The Sahel Calling Project Musician Gallery
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Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
Terry James Resource Library Black History
TERRY JAMES RESOURCE LIBRARY BLACK HISTORY SUBJECT GUIDE BOOKINGS CAN BE SCHEDULE BY CONTACTING 519-822-4420 EXT. 553 OR [email protected] Searching for Resources? Start by selecting this link: https://ug.ent.sirsidynix.net/client/en_CA/TJR/?dt=list The following instructions may be helpful: 1. Enter your “SEARCH TERMS”, IE: “mathematics” and click on “SEARCH”. 2. Select appropriate search limiters from the left side of the search results screen NOTE: select “VIEW ALL” within categories for more options. Page 1 of 16 3. Click on the small box by each title of interest. Please note that you will need to “SELECT AN ACTION”, before moving on to next search results screen. You can “ADD TO MY LISTS” or “EMAIL TO ME”. NOTE: “SELECT AN ACTION” is located at the top & bottom of the page, in grey bar. 4. Once you have marked all the titles of interest, and you selected “ADD TO MY LISTS”, you wil now need to click on “MY LISTS” near the top of the page: 5. Resources will be listed, and can be arranged by Publication Date, Title, Author and more. Place a checkmark in the box by “SELECT ACTION” and notice that all titles in your list will have a checkmark to be included in the email message you will send to your [email protected] or [email protected] email address. Page 2 of 16 6. The list of selected resources arrives in your inbox within a few seconds. Once the list arrives in your inbox, you can close the browser. -
République Amazone (CD / LP / DL) > 10Th March 2017 (CD / LP / DL), Real World Records > Listen on Souncloud
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa The first all-female supergroup of West Africa, the collective Les Amazones d’Afrique brings together musicians fighting violence against women. Whether they are undisputed stars or well-kept secrets, the musicians involved in this project are all among the most acclaimed voices in West African music: Kandia Kouyaté, Mamani Keita, Rokia Koné, Mariam Koné, and Aminata Danté (+ Nneka, Angélique Kidjo and Mariam Doumbia as special guests). The collective elegantly mixes generations and energies and perpetuates the Mandingo tradition by giving it the power of African megacities. An «All-Star» you might think. Yes, but not only that. Inspired by the formidable and mysterious warriors of Dahomey, the greatest Malian singers and musicians of the moment come together to fight against violence towards women. Les Amazones d’Afrique - I Play -
Black-And-White Marital Relations in John Edgar Wideman's
0 Actes du colloque international 5 & 6 septembre 2017 Abidjan Le paradigme Afrique-Occident dans une dynamique de globalisation des littératures, arts, et cultures Textes réunis par Kouadio Germain N’GUESSAN ISBN : 9782237968162 © Les Editions INIDAF Email : [email protected] 08 BP 724 Abidjan 08 Abidjan, Côte d’Ivoire 1 A. Comité scientifique 1- Sery BAILLY, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 2- GNEBA Kokora, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 3- Koffi TOUGBO, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire 4- Justin ABO, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire 5- Coulibaly DAOUDA, Professeur, Université Alassane Ouattara, Côte d’Ivoire 6- BOA Timélé Ramses, Professeur, Université Félix Houphouët- Boigny, Côte d’Ivoire 7- BLEDE Logbo, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 8- BOHUI Djédjé Hilaire, Professeur, Université Félix Houphouët- Boigny, Côte d’Ivoire 9- AMANI Konan, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 10- SILUE Sassongo Jacques, Maître de conférences, Université Félix Houphouët-Boigny, Côte d’Ivoire 11- KOUASSI Jérôme, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 12- YÉO Lacina, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire 13- VAHI Yagué, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire B. Comité d’organisation 1- N’GUESSAN Kouadio Germain, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 2- -
Oumar Konate
OUMAR KONATE PRESS: • “a tumultuous, constantly morphing six-beat Malian rhythm with raw vocal incantations and plenty of wah- wah.” Jon Pareles, NY Times, 19 July 2019 • “a kaleidoscopic primer for West African music… Konate really deserves to be as big a star on the international stage as he is at home” Nigel Williamson (****), Songlines Magazine #151 • "The man is a swirling amalgam of instrumental and vocal emotions." Pieter Franssen mixedworldmusic.com • "(Konate’s) modern mix of blues and afrorock is unmistakably one of the best that comes to us from Africa today." Eric van Domburg Scipio popmagazineheaven.nl #30, 2019 • "...powerful, groovy and often superfunky sound with haunted vocals..." Pieter Franssen (****½) in the Dutch music magazine Jazzism #5 2019 about Oumar Konate's album 'I Love You Inna'. • “His boldfaced chops, ceaseless energy and unmistakable star power yield an African guitar album that very much knows how to rock.” Dennis Rozanski, Bluesrag mojoworkin.com Winter 2019 • “Among the ever-growing pantheon of Mali’s global stars.” Jim Hickson, Songlines • ”Smoldering electric guitar” Rob Weisberg WFMU-FM • “A master on the western electric guitar” Ruud Siebons, Studio-Globe, Broadcast 1357 • “(Konate) will inspire fans of modern African music as well as blues rock fans." Willi Klopottek, Luxembourg magazine Woxx.lu March 2018 • “Intricate close work and headlong shredding.” The Wire, April 2018. • “Whining, lightning fast and exciting.” -Kees van Wee Heaven Magazine #5 2017 • "Great punchy production and blistering playing." - John Bates, WTJU-FM May 2017 • “…full on rock with long screaming guitar solos on full sustain backed by bass and drums. -
Terrorism in Africa Extremist Groups Threaten Security Across the Continent
New Strategies Turn the Tide Against Terror PLUS A Conversation With Lt. Gen. Robert Kibochi of Kenya IGAD Opens Center to Counter Extremism Reclaiming the Digital Terrain VISIT US ONLINE: ADF-MAGAZINE.COM VOLUME 12 | QUARTER 1 TABLE OF CONTENTS features 8 By the Numbers: Terrorism in Africa Extremist groups threaten security across the continent. 14 Reclaiming the Digital Terrain Radical groups have flourished online. They can’t be silenced, but they can be defeated. 20 ‘Sharpening Our Arrowhead’ Kenya’s vice chief of Defence Forces looks to finish the mission in Somalia and secure the homeland. 28 The Threat at Home ISIS fighters leaving Iraq and Syria may not pose primary threat to Africa. 34 Extremism Roils Northern Mozambique Mystery surrounds an insurgency’s leadership and ideology as violence persists. 40 Center Rallies East Africa Against Extremists An Intergovernmental Authority on Development facility will use research and engagement to counter violent extremism. 44 Protectors or Outlaws? The CJTF of Nigeria shows the benefits and challenges of working with civilian security actors. 50 Group Refutes ISIS Beliefs An anti-extremist organization says the ISIS “handbook” is based on distortions 44 of the Quran. departments 4 Viewpoint 5 African Perspective 26 6 Africa Today 26 African Heartbeat 56 Culture & Sports 58 World Outlook 60 Defense & Security 62 Paths of Hope 64 Growth & Progress 66 Flashback 67 Where Am I? Africa Defense Forum is available online. Please visit us at: adf-magazine.com ON THE COVER: This illustration shows the tools used by extremist groups for violence, recruitment and indoctrination. It illustrates the challenge of fighting terrorism while highlighting the new strategies needed to defeat it. -
Musicians Are Suffering
Music Freedom Report no. 1: Côte d’Ivoire • 3 March 2012 DJ Volcano, Tiken Jah Fakoly, Kajeem, Fadal Dey Côte d’Ivoire: Musicians are suffering Ivorian musicians are struggling to survive. Whilst not actually being subject to official censorship mechanisms, musicians are restricted by unofficial state mechanisms just enough to prevent them from functioning professionally, reports Rose Skelton from Côte d’Ivoire. By Rose Skelton Côte d’Ivoire’s 2010 election crisis, in which former President Laurent Gbagbo refused to cede power to the winner recognised by the Independent Electoral Commission Alassane Ouattara, ended in the death of 3,000 people and the displacement of half a million, according to Human Rights Watch. Also affected during the six-month conflict were many of the country’s musicians, some of whom had been critical of the Gbagbo regime in their songs and others who had musically supported the campaigns as official flag-bearers of one or other side and who suffered the repercussions once the power shifted. Many musicians went into exile in neighbouring countries and many are yet to return. Those who stayed have had to survive in a highly-politicised climate and in an industry that is severely depressed. DJ’s house burnt down DJ Volcano is a DJ, dancer, and choreographer who ran a small training centre for dancers and musicians at his home in Yopougon, a neighbourhood of Abidjan. In January 2011 pro- Gbagbo police came to one of his shows and arrested him, saying that his music was ‘too strong,’ meaning critical of Gbagbo’s regime. -
Vernacular Resilience
Vernacular Resilience: An Approach to Studying Long- Term Social Practices and Cultural Repertoires of Resilience in Côte d’Ivoire and the Democratic Republic of Congo Dieunedort Wandji, Jeremy Allouche and Gauthier Marchais About the STEPS Centre The ESRC STEPS (Social, Technological and Environmental Pathways to Sustainability) Centre carries out interdisciplinary global research uniting development studies with science and technology studies. Our pathways approach links theory, research methods and practice to highlight and open up the politics of sustainability. We focus on complex challenges like climate change, food systems, urbanisation and technology in which society and ecologies are entangled. Our work explores how to better understand these challenges and appreciate the range of potential responses to them. The STEPS Centre is hosted in the UK by the Institute of Development Studies and the Science Policy Research Unit (SPRU) at the University of Sussex. Our main funding is from the UK’s Economic and Social Research Council. We work as part of a Global Consortium with hubs in Africa, China, Europe, Latin America, North America and South Asia. Our research projects, in many countries, engage with local problems and link them to wider concerns. Website: steps-centre.org Twitter: @stepscentre For more STEPS publications visit: steps-centre.org/publications This is one of a series of Working Papers from the STEPS Centre ISBN: 978-1-78118-793-7 DOI: 10.19088/STEPS.2021.001 © STEPS 2021 Vernacular Resilience: An Approach to Studying Long-Term Social Practices and Cultural Repertoires of Resilience in Côte d’Ivoire and the Democratic Republic of Congo Dieunedort Wandji, Jeremy Allouche and Gauthier Marchais STEPS Working Paper 116 Correct citation: Wandji, D., Allouche, J. -
MIGRATIONSLYRIK IM SPANNUNGSFELD ZWISCHEN TRAUM UND WIRKLICHKEIT 1 Dr
MIGRATIONSLYRIK IM SPANNUNGSFELD ZWISCHEN TRAUM UND WIRKLICHKEIT 1 Dr. phil. Obikoli Amatso ASSEMBONI Département d’Allemand, Université de Lomé E-Mail: [email protected]/ [email protected] Abstract: Migration ist in den letzten Jahren ein aktuelles Thema der Forschung geworden, das auch von der lyrischen Gattung bzw. in Liedern behandelt wird und viele populäre Sänger auf der Welt beschäftigt. Die vorliegende Studie untersucht Lieder, die die Migration thematisieren. Migration wird hier als globales Phänomen aufgefasst. Zwar wird der Begriff oft hauptsächlich auf afrikanische Migranten bezogen, aber in der Tat betrifft die Migration viele andere Nationen: Überall auf der Welt, wo Armut oder Krieg herrscht, erlebt man dieses Phänomen. Natürlich ist es in Afrika stärker ausgeprägt: Der Traum vieler junger Afrikaner ist es, ihr Land zu verlassen, um ihre Träume in Europa oder in Amerika zu verwirklichen. Dafür sind sie bereit, ihr Leben aufs Spiel zu setzen. Je strenger die Grenzen Europas bewacht werden, desto mutiger werden die „Migrationskandidaten“: Sie suchen alle Umwege, um das „Eldorado“ zu erreichen. Untersucht werden entsprechende Erfahrungen, die in zwei Liedern nacherzählt werden. Es handelt sich um die Lieder „Ouvrez les frontières “ und „Un Africain à Paris “ des aus der Côte d’Ivoire stammenden populären Sängers Tiken Jah Fakoli, den man als „Botschafter“ der afrikanischen Jugend betrachtet. Dabei wird den Fragen der stilistischen Darstellungen und Komponenten dieser Lieder nachgegangen, wobei sowohl die Texte der Lieder als auch deren Videoclips in Betracht gezogen werden. Schlüsselwörter: Migrationslyrik, Medien, Lied, Videoclip. Résumé: Au cours des dernières années, le thème de la migration est devenu un sujet très actuel de la recherche, un sujet également présent dans le genre lyrique ou dans les chansons populaires. -
Chapitre 2 La Politique Publique De L'étranger Et La Crise Sociopolitique
Chapitre 2 La politique publique de l’étranger et la crise sociopolitique en Côte d’Ivoire Alfred Babo Introduction L’histoire de l’étranger en Afrique de façon générale est mêlée aux mouvements commerciaux de la route du sel, des esclaves, de la pénétration coloniale et du travail forcé. Elle prend également en compte tous les mouvements à la fois massifs et individuels fondés sur la volonté de partir. L’étranger est généralement présenté comme la personne qui ne possède pas la nationalité du pays d’accueil où il peut résider ; et d’après Shack et Skinner (1979), c’est un être qui possède une place organique dans un cercle simultanément social et spatial auquel il n’appartient pourtant pas. En raison des déplacements des populations visant, non seulement à améliorer leurs conditions matérielles de vie, mais aussi à optimiser des stratégies de survie complexes (Babo 2005 ; Parnwell 1993 ; Droz et Sottas 1997), l’Afrique de l’Ouest est une grande zone de migration. Les populations d’origines diverses passent d’un pays à un autre (Pitroipa 2003) et se mettent dans la position de l’étranger qui combine à la fois des traits de proximité et de distanciation, selon un continuum qui couvre une grande diversité de situations. En Côte d’Ivoire, la présence étrangère se situe dans le prolongement d’anciens mouvements marchands qui ont eu lieu en Afrique entre le XIIIe et le XIXe siècle (Akindès 2003 ; Blion et Bredeloup 1997 ; Bierwirth 1997). Par la suite, l’administration coloniale a bâti l’essentiel de l’économie agricole de la colonie Côte d’Ivoire sur l’apport et les flux importants de migrants ouest-africains (Cordell et Gregory 1982). -
N° 662 05.11.03 African Culture(S): a Different Image of the Continent (MFI
N° 662 AFRICA-FRANCE 05.11.03 African culture(s): a different image of the continent (MFI) Africa’s image abroad is usually perceived as a bad one. Wars, poverty and AIDS hit the headlines in the Western media, conveying a negative vision of the continent. At the same time, and somewhat paradoxically, African culture is more and more exported elsewhere, producing an image of dynamic creativity. However, not without some ambiguity, and it has not yet become an economic asset. Africa’s image in France and in the West is more varied than it might seem. The media still give prominence to news about conflicts and dramatic events, but have in recent years opened up to other aspects of Africa. Television documentaries have enriched and diversified the viewpoints; in France, the Arte TV network is among those which offer reports on African society and culture. The France-Culture radio station in February 2005 broadcast a week-long series of reports on Mali – not to mention the daily news and other programmes on Africa broadcast by Radio France Internationale (RFI), which can be picked up in Paris. The French press also finds room for background stories on the continent, as seen from outside. However, the growing presence of African cultural creation in Europe is more significant. This is notably evident in plastic arts. The Africa Remix exhibition, featuring the works of 87 contemporary artists from across the continent, was shown in Düsseldorf, London and Paris in 2005, before travelling to Tokyo. The interest for African art emerged in the 1990s and rounded a symbolic cape in 2003 with shows such as the Venice Biennale and the Kassel Dokumenta, with Okui Enwesor of Nigeria as Arts Director. -
Bibliography
BIBLIOGRAPHY The complete list of all sources consulted in the making of this book offers a comprehensive over- view of the literature and other materials available about reggae, Rastafari, Bob Marley, and other topics covered herein. Due to the fleeting nature of the Internet, where websites might change or dis- appear at any given time, online sources used at the time of writing might not be available any longer. The bibliography can also be found on the website of the book at www.reggaenationbook.com. Books History and Heritage (pp. 326-335). Routledge. Bennett, A. (2001). Cultures of Popular Music. Open University Press. Adejumobi, S. A. (2007). The History of Ethiopia. Biddle, I., & Knights, V. (Eds.) (2007). Music, National Greenwood Press. Identity and the Politics of Location: Between the Global Akindes, S. (2002). Playing It “Loud and Straight”. and the Local. Ashgate. Reggae, Zouglou, Mapouka, and Youth Bonacci, G. (2015). From Pan-Africanism to Rastafari: Insubordination in Côte d’Ivoire. In M. Palmberg African American and Caribbean ‘Returns’ & A. Kirkegaard (Eds.), Playing with Identities in to Ethiopia. In G. Prunier & E. Ficquet (Eds.), Contemporary Music in Africa (pp. 86-103). Nordic Understanding Contemporary Ethiopia: Monarchy, Africa Institute. Revolution and the Legacy of Meles Zenawi (pp. 147- Alleyne, M. (2009). Globalisation and Commercialisation 158). Hurst & Company. of Caribbean Music. In T. Pietila (Ed.), World Music Boot, A., & Salewicz, C. (1995). Bob Marley. Songs of Roots and Routes. Studies across Disciplines in the Freedom. Bloomsbury. Humanities and Social Sciences 6 (pp. 76-101). Helsinki Bordowitz, H. (2004). Every Little Thing Gonna Be Alright: Collegium for Advanced Studies.