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Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
Watanabe Conducts Symphony Orchestra
THE PRESS Sunday, August 4, ftof Page A-8 Steel Hour Stars Stock Market Analysis Today Based*upon the A. B. Gu- of a group of settlers heading An analysis of the stock therie, Jr's novel, KHJ-TV for the Blackfoot Indian coun market, entitled "Up and Up proudly presents the "Big try via keelboats. It Goes," will be presented Henny Youngman Sky," on its Theater Nine pre "The Big Sky" points up ivhen "Open End" screens to sentation of Sunday, August by the day, August 6, 0:30- p.m., 6th starting at 7:30 p.m. the hardships endured they strove to find Channel Eleven. The big outdoor western, settlers as Portrait of Joining host - moderator set during the 1830's. stars a new and better home in the David Susskinci at the round Kirk Douglas, Dewey Martin vast unsettled and unexplored table will be: Gerald Loeb, and Elizabeth Threa'tt. section of the a Skidding senior partner, E. F. Hutton northwest It tells 1hn rioitmant slorv Fnilod States. and Co. Robert Bleibert. editor, Comic Slated Barrons Weekly. E. B. Burr, "The Golden Thirty," a executive vice president, One caring portrait of a comedian William Street Fund. whose career is on the skids, Luttrell Maclin, partner, will star Henny Youngman, Paine, Webber, Jackson and on the U. S. Steel Hour, Wed Curtis. nesday, August 9, at 10 p.m., Marvin Carton, executive PDT, via channel 2. Also star associate, Alien and Co. Lu- ring Keir Dullea and Nancy cien Hooper, investments Kovack, the teleplay, to be analyst and director of re seen "live," was written by search, W. -
Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors. -
Senior Home Owners Learn Best Uses for Home Equity Local Voters
Summit Heralcl ... Summit's only real newspaper VOLUME 98 NO. 14 November 10,1984 Price: 25' Senior home owners learn best uses for home equity nyPEGTHURLER older being home owners. Twen- pay for home improvements or 3)lioine-matching programs AREA — Senior home owners ty percent live in renlal units, and repairs. Such a plan may mean where better use can be made of arc increasingly rich in equity and only five percent are housed in that low or no interest is paid, existing housing; and 4)accessory poor in cash, according to senior nursing homes or under custodial and no payments are due until the apartments; where a private unit housing consultants speaking at plans. homeowner dies or sells his is installed inside a private home. the Housing Conference for Seniors learned how to best home. Carol Hertweck, Summit, was Union County senior citizens last make use of their equity, Echo housing a committee member of the Con- Saturday at the F. Edward through: l)Loan plans involving Topics similar to those being ference, which featured speakers Bierteumpfel Senior Center in reverse mortgages, offering home discussed by Summit's Planning Leo Baldwin, coordinator of Union. owners the opportunity to ex- Board relating to senior housing housing programs, American Summit's Mary Burger was a change housing equity for cash in the Master Plan being up- Association of Retired Persons, delegate to the Conference as a and continue to occupy their dated, were on the Conference and Leon Harper, Housing Con- representative of the Senior home; 2)Salc plans, where the agenda such as l)echo housing- a sultant, ARP. -
24)0 M « » R C T » 2 "7 T L I Johnny Jones" (1989
derer of his parents. per. A former country singer, his life pines following the Spanish- ® **% ‘Rafferty and the Gold and career ruined by alcoholism, American War. Dust Twins” (1975. Comedy) Alan falls in love with a Texas motel 114)0 Arkin, Sally Kelierman. Two young owner and decides to make a female drifters kidnap a depressed comeback. a ★ "It's Alive!" (1968, Science driving instructor and launcn a zany Fiction) Tommy Kirk, Shirley crime spree. EVENING Bonne. A lunatic's plot to trap three tors seem to vanish when they strangers in an Ozark cave with a threaten the privacy of a teen-age prehistoric m onster backfires when girt who lives with her unseen 74)0 the creature sets its sights on him. Father in a mysterious house. FRIDAY, a ** V i "The Adventures of 124)0 M « » r c T » 2 "7 t l i Johnny Jones" (1989. Drama) Ri 9:30 chard Love, Ida Gregory. In 1943 [41 QD ★★ "La Parfaite Forme” ® **W "Johnnie Mae Gibson: Wales, an imaginative boy’s work! (1985, Cornedie) John Travolta, Ja FBI" (1986, Drama) Lynn Whitfield. M O R N IN G Is changed by tne arrival of children mie Lee Curtis. Un journalists de Howard E. Rollins Jr. Fact-based evacuated from Liverpool and the I'hebdomadaire “Rolling Stone" story of a Southern woman who ov 84)0 introduction of American bobble prepare un reportage a sensation ercame a poverty-stricken child sur les centres de conditionnement (8 * * “Crooks in Cloisters" (1963. gum. hood and the strains of balancing a 7:30 physique, bars de rencontres nou marriage and a career to achieve Comedy) Ronald Fraser. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-17-1967 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1967). The George-Anne. 2547. https://digitalcommons.georgiasouthern.edu/george-anne/2547 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. HAPPY Published By Students of Georgia Southern College Volume 47 Statesboro, Georgia, Friday, Nov. 17,1967 Number 9 Winter Pre-registration Planned for Nov. 27-Dec. 6 By KEN PURCELL ege, will be available to all stu- ADVISORS Staff Writer dents now enrolled except those During the pre-registration who have obligations to the bus- week, all students who wish Pre - registration for winter iness office in the form of fines to pre-register may see their quarter will be held Nov. 27 or fees. advisor and complete neces- through Dec. 6 in individual All students not taking advan- sary forms. The advisor will aid division offices, according to tage of the new system of re- the student in preparing a trial Lloyd Joyner, registrar. gistration, along with beginning schedule with desired courses AVAILABILITY freshmen and transfers as well and periods indicated. Alternate Pre - registration, being used as former students not enrolled periods or courses will also be for the first time at the coll- fall quarter, will receive time included in case first choices permit cards to be used the have already been filled. -
Copyrighted Material
c01.qxd 12/18/06 1:10 PM Page 5 1 Out of the Ashes of Despair The difference [between a director and an auteur] is that a director who is working for a living simply does the job, which may not be akin to his philosophy, but it is not inconsistent to have the same man being both. The word is “hunger.” If you are hungry and nobody will buy your orig- inal idea, you might get lucky, direct a Kellogg’s cornflakes commercial and take home a few boxes. —Mel Brooks, 1971 n the early 1970s, Mel Brooks had reason to find himself in an ironic I position as far as his career was concerned. He had already won Acad- emy Awards and Emmys, and had hit radio commercials and three suc- cessful comedy albums (such as The 2000 Year Old Man). He was a veteran of the writing teams for two of the most cherished series of Amer- ican television’s golden age: Your Show of Shows and Caesar’s Hour. Brooks’s recent association with the highly successful sitcom Get Smart had enhanced his visibility with the public and given him additional industry credibility.COPYRIGHTED Although his movie TheMATERIAL Twelve Chairs (1970) had failed to make any tangible impact at the box office, The Producers (1968) was well on its way to becoming a cult favorite. Yet Brooks was now unable to get any new show business projects off the ground and into production. How many times, he must have won- dered, did he have to crash through the establishment’s barriers before he gained solid acceptance from his peers and the public? How long could he continue to subject himself to the ordeal of starting over—yet again? 5 c01.qxd 12/18/06 1:10 PM Page 6 6 IT’S GOOD TO BE THE KING For a time, Mel wanted to produce a film version of She Stoops to Conquer. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2002 Michael Chekhov and His Approach to Acting in Contemporary Performance Training Richard Solomon Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Performance Studies Commons Recommended Citation Solomon, Richard, "Michael Chekhov and His Approach to Acting in Contemporary Performance Training" (2002). Electronic Theses and Dissertations. 615. http://digitalcommons.library.umaine.edu/etd/615 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. MICHAEL CHEKHOV AND HIS APPROACH TO ACTING IN CONTEMPORARY PERFORMANCE TRAINING by Richard Solomon B.A. University of Southern Maine, 1983 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) The Graduate School The University of Maine May, 2002 Advisory Committee: Tom Mikotowicz, Associate Professor of Theatre, Advisor Jane Snider, Associate Professor of Theatre Sandra Hardy, Associate Professor of Theatre MICaAEL CHEKHOV AND HIS APPROACH TO ACTING IN CONTEMPORARY PERFORMANCE TRAINING By Richard Solomon Thesis ~dhsor:Dr. Tom Mikotowicz An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) May, 2002 Michael Chekhov was an actor, diuector, and teacher who was determined to develop a clear and accessible acting approach. During his lifetime, his ideas were often viewed as too radical and mystical. Over the past decade however, the Chekhov method of actor training has enjoyed an expansion of interest. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
AVONDALE THEATER AUGUST 30—SEPTEMBER 4 'Look for the Authentic Label
- AVONDALE THEATER AUGUST 30—SEPTEMBER 4 'look for the authentic label STOLES • JACKETS • COATS $1500 to $8500 "Terms as Desired" HERBERT FRED DAVIDSON DAVIDSON glendale center 62nd & keys/one /&6 RAY HENDRICKS announces a change of name and expansion of... AMMOND ORGAN STUDIOS o HOW RENAMED music INC. THE HOME OF HAMMOND NOW ALSO OFFERING A LARGE SELECTION OF PIANOS BUILT BY LEADING PIANO COMPANIES 34th AND MERIDIAN SOUTHERN PLAZA Why settle for less when there's DELLEN Indiana's largest Oldsmobile dealer— with over 500 new cars to choose from! 'turnrunt CORNER 52nd & KEYSTONE Your Rocket Service Center Open Daily 7 A.M. to 6 P.M., Thursday till 9 P.M. Closed Saturday & Sunday IN THE MEADOWS LUNCHEON AND DINNERS DANCE TO, BE ENTERTAINED NIGHTLY BY THE The SHADES 3900 N. RURAL • PHONE 547-6526 1930 E. 46th Street 111 I AO ' - ' 100% Humon Hair A Wig is a ^U I IK V . , . Specialists in Wig Styling Must for Carefree WW lUv ' • • Men's Hairpieces Summer Fun I' instante beaute MARCIA ANDREWS, Manager » 251-3606 AVONDALE in-the-meadows THEATER One of the Nation's Foremost Summer Stock Theaters Now in its Thirteenth Season presents TOM MARVIN HELEN MALA DRAKE MILLER O'CONNELL POWERS IN "AFFAIRS OF STATE" by Louis Verneuil with GEORGE WILLEFORD PAUL LENNON Directed By TOM ADKINS Produced by LEWIS A. BREINER Scenic Design Lighting Design LINDA BREWER HERMAN TEEPE, Jr. Play Produced by Special Arrangement of Samuel French, Inc. PROFESSIONAL CAR WASH Stoc&o GAS N' WASH Look at Your Car . Everyone Else Does 1219 N.