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Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................ -
Études Photographiques , Notes De Lecture
Études photographiques Notes de lecture Cynthia YOUNG (ed.), The Mexican Suitcase: the Rediscovered Spanish Civil War Negatives of Capa, Chim, and Taro Rachel Verbin Édition électronique URL : http://journals.openedition.org/etudesphotographiques/3248 ISSN : 1777-5302 Éditeur Société française de photographie Référence électronique Rachel Verbin, « Cynthia YOUNG (ed.), The Mexican Suitcase: the Rediscovered Spanish Civil War Negatives of Capa, Chim, and Taro », Études photographiques [En ligne], Notes de lecture, Décembre 2011, mis en ligne le 14 décembre 2011, consulté le 02 mai 2019. URL : http:// journals.openedition.org/etudesphotographiques/3248 Ce document a été généré automatiquement le 2 mai 2019. Propriété intellectuelle Cynthia YOUNG (ed.), The Mexican Suitcase: the Rediscovered Spanish Civil War... 1 Cynthia YOUNG (ed.), The Mexican Suitcase: the Rediscovered Spanish Civil War Negatives of Capa, Chim, and Taro Rachel Verbin RÉFÉRENCE New York and Göttingen, the International Center of Photography and Steidl, 2010, 2 vols, 592 p., 200 colour & b/w ill., 4500 b/w negatives, $98.00 1 It’s a story almost too unbelievable to be true, and one that fits so perfectly with ‘the myth of Robert Capa’ that it could easily be mistaken for a mystery novel: thousands of negatives from the Spanish Civil War found intact in Mexico City handed over to the International Center of Photography (ICP) in New York almost seventy years after they went missing in Vichy, France. But this account is not one of fiction. It is the outcome of decades of research by the ICP’s founder (and brother of Robert Capa), Cornell Capa, and Robert Capa scholar Richard Whelan. -
Visualizing FASCISM This Page Intentionally Left Blank Julia Adeney Thomas and Geoff Eley, Editors
Visualizing FASCISM This page intentionally left blank Julia Adeney Thomas and Geoff Eley, Editors Visualizing FASCISM The Twentieth- Century Rise of the Global Right Duke University Press | Durham and London | 2020 © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Julienne Alexander / Cover designed by Matthew Tauch Typeset in Minion Pro and Haettenschweiler by Copperline Books Library of Congress Cataloging-in-Publication Data Names: Eley, Geoff, [date] editor. | Thomas, Julia Adeney, [date] editor. Title: Visualizing fascism : the twentieth-century rise of the global right / Geoff Eley and Julia Adeney Thomas, editors. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019023964 (print) lccn 2019023965 (ebook) isbn 9781478003120 (hardback : acid-free paper) isbn 9781478003762 (paperback : acid-free paper) isbn 9781478004387 (ebook) Subjects: lcsh: Fascism—History—20th century. | Fascism and culture. | Fascist aesthetics. Classification:lcc jc481 .v57 2020 (print) | lcc jc481 (ebook) | ddc 704.9/49320533—dc23 lc record available at https://lccn.loc.gov/2019023964 lc ebook record available at https://lccn.loc.gov/2019023965 Cover art: Thomas Hart Benton, The Sowers. © 2019 T. H. and R. P. Benton Testamentary Trusts / UMB Bank Trustee / Licensed by vaga at Artists Rights Society (ARS), NY. This publication is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame. CONTENTS ■ Introduction: A Portable Concept of Fascism 1 Julia Adeney Thomas 1 Subjects of a New Visual Order: Fascist Media in 1930s China 21 Maggie Clinton 2 Fascism Carved in Stone: Monuments to Loyal Spirits in Wartime Manchukuo 44 Paul D. -
Republican Propaganda of the Spanish Civil War
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Art and War: Republican Propaganda of The Spanish Civil War Jason Manrique The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3134 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ART AND WAR: REPUBLICAN PROPAGANDA OF THE SPANISH CIVIL WAR by JASON MANRIQUE A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 © 2019 JASON MANRIQUE All Rights Reserved ii Art and War: Republican Propaganda of The Spanish Civil War by Jason Manrique This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Isolina Ballesteros Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Art and War: Republican Propaganda of The Spanish Civil War by Jason Manrique Advisor: Isolina Ballesteros This thesis focuses on propaganda used by the Republican side of the Spanish Civil War (1936- 1939) to gain support for their cause and win the war. It focuses on three forms of media: cinema, posters and photography, and it is divided into an introduction, three separate chapters, and a conclusion. -
Luta Antibelicista Através Da Arte: Vida De Robert Capa¹
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXIII Congresso de Ciências da Comunicação na Região Sudeste – Belo Horizonte - MG – 7 a 9/6/2018 Luta Antibelicista através da Arte: Vida de Robert Capa¹ Camila Moraes CAMILO² Aparecida Jaqueline Fernandes de OLIVEIRA³ Beatriz Pires MOREIRA4 Julia Mayra Vieira da SILVA5 Luciana Leme Souza e SILVA 6 Centro Universitário de Rio Preto, São José do Rio Preto, SP. RESUMO O presente artigo tem como objetivo narrar os principais fatos que permeiam a vida de um dos mais importantes fotojornalistas do século XX, Robert Capa. Sempre engajado em assuntos políticos, Capa utilizou as suas fotografias como uma ferramenta de protesto contra a violência trazida pelas guerras, mostrando para a comunidade internacional as consequências ocasionadas pelas mesmas. Além de ser um grande marco na luta a favor dos direitos de liberdade e produção dos fotojornalistas. PALAVRAS-CHAVE: Robert Capa; Fotojornalismo; Fotografia de Guerra; Denúncia; Violência. 1. INTRODUÇÃO O papel do fotógrafo de guerra vai além de mostrar para o público o que está ocorrendo em um local em conflito, é transmitir através de imagens a tensão do ambiente, a mistura de sentimentos de um povo - assustados por tanta violência. __________________ ¹Trabalho apresentado na IJ 1 do XXIII Congresso de Ciências da Comunicação na Região Sudeste, realizado de 7 a 9 de junho de 2018. ²Aluno do 3o. semestre do Curso de Jornalismo do Centro Universitário de Rio Preto (UNIRP), email: [email protected] ³Aluno do 3o. semestre do Curso de Jornalismo do Centro Universitário de Rio Preto (UNIRP), email: [email protected] 4Aluno do 3o. -
Pressefotografie Im Spanischen Bürgerkrieg Robert Capa Und Sein
DIPLOMARBEIT Titel der Diplomarbeit „Pressefotografie im Spanischen Bürgerkrieg Robert Capa und sein Fallender Soldat “ verfasst von Andrea Latschbacher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. A 236 352 Studienblatt: Studienrichtung lt. Diplomstudium Romanistik Spanisch Studienblatt: Betreuer: Univ.-Prof. Dr. Jörg Türschmann Danksagung Zu Beginn meiner Arbeit möchte ich mich bei jenen Personen bedanken, die mich während der Zeit des Schreibens immer unterstützt haben. Hier soll natürlich meine Familie an erster Stelle stehen. Meine Eltern, die geduldig mit mir waren und mir während des Schreibprozesses genügend Freiraum gaben mich entfalten zu können. Auch mein Bruder Peter trug seinen Teil zu meiner Arbeit bei, indem er mich immer wieder anspornte schneller zu sein als er. Den wichtigsten Part trägt jedoch meine Schwester Verena, die mich und meine Launen ertrug und mich immer wieder ermutigte weiterzumachen. Weiters möchte ich meinen Freunden Dani, Karina, Karl, Marlene und Max danken, die mir mit Rat und Tat zur Seite standen, wo sie nur konnten. Auch möchte ich Univ.-Prof. Dr. Jörg Türschmann danken, der sich trotz seiner bereits hohen Anzahl an zu betreuenden Studenten, noch dazu bereit erklärte mich zu betreuen. Inhaltsverzeichnis 1. Einleitung 1 2. Pressefotografie 4 2.1. Definition des Begriffs Pressefotografie .................................................................4 2.2. Die Entwicklung der Printmedien...........................................................................6 -
A Fotografia Documental Na Imprensa Nacional: O Real E O Verosímil
A Fotografia Documental na Imprensa Nacional: o Real e o Verosímil Maria de Fátima Lopes Cardoso Tese de Doutoramento em Ciências da Comunicação Maria de Fátima MariadeLopes Cardoso, Fátima Nacional: o Real e o Verosímil, 2014 o Nacional: e Verosímil, o Real A Fotografia Documental naA Documental Fotografia Imprensa Setembro, 2014 Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Ciências da Comunicação, realizada sob a orientação científica do Professor Doutor Jacinto António Rosa Godinho A Fotografia Documental na Imprensa Nacional: o Real e o Verosímil Apoio financeiro da FCT e do FSE no âmbito do III Quadro Comunitário de Apoio. Ao Vicente AGRADECIMENTOS Ao Professor Doutor Jacinto António Rosa Godinho, orientador desta tese, que tantas vezes ajudou a encontrar o caminho certo ao longo desta investigação. A todos os fotógrafos e outras personalidades do jornalismo que participaram nas entrevistas e aceitaram partilhar experiências, opiniões e visões sobre o ser fotográfico e a fotografia, em especial ao Paulo Ricca, Céu Guarda, David Clifford, Leonel de Castro, Luiz Carvalho, António Pedro Ferreira, Fernando Ricardo, professor José Soudo e Luís Vasconcelos. Aos meus pais, sem os quais nunca teria chegado aqui. Ao João Leopoldo. A todas as pessoas que me acompanharam neste caminho e me ajudaram a cumprir os objetivos propostos com esta investigação: Professor Doutor José Manuel Paquete de Oliveira, Professora Doutora Maria João Gamito, Maria José Mata, Manuela Vasconcelos, Emídio Fernando, Sónia Rodrigues, Carla S. Rodrigues, Kátia Soveral, Sónia Rafael, Ana Sofia Santos, Professora Doutora Vanda de Sousa, Carla Carvalho Tomás e tantos outros que não esquecerei. -
The Mexican Suitcase: the Story 4/22/11 12:34 PM
The Mexican Suitcase: The Story 4/22/11 12:34 PM ABOUT GALLERY RESOURCES ICP HOME CATALÀ ESPAÑOL THE STORY OF THE "MEXICAN SUITCASE" In late December 2007, three small cardboard boxes arrived at the International Center of Photography from Mexico City after a long and mysterious journey. These tattered boxes—the so-called Mexican Suitcase—contained the legendary Spanish Civil War negatives of Robert Capa. Rumors had circulated for years of the survival of the negatives, which had disappeared from Capa's Paris studio at the beginning of World War II. Cornell Capa, Robert's brother and the founder of ICP, had diligently tracked down each tale and vigorously sought out the negatives, but to no avail. When, at last, the boxes were opened for the 89-year-old Cornell Capa, they revealed 126 rolls of film—not only by Robert Capa, but also by Gerda Taro and David Seymour (known as "Chim"), three of the major photographers of the Spanish Civil War. Together, these roles of film constitute an inestimable record of photographic innovation and war photography, but also of the great political struggle to determine the course of Spanish history and to turn back the expansion of global fascism. We have determined that the film rolls in the Mexican Suitcase break down roughly into a third each by Chim, Capa, and Taro. Almost all of the film is from the Spanish Civil War, taken between May 1936 and spring 1939. There are two exceptions: two rolls of film by Fred Stein taken in Paris in late 1935, which include both the famous image of Gerda Taro at a typewriter and the picture of Taro and Capa at a café, and another two rolls from Capa's trip to Belgium in May 1939. -
CHIM & the MEXICAN SUITCASE a Thesis Submitted to the Faculty Of
CHIM & THE MEXICAN SUITCASE A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Brenda Margarita González Abagy, B.A. Washington, DC April 28, 2010 CHIM & THE MEXICAN SUITCASE Brenda Margarita Gonzalez Abagy, B.A. Thesis Advisor: Michael T. Coventry, Ph.D. ABSTRACT “Chim and the Mexican Suitcase” analyzes the photographer Chim’s negative sequences which are contained in the so-called Mexican Suitcase. This is a holistic study which relates Chim’s subjectivity towards the narrative process found in his photographing of the Spanish Civil War by considering the visual narrative’s evolution that both the photographer and the French press (Regards magazine) experienced when creating photo-reports in1937. The thesis also analyzes how technology changes the perceptions and scholarly practices of visual studies. ii My debts of gratitude begin to “La Caixa Bank” for sponsoring my Masters program at Georgetown University. I am very grateful as well to my advisers Prof. Michael Coventry and Dean James Schaefer for their unconditional support, wise suggestions, and for encouraging the interdisciplinary approach of this project. I owe special thanks to Cynthia Young, curator of Robert Capa’s collection at the International Center of Photography in first place for giving me the opportunity to do research on the negatives, for her trust and time dedicated to listen to my ideas; and secondly, for her orientation and advice, which finally inspired the path of my thesis project. -
MAGNUM LIFE : Il Fotogiornalismo Che Ha Fatto La Storia
1 MAGNUM LIFE IL FOTOGIORNALISMO CHE HA FATTO LA STORIA SILVANA EDITORIALE 2 3 MAGNUM LIFE CATALOGO A CURA DI MOSTRA A CURA DI RINGRAZIAMENTI La prestigiosa struttura del Museo del violino Marco Minuz Marco Minuz Roberta Barbaro di Cremona ospita, dal 31 ottobre 2014 all'8 febbraio IL FOTOGIORNALISMO Gabriele Bomben TESTI COORDINAMENTO Ludovico Bomben 2015, la mostra la nascita di Magnum. Robert Capa Henri CHE HA FATTO LA STORIA Marco Minuz E ORGANIZZAZIONE Carlo Enrico Bonvicini Cartier-Bresson, George Rodger, David 'Chim' Seymour, Giada Centazzo UNOMEDIA Maurizio Calcinoni nell'ottica di una sinergia volta ad avviare e consolidare 4.03—11.06.2017 SUAZES INTERVISTE Gabriella Cecotti il ruolo di importante spazio espositivo del polo museale. Cremona. Museo del Violino IN COLLABORAZIONE CON Bruno Barbey Lisa Comandù Il complesso architettonico, recentemente restaurato Uliano Lucas Museo del Violino Sergio Campagnolo Magnum Photos Paola Carlomagno dalla Fondazione Arvedi Buschini e dal Comune di COORDINAMENTO EDITORIALE Dario Cimorelli Cremona, esprime, in tale occasione, anche il proprio SEGRETERIA ORGANIZZATIVA Giada Centazzo Marco Citron Mariagrazia Posca ruolo di contenitore culturale capace di arricchire Renato Corsini IN COLLABORAZIONE CON e nobilitare esposizioni e mostre in un dialogo di PROGETTO GRAFICO Gigi Cuba queste due pagine sono Magnum Photos, valorizzazione reciproca. exhibition’s department: DM+B&Associati Sergio Di Stefano SUPPORTO / WITH THE CONTRIBUTION OF Il percorso espositivo indaga e ricostruisce i passi Clarisse -
From Depression Reporters to Foreign Correspondents
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Straight Record and The Paper Trail: From Depression Reporters to Foreign Correspondents Magdalena Bogacka-Rode Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/405 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] STRAIGHT RECORD AND THE PAPER TRAIL: FROM DEPRESSION REPORTERS TO FOREIGN CORRESPONDENTS BY MAGDALENA BOGACKA-RODE A dissertation submitted to the Graduate Center Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii Copyright 2014 Bogacka-Rode, Magdalena All rights reserved. iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Jane C. Marcus ______________________ _______________________________________________ Date Chair of Examining Committee Mario DiGangi _______________________ ______________________________________________ Date Executive Officer Jane C. Marcus Mario DiGangi Michele Wallace Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv STRAIGHT RECORD AND THE PAPER TRAIL: FROM DEPRESSION REPORTERS TO FOREGIN CORRESPONDENTS Abstract By Magdalena Bogacka-Rode Adviser: Professor Jane C. Marcus Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn’s The Face of War (1959), Virginia Cowles’ Looking for Trouble (1941) and Josephine Herbst’s The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. -
'Shooting with Light' Education Pack
! ! ! Idle Motion’s ‘Shooting With Light’ Education Pack Activity: -What defines Idle Motion’s style? -List 3 theatre companies that have a similar style. Prompts: -Physical theatre, projection, filmic, props, ensemble, collaboration. -Gecko, DV8, Complicite, Knee High, Frantic Assembly, Rhum & Clay. Idle Motion create highly visual theatre that places human stories at the heart of their work. Integrating creative and playful stagecraft with innovative video projection and beautiful physicality, their productions are humorous, evocative and sensitive pieces of theatre that leave a lasting impression on their audiences. Facts on the Company • Idle!Motion!is!run!by!4!Co2Artistic!Directors!2!Grace!Chapman,!Sophie! Cullen,!Ellie!Simpson!and!Kate!Stanley,!who!met!at!their!Comprehensive! Secondary!School!in!Oxford!in!2004.! • The!Company!began!in!2007!when!they!started!taking!shows!to!the! Edinburgh!Festival!Fringe.! • Idle!Motion!are!the!Resident!Ensemble!at!the!New!Diorama!Theatre!and! Associate!Artists!at!the!Oxford!Playhouse.! • Idle!Motion!are!an!ensemble!company!and!work!collaboratively!with!their! creative!team!to!devise!each!of!their!original!pieces.!! • ‘Shooting!with!Light’!was!Idle!Motion’s!6th!show.! Activity: -List 3 images that you saw in ‘Shooting With Light’ and the theatrical devices that the company used to create them. Prompts: -Spanish Civil War: Chorus movement, gun, silhouette lighting from below creates sense of larger crowd. -Photography Dark Room: Red lighting, small space created by blocks, developing tray, camera film negatives. -Morgue: Dark lighting, bodies on stage, use of torch light to symbolise camera, use of Gerda’s pictures projected.! ! ! ‘Shooting With Light’s’ Inspirations: Photography We began this process wanting to make a show about the history of photography.