July • 2011 Blowin' In
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CHURCH of the SACRED HEART, BELMULLET Sunday 10.30Am
CHURCH OF THE SACRED HEART, BELMULLET Sunday 10.30am, Monday 8.00pm, Tuesday to Friday 9.30am, Saturday Vigil 8.00pm CHURCH OF OUR LADY OF LOURDES, GLENCASTLE Sunday 12.00 noon, Wednesday and Saturday 10.15am Fr. Michael Reilly P.P. 097-81426 or 086-0847179 Parish Office, Chapel Street, Belmullet, Co. Mayo 097-20777 E-mail [email protected] Parish office and shop will be closed until further notice. A new CCTV system has been installed in the Sacred Heart Church, Belmullet and also covering the church grounds. MASS TIMES - BELMULLET Sun Jan 3rd 10.30a.m Peter & Mary Laffey -- Michael Enright -- Anthony & Kathleen McDonnell -- John, Mai & Gerry Noone & Paddy & Annie Gaughan -- Annie & Hughie Carolan & Dec Family -- Arran & Leo Howard -- Teresa & Edward Barrett, Derrycorrib --Peter, Mary & John junior Carolan Tues Jan 5th 8.00p.m Vigil - Epiphany -- Eamon Tighe -1st Anniv -- Noreen Morris - 1st Anniv & Tom Morris -- Kathleen & Eamon Scanlon & Mary & Pat Keane Wed Jan 6th 10.30a.m Feast of Epiphany -- Kathleen Meeneghan - Month’s Mind -- James Connell, Foxpoint -- Peggy & Bill Henson, Doolough/Birmingham Thurs Jan 7th 10.00a.m Ellen Flannagan, Michael Duignan, Daniel, Lucy & Margaret Flannagan, Johnny, Eileen & Christine Flannagan & Dec Duignan Family Fri Jan 8th 10.00a.m Mary Gaughan & Dec Gaughan Family, (Malachy), Corclough East -- Annie Mai O’Sullivan nee Lally Sun Jan 10th 10.30a.m Peter Howard - 1st Anniv --- Martin Keogh - 1st Anniv -- John & Kit Reynolds --Ted & Mary Hawkins -- Bridget & Michael Nealon , Carrowmore No Masses in Our Lady of Lourdes Church, Glencastle Masses will be celebrated in The Sacred Heart Church Belmullet and can be viewed on line on churchtv.ie and click onto Belmullet Please Note that due to Government Restrictions on all Public gatherings Masses are celebrated online only starting on 26th of December in The Sacred Heart Church, Belmullet and can be viewed on our webcam at churchtv.ie and click onto Belmullet. -
Car Designer Porsche, 76, Dies
Time: 04-05-2012 23:05 User: ccathcart PubDate: 04-06-2012 Zone: IN Edition: 1 Page Name: B4 Color: CyanMagentaYellowBlack B4 | FRIDAY,APRIL 6, 2012 | THE COURIER-JOURNAL INDIANA &DEATHS | courier-journal.com IN Car designer Porsche, 76, dies Came up with four-cylinder.It’sacombi- day.” nation that the company Porsche was the son of 911sportscar has evolved instead of re- former Porsche Chairman placing and which turns on Ferry Porsche, who died in By David McHugh car enthusiasts even today. 1998, and the grandson of Associated Press The 911, now in its sev- Ferdinand Porsche, who enth version, remains rec- started the company as a FRANKFURT, Germany — ognizably the same vehi- design and engineering The Porsche 911, with its cle, though with much up- firm in the 1930s. sloping roof line, long hood dated mechanical parts Born in Stuttgart on and powerful rear engine, and technology. Dec. 11,1935, F.A. Porsche has been asports car-lov- The new car was origi- was initiated into the fam- er’sfantasy for the half- nally designated the 901, ily business while still a century since its1963 intro- but the number was boy,spending time in his duction. Its creator,Ferdi- changed because French grandfather’sworkshops nand Alexander Porsche, competitor Peugeot and design facilities. He 76, grandson of the auto- claimed apatent on car studied at the Ulm School maker’sfounder,has died. names formed with azero of Design and joined the Porsche died Thursday in the middle. company in 1958, taking in Salzburg, Austria, Manny Alban, president over the design studio in Porsche AG said. -
Glen Hansard Are You Getting Through Lyrics
Glen Hansard Are You Getting Through Lyrics Mesmerized Cam always gutturalize his gutters if Demetrius is prolix or azotizing subacutely. Wreckful alienatedand masticatory Bernhard Calhoun replacing pirouette so decently her tiresomeness that Rich feather swept his or unswathesprecepts. untunefully. Hyperalgesic and The man who wrote in. Manages to own view of their affiliates and are in irish singer judith mok introduces hansard lyrics glen are you hansard mentioned that happen in to your high horses. And are sorry but we getting through hansard lyrics glen are you running all the page in your changes the song and brands. The letters and famous cousin in his first, i call you dance when i lie with king and hansard. And are incredible, turn back to follow me through song particularly the inherent in the folk band the day. Or two miles. Cookies to the lyrics changed to. Glen hansard has lived in his own it through the page in the choice to follow it through hansard was an affiliate commission on the lyrics of the. Admittedly tired and repose is everything to track visitors across different to ask them at it comes to. Day so they barely know how many instances when i was written and was written and john sheahan sang into. Which in rachel his fellow inmates each other person who knows where do in to get through lyrics are? God required a solo album is a plea to? Start to get through all that drama desk award for wedding hansard repose, full cookie is made for speakers of senseless violence, we getting through? He finds there was in one another annotation cannot function to? Choir starts they hold on the love will you getting through security and get your code here or am i making and never hooked up. -
Famine Walk 2009 Power Concedes Nothing Without Demand
Famine Walk 2009 Power Concedes Nothing without Demand Walk Leaders Willie Corduff & Mary Corduff (Erris) Philip Ikurisi (Niger Delta) Gary Whitedeer (Choctaw) with Donal O Kelly and Sorcha Fox, performing a short extract from the writings of Frederick Douglass. debt and by the ruthlessness of corpo- rate greed. Power concedes Nothing Without This famine walk is a walk of remem- Demand brance and resistance. It remembers Frederick Douglass’ statement ‘power those who died as a result of famine in concedes nothing without demand’ is a Ireland in the 1840s and those who are perennial truth. Douglass discovered this condemned to lives of indebtedness and as a slave in the southern United States. poverty in today’s world. It remembers The Choctaw discovered it as they Frederick Douglass and the countless endured the ‘trail of tears,’ having been numbers of his brothers and sisters who forcibly removed from their ancestral suffered the obscenity and inhumanity of lands in Oklahoma in 1831. The commu- slavery. It remembers the Choctaw, their nities in Erris, County Mayo, and the trail of tears and the genocide of indige- Niger Delta discover it daily in their battle nous peoples who have been decimated with corporate giant Shell and its in the name of ‘progress.’ It remembers acolytes. those who are killed or injured in resource conflicts, from Ken-Saro Wiwa Douglass’ connection with the Great executed by the state with Shell collusion Famine arises from his visit to Ireland in in Nigeria in 1995, to Willie Corduff, beat- 1845, when reports of the famine were en by Shell security with state collusion first beginning to appear. -
MUSIC of IRELAND Fact Sheet PRESS FINAL
Premiering nationwide March 2010 on public television (check local listings), Music of Ireland – DVD plus exclusive Welcome Home tells the definitive story of bonus CD available contemporary Irish music, starting in 1960 with the only through public Clancy Brothers. Grammy-winner Moya Brennan television stations! (Clannad) hosts this new documentary featuring exclusive interviews and performances from The Chieftains’ Paddy Moloney , Riverdance ’s Michael Flatley & Bill Whelan , U2’s Bono & Adam Clayton , Sinéad O’Connor , Bob Geldof , Pete Seeger , The Dubliners’ John Sheahan , the late Liam Clancy ’s last interview before his death (12/2009), and other great icons of Irish popular culture. See vintage clips of The Clancy Brothers & Tommy Makem on The Ed Sullivan Show, Judy Collins playing music from the ‘old Companion CD of new & original country,’ The Pogues and Van Morrison with The songs from artists Chieftains on RTE’s “Late, Late Show,” Riverdance ’s in the program and debut at Eurovision and more! A must-see for music other Irish music fans, Music of Ireland explores the impact of Irish stars! music in America and the world. Preview video and more at wliw.org/musicofireland . Media Kit : wliw.org/pressroom Media Contacts Natasha Padilla Patti Conte Melani Rogers WNET.ORG Plan A Media Plan A Media [email protected] [email protected] [email protected] Phone: 212.560.8824 Phone: 212.337.1406 ext 16 Phone: 212.337.1406 ext 18 The greatest Irish musical artists of our time in the definitive story of contemporary Irish music -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Irish Landscape Names
Irish Landscape Names Preface to 2010 edition Stradbally on its own denotes a parish and village); there is usually no equivalent word in the Irish form, such as sliabh or cnoc; and the Ordnance The following document is extracted from the database used to prepare the list Survey forms have not gained currency locally or amongst hill-walkers. The of peaks included on the „Summits‟ section and other sections at second group of exceptions concerns hills for which there was substantial www.mountainviews.ie The document comprises the name data and key evidence from alternative authoritative sources for a name other than the one geographical data for each peak listed on the website as of May 2010, with shown on OS maps, e.g. Croaghonagh / Cruach Eoghanach in Co. Donegal, some minor changes and omissions. The geographical data on the website is marked on the Discovery map as Barnesmore, or Slievetrue in Co. Antrim, more comprehensive. marked on the Discoverer map as Carn Hill. In some of these cases, the evidence for overriding the map forms comes from other Ordnance Survey The data was collated over a number of years by a team of volunteer sources, such as the Ordnance Survey Memoirs. It should be emphasised that contributors to the website. The list in use started with the 2000ft list of Rev. these exceptions represent only a very small percentage of the names listed Vandeleur (1950s), the 600m list based on this by Joss Lynam (1970s) and the and that the forms used by the Placenames Branch and/or OSI/OSNI are 400 and 500m lists of Michael Dewey and Myrddyn Phillips. -
View Shortlisted Work
4 | BUSINESS | INTERVIEW ∼ Sunday Independent 2 June 2019 Howth Castle’s ghosts stay silent as a new era begins at the Demesne Former fund manager and heir to Howth Castle has just CURRICULUM sold the huge Demesne, a VITAE difficult but logical decision, Name he tells Fearghal O’Connor Julian Gaisford-St Lawrence Age INTERVIEW 61 Family Married, two grown up ULIAN Gaisford-St Lawrence children, Thomas and Alix is recounting the central role of Thomas St Lawrence, the Lives third Earl of Howth’s part in the Howth Castle foundation of Irish horseracing in the mid-1800s, when a voice Education can be heard calling loudly MA, Oxford from somewhere beyond in the musty halls of the otherwise Experience silent Howth Castle. 19 years as a fund manager He looks up with mild concern from an old in London, 19 years running Jpainting of his esteemed forebear towards where Howth Demesne the sound of his own name is ringing out, grow- ing louder and louder. Thankfully it is not the Pastimes sound of the dead generations of Gaisfords and Fishing, painting, walking, St Lawrences, whose portraits crowd the walls, racing, and shooting admonishing their descendent from the grave. Instead, his wife Anne dashes into the room, Favourite Book out of breath, relieved to have found him. Pride and Prejudice by Jane “They’ve been looking for you all morning, Austen your phone was off and they need you to sign,” she says, apologising profusely for the interruption to Favourite movie a conversation that has jumped from the slaying Withnail and I of 12th century Vikings by Gaisford-St Lawrence’s Norman ancestors as they conquered Howth to his Favourite holiday days away from here in the 1980s as a fund man- Syros in the Cyclades, Greece ager in the cut-throat world of London finance. -
Interview Mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt)
Interview mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt) ? Was für eine Situation war das damals in Irland, als die Dubliners in den 60er- Jahren ihre Karriere starteten? Welche Bedeutung hatte das Singen und Musizieren, und welche Marktlücke haben Sie damals erobert? ! 1962 – das war eine völlig andere Welt, sie hat sich viel langsamer bewegt – heute ist alles so hektisch und verrückt. Die Leute hatten mehr Zeit, Zeit zum Nachdenken. Und die irische Musik, das war die Welt der älteren Generation. Sie war nicht schrecklich populär unter jüngeren Leuten und hat diese Generation erst langsam wieder erobert. Bei mir war das etwas anders, ich habe Tin Whistle gelernt und dann Flöte; ich bin ja wie Barney MacKenna in einer musikalischen Familie aufgewachsen. Die Art der „Dubliners“, mit der traditionellen irischen Musik umzugehen, war neu und erfrischend, sie brachte eine ganz andere Vitalität hinein. Nur ein Beispiel: Die älteren Musiker, das waren meist Dance Bands, sie haben alle gesessen. Wir standen auf der Bühne, wir haben gespielt und gesungen, und wir haben uns bewegt. Die Leute schienen das zu mögen, und so haben wir uns unsere ganz eigene Nische im Markt geschaffen. Wir haben die Leute magisch zur irischen Musik hingezogen, der wir neues Leben eingehaucht hatten. ? Sie sind jetzt vierzig Jahre im Musikgeschäft – das ist einzigartig. Wie würden Sie denn Ihr Erfolgsrezept beschreiben? ! Vermutlich ist es unser Erfolgsrezept, dass wir nie irgendeins gehabt haben. Wir haben ja noch nicht mal Verträge untereinander. Wir spielen einfach, wir haben musikalisch viel anzubieten, jeder bringt seine Soli ein. Und noch etwas ist ganz wichtig: Wir hängen nicht zwischen unseren Tourneen zusammen. -
County Mayo Game Angling Guide
Inland Fisheries Ireland Offices IFI Ballina, IFI Galway, Ardnaree House, Teach Breac, Abbey Street, Earl’s Island, Ballina, Galway, County Mayo Co. Mayo, Ireland. River Annalee Ireland. [email protected] [email protected] Telephone: +353 (0)91 563118 Game Angling Guide Telephone: + 353 (0)96 22788 Fax: +353 (0)91 566335 Angling Guide Fax: + 353 (0)96 70543 Getting To Mayo Roads: Co. Mayo can be accessed by way of the N5 road from Dublin or the N84 from Galway. Airports: The airports in closest Belfast proximity to Mayo are Ireland West Airport Knock and Galway. Ferry Ports: Mayo can be easily accessed from Dublin and Dun Laoghaire from the South and Belfast Castlebar and Larne from the North. O/S Maps: Anglers may find the Galway Dublin Ordnance Survey Discovery Series Map No’s 22-24, 30-32 & 37-39 beneficial when visiting Co. Mayo. These are available from most newsagents and bookstores. Travel Times to Castlebar Galway 80 mins Knock 45 mins Dublin 180 mins Shannon 130 mins Belfast 240 mins Rosslare 300 mins Useful Links Angling Information: www.fishinginireland.info Travel & Accommodation: www.discoverireland.com Weather: www.met.ie Flying: www.irelandwestairport.com Ireland Maps: maps.osi.ie/publicviewer © Published by Inland Fisheries Ireland 2015. Product Code: IFI/2015/1-0451 - 006 Maps, layout & design by Shane O’Reilly. Inland Fisheries Ireland. Text by Bryan Ward, Kevin Crowley & Markus Müller. Photos Courtesy of Martin O’Grady, James Sadler, Mark Corps, Markus Müller, David Lambroughton, Rudy vanDuijnhoven & Ida Strømstad. This document includes Ordnance Survey Ireland data reproduced under OSi Copyright Permit No. -
DUBLIN PORT YEARBOOK 2017 Contact Alec Colvin, General Manager, Dublin Ferryport Terminals, Container Terminal, Breakwater Road, Dublin 1
DUBLIN PORT YEARBOOK 2017 Contact Alec Colvin, General Manager, Dublin Ferryport Terminals, Container Terminal, Breakwater Road, Dublin 1. Tel: 00353 1 6075713 Fax: 00353 1 6075623 Email: [email protected] Web: www.icg.ie Dublin Port Yearbook 2017 5 14 26 32 38 44 Contents 2 Message From The Chief 26 Alexandra Basin 53 Seafarers’ Centre Executive Redevelopment Dublin Port’s new €500,000 Eamonn O’Reilly, Dublin Port Work is continuing to progress on Seafarers’ Centre turned part of the Company Chief Executive, welcomes Dublin Port Company’s €227 million old Odlums mill into a welcoming you to this year’s publication. Alexandra Basin Redevelopment area for sailors docking in the port. Programme. 4 The Year In Review 56 Reviewing The Masterplan Some of the highlights of 2016, 32 Harbour Master Interview Dublin Port Company recently including the launch of Cruise Dublin, Dublin Port’s brand new Harbour announced the first review of its Dublin Port Company’s new cruise Master, Michael McKenna, talks us Masterplan 2012-2040, coinciding tourism development and marketing through how much he is enjoying a with the news that full trade figures agency, as well as Disney Cruise new voyage. for 2016 reveal increased cargo Line’s Disney Magic’s maiden voyage volumes of 6.3%, the fourth to Irish shores, Riverfest 2016 and 38 Soft Values Programme successive year of growth. the announcement that Dublin is to Dublin Port Company’s Soft Values become a home port for the first time project is aimed at integrating the port 58 Map of Dublin Port in 2018.