DOCSLIB.ORG

Grand Forks Herald, Tuesday, November 14, 1918

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grand Forks Herald, Tuesday, November 14, 1918 :•*. pj:.- • T'V -t -*s ^ k . <•* . A -t " GRAND FORKS HERALD, TUESDAY, NOVEMBER 14, 1918. PAGE THREE. ° f •.rtt North Dakota News K0S1IZKY GOES ran TO STUDY TAXES was sure to bring several shots. Webb State Auditor Elect Believes states that the trenches were often no farther apart than the width of a street. Group States Should i» N. D. MAN BACK Had Wo Nendi. STATFS BUS Only once during the time he was In Work Together. service, did Webb hear of anyone from this country being near him. At this FROM WAR ZONE time he heard the name of William ARE All PAD Bismarck, N. D.. Nov. H.—Carl R. Lindsey of Ridgeville being oalled, but he could not Bee him. KoetUky, state auditor-elect, is mak­ Bullets that struck Webb penetrat­ Former Carlisle Man Was ed his body under one arm, one hit ing a junket to Pierre, & D., Des him on the head, one in the leg, one In Moines, la., Lincoln, Neb., and St. the arm and a piece of shrapnel went AT YEAR'S END Paul, Minn. In each of these capi­ Of* Wounded Five Times, through one of his hands. He is able tals he will spend some time In the of- to walk and does not suffer from any floe of the state auditor studying of the injuries. methods employed in the assessment But Still Alive. New Administration Goes in of property and to general taxation Marmarth, New Co. Seat, matters, with a view to placing him­ With the Treasury in self In a position to pass authorita­ Pembina, N. D., Nov. 14.—After After N. P. R. Extension tively on legislation planned for the being Bhot Ave times in different parts Fine Condition. 16th assembly. Corporation taxation of the body, John Webb, formerly of Bismarck, N. D., Nov. 14. — Now will be made a subject of particular >ia Carlisle, is back and is apparently as that Marmarth has been made the study, as will the assessment of town well as any man. county seat of Slope county, there is and city property in comparison with In 1914 he Joined the "remounts" a determined movement on foot Bismarok, N. D., Nov. 14.—North farm lands. at Winnipeg and went to the front. among the commercial organisations Dakota, for the first time in many Mr. Kosltsky expects to go Into the For several months he served as a duty of assessors, with a view to re­ of the southwestern part of the state years, has enough money in sight at commending in North Dakota a bill blacksmith, but was soon put on a for an extension of the Northern Pa­ the beginning of November to pay all rapid firing gun squad on the front which will provide for the naming of cific westward from Mott to the new ourrent bills up to the end of the year. county assessors to replace the present line. He participated In the battle of capital, along the survey established There will be no worrying over de­ Tpres where the Canadian contingent township officers. He is of the opin­ some years ago. ferred salary-payments this year, and ion that better results may be obtain­ was almost wiped out. The extension from Mott would the state's creditors for supplies, In­ ed from placing this work under the Land DMIgnved. give Marmarth and intermediate terest and other items will not be re­ direction of one capable official in Webb stated that the surface of the points immediate communication with quired to wait several months for each -county. The auditor will also land over which the battle raged was Mandan and Bismarck and would de­ their money. J. O. Lyngstad, deputy give his attention to the systems of ac­ completely changed by trenches and flect to the Northern Pacific a large state treasurer, said: counting In vogue in Nebraska, Iowa, KoteJ shell craters. Flying machines and business which logically belongs to "The large payments for October South Dakota and Minnesota state of­ Zeppelins were seen in comparatively this line, but which now is being cor­ are largely due to the fact that the fices. large numbers most of the time and nered by the Milwaukee line, and giv­ September apportionment of approxi­ "Uniformity in assessment dates shells fell continually. en to Aberdeen or Montana points. mately $225,000 was paid during the among adjoining states Is in my opin In describing the methods used in month. Over $200,000 was invested Ion essential," said Mr. Kosltsky. caring for wounded soldiers, Webb in bonds and mortgages from the per­ "There Is some talk of changing the •aid it takes from three to four hours Building Prediction The Wonders of Opera manent funds, and the state educa­ assessment period in North Dakota to reach a hospital after being wound­ In Mandan is True tional Institutions drew approximate­ from April to January and of extend­ ed. When Injured Webb «u taken to ly $60,000 from their interest and in­ ing the time for the making of assess­ the rear by first aid men, then by an come accounts. ments from 90 days to six months. automobile to a boat landing, whence Mandan, N. D„ Nov. 14.—The pre­ Other states, I find, have generally he was taken by a transport aoross diction that building in this oity would "The Increased payments from the on Columbia Records general fund during October, 1916, adopted the plan of beginning their the channel to England to a hospital. reach the $500,000 mark this year has assessments in April or May, and sev­ come true. There was $200,000 ex­ over October, ltlB, are due to the IVenohes C3oee. better condition of the general fund eral have recently changed the open­ It was a common thing for men in pended on street paving and other ing date from Jan. 1 to early spring- HE whole cnchanted realm of grand opera, with city Improvements and at least $800, this'year. Last year quite a number the opposing trenches to call to each of bills were being held up In Octo­ There must be some reason for this other, but to light a match at night 000 worth of new homes and other change, and if the reason is a good one buildings erected during the year. ber on account of insufficient funds all its splendor and wealth of beauty, comes to life or to raise a head during the day time with which to pay them. To date, it would seem inadvisable for North T November 11, all bills against the Dakota to reverse the procedure fol­ in the pure, rich tone of Columbia operatic records. state have been paid, and It appears lowed In other states. that the state can pay all its bills un­ "Personally, I am of the opinion Killing the Calves til January 1, 1917." that it is better to begin making as­ Lazaro, Fremstad, Scmbach, Mardones—Garden, Macbeth, Gates, sessments in April, as we do at pres­ —All sorts of excuses are ent, and to extend the work over only Marr, Goritz are before you, in the full glory of their great voices, offered for the high price of REVOLUTION SONS three months, rather than a longer TO MEET THURSDAY period." when you hear their wonderful Columbia Records. To hear these beef, the most plausible be­ records is a real revelation: t ing the alleged demand for Fargo, N.' D-, Nov. 14.—By order of PAVERS RACING Charles A. Pollock,- president of the AGAINST WINTER 48747 [L'AFRICANA—O PARADlSOl (Oh Paradise veal—"the killing of calves North Dakota society of the Sons of 12-inch 1 on Earth.) (Meyerbeer.) Hipolito Lasaro, which should be allowed to the American Revolution, the annual Bismarck, N. D., Nov. 14.—After $3.00 I tenor. Orchestra accompaniment. .y business meeting of that organization wasting two weeks waiting for ma­ grow into regular beef." You will be held in Fargo on November terial to continue work on the pav­ SIEGFRIED. NOTHUNG! NOTHUNG! NE1D- cannot have beef if you eat 16- ing in this city, workmen are now L1CHES SCHWERT! (Sword Song.) "Noth- The session will take place at the racing against winter and it is prob­ ungl Not hung I Conquering Sword." (Wagner.) Annex hotel, where luncheon will be $P it as"veal", but you can have able that some of the streets will be A 5842 Johannes Sembach, tenor. In German. Orches­ lam Keep Your Eyes served at 6 o'clock. left unpaved until next spring. n-inch tra accompaniment. Shredded Wheat Biscuit The date has been fixed for next A huge mixing plant was to have fi.50 DER FREISCHOTZ. DURCH DIE WALDER. which contains more real Thursday, so that members of the arrived In the city some time ago, but In Style North Dakota Education association due to the fact that the plant was (Thro* the Forest.) (Weber.) Johannes Sem­ nutriment than beef and who are members of the society, too heavy for the trucks on which It bach, tenor. In German. Orchestra see. Besides having efficient clauses, might participate. it is Just as easy to have becom­ costs much less. Shredded was being carried, numerous hot- fTANNHAUSER. DICH THEURE HALLE. ing glasses. Dr. W. N. Stearns and F. D. Hall boxes developed and caused the delay. wheat biscuit is the whole are the committee In charge. A chemist has been employed by A 5281 (Wagner.) (Oh, hall ef song and joy.) Olive For years we have been serving the city to oversee the work of the 12-inch • Fremstad, soprano.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970
    SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY — SATURDAY 12 TUESDAY A 5 EIGHTY-NINTH SEASON 1969-1970 I£a#i/> Exquisite Sound .. From the palaces f of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made mm in the original design. The //.' w¥ ear^y instruments shown in y drawings on the tomb of m Rameses II (1292-1225 B.C.) were richly decorated but mm lacked the fore-pillar. Later the "Kinner" developed by the Sr Hebrews took the form as we |Jr know it today. The pedal harp ||F was invented about 1720 by a Wr Bavarian named Hochbrucker and mm through this ingenious device it be- W came possible to play in eight major f and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor EIGHTY-NINTH SEASON 1969-1970 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ANDREW HEISKELL PHILIP K.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H.
    [Show full text]
  • Mahler's Song of the Earth
    SEASON 2020-2021 Mahler’s Song of the Earth May 27, 2021 Jessica GriffinJessica SEASON 2020-2021 The Philadelphia Orchestra Thursday, May 27, at 8:00 On the Digital Stage Yannick Nézet-Séguin Conductor Michelle DeYoung Mezzo-soprano Russell Thomas Tenor Mahler/arr. Schoenberg and Riehn Das Lied von der Erde I. Das Trinklied von Jammer der Erde II. Der Einsame im Herbst III. Von der Jugend IV. Von der Schönheit V. Der Trunkene im Frühling VI. Der Abschied First Philadelphia Orchestra performance of this version This program runs approximately 1 hour and will be performed without an intermission. This concert is part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. Our World Lead support for the Digital Stage is provided by: Claudia and Richard Balderston Elaine W. Camarda and A. Morris Williams, Jr. The CHG Charitable Trust Innisfree Foundation Gretchen and M. Roy Jackson Neal W. Krouse John H. McFadden and Lisa D. Kabnick The Andrew W. Mellon Foundation Leslie A. Miller and Richard B. Worley Ralph W. Muller and Beth B. Johnston Neubauer Family Foundation William Penn Foundation Peter and Mari Shaw Dr. and Mrs. Joseph B. Townsend Waterman Trust Constance and Sankey Williams Wyncote Foundation SEASON 2020-2021 The Philadelphia Orchestra Yannick Nézet-Séguin Music Director Walter and Leonore Annenberg Chair Nathalie Stutzmann Principal Guest Conductor Designate Gabriela Lena Frank Composer-in-Residence Erina Yashima Assistant Conductor Lina Gonzalez-Granados Conducting Fellow Frederick R.
    [Show full text]
  • Karel Burian and Hungary Research Director: Anna Dalos Phd Liszt Ferenc Academy of Music Doctoral School No
    DLA Theses Ferenc János Szabó Karel Burian and Hungary Research director: Anna Dalos PhD Liszt Ferenc Academy of Music Doctoral School No. 28 for the History of Art and Culture Budapest 2011 I. Antecedents of the research Karel Burian was one of the best tenors of the first two decades of the twentieth century. The authors of his biographies always mention his Wagner roles – mainly Tristan – and his long presence in New York, and primarily the world premiere of Salome by Richard Strauss, when he played the role of Herod to much acclaim. His reputation and popularity might be measured against those of Enrico Caruso. Burian was first engaged in Budapest as a young but already well- known Wagner-tenor, he worked there for one year as a member of the Opera House, then later as guest singer regularly until his death. He was likely the most influential operatic world star in Budapest at the beginning of the twentieth century, and was the founder and for many years the only intended representative of the Heldentenor role in Hungary. He primarily sang Wagner operas, but there was also a Hungarian opera on his repertoire in Budapest. A study of his activities in Hungary contributes to our knowledge of Hungarian opera life, and Burian’s whole career affected the cultural history of the period because of his frequent guest appearances in Budapest. Burian’s Budapest activity had a great influence on the young composers of that time, most notably on Béla Bartók and Zoltán Kodály as well. There is a relatively large amount of literature about Burian, mostly in Czech, English and German.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 42,1922
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thursday Evening, April 12, at 8.00 PRoGRKttttE SSfflfflffl Steinway & Sons STEINERT JEWETT WOODBURY « PIANOS v Duo-Art REPRODUCING PIANOS AND PIANOLA PIANOS victroLas victor records M. STEINERT & SONS SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY FORTY-SECOND SEASON 1922-1923 INC. PIERRE MONTEUX, Conductor SEASON 1922-1923 THURSDAY EVENING, APRIL 12, at 8.00 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1923, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE . Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager l 'CHE INSTRUMENT OF THE IMMORTALS Q OMETIMES people who want a Steinway think it economi- cal to buy a cheaper piano in the beginning and wait for a Steinway. Usually this is because they do not realize with what ease Franz Liszt and convenience a Steinway can at his Steinway be bought. This is evidenced by the great number of people who come to exchange some other piano in partial payment for a Steinway, and say: "If I had only known about your terms I would have had a Steinway long ago!" You may purchase a new Steinway piano with a cash deposit of 10%, and the bal- ance will be extended over a period of two years. 'Prices: $875 and up Convenient terms.
    [Show full text]
  • Inhalt Bandl Vorwort XXVII Einleitung I Vorspiel Auf Dem Theater — Eine Stimme Zur Rechten Zeit ...I Vollendung Und Ende
    Inhalt Bandl Vorwort XXVII Einleitung i Vorspiel auf dem Theater — Eine Stimme zur rechten Zeit .... i Vollendung und Ende des Belcanto: Enrico Caruso 3 Vom Erbe — über das Erben 9 I. Kapitel Dialog mit der Ewigkeit 19 In der Welt der Erinnerung zählt die Zeit nicht 19 Auf der Suche nach der verlorenen Zeit 26 Sänger und Schallplatte 28 Von Treue und Untreue 34 II. Kapitel Belcanto 39 Goldenes Zeitalter 39 Heiliger Geist - Hermaphrodit - Modern Heroe - Die übernatürlich schöne Stimme 46 Paradigma: Farinelli 48 Das Ende der Gesangskunst? 55 III. Kapitel Der ferne Klang oder: Die alte Schule 59 Nachtigall: Adelina Patti 59 • Auf Flügeln des Gesanges: Marcella Sembrich 67 Exkurs: Die Schule der Mathilde Marchesi 73 Assoluta: Lilli Lehmann 76 • Yankee-Diva: Lillian Nordica 83 • Der letzte Rokoko-Tenor: Fernando de Lucia 88 • La voix unique du monde: Fran­ cesco Tamagno 99 • Exkurs: Die Zerstörung des Helden: Francesco Tamagno und die Otello-Tradition 104 • Magisches Wispern: Victor Maurel 112 • La Gloria d'Italia: Mattia Batristini 115 • Der vollkommene Sänger: Pol Plancon 122 IV. Kapitel Richard Wagner: Die menschliche Stimme ist die Grundlage aller Musik 127 Der Darsteller ist der wahre Künstler 127 Die Oper oder: Das Narrenhaus für allen Wahnsinn der Welt . 129 Kesting, Jürgen digitalisiert durch: Die grossen Sänger IDS Luzern 2010 Der dramatische Gesang 132 Paradigma I - Die Utopie von der vollkommenen Tenorstimme oder: Joseph Tichatschek 137 Paradigma II - Das Gesangsgenie ohne Stimme oder: Wilhelmine Schröder-Devrient 139 Wenn sich die Theorie der Wirklichkeit nicht fügt 144 Gesang als Handlung 147 Die Frage des Belcanto 149 Gesang und Sprache: Wagner, der Lautkomponist 159 Entwicklungen des Wagner-Gesangs 163 V.
    [Show full text]
  • Before Yesterday
    NEWS AND COMMENT OF CONCERT AND OPERA MISS. on Close GLAUPfA, Thoughts MUZfO News From AS "FLO&A'; Day Of Metropolitan ñMlÍSomLiTÁH/N"L'AMOGE. i Before OPEZA H&t/SE. < Signor Gatti-Casazza Fulfils All His Yesterday Promises of Novelties and Revivals Against Great Odds The Reviewer of Music Finds It Neces» sary to Make a Second Report on a rT^HE Metropolitan Opera season of 1917-'18 will come to an end on Concert of Last Week _|_ next Saturday night. Though in the past there have been more brilliant seasons?, the double handicap of the war and the sudden now EVEKY and then the reviewer ...v.. ,..,. .uci «jasier m removal of in German were unable to Gatti- imporw, opera yet prevent Signor of music in New York comes Kullervo, the wanderer, i9 Casazza a a cannot accept*); from presenting series of operas such as would have been possi¬ upon concert which be the Finnish people. Mr. .1 ble in no other discussed at the which it de- as a Schindler opera house in the world. Moreover, Signor Gatti fulfilled length serts. symBol of their own all his serves within the limits allowed buffeted t^'. promises of novelties and revivals, and proved triumphantly that country, about from one him in the edition of a news¬ to and bj a Metropolitan opera season can exist without the aid of Wagner and, daily another, now, it may be add paper. Important as such a con¬ torn with ! Wagnerian singers. The decision of the board of directors to eliminate internal war, as so often cert may seerh to him, ardent as he fore in its bT opera in German came with unexpected suddenness just before the history.
    [Show full text]
  • View Catalogue
    J & J LUBRANO MUSIC ANTIQUARIANS 6 Waterford Way, Syosset, NY 11791 USA [email protected] • www.lubranomusic.com Telephone 516-922-2192 Catalogue 88 SUMMER POTPOURRI 6 Waterford Way, Syosset, NY 11791 USA [email protected] www.lubranomusic.com Telephone 516-922-2192 1 CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to ensure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. New York State sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full.
    [Show full text]
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The further we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (later 1930s) and PW (Pre-War) Victor, almost as good surface material as “Z”. Likewise laminated Columbia pressings (1923- 1940) offer particularly fine sound. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-‘14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or similarly related comments. VERTICALLY CUT RECORDS. There were basically two systems, the “needle-cut” method employed by Edison, which was also used by Aeolian-Vocalion and Lyric and the “sapphire ball” system of Pathé, also used by Rex. and vertical Okeh.
    [Show full text]
  • View of Botafoga Bay and Sugar Loaf in Rio De Janeiro to Verso
    J & J LUBRANO MUSIC ANTIQUARIANS Item 5 CATALOGUE 84 Music & Dance Part I: A-K v 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Fine Items & Collections Purchased v Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c.
    [Show full text]
  • Inhalt Bandi Einleitung I Vorspiel Auf Dem Theater — Eine Stimme Zur Rechten Zeit ...I Vollendung Und Ende Des Belcanto
    Inhalt Bandi Vorwort XXVII Einleitung i Vorspiel auf dem Theater — Eine Stimme zur rechten Zeit .... i Vollendung und Ende des Belcanto: Enrico Caruso 3 Vom Erbe — über das Erben 9 I. Kapitel Dialog mit der Ewigkeit 19 In der Welt der Erinnerung zählt die Zeit nicht 19 Auf der Suche nach der verlorenen Zeit 26 Sänger und Schallplatte 28 Von Treue und Untreue 34 II. Kapitel Belcanto 39 Goldenes Zeitalter 39 Heiliger Geist — Hermaphrodit — Modern Heroe — Die übernatürlich schöne Stimme 46 Paradigma: Farinelli 48 Das Ende der Gesangskunst? 55 III. Kapitel Der ferne Klang oder: Die alte Schule 59 Nachtigall: Adelina Patti 59 • Auf Flügeln des Gesanges: Marcella Sembrich 67 Exkurs: Die Schule der Mathilde Marchesi 73 Assoluta: Lilli Lehmann 76 • Yankee-Diva: Lillian Nórdica 83 • Der léate Rokoko-Tenor: Fernando de Lucia 88 • La voix unique du monde: Fran- cesco Tamagno 99 • Exkurs: Die Zerstörung des Helden: Francesco Tamagno und die Otello-Tradition 104 • Magisches Wispern: Victor Maurel 112 • La Gloria d'Italia: Mattia Battistini 115 • Der vollkommene Sänger: Pol Plançon 122 IV. Kapitel Richard Wagner: Die menschliche Stimme ist die Grundlage aller Musik 12.7 Der Darsteller ist der wahre Künstler 127 Die Oper oder: Das Narrenhaus für allen Wahnsinn der Welt . 129 Inhalt VII Bibliografische Informationen digitalisiert durch http://d-nb.info/1008288748 Der dramatische Gesang 132 Paradigma I — Die Utopie von der vollkommenen Tenorstimme oder: Joseph Tichatschek 137 Paradigma II - Das Gesangsgenie ohne Stimme oder: Wilhelmine Schröder-Devrient 139 Wenn sich die Theorie der Wirklichkeit nicht fügt 144 Gesang als Handlung 147 Die Frage des Belcanto 149 Gesang und Sprache: Wagner, der Lautkomponist 159 Entwicklungen des Wagner-Gesangs 163 V.
    [Show full text]
  • Die Meistersinger, New York City, and the Metropolitan Opera: the Intersection of Art and Politics During Two World Wars
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2016 Die Meistersinger, New York City, and the Metropolitan Opera: The Intersection of Art and Politics During Two World Wars Gwen L. D'Amico Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1221 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DIE MEISTERSINGER, NEW YORK CITY, AND THE METROPOLITAN OPERA: THE INTERSECTION OF ART AND POLITICS DURING TWO WORLD WARS by GWEN D’AMICO A dissertation submitted to the Graduate Faculty in Musicology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 ii © 2016 Gwen D’Amico All Rights Reserved iii Die Meistersinger, New York City, and The Metropolitan Opera: The Intersection of Art and Politics During Two World Wars By Gwen D’Amico This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________"""""""""""""""""""""""""""""""""""""""""""__________________________________" Date Norman Carey " " " " " " " Chair of Examining Committee ______________________"""""""""" " " _____________________________________" Date Norman Carey " " " " " " " Executive Officer Supervisory Committee Allan Atlas, Advisor Bruce MacIntyre, First Reader Nicholas Vazsonyi THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Die Meistersinger, New York City, and The Metropolitan Opera: The Intersection of Art and Politics During Two World Wars By Gwen D’Amico Advisor: Professor Allan Atlas In 1945, after a five-year hiatus, the Metropolitan Opera returned Richard Wagner’s Die Meistersinger von Nürnberg to its stage.
    [Show full text]