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ADDRESSING SYSTEMIC RACISM in MEDIA Brian Daly, Dexter Brown, Julie Sobowale and Nadia Stewart the Canadian Association of Black Journalists
AMPLIFYING VOICES, PROTECTING LIVES: ADDRESSING SYSTEMIC RACISM IN MEDIA Brian Daly, Dexter Brown, Julie Sobowale and Nadia Stewart The Canadian Association of Black Journalists 0 AMPLIFYING VOICES, PROTECTING LIVES: ADDRESSING SYSTEMIC RACISM IN MEDIA Acknowledgement and disclaimer: The views and positions expressed in this report are solely those of the author and do not necessarily reflect the views of the Department of Foreign Affairs, Trade and Development or the Government of Canada. The report is in its original language. Executive summary The voices of journalists of colour—within mainstream media and as citizen journalists—are needed more than ever. A government’s willingness to protect journalists and their rights reflects how much it values democracy. Effective and enforced policies protecting the lives of racialized journalists, and resources to amplify their voices and stories, are needed the world over. Public trust and citizen journalism was called in, after a Black teenager was injured during an arrest caught on cellphone video.3 The individuals who recorded George Floyd’s ill- Five months later, in the same city, a cellphone fated encounter with Minneapolis police were video of a Black woman being roughed up by police officers at a Walmart led to charges being engaging in citizen journalism. This form of 4 reporting is generally defined as when “an dropped against the victim. South of the border, ordinary person actively engages in recording, eyewitness video in the shootings of Jacob generating, and disseminating newsworthy Blake, Oscar Grant and Eric Garner played events”.1 This allows citizens to “confront issues pivotal roles in the subsequent investigations. -
Investing in Yourself: Entrepreneurial Journalism in the Digital Age
INVESTING IN YOURSELF: ENTREPRENEURIAL JOURNALISM IN THE DIGITAL AGE by Maggie Reid Master of Information, University of Toronto, Toronto, Ontario, Canada, 2012 Bachelor of Arts, University of Toronto, Toronto, Ontario, Canada, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program in Communication and Culture Toronto, Ontario, Canada, 2018 ©Maggie Reid, 2018 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Investing in Yourself: Entrepreneurial Journalism in the Digital Age Maggie Reid, PhD, Communication and Culture Ryerson University, 2018 Abstract This dissertation is grounded in a Critical Political Economy of communication theoretical framework in conjunction with extensive, qualitative interviews with eighteen emerging journalists, three journalism educators from different types of journalism schools (academic, vocational, hybrid) and four editors from different types of news organizations (legacy, public broadcaster, digital first media) in order to navigate between institutional structures and the agency of individual actors. This work examines how the current structural configurations of the news media industry are impacting how emerging journalists negotiate the expectations that they develop personal brands online, including their perceived control and autonomy over their work. -
République Amazone (CD / LP / DL) > 10Th March 2017 (CD / LP / DL), Real World Records > Listen on Souncloud
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa The first all-female supergroup of West Africa, the collective Les Amazones d’Afrique brings together musicians fighting violence against women. Whether they are undisputed stars or well-kept secrets, the musicians involved in this project are all among the most acclaimed voices in West African music: Kandia Kouyaté, Mamani Keita, Rokia Koné, Mariam Koné, and Aminata Danté (+ Nneka, Angélique Kidjo and Mariam Doumbia as special guests). The collective elegantly mixes generations and energies and perpetuates the Mandingo tradition by giving it the power of African megacities. An «All-Star» you might think. Yes, but not only that. Inspired by the formidable and mysterious warriors of Dahomey, the greatest Malian singers and musicians of the moment come together to fight against violence towards women. Les Amazones d’Afrique - I Play -
Black-And-White Marital Relations in John Edgar Wideman's
0 Actes du colloque international 5 & 6 septembre 2017 Abidjan Le paradigme Afrique-Occident dans une dynamique de globalisation des littératures, arts, et cultures Textes réunis par Kouadio Germain N’GUESSAN ISBN : 9782237968162 © Les Editions INIDAF Email : [email protected] 08 BP 724 Abidjan 08 Abidjan, Côte d’Ivoire 1 A. Comité scientifique 1- Sery BAILLY, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 2- GNEBA Kokora, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 3- Koffi TOUGBO, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire 4- Justin ABO, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire 5- Coulibaly DAOUDA, Professeur, Université Alassane Ouattara, Côte d’Ivoire 6- BOA Timélé Ramses, Professeur, Université Félix Houphouët- Boigny, Côte d’Ivoire 7- BLEDE Logbo, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 8- BOHUI Djédjé Hilaire, Professeur, Université Félix Houphouët- Boigny, Côte d’Ivoire 9- AMANI Konan, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 10- SILUE Sassongo Jacques, Maître de conférences, Université Félix Houphouët-Boigny, Côte d’Ivoire 11- KOUASSI Jérôme, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 12- YÉO Lacina, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire 13- VAHI Yagué, Maître de conférences, Université Félix Houphouët- Boigny, Côte d’Ivoire B. Comité d’organisation 1- N’GUESSAN Kouadio Germain, Professeur, Université Félix Houphouët-Boigny, Côte d’Ivoire 2- -
Literary Review of Canada a Journal of Ideas NOW AVAILABLE from HOUSE of ANANSI PRESS RIDGERUNNER
MARK NKALUBO NABETA Unrest MORGAN CAMPBELL Race and the Media DAN DUNSKY China’s Moment SHEREE FITCH Writing through Grief july | August 2020 Literary Review of Canada A journAl of ideAs NOW AVAILABLE FROM HOUSE OF ANANSI PRESS RIDGERUNNER THE HIGHLY ANTICIPATED FOLLOW-UP TO THE OUTLANDER, BY GIL ADAMSON “RIDGERUNNER IS A BRILLIANT LITERARY ACHIEVEMENT . I LOVED EVERY PAGE OF IT.” — Michael Redhill, Scotiabank Giller Prize–winning author of Bellevue Square “TRULY MAGNIFICENT.” — Robert Olmstead, award-winning author of Coal Black Horse and Savage Country “RIDGERUNNER IS A WILD ADVENTURE SPUN IN EXALTED PROSE: THE BOOK I’VE BEEN WANTING TO READ FOR YEARS.” — Marina Endicott, award-winning author of Good to a Fault and The Difference ALSO AVAILABLE: THE OUTLANDER @HOUSEOFANANSI ANANSI PUBLISHES HOUSEOFANANSI.COM VERY GOOD BOOKS july | august 2020 ◆ volume 28 ◆ number 6 a journal of ideas first word the argument playtime Summer School China’s Moment Snuffed Torch Kyle Wyatt Reckoning with an empire state of mind Can the Olympic myth survive? 3 Dan Dunsky Laura Robinson 13 26 the public square False Notions pandemic the arts Yes, certain conditions continue to exist A Northern Light North and South Mark Nkalubo Nabeta Nunavut’s hope to avoid the outbreak Cuba’s Orwellian mystery 5 Sarah Rogers Amanda Perry 15 28 Under the Guise of Research Science and subjugation compelling people literature John Baglow 6 National Personality Trying Situations The legacy of Marcel Cadieux A new collection from David Bergen An Act of Protest Bruce K. Ward David Staines Desmond Cole says his piece 16 30 Morgan Campbell 8 bygone days An Urgent Realm Harsh Treatment Mallory Tater’s dark debut this and that Cecily Ross Perspectives on internment 31 Waiting on Tables J. -
Musicians Are Suffering
Music Freedom Report no. 1: Côte d’Ivoire • 3 March 2012 DJ Volcano, Tiken Jah Fakoly, Kajeem, Fadal Dey Côte d’Ivoire: Musicians are suffering Ivorian musicians are struggling to survive. Whilst not actually being subject to official censorship mechanisms, musicians are restricted by unofficial state mechanisms just enough to prevent them from functioning professionally, reports Rose Skelton from Côte d’Ivoire. By Rose Skelton Côte d’Ivoire’s 2010 election crisis, in which former President Laurent Gbagbo refused to cede power to the winner recognised by the Independent Electoral Commission Alassane Ouattara, ended in the death of 3,000 people and the displacement of half a million, according to Human Rights Watch. Also affected during the six-month conflict were many of the country’s musicians, some of whom had been critical of the Gbagbo regime in their songs and others who had musically supported the campaigns as official flag-bearers of one or other side and who suffered the repercussions once the power shifted. Many musicians went into exile in neighbouring countries and many are yet to return. Those who stayed have had to survive in a highly-politicised climate and in an industry that is severely depressed. DJ’s house burnt down DJ Volcano is a DJ, dancer, and choreographer who ran a small training centre for dancers and musicians at his home in Yopougon, a neighbourhood of Abidjan. In January 2011 pro- Gbagbo police came to one of his shows and arrested him, saying that his music was ‘too strong,’ meaning critical of Gbagbo’s regime. -
Vernacular Resilience
Vernacular Resilience: An Approach to Studying Long- Term Social Practices and Cultural Repertoires of Resilience in Côte d’Ivoire and the Democratic Republic of Congo Dieunedort Wandji, Jeremy Allouche and Gauthier Marchais About the STEPS Centre The ESRC STEPS (Social, Technological and Environmental Pathways to Sustainability) Centre carries out interdisciplinary global research uniting development studies with science and technology studies. Our pathways approach links theory, research methods and practice to highlight and open up the politics of sustainability. We focus on complex challenges like climate change, food systems, urbanisation and technology in which society and ecologies are entangled. Our work explores how to better understand these challenges and appreciate the range of potential responses to them. The STEPS Centre is hosted in the UK by the Institute of Development Studies and the Science Policy Research Unit (SPRU) at the University of Sussex. Our main funding is from the UK’s Economic and Social Research Council. We work as part of a Global Consortium with hubs in Africa, China, Europe, Latin America, North America and South Asia. Our research projects, in many countries, engage with local problems and link them to wider concerns. Website: steps-centre.org Twitter: @stepscentre For more STEPS publications visit: steps-centre.org/publications This is one of a series of Working Papers from the STEPS Centre ISBN: 978-1-78118-793-7 DOI: 10.19088/STEPS.2021.001 © STEPS 2021 Vernacular Resilience: An Approach to Studying Long-Term Social Practices and Cultural Repertoires of Resilience in Côte d’Ivoire and the Democratic Republic of Congo Dieunedort Wandji, Jeremy Allouche and Gauthier Marchais STEPS Working Paper 116 Correct citation: Wandji, D., Allouche, J. -
MIGRATIONSLYRIK IM SPANNUNGSFELD ZWISCHEN TRAUM UND WIRKLICHKEIT 1 Dr
MIGRATIONSLYRIK IM SPANNUNGSFELD ZWISCHEN TRAUM UND WIRKLICHKEIT 1 Dr. phil. Obikoli Amatso ASSEMBONI Département d’Allemand, Université de Lomé E-Mail: [email protected]/ [email protected] Abstract: Migration ist in den letzten Jahren ein aktuelles Thema der Forschung geworden, das auch von der lyrischen Gattung bzw. in Liedern behandelt wird und viele populäre Sänger auf der Welt beschäftigt. Die vorliegende Studie untersucht Lieder, die die Migration thematisieren. Migration wird hier als globales Phänomen aufgefasst. Zwar wird der Begriff oft hauptsächlich auf afrikanische Migranten bezogen, aber in der Tat betrifft die Migration viele andere Nationen: Überall auf der Welt, wo Armut oder Krieg herrscht, erlebt man dieses Phänomen. Natürlich ist es in Afrika stärker ausgeprägt: Der Traum vieler junger Afrikaner ist es, ihr Land zu verlassen, um ihre Träume in Europa oder in Amerika zu verwirklichen. Dafür sind sie bereit, ihr Leben aufs Spiel zu setzen. Je strenger die Grenzen Europas bewacht werden, desto mutiger werden die „Migrationskandidaten“: Sie suchen alle Umwege, um das „Eldorado“ zu erreichen. Untersucht werden entsprechende Erfahrungen, die in zwei Liedern nacherzählt werden. Es handelt sich um die Lieder „Ouvrez les frontières “ und „Un Africain à Paris “ des aus der Côte d’Ivoire stammenden populären Sängers Tiken Jah Fakoli, den man als „Botschafter“ der afrikanischen Jugend betrachtet. Dabei wird den Fragen der stilistischen Darstellungen und Komponenten dieser Lieder nachgegangen, wobei sowohl die Texte der Lieder als auch deren Videoclips in Betracht gezogen werden. Schlüsselwörter: Migrationslyrik, Medien, Lied, Videoclip. Résumé: Au cours des dernières années, le thème de la migration est devenu un sujet très actuel de la recherche, un sujet également présent dans le genre lyrique ou dans les chansons populaires. -
Chapitre 2 La Politique Publique De L'étranger Et La Crise Sociopolitique
Chapitre 2 La politique publique de l’étranger et la crise sociopolitique en Côte d’Ivoire Alfred Babo Introduction L’histoire de l’étranger en Afrique de façon générale est mêlée aux mouvements commerciaux de la route du sel, des esclaves, de la pénétration coloniale et du travail forcé. Elle prend également en compte tous les mouvements à la fois massifs et individuels fondés sur la volonté de partir. L’étranger est généralement présenté comme la personne qui ne possède pas la nationalité du pays d’accueil où il peut résider ; et d’après Shack et Skinner (1979), c’est un être qui possède une place organique dans un cercle simultanément social et spatial auquel il n’appartient pourtant pas. En raison des déplacements des populations visant, non seulement à améliorer leurs conditions matérielles de vie, mais aussi à optimiser des stratégies de survie complexes (Babo 2005 ; Parnwell 1993 ; Droz et Sottas 1997), l’Afrique de l’Ouest est une grande zone de migration. Les populations d’origines diverses passent d’un pays à un autre (Pitroipa 2003) et se mettent dans la position de l’étranger qui combine à la fois des traits de proximité et de distanciation, selon un continuum qui couvre une grande diversité de situations. En Côte d’Ivoire, la présence étrangère se situe dans le prolongement d’anciens mouvements marchands qui ont eu lieu en Afrique entre le XIIIe et le XIXe siècle (Akindès 2003 ; Blion et Bredeloup 1997 ; Bierwirth 1997). Par la suite, l’administration coloniale a bâti l’essentiel de l’économie agricole de la colonie Côte d’Ivoire sur l’apport et les flux importants de migrants ouest-africains (Cordell et Gregory 1982). -
N° 662 05.11.03 African Culture(S): a Different Image of the Continent (MFI
N° 662 AFRICA-FRANCE 05.11.03 African culture(s): a different image of the continent (MFI) Africa’s image abroad is usually perceived as a bad one. Wars, poverty and AIDS hit the headlines in the Western media, conveying a negative vision of the continent. At the same time, and somewhat paradoxically, African culture is more and more exported elsewhere, producing an image of dynamic creativity. However, not without some ambiguity, and it has not yet become an economic asset. Africa’s image in France and in the West is more varied than it might seem. The media still give prominence to news about conflicts and dramatic events, but have in recent years opened up to other aspects of Africa. Television documentaries have enriched and diversified the viewpoints; in France, the Arte TV network is among those which offer reports on African society and culture. The France-Culture radio station in February 2005 broadcast a week-long series of reports on Mali – not to mention the daily news and other programmes on Africa broadcast by Radio France Internationale (RFI), which can be picked up in Paris. The French press also finds room for background stories on the continent, as seen from outside. However, the growing presence of African cultural creation in Europe is more significant. This is notably evident in plastic arts. The Africa Remix exhibition, featuring the works of 87 contemporary artists from across the continent, was shown in Düsseldorf, London and Paris in 2005, before travelling to Tokyo. The interest for African art emerged in the 1990s and rounded a symbolic cape in 2003 with shows such as the Venice Biennale and the Kassel Dokumenta, with Okui Enwesor of Nigeria as Arts Director. -
Bibliography
BIBLIOGRAPHY The complete list of all sources consulted in the making of this book offers a comprehensive over- view of the literature and other materials available about reggae, Rastafari, Bob Marley, and other topics covered herein. Due to the fleeting nature of the Internet, where websites might change or dis- appear at any given time, online sources used at the time of writing might not be available any longer. The bibliography can also be found on the website of the book at www.reggaenationbook.com. Books History and Heritage (pp. 326-335). Routledge. Bennett, A. (2001). Cultures of Popular Music. Open University Press. Adejumobi, S. A. (2007). The History of Ethiopia. Biddle, I., & Knights, V. (Eds.) (2007). Music, National Greenwood Press. Identity and the Politics of Location: Between the Global Akindes, S. (2002). Playing It “Loud and Straight”. and the Local. Ashgate. Reggae, Zouglou, Mapouka, and Youth Bonacci, G. (2015). From Pan-Africanism to Rastafari: Insubordination in Côte d’Ivoire. In M. Palmberg African American and Caribbean ‘Returns’ & A. Kirkegaard (Eds.), Playing with Identities in to Ethiopia. In G. Prunier & E. Ficquet (Eds.), Contemporary Music in Africa (pp. 86-103). Nordic Understanding Contemporary Ethiopia: Monarchy, Africa Institute. Revolution and the Legacy of Meles Zenawi (pp. 147- Alleyne, M. (2009). Globalisation and Commercialisation 158). Hurst & Company. of Caribbean Music. In T. Pietila (Ed.), World Music Boot, A., & Salewicz, C. (1995). Bob Marley. Songs of Roots and Routes. Studies across Disciplines in the Freedom. Bloomsbury. Humanities and Social Sciences 6 (pp. 76-101). Helsinki Bordowitz, H. (2004). Every Little Thing Gonna Be Alright: Collegium for Advanced Studies. -
October 12–15
FREE MONTHLY PROGRAM OCTOBER 2017 October 12–15 presented in partnership with + Music on Film returns PAGE 4 Doc Soup 2017/18 series launch PAGE 5 The Rocky Horror Picture Show Halloween Extravaganza PAGE 7 TAKE OUT YOUR HEADPHONESEXPERIENCE AND A PODCAST! “ Uplifting look at the Hip’s last tour.” “ Wonderfully offbeat.” “ Hard not to be moved.” - Toronto Star - The Globe and Mail - Variety Long Time Running Do Donkeys Act? School Life Opens Friday, September 29 Opens Friday, September 29 Opens Friday, October 6 PAGE 2 PAGE 2 PAGE 2 “ Tremendously engaging.” “ Catnip to music lovers.” “ Frederick Wiseman returns to his element.” - RogerEbert.com - The Hollywood Reporter - Vanity Fair Unarmed Verses Sidemen: Long Road to Glory Ex Libris: New York Public Library Opens Friday, October 6 Opens Monday, October 16 Opens Friday, October 20 PAGE 2 PAGE 3 PAGE 3 @HOTDOCSCINEMA /HOTDOCSCINEMA HOTDOCSCINEMA.CA 506 BLOOR STREET WEST (at Bathurst Street) 2 HOTDOCSCINEMA.CA OPENING at Hot Docs Ted Rogers Cinema in October TICKETS MEMBERS BRONZE: $8 Silver: $6 $13 SAVE Gold: Free OPENS FRIDAY, SEPTEMBER 29 Long Time Running D: Jennifer Baichwal, Nicholas de Pencier | Canada | 2017 | 96 min In 2015, The Tragically Hip’s iconic frontman Gord Downie revealed he was battling incurable brain cancer. The following year the band set out on a final tour across Canada that captured hearts across the nation. In support of their album Man Machine Poem, The Tragically Hip went on to play 15 shows culminating in a historic final concert “Follow the Hip on their own long last waltz, in Kingston broadcast on CBC to over 10 million viewers.