as a free download after you register your Shuttle, Adobe® Photoshop® Lightroom® (available as a free download after you camera on the Leica camera website) register your camera on the Leica camera website) S-E warranty one year LEICA S ProtectiON PlAN Package Order no. -
Capture One 12 12.1 Capture One Release Notes
Capture One 12 12.1 Capture One release notes Capture One is made by Phase One (the world’s leading manufacturer of high-end digital camera systems) in collaboration with the world’s leading professional photographers. Capture One is a professional RAW converter offering you ultimate image quality with beautiful colors and incredible detail for more than 500 high-end cameras. It offers state- of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow through customizable workspaces. All run modes are included in the one installer and the run mode is determined by the license key used. The trial is also included in the installer and is registered as the full product upon activation. Capture One is available in a number of modes: • Capture One Pro • Capture One Pro DB (Digital Back support only) • Capture One Pro Fujifilm (Fujifilm camera support only) • Capture One Pro (for Sony) (Sony camera support only) • Capture One Express Fujifilm (Fujifilm camera support only) • Capture One Express (for Sony) (Sony camera support only) • Capture One Studio (Enterprise) • Capture One CH (Cultural Heritage) The release notes include notes for all releases of Capture One. Previous release notes can be found in the Phase One download archive. Best regards, Team Phase One 2 Contents Lens support 12.1.4 Camera and Lens Support 4 Phase One Lens Profiles (645) 41 12.1.4 Bug Fixes 5 A-Series and Technical Lens Profiles 41 Mamiya Lens Profiles (645) 41 12.1.3 Camera and Lens Support 6 Phase One XT Lens -
Arrivals and Departures Jacob Aue Sobol
Data sheet of the exhibition Arrivals and Departures Jacob Aue Sobol Cultural Association ONTHEMOVE Data sheet Arrivals and Departures, Jacob Aue Sobol 2 Arrivals and Departures Curated by Jacob Aue Sobol Arianna Rinaldo Exhibition produced by Printed by Cultural Association ONTHEMOVE Bottega Antonio Manta for the international festival Digigraphie By Epson of photography Cortona On The Move 2014 Cultural Association ONTHEMOVE | Località Vallone, 39/A/4 - Cortona, 52044 (AR) Data sheet Arrivals and Departures, Jacob Aue Sobol 3 It was a trip I had always wanted to take: the legendary journey along the Trans Siberian Railway. The whole idea of the project had been to meet people on the train and make intimate stories from the train compartments. But riding this ghost- train, I had to change the concept. The intimate work had to come from my encounters with people in the cities and the train became the red thread connecting Moscow, Ulaanbaatar and Beijing. I had the greatest experience in Mongolia, when I ran into a group of Mongolian hunters who invited me to join them on a trip through the mountains that surround Ulaanbaatar. I immediately felt like putting the camera on a shelf and picking up the rifle. Every time I start a new project, I start shooting in color. If I can't emotionally connect with my images, they mean nothing to me, and so I always return to black&white. I feel my images are able to create their own universe. I admire all the people I take pictures of because they put themselves in a very vulnerable position. -
Agfaphoto DC-833M, Alcatel 5035D, Apple Ipad Pro, Apple Iphone 6
AgfaPhoto DC-833m, Alcatel 5035D, Apple iPad Pro, Apple iPhone 6 plus, Apple iPhone 6s, Apple iPhone 7 plus, Apple iPhone 7, Apple iPhone 8 plus, Apple iPhone 8, Apple iPhone SE, Apple iPhone X, Apple QuickTake 100, Apple QuickTake 150, Apple QuickTake 200, ARRIRAW format, AVT F-080C, AVT F-145C, AVT F-201C, AVT F-510C, AVT F-810C, Baumer TXG14, BlackMagic Cinema Camera, BlackMagic Micro Cinema Camera, BlackMagic Pocket Cinema Camera, BlackMagic Production Camera 4k, BlackMagic URSA Mini 4.6k, BlackMagic URSA Mini 4k, BlackMagic URSA Mini Pro 4.6k, BlackMagic URSA, Canon EOS 1000D / Rebel XS / Kiss Digital F, Canon EOS 100D / Rebel SL1 / Kiss X7, Canon EOS 10D, Canon EOS 1100D / Rebel T3 / Kiss Digital X50, Canon EOS 1200D / Rebel T5 / Kiss X70, Canon EOS 1300D / Rebel T6 / Kiss X80, Canon EOS 200D / Rebel SL2 / Kiss X9, Canon EOS 20D, Canon EOS 20Da, Canon EOS 250D / 200D II / Rebel SL3 / Kiss X10, Canon EOS 3000D / Rebel T100 / 4000D, Canon EOS 300D / Rebel / Kiss Digital, Canon EOS 30D, Canon EOS 350D / Rebel XT / Kiss Digital N, Canon EOS 400D / Rebel XTi / Kiss Digital X, Canon EOS 40D, Canon EOS 450D / Rebel XSi / Kiss Digital X2, Canon EOS 500D / Rebel T1i / Kiss Digital X3, Canon EOS 50D, Canon EOS 550D / Rebel T2i / Kiss Digital X4, Canon EOS 5D Mark II, Canon EOS 5D Mark III, Canon EOS 5D Mark IV, Canon EOS 5D, Canon EOS 5DS R, Canon EOS 5DS, Canon EOS 600D / Rebel T3i / Kiss Digital X5, Canon EOS 60D, Canon EOS 60Da, Canon EOS 650D / Rebel T4i / Kiss Digital X6i, Canon EOS 6D Mark II, Canon EOS 6D, Canon EOS 700D / Rebel T5i -
Leica X2 Brochure Anno 2012
Leica Camera AG I Oskar-Barnack-Strasse 11 I 35606 SOLMS I GERMANY LEICA X2 Phone +49 (0)6442 2080 I Fax +49 (0)6442 208 333 I www.leica-camera.com Every moment tells a story. CONTENTS LEICA CAMERA AG 04 Passionate about photography. PARIS 06 City of life. LEICA X2 12 Superb performance, made in Germany. 14 And the memories remain vivid. 16 As flexible as the moment itself. 21 TECHNICAL DATA AND ACCESSORIES 22 LEICA CAMERA AG Passionate about photography. Leica S2 Leica M9 Leica X1 1913/14 1925 1930 1932 1954 1965 1966 1971 1984 2006 2008 2009 2012 Oskar Barnack Leica I with a fixed The first Leica with Leica II: the first Leica M3 with Leicaflex: the first Leica Noctilux-M 50 mm Leica M5: the first Leica M6 with elec- Leica M8: the first Leica Noctilux-M Leica S2: the professional digital Leica X2: the trailblazer in constructs the lens is presented at interchangeable camera with a coupled combined bright-line Leica single lens f/1.2: the first lens with rangefinder camera tronic metering and digital rangefinder 50 mm f/0.95 ASPH.: camera sets new standards in its class for image quality. Ur-Leica. the Leipzig Spring thread-mount lenses rangefinder. viewfinder/rangefinder reflex camera goes an aspherical element. with selective metering LED viewfinder display. camera. the world’s fastest ever medium-format photography. Fair. appears on the market. and bayonet lens mount. into production. through the lens. aspherical lens. Leica M9: the smallest digital system camera with a full-rame sensor. -
Arrivi E Partenze Jacob Aue Sobol
Scheda tecnica della mostra Arrivi e partenze Jacob Aue Sobol Associazione Culturale ONTHEMOVE Scheda tecnica Arrivi e partenze, Jacob Aue Sobol 2 Arrivi e partenze A cura di Jacob Aue Sobol Arianna Rinaldo Mostra prodotta da Stampa Associazione Culturale ONTHEMOVE Bottega Antonio Manta in occasione del Digigraphie By Epson Festival Internazionale di Fotografia Cortona On The Move 2014 Associazione Culturale ONTHEMOVE | Località Vallone, 39/A/4 - Cortona, 52044 (AR) Scheda tecnica Arrivi e partenze, Jacob Aue Sobol 3 È stato un viaggio che ho sempre voluto intraprendere: il percorso leggendario lungo la linea ferroviaria Transiberiana. L’idea del progetto consisteva nel conoscere gente sul treno e creare storie personali all’interno degli scompartimenti. Ma una volta salito su questo treno-fantasma, ho dovuto cambiare idea. Il lavoro personale dovette allora nascere dai miei incontri con la gente nelle città, mentre il treno diventò il filo rosso di connessione tra Mosca, Ulan Bator e Pechino. L'esperienza più intensa l'ho avuta in Mongolia, quando mi sono imbattuto in un gruppo di cacciatori mongoli, i quali mi hanno portato con loro in un viaggio attraverso le montagne che circondano Ulan Bator. Ho provato il desiderio di mettere la macchina fotografica su uno scaffale, e prendere in mano il fucile. Ogni volta che inizio un nuovo progetto, comincio scattando a colori. Se non posso connettermi emotivamente con le mie immagini, allora non vanno bene. Quindi, ritorno sempre al bianco e nero. Sento come se le mie immagini non fossero legate ad una specifica localizzazione o tempo. Sono le immagini che creano il loro universo. -
Supported Cameras • Adobe Digital Negative (DNG) • Agfaphoto DC
Supported Cameras • Adobe Digital • Canon • Canon Negative (DNG) PowerShot A570 PowerShot G1 • AgfaPhoto DC- (CHDK hack) • Canon 833m • Canon PowerShot G1 X • Alcatel 5035D PowerShot A590 • Canon • Apple QuickTake (CHDK hack) PowerShot G1 X 100 • Canon Mark II • Apple QuickTake PowerShot A610 • Canon 150 (CHDK hack) PowerShot G2 • Apple QuickTake • Canon • Canon 200 PowerShot A620 PowerShot G3 • ARRIRAW (CHDK hack) • Canon format • Canon PowerShot G3 X • AVT F-080C PowerShot A630 • Canon • AVT F-145C (CHDK hack) PowerShot G5 • AVT F-201C • Canon • Canon • AVT F-510C PowerShot A640 PowerShot G5 X • AVT F-810C (CHDK hack) • Canon • Baumer TXG14 • Canon PowerShot G6 • Blackmagic PowerShot A650 • Canon URSA (CHDK hack) PowerShot G7 • Canon • Canon (CHDK hack) PowerShot 600 PowerShot A710 • Canon • Canon IS (CHDK hack) PowerShot G7 X PowerShot A5 • Canon • Canon • Canon PowerShot A720 PowerShot G7 X PowerShot A5 IS (CHDK hack) Mark II Zoom • Canon • Canon • Canon PowerShot PowerShot G9 PowerShot A50 A3300 IS • Canon • Canon (CHDK hack) PowerShot G9 X PowerShot A460 • Canon • Canon (CHDK hack) PowerShot Pro70 PowerShot G10 • Canon • Canon • Canon PowerShot A470 PowerShot Pro90 PowerShot G11 (CHDK hack) IS • Canon • Canon • Canon PowerShot G12 PowerShot A530 PowerShot Pro1 • Canon (CHDK hack) • PowerShot G15 • Canon • Canon • Canon EOS 20D PowerShot G16 PowerShot • Canon EOS 30D • Canon SX110 IS • Canon EOS 40D PowerShot S2 IS (CHDK hack) • Canon EOS 50D (CHDK hack) • Canon • Canon EOS 60D • Canon PowerShot • Canon EOS 70D PowerShot S3 IS SX120 -
List Updated September 30Th 397841 Bogen 3001 Tripod Legs Exc+
List Updated September 30th 397841 Bogen 3001 Tripod Legs Exc+ 119.99 330036 Bogen 3033 Tripod Legs/Head Ex 229.99 415175 Canon 100-400/4.5-5.6IS II OB 1,499.99 417506 Canon 10-18/4-5.6 EFS/STM/IS 229.99 416109 Canon 14/2.8L-II EF-USM Cps E+ 979.99 416110 Canon 17-40/4L EF-USM Cps Ex+ 359.99 417504 Canon 18-135/3.5-5.6 EFS IS EX 199.99 415915 Canon 18-200/3.5-5.6 EFS-IS E 249.99 417853 Canon 18-55/3.5-5.6 EFS-IS E+ 129.99 357678 Canon 18-55/3.5-5.6 EFS-IS Ex+ 129.99 416695 Canon 18-55/3.5-5.6 IS STM E+ 219.99 417737 Canon 18-55/3.5-5.6II AsIs 89.99 417852 Canon 18-55/3.5-5.6II IS Exc+ 169.99 417147 Canon 18-55/3.5-5.6II IS Mint 199.99 408388 Canon 1DX 20mp 81k Bt/Ch Exc 2,299.99 417854 Canon 24/2.8 EF w/Caps Exc+ 79.99 415916 Canon 24-105/4L EF-IS Hd Exc+ 629.99 416112 Canon 24-105/4L EF-USM Cps E+ 649.99 415761 Canon 24-70/4.0L IS/USM Hd Mnt 879.99 417572 CANON 270EXII SPEEDLITE EX 49.99 387061 Canon 28-300/3.5-5.6L Hd Exc+ 1,699.99 384583 Canon 40/2.8 EF-STM w/Cps Exc+ 129.99 394396 Canon 400/5.6L EF-USM Hd Exc+ 849.99 383879 Canon 430EXII eTTL Flash Exc+ 149.99 377429 Canon 430EXII eTTL Flash Exc+ 149.99 418631 Canon 50/1.2L EF Cps/Hd Mint 1,129.99 388780 Canon 50/1.4 EF-USM w/Cps Ex+ 269.99 417733 Canon 50/1.8II EF w/Caps Ex+ 99.99 417734 Canon 50/1.8II EF w/Caps Ex+ 99.99 417800 Canon 550EX eTTL Flash Exc+ 99.99 379432 Canon 580EX eTTL Flash Exc- 179.99 415914 Canon 5D MkII 21mp 18k B/C E+ 749.99 417727 Canon 5D MkII 21mp 6k B/C Ex+ 819.99 360823 Canon 60/2.8 EFS Macro Cps Ex+ 299.99 392610 Canon 60D 18mp 5k Bat/Chg Exc+ 369.99 415689 -
LEICA X2 Telefon +49(0)6442-208-0 I Telefax +49(0)6442-208-333 I Und Ein Moment Erzählt Geschichten
Leica Camera AG I Oskar-Barnack-Straße 11 I 35606 SOLMS I DEUTSCHLAND LEICA X2 Telefon +49(0)6442-208-0 I Telefax +49(0)6442-208-333 I www.leica-camera.com Und ein Moment erzählt Geschichten. INHALT LEICA CAMERA AG 04 Fotografie aus Leidenschaft. PARIS 06 Stadt des Lebens. LEICA X2 12 Höchstleistung „made in Germany“. 14 Und die Erinnerung bleibt lebendig. 16 So flexibel wie der Augenblick. 21 TECHNISCHE DATEN UND ZUBEHÖR 22 LEICA CAMERA AG Fotografie aus Leidenschaft. Leica S2 Leica M9 Leica X1 1913/14 1925 1930 1932 1954 1965 1966 1971 1984 2006 2008 2009 2012 Oskar Barnack Leica I mit fest ein- Die erste Leica mit Leica II: erste Kamera Leica M3 mit Leucht- Leicaflex: Die erste Leica Noctilux-M 1:1,2/ Leica M5: erste Leica M6 mit elektroni- Leica M8: die erste Leica Noctilux-M Leica S2: Die digitale Profikamera Leica X2: Vorreiter konstruiert die gebautem Objektiv Wechselgewinde und mit gekuppeltem rahmenmesssucher Leica Spiegelreflex- 5 0 m m: erstes Objektiv Messsucherkamera scher Belichtungsmes- digitale Messsucher- 1:0,95/50 mm ASPH.: setzt im Mittelformat neue Maßstäbe. in ihrer Klasse bei Ur-Leica. erscheint auf der -Objektiven kommt Entfernungsmesser. und Bajonettanschluss. kamera geht in Serie. mit asphärischer Linse. mit selektiver sung und LED-Anzeige kamera. weltweit lichtstärkstes Leica M9: kleinste digitale System- der Bildqualität. Leipziger Frühjahrs- auf den Markt. Belichtungsmessung im Sucher. asphärisches Objektiv. kamera mit Vollformatsensor. messe. durch das Objektiv. Leica X1: erste Kompaktkamera mit großem APS-Sensor. Oskar Barnack (1879–1936). Konstruktionsskizze von Oskar Barnack. „Kuss im Rückspiegel“, Magnum-Fotograf Elliot Erwitt, 1955. -
Leica S Medium Format – Minimum Size
Leica S Medium format – minimum size. LEICA S-SyStEM I 1 CONtENtS Leica CamerA Ag 04 Leica S 06 LEICA S-LENSES 12 The central shutter. 32 S-Adapters for third-party lenses. 36 The autofocus system. 38 Leica S 42 Intuitive handling. 44 Perfect ergonomics. 46 Innovative menu control. 50 ready for any situation. 52 Leica S-SyStem 54 Sensor with offset microlenses. 56 the Maestro image processor. 60 Professional work flow. 62 Custom-designed accessories. 66 technical data. 68 Service for the S-System. 71 L E I C ACA MeRa aG Passionate photography. 1913/14 1925 1930 1932 1954 1965 1966 1971 1996 Oskar Barnack constructs Leica I with a fixed lens is the first Leica with Leica II: the first camera Leica M3 with combined Leicaflex: the first Leica Leica Noctilux-M Leica M5: the first rangefinder Leica S1: the first digital the Ur-Leica. presented at the Leipzig interchangeable with a coupled rangefinder. bright-line viewfinder/ single lens reflex camera 50 mm f/1.2: the camera with selective metering camera with 75-megapixel Spring Fair. thread-mount lenses rangefinder and bayonet goes into production. first lens with an through the lens. resolution. appears on the market. lens mount. aspherical element. Oskar Barnack (1879 – 1936). Sketched construction diagram by Oskar Barnack. the Leitz Optics building, Wetzlar. “Kissing in the rearview mirror,” by Magnum photographer Installation of the control board on the rear shell of the Leica S2. Lens element and assembled Elliott Erwitt, 1955. lens testing. Leica S2 Leica M9 Leica X1 Leica S Leica M Leica X2 2006 2008 2009 2012 Leica M8: the first Leica Noctilux-M Leica S2: the professional Leica M9: the smallest Leica X1: the first Leica S: medium format – reduced Leica M: the new M generation Leica X2: the trailblazer digital rangefinder 50 mm f/0.95 ASPH.: digital camera sets new digital system camera compact camera with an to the maximum. -
Shutterbug • February 2015 the Commercial, Corporate & Advertising Photography Issue Vol
SHUTTERBUG SPECIAL REPORT: HOW PHOTOJOURNALISTS COPE WHEN DISASTER STRIKES • FEBRUARY 2015 FEBRUARY FEBRUARY 2015 | TOOLS, TECHNIQUES & CREATIVITY THE COMMERCIAL, CORPORATE & ADVERTISING PHOTOGRAPHY ISSUE PHOTOGRAPHY ADVERTISING & CORPORATE COMMERCIAL, THE The Commercial, Corporate & Advertising Photography Issue CAR PHOTOGRAPHER TIM WALLACE’S HIGH-POWERED IMAGES BRING NEW LIFE TO COMMERCIAL CAMPAIGNS VOL. 44 • NO . 4 • ISSUE 533 ISSUE WE TEST • iPENTAX 645Z WWW.SHUTTERBUG.COM i ROTOLIGHT ANOVA V2 i CANON POWERSHOT G7 X © Tim Wallace GO BIG WE LOOK AT THE BEST MEDIUM FORMAT CAMERAS AND LENSES ON THE MARKET Contents FEBRUARY 2015 • VOLUME 44 • NUMBER 4 • ISSUE 533 76 © Ron Haviv/VII TOOLS IMAGE TECH 82 LIFE IN THE FAST LANE Car Photographer Tim Wallace’s 22 DIGITAL INNOVATIONS 30 PENTAX 645Z REVIEW Lighting Mastery & Distinctive Hot Photo Gear to Keep You Lab Test Results & Comments: Style Keep Him Ahead of the Pack Shooting on Cold Nights Still & Video by Steve Bedell by Joe Farace Edited by George Schaub 86 PRO’S CHOICE 38 GO BIG LIGHTING Industrial Strength Get the Most Out of Your Images by Jack Neubart with the Latest Medium Format 62 HOW TO CREATE Cameras and Lenses STUNNING PORTRAITS by Dan Havlik USING THREE LED LIGHTING SETUPS 48 FIELD REVIEW: CANON Mix ‘n’ Match Your Light Sources POWERSHOT G7 X with Rotolight’s Anova V2 and This Premium, Pocketable G-Series RL48-B’s Camera is Versatile but Not Without by Joe Farace Its Quirks by Jack Neubart TECHNIQUES 58 SOFTWARE REVIEW: 76 BUSINESS TRENDS MYLIO When Disaster Strikes Organize