Victorian Sheet Music Covers Collection
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October 2011 a MESSAGE to OUR READERS Once Again We Are Grateful to Graham Davies for Securing Two Articles from Museum Staff
October 2011 A MESSAGE TO OUR READERS Once again we are grateful to Graham Davies for securing two articles from Museum staff. One is on folk healers This autumnal edition of the Newsletter has a distinctly and the remedies they had for treating medical problems biographical feel. All three of our main articles focus on until well into the twentieth century in rural Wales. The the history and achievements of individuals who may be other is on the employment of children in mines and this unknown to you. item is made all the more poignant by the inclusion of quotations from their own accounts of their experiences. The earliest of the three is Thomas Howell. He lived at the turn of the sixteenth century and acquired great wealth We are also pleased to have an article in Welsh. This one through trade links with Spain. The ledgers he kept have is a personal reflection on a coach trip in June which been preserved and now give a valuable insight into that visited the historic town of Abingdon and then the manor period. When he died his will took on a life of its own and house at Kingston Bagpuize. The inclusion of the article it took 400 years to finally sort out how to faithfully carry allows us once more to state our keenness to include items out his requests. It is because of his will that his name lives in both languages as often as possible. However, we can on because the money he left was eventually used to found only do so if you, our readers, write for us. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
A Review of Famous Songs of the Past
Daily Sparkle CD - A Review of Famous Songs of the Past “Fascinating Facts” May 2018 Track 1 My Very Good Friend The Milkman Johnny Burke was a lyricist, widely regarded as one of the finest writers of popular songs in America between the 1920s and 1950s. In 1934, he and Harold Spina wrote "My Very Good Friend, the Milkman" which was a novelty hit for Fats Waller. Fats Waller (May 21, 1904 – December 15, 1943), born Thomas Wright Waller, was a jazz pianist, organist, composer, singer, and comedic entertainer. Waller was one of the most popular performers of his era, finding critical and commercial success in his homeland and in Europe. He was also a prolific songwriter and many songs he wrote or co-wrote are still popular, such as "Honeysuckle Rose", "Ain't Misbehavin'" and "Squeeze Me”. He was once ‘kidnapped’ by friends of Al Capone where he was taken at gunpoint to Al Capone’s birthday party where he was the surprise guest. Once he’d realised the gangsters weren’t going to kill him he played for 3 days earning thousands of dollars in tips! He enjoyed success touring the United Kingdom and Ireland in the 1930s. He appeared in several feature films and short subject films, most notably Stormy Weather in 1943, which was released July 21, just months before his death. Track 2 Hound Dog Hound Dog is a twelve-bar blues song by Jerry Leiber and Mike Stoller. It was recorded by Willie Mae "Big Mama" Thornton in 1952. The song has been recorded more than 250 times with the best-known version being the July 1956 recording by Elvis Presley. -
Discography Section 24: W (PDF)
1 H. WADE Pseudonym on Scala 273, 514, 589, 1058 for Harry Cove BERTHA WADDELL (ca. l907 - Blantyre, ? ). Recitations (from The Children's Theatre) Recorded London, ca November 1926 MC-83-E The bonnie wee window (William Moodie; trad) Bel 1154 MC-84-E Behave yersel' afore fowk ( - ) Bel 1154 MC-85-E a) Vespers b) In the dark (Alan A. Milne) Bel 1153 MC-86-E a) The market square; b) Missing (Alan A. Milne) Bel 1153 MC-87-E The night before Christmas (Clement C. Moore) Bel 1155 MC-88-E Last May a braw wooer (Robert Burns) Bel 1155 GEORGE W. WALKER Scottish baritone Recorded London, ca March 1912 79160 Highlanders (Robert Buchanan, jnr) Pathé 8597(9½”) Hurrah for the Highlands (Andrew Park; John Fulcher) Pathé 8432(9½”) Castles in the air (J. Ballantine: R.Adams) Pathé 8432(9½”) The bonnie lass o’ Ballochmyle (Robert Burns; William Jackson) Pathé 8569(9½”) The battle of Stirling (William Sinclair; J. Marquis Chisholm) Pathé 8569(9½”) 79167 There’s a wee bit land “My hearts in Bonnie Scotland” (John C. Grieve) Pathé 8597(9½”) JACK WALKER Scottish comedian Recorded London, ca June 1912 24079/5832 Just a wee deoch an’ doris (Whit Cunliffe; Gerald Grafton; Harry Lauder) Polyphon 8966, Pilot 8966, Crown Record 598 24080/5833 It’s nice when you love a wee lassie (Jack D. Harper; Harry Lauder) Polyphon 8966, Pilot 8966, Crown Record 598 JIMMY WALKER (Tenor & soprano saxophone, vocal, piano) (Edinburgh, 1926 - ). Recorded jazz under his own name on the Lyragon and Decca labels. JOCK WALKER “Scotch comedian” Recorded London, ca June 1909 The wedding of Sandy McNab (Harry Lauder) Clarion 335(cyl) 1269 Bonnie Leezie Lindsay (Frank Folloy; Harry Lauder) Clarion 336(cyl) Recorded London, ca l913 It’s nice when you love a wee lassie (Harry Lauder; Jack Harper) Pathé 8663(9½”) It’s the same as his father did before him (Will Terry; Gilbert Wells; Harry Lauder) Pathé 8663(9½”) Hooch aye! (William F. -
Popular Song in Britain During the Two World Wars John Mullen
Popular Song in Britain during the Two World Wars John Mullen To cite this version: John Mullen. Popular Song in Britain during the Two World Wars. Arts of War and Peace, Mark Meigs, Jennifer Kilgore-Caradec, LARCA Paris-Diderot, 2019. hal-02427029 HAL Id: hal-02427029 https://hal-normandie-univ.archives-ouvertes.fr/hal-02427029 Submitted on 3 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Popular song in Britain during the two world wars (La chanson populaire en Grande-Bretagne pendant les deux guerres mondiales) John Mullen Résumé Lors de la première guerre mondiale, le music-hall joua un rôle important dans l’effort de guerre. Campagnes de recrutement pendant les spectacles, séances gratuites pour les soldats blessés, tournées de vedettes en France, contribuèrent toutes à l’effort national. Un air de satire et de critique de la gestion de la guerre était également perceptible. Lors de la deuxième guerre, le discours officiel des hommes politiques a évolué. Le sacrifice glorieux de Lloyd George est devenu le « du sang, de la peine, des larmes et de la sueur» de Winston Churchill. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were. -
Music Hall, C
NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available NOTE TO USERS The cassette is not included in this original manuscript. It is available for consultation at the author's graduate school library. From the Provinces: The Representation of Regional Identity in the British Music Hall, c. 1880-1914 by Nicole Amanda Gocker A Thesis submitted to the Department in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada June, 1998 O Nicole Amanda Crocker National Libtary Bibliothbque nationale 1+1 of,,, du Canada Acquisitions and Acquisitions et Bibliographie Services seMces bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON K1A ON4 OFtawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lîbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or selI reproduire, prêter, distn'buer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othhse de celle-ci ne doivent être imprimes reproduced without the author's ou autrement reproduits sans son oennission. -
Style in the Music of Arthur Sullivan: an Investigation
Open Research Online The Open University’s repository of research publications and other research outputs Style in the Music of Arthur Sullivan: An Investigation Thesis How to cite: Strachan, Martyn Paul Lambert (2018). Style in the Music of Arthur Sullivan: An Investigation. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000e13e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk STYLE IN THE MUSIC OF ARTHUR SULLIVAN: AN INVESTIGATION BY Martyn Paul Lambert Strachan MA (Music, St Andrews University, 1983) ALCM (Piano, 1979) Submitted 30th September 2017 for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences Open University 1 Abstract ABSTRACT Style in the Music of Arthur Sullivan: An Investigation Martyn Strachan This thesis examines Sullivan’s output of music in all genres and assesses the place of musical style within them. Of interest is the case of the comic operas where the composer uses parody and allusion to create a persuasive counterpart to the libretto. The thesis attempts to place Sullivan in the context of his time, the conditions under which he worked and to give due weight to the fact that economic necessity often required him to meet the demands of the market. -
Annals of the Liverpool Stage, from the Earliest Period to the Present Time
ajorttcU Hmoeraitg ffithrarg FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 1854-1919 BEQUEATHED TO CORNELL UNIVERSITY Cornell University Library PN 2596.L5B86 Annals of the Liverpool stage. 3 1924 026 123 822 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026123822 ANNALS OF THE LIVERPOOL STAGE ?'f .^i^ , . I . ,'/. ''f ,-V. , M. , , , i THE THEATRE ROYAL. Reduced fac-sitnile of the original front elevaiion. from a drawing by Robert Chaffers, May iz, 1773. By kind permission of Mrs. L. E. Thompson, Union Hotel, Liverpool. ANNALS OF THE LIVERPOOL STAGE FROM THE EARLIEST PERIOD TO THE PRESENT TIME TOGETHER WITH SOME ACCOUNT OF THE THEATRES AND MUSIC HALLS IN BOOTLE AND BIRKENHEAD R. J. BROADBENT AUTHOR OF 'STAGE WHISPERS' 'A HISTORY OF PANTOMIME' ETC. WITH ILLUSTR^TIOD^S LIVERPOOL EDWARD HOWELL ,^o8 PREFACE It is not a whit surprising that although the annals of most of the other provincial theatres of importance have long been published, no one hitherto has written any record of the Liverpool stage. The difficulties of the task lie in the fact that data are at once too sparse and too abundant. Owing to the incompleteness of the collection of playbills in the I,iver- pool Free Library, there are many gaps in the story of the I/iverpool Theatres which it is weU-nigh impossible to fill- This is all the more regrettable as the remoter period in the annals of our local drama is much more individual and char- acteristic than the record of the last half century. -
A History of Dancing. by Reginald St. Johnston
Library of Congress A history of dancing. By Reginald St. Johnston ... A SHORT HISTORY OF BALLET 734 3379 A HISTORY OF DANCING. Strakers '. 8 & 9 Hayne Street, West Smithfield, London, E.C. SOME MODERN STAGE DANCERS. Miss. Adeline Genep .(Hana) Mr. Eugene Stratton . (Langlier) Miss Topsy Sinden . (Ellis) Miss Alice Lethbridge . (Chancellor) Miss Kate Vaughan . (Downey) Miss Letty Lind . (Ellis) Miss Marel Love . (London Steven. Co.) A History of Dancing. BY REGINALD ST.-JOHNSTON. M.R.C.S., L.R.C.P., Author of “The Dream Face,” etc. LC 1906. LONDON. SIMPKIN, MARSHALL, HAMILTON, KENT, & Co. CONTENTS. Chap. Page. I. The Muse of Dancing in Ancient Mythology, and her alliance with the kindred arts 9 A history of dancing. By Reginald St. Johnston ... http://www.loc.gov/resource/musdi.178 Library of Congress II. Dancing as a Religious Ceremony 17 III. Ancient Forms of Dancing in Greece, Italy, and the East 26 IV. Some Early Forms of English Dancing 40 V. Allegorical Dances among Primitive Nations 62 VI. Quaint Dances in Civilized Countries 77 VII. The Ballet, its origin and development 93 VIII. The Stage Dancing of to-day 116 IX. Dancing as a Social Pastime 132 X A Short History of the World's Dancers 159 Literature on the subject of Dancing 194 LIST OF ILLUSTRATIONS . A Group of Modern Dancers Frontispiece. Dance of Joy at the Overthrow of Doubting Castle 51 (From an early copy of “The Pilgrim's Progress ”). A Dance in Otaheite 70 (From a first edition Capt. Cook's “Voyages ”). Signor Vestris 102 A history of dancing. -
Spanish Music and Its Representations in London (1878-1930): from the Exotic to the Modern
Spanish Music and its Representations in London (1878-1930): From the Exotic to the Modern. Kenneth James Murray Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy July 2013 Melbourne Conservatorium of Music University of Melbourne Produced on archival quality paper ABSTRACT This thesis argues that the landscape of Spanish music in London evolved between 1878 and 1930 from Romantic exotic constructions to a recognition and appreciation of Spanish musical nationalism, which reflected some of the concerns of post-war musical modernism in a newly cosmopolitan context. This transformation will be traced through the study of specific protagonists and events that contributed to the English reception of Spanish music during this period. While the development of Spanish nationalist music and its important intersections with French music have been studied in numerous texts, little has been written on the English engagement with Spanish music. A key event in defining musical and theatrical Spain in the latter part of the nineteenth century came from France in the guise of George Bizet's Carmen (1875, London 1878). The opera, and its many parodies and theatrical re-workings in London, provides a foundation for discussions of Spanishness in late nineteenth-century England, and influenced the reception of Pablo Sarasate and Isaac Albéniz. In the Edwardian era, closer ties between England and Spain, increased travel possibilities and specialist writers rekindled enthusiasm for Spanish music. The anti- German currents of the pre-war years and the influence of French writers and musicians set the scene for the further English appreciation of Spanish music in the aftermath of the death of Enrique Granados in 1916. -
(Ed.) (2018). Forum “Who Is British Music?” Placing Migrants in National Music History
Scheding, F. , Scott, D. B., Levi, E., Williams, J., Tackley, C., Western, T., & Scheding, F. (Ed.) (2018). Forum “Who is British Music?” Placing Migrants in National Music History. Twentieth Century Music, 15(3), 439-492. https://doi.org/10.1017/S1478572218000257 Peer reviewed version Link to published version (if available): 10.1017/S1478572218000257 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Cambridge University Press at https://doi.org/10.1017/S1478572218000257 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Forum “Who is British Music?” Placing Migrants in National Music History1 Florian Scheding, convenor and editor Introduction Florian Scheding In 2013, trucks and vans were driving across London, bearing the message ‘In the UK illegally? Go home or face arrest.’ These mobile billboards declared the number of arrests that had taken place ‘in your area’ in the previous week and provided a number to which people could text the message ‘HOME’ to initiate voluntary repatriation. In 2016, Theresa May, who had organised this scheme as home secretary, became prime minister, following the upheaval caused by the country’s plebiscite to leave the European Union. One of the main strands of argument of the successful ‘Brexit’ campaign centred on the ‘deep public anxiety … about uncontrolled immigration’2 and promised to reduce numbers of immigrants to the country.