RIVERCROSSINGS.ORG 2009, Printed 2013, Archival Inkjet Print, 24 X 33", Courtesy the Artist

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RIVERCROSSINGS.ORG 2009, Printed 2013, Archival Inkjet Print, 24 X 33 17 Stephen Petegorsky, Clouds, Mountains, Mist 2 Lynn Davis, Horseshoe Falls, Ontario, Canada River Crossings brings contemporary art THE THOMAS COLE SITE 2011, printed 2013, archival inkjet print, 24 x 33", Courtesy the Artist. 1992, silver gelatin print, 45 x 45", Collection of the Artist. ©Lynn Davis. STAIRCASE / ENTRY 18 Stephen Petegorsky, Dead Fox by world-renowned artists back to the 1 Kiki Smith, Wolf with Birds III 2009, printed 2013, archival inkjet print, 24 x 33", Courtesy the Artist. SITTING ROOM 2010, bronze with gold leaf, 44½ x 54 x 2½", Maria and Conrad Janis, Courtesy Pace Gallery. 3 Maya Lin, Silver River - Hudson homes where distinctly American art was 19 Gregory Crewdson, Untitled (21) 2011, recycled silver, 81 x 45 x ¾", Collection of the Artist. ©Maya Lin Studio. born. Curated by artist Stephen Hannock WEST PARLOR 2009, pigmented ink jet print, 28½ x 35¼", Courtesy the Artist and Gagosian Gallery. 2 Stephen Hannock, Homage to the River Keeper LIBRARY and art historian Jason Rosenfeld, PhD, May 1993, 30 x 24⅛", polished oil on canvas, Bowdoin College Museum of Art, Gift of the Artist. SITTING ROOM 4 Elyn Zimmerman, Church’s Olana: Observing the Site / Sights 3 Cindy Sherman, Untitled #507 20 Thomas Nozkowski, Untitled (7-66) 2015, power point presentation, Collection of the Artist. 1995, oil on linen on panel, 16 x 20", Courtesy the Artist and Pace Gallery. the exhibition provides an unprecedented 1977/2011, gelatin silver print, 8¾ x 6⅞", Courtesy the Artist and Metro Pictures. COURT HALL 4 Cindy Sherman,Untitled #502 21 Thomas Nozkowski, Untitled (8-129) opportunity to consider these historic spaces 5 Martin Puryear, Question 1977/2011, gelatin silver print, 8¾ x 6 ", Courtesy the Artist and Metro Pictures. 2010, oil on linen on panel, 22⅛ x 28⅛", Courtesy the Artist and Pace Gallery. AT THE THOMAS COLE SITE & ⅞ 2010, tulip poplar, pine and ash, 90 x 109¼ x 34½", Collection of the Artist. ©Martin Puryear. from a completely new vantage point— 5 Cindy Sherman, Untitled #505 22 Thomas Nozkowski, Untitled (9-25) (Sam’s Point) 2012, oil on linen on panel, 30 x 40", Courtesy the Artist and Pace Gallery. FREDERIC CHURCH’S OLANA 1977/2011, gelatin silver print, 8¾ x 6⅞", Courtesy the Artist and Metro Pictures. STAIR HALL expanding the dialogue between art of the 23 Chuck Close, Self Portrait (Yellow Rain Coat) 6 Cindy Sherman, Untitled #501 Thomas Nozkowski, Untitled (7-61) 6 1995, oil on linen on panel, 16 x 20", Courtesy the Artist and Pace Gallery. 2013, Jacquard tapestry, 93 x 76", Private Collection, ©Chuck Close in association with Magnolia Editions. past and present. Our aim is to bring to 1977/2011, gelatin silver print, 8¾ x 6⅞", Courtesy the Artist and Metro Pictures. 7 Stephen Hannock, The Oxbow, Flooded, for Frank Moore and Dan Hodermarsky 24 Thomas Nozkowski, Untitled (9-3) light new ideas about the meaning of the 2011, oil on linen on panel, 22 x 28", Courtesy the Artist and Pace Gallery. STUDIO 2013, polished mixed media, 48 x 72 x 1", Caroline and Tiger Williams, Courtesy Yale University Art Gallery. 7 Letha Wilson, Storm Cloud Circle Fold (Colorado) art and history of the mid-19th century 25 Sienna Shields, Untitled 2012, unique C-print, museum board, 21 x 21 x 2½", Collection of Marian and Stephan Loginsky. FIRST FLOOR BEDROOM 2010, acrylic and paper on canvas, 72 x 60", The Studio Museum in Harlem; 8 Letha Wilson, Rock Hole Punch (Utah Canyon) 8 Joel Sternfeld, April 20, 2007, The East Meadows, Northampton, Massachusetts Museum purchase made possible by gifts from Carol Sutton Lewis and Amelia Ogunlesi. and its continuing resonance today. 2014, unique C-print, concrete, 13 x 11 x 1¾", Collection of the Artist. printed 2008, digital C-print, 72 x 88½", Courtesy the Artist and Luhring Augustine. 26 Elizabeth Murray, Untitled (After Golden Delicious) II Throughout the exhibition are works by 9 Angie Keefer, Area Variance (conjoined houses, 248-250 Columbia Street, 1972, oil on canvas, 14¼ x 54", Courtesy Pace Gallery and the Murray-Holman Family Trust / STUDIO PORCH Thomas Cole, Frederic Edwin Church, Hudson, New York, auto-body paint) Artists Rights Society (ARS), New York. 9 Charles LeDray, Empire 2014, 30 x 40" Duraflex print, gilded frame, and attenuated spotlight, dimensions variable, Courtesy the Artist. 2014-15, concrete, clay, wood, dimensions variable, Courtesy of the Artist and Sperone Westwater, and other 19th-century artists. NORTH ROOM ©Charles LeDray 2015. EAST PARLOR 27 Rashaad Newsome, King of Queens 10 Angie Keefer, Fountain 2012, mixed media collage in custom antique frame, 49 x 26 x 2¾", Courtesy the Artist and Marlborough Gallery. CORRIDOR The Thomas Cole National 2014, projector, transparent rear projection screen, computer, commodities futures indexes data; 28 Romare Bearden, Prelude to Farewell 10 Will Cotton, Untitled re-published text “Futures,” dimensions variable, Courtesy the Artist. Historic Site is home to Thomas 1981, mixed media collage, 49 x 37¼", The Studio Museum in Harlem, Gift of Altria Group, Inc. 2014, oil on linen, 34 x 24", Private Collection. Cole (1801-1848), founder of the 11 Angie Keefer and Kianja Strobert, Empire State 29 Kianja Strobert, Untitled 11 Elijah Burgher, Sleep Has His House (for Antonio) 2014, HD color video, LED monitor, dimensions variable, Courtesy the Artists. Hudson River School of art, the 2011, mixed media on paper, 17¾ x 18½", Collection Zach Feuer and Alison Fox. 2012, colored pencil and paper, 19 x 24", Pedro A. Guerrero Art Collection. first major art movement in the 12 Angie Keefer and Kara Hamilton, Heavy Fixture 12 Elijah Burgher, Build Better Human Beings 2014, installation including gold, silver, stainless steel, Herkimer Diamonds, light, with Albert Sands Southworth KITCHEN ALCOVE 2012, colored pencil and paper, 11 x 14", Collection of Jacob Meehan. United States. Olana State Historic (1811-1894) and Josiah Johnson Hawes (1808-1901), Unidentified Man (Thomas Cole), c. 1843-48, whole plate 30 Frank Moore, Prairie Site is one of the most important daguerreotype, 8½ x 6½", George Eastman House, International Museum of Photography and Film; Gift of Alden 1999, woodcut, 17½ x 22½", Courtesy the Estate of the Artist and Sperone Westwater. DINING ROOM Scott, with Thomas Cole’s Box of Minerals, c. 1830-48, 3 x 19¾ x 18", Thomas Cole National Historic Site, Gift of artistic residences in the United 13 Valerie Hegarty, Picnic with Downy Woodpecker Edith Cole Silberstein and the Greene County Historical Society, dimensions variable, Courtesy the Artists, George 31 Frank Moore, Study for la Bocetta I 2013, canvas, stretcher, foam molding, acrylic paint, paper, glue, sand, gold foil, feathers, 46 x 32½ x 5", States. Frederic Edwin Church Eastman House, and Thomas Cole National Historic Site. 2001, gouache, oil, and India ink on Arches paper, 8 x 12 ", Courtesy the Estate of the Artist and Sperone Westwater. Collection of the Artist. (1826-1900), Cole’s student and leading practitioner of the Hudson SECOND FLOOR HALLWAY 32 Duncan Hannah, Little Swing 14 Valerie Hegarty, Table and Chair with Pileated Woodpecker 13 Jerry Gretzinger, Jerry’s Map 1999, oil on canvas, 14 x 11", Private Collection. 2013, foam-core, acrylic paint, paper, glue, sand, feathers, 36 x 32 x 24" (table), 36 x 19 x 17" (chair), River School of art, designed his 1963 to present, site- specific installation of ink, pencil, acrylic, paper collage on heavy paper, dimensions variable, Collection of the Artist. home and 250-acre landscape overlooking Cole’s home Courtesy the Artist. EXTERIOR GROUNDS and the Hudson River Valley. 33 Don Gummer, In the Fold EXTERIOR LANDSCAPE, BY THE LAKE SECOND FLOOR BEDROOM 1994, cast bronze and aluminum on concrete base, 90 x 76 x 72", Courtesy the Artist. 15 Don Gummer, Spanish Guitar 1992, cast bronze on concrete base, 108 x 35½ x 32", Collection of the Artist. Major funding for River Crossings was provided by The Moore Charitable Foundation, the New York State Council on 14 Charles LeDray, Village People 34 Don Gummer, Woman Reclining 28 CONTEMPORARY ARTISTS AT TWO the Arts, New York State’s Empire State Development and the I NY Division of Tourism under Governor Andrew 2014-15, fabric, thread, embroidery floss, paint, dimensions variable, Courtesy the Artist and Sperone Westwater. 1993, cast bronze and aluminum on concrete base, 95 x 86 x 42", Courtesy the Artist. 16 Don Gummer, Passage Cuomo’s Regional Economic Development Council Initiative, Tiger and Caroline Williams and The Bay & Paul Foundations. 1993, cast bronze on concrete, 106½ x 66 x 56", Collection of the Artist. HISTORIC SETTINGS ON THE HUDSON Additional support is provided by Ed Herrington, Inc., the Hudson River Valley National Heritage Area, the Village of SECOND FLOOR GALLERY 17 Don Gummer, House of Music (Model) Catskill, the Columbia County Tourism Department, Jennifer Krieger, and Chas Miller. The companion book and related 15 Stephen Petegorsky, October Corn, Early Morning FREDERIC CHURCH’S OLANA 1993, cast bronze on bronze base, 80 x 56 x 52", Collection of the Artist. MAY 3 THROUGH NOVEMBER 1, 2015 public programs were funded by Tiger and Caroline Williams and the National Endowment for the Arts. 2011, printed 2013, archival inkjet print, 24 x 33", Courtesy the Artist. EAST PARLOR 16 Stephen Petegorsky, Plowed Field and Fog 1 Lynn Davis, Iceberg 29, Disko Bay, Greenland 18 Don Gummer, Uniting Blue and Red 1999, cast bronze and stained glass, 93 x 56 x 29", Collection of the Artist. RIVERCROSSINGS.ORG 2009, printed 2013, archival inkjet print, 24 x 33", Courtesy the Artist. 2000, silver gelatin print, 40 x 40", Collection of the Artist. ©Lynn Davis..
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