Why Union? Pring Can Really Hang You up the Most,” As the a True Sign of Spring
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Download DBFF 2021 Guide
JANUARY 27 - FEBRUARY 1, 2021 FILM | ART | MUSIC Denton Municipal SPOKEN WORD | DANCE Electric has been PANELS | WORKSHOPS Denton’s hometown Presented by Denton African American Scholarship Foundation, Inc. electric provider for over 110 years. DENTONBFF.COM ADA/ADEA/EOE TDD: (800) 735-2989 1/16 www.cityofdenton.com Every lens tells a story. Find the right one for yours. Cheers to the storytellers. www.panavision.com MESSAGE Our Presenting Sponsor On behalf of Panavision, I’m thrilled to welcome you to the seventh annual Denton Black Film Festival. Panavision is a global provider of camera equipment, lighting packages, and post production services. As a company, we are dedicated to equipping Every lens tells a story. filmmakers around the world to bring their visions to life. Since 2018, we’ve been proud to partner with and sponsor the Denton Black Film Festival. Find the right one for yours. The organization’s focus on building community, sharing Black culture, and addressing underrepresentation in film and media is both essential and inspiring. We are honored to support this event, which provides an audience Cheers to the storytellers. for Black stories, a platform for Black creatives, and a showcase for their work. At Panavision, we believe we have a responsibility to positively support and impact underrepresented communities. It is our goal to empower individuals from these communities who aspire to or already work in the film, television, and commercial arenas. Through the grants that we present to select award recipients at the Denton Black Film Festival, we aim to provide vital access to equipment and services so that Black filmmakers will have the tools they need to succeed in creating and sharing the diverse stories that need to be told. -
Isaac Hayes Shaft Mp3, Flac, Wma
Isaac Hayes Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Stage & Screen Album: Shaft Country: Germany Released: 1978 Style: Soul-Jazz, Soundtrack, Jazz-Funk, Soul, Funk MP3 version RAR size: 1368 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1656 mb Rating: 4.3 Votes: 692 Other Formats: AAC MOD VOX MMF ADX DXD MP4 Tracklist A1 Theme From Shaft (Vocal) 4:37 A2 Bumpy's Lament 1:49 A3 Walk From Regio's 2:22 A4 Ellie's Love Theme 3:16 A5 Shaft's Cab Ride 1:07 B1 Cafe Regio's 6:09 B2 Early Sunday Morning 3:47 B3 Be Yourself 4:27 B4 A Friend's Place 3:21 C1 Soulsville (Vocal) 3:47 C2 No Name Bar 6:09 C3 Bumpy's Blues 4:01 C4 Shaft Strikes Again 3:04 D1 Do Your Thing (Vocal) 19:38 D2 The End Theme 1:56 Companies, etc. Record Company – Stax Records, Inc. Recorded At – Stax Recording Studios Credits Arranged By [Horns & Strings] – J.J. Johnson (tracks: A3), Johnny Allen (tracks: A1, A2, A4 to D2) Art Direction – The Graffiteria Backing Vocals – "Hot" "Buttered" & "Soul"* Bass Guitar – James Alexander, Ronald Hudson (tracks: A5) Bongos, Congas [Congos] – Gary Jones Copyist – Mickey Gregory, Onzie Horne* Creative Director – Larry Shaw Design [Cover] – Tony Seiniger Drums, Tambourine – Willie Hall Edited By – Daryl Williams Electric Piano – Lester Snell Engineer – Bobby Manuel, Dave Purple, Henry Bush, William Brown* Engineer [Re-mix] – Dave Purple, Ron Capone Lead Guitar – Charles Pitts*, Michael Toles Performer [Rhythm Section] – The Bar-Kays*, The Movement* Piano – Sidney Kirk (tracks: A5) Piano, Vibraphone [Vibes], Organ, Electric Piano – Isaac Hayes Producer, Composed By, Performer, Arranged By [Horns & Strings] – Isaac Hayes Rhythm Guitar – Charles Pitts*, Michael Toles Strings, Horns – The Memphis Strings & Horns Notes Enterprise Records, A Division of Stax Records, Inc., 98 North Avalon, Memphis, USA Recorded at Stax Recording Studios, Memphis, Tenn. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
HAYES by ROB BOWMAN
i S f ? PERFORMERS HAYES By ROB BOWMAN IN THE PAST FIFTY YEARS, THERE HAVE BEEN A HAND- Hayes’s story is one of epic proportions. Begin ful of seminal, innovative albums that truly changed ning in 1969, with the release of Hot Buttered Soul, the course of popular-music history. LPs such as he became the biggest artist Stax Records ever pro Miles Davis’s Kind of Blue, James Brown’s Live at the duced and one of the most important artists in the Apollo, the Beatles’ Sgt. Pepper’s Lonely Hearts Club history of rhythm & blues. In the first few years of Band and the Sex Pistols’ Never Mind the Bollocks the 1970s, he single-handedly redefined the sonic opened new doors, created new possibilities and possibilities for black music, in the process opening suggested new directions to other musicians, record up the album market as a commercially viable me company personnel and fans alike. Each of these al dium for black artists. Earlier, Hayes, alongside bums, in its own way, defined a moment in time, cap partner David Porter, had helped shape the sound tured the Zeitgeist of an era and helped create a mu of soul music in the 1960s with such definitive com sical subgenre in the process. To have created one positions as “Hold On! I’m a Cornin’,” “Soul Man,” such album over the course of a career “When Something Is Wrong With My Isaac Hayes: (Opposite) is a heady accomplishment. To have Baby,” “B-A-B-Y,” “I T hank You” and In 1972, in Shaft mode, and “Wrap It Up.” The fact that one artist done it twice, as Isaac Hayes did with (above) as Black Moses, Hot Buttered Soul and Shaft, puts one in the title of one of three could be responsible for such disparate extremely rarefied company indeed. -
CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September
18738 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 with counterterrorism in a way that no Whereas Isaac Hayes greatly influenced Foundation, to schools in Memphis, Nash- other agency can. Working hand-in- contemporary music, and his style still re- ville, and Washington, DC for the purpose of hand with overseas entities who have sounds in the music of today; improving the musical education programs the charge for that, they make it their Whereas Isaac Hayes was born on August of those schools and for the purchase of mu- 20, 1942, in Covington, Tennessee, and, or- sical instruments; business to ensure that that foreign phaned in infancy, was raised by his mater- Whereas the State of Tennessee issued a terrorism doesn’t become an American nal grandparents; proclamation on August 18, 2008, honoring tragedy. Whereas Isaac Hayes spent his childhood Isaac Hayes and his contribution to the No other group is so prepared to rec- and formative years in Memphis, Tennessee, State of Tennessee and the entire Nation; ognize the needs of America and the years that shaped his future success as a Whereas Isaac Hayes was a loving father of civil rights of America. The FBI has songwriter, singer, and actor, working in 12 children, 14 grandchildren, and 3 great been a critical tool for President after cotton fields while going to school, and even grandchildren; and shining shoes on the famous Beale Street; President to enforce our civil rights Whereas, with the passing of Isaac Hayes Whereas Isaac Hayes graduated from Ma- on August 10, 2008, at his Memphis, Ten- laws often against the powerful, even nassas High School in Memphis in 1962 at the nessee home, the Nation has lost a talented against governors and other elected of- age of 21, having returned to school after and influential humanitarian, actor, artist, ficials who chose not to recognize the dropping out; radio show host, and singer-songwriter: Now, importance of the U.S. -
Wavelength (September 1982)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1982 Wavelength (September 1982) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1982) 23 https://scholarworks.uno.edu/wavelength/23 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MEXICAN A! and ... Double Mexicana! MARGARITAS 2 for the price of one through September 15th both locations. If you have not yet discovered Vera Cruz, then you are in for a treat ... its delicious, authentic Mexican cuisine, wonderfully extensive menu, casual and charming atmosphere and friendly staff have made Vera Cruz one of the most popular meeting spots in the city. Stop by and sample one of our superb daily specials or have a cooler at the bar and acquaint yourself with an extraordinary restaurant! Uptown - Mon.-Sat. 11:30 am-10:30 pm, later on weekends Sunday - 11:30 am-9:00 pm Downtown - Mon.-Fri. 5:00 pm-10:30 pm . Saturday 12 noon-10:30 pm 1 Sunday 12 noon-9:00 pm Uptown on Maple Street French Quarter on Decatur 1141 Decatur (corner of Gov. Nicholls) 523.. 9377 • 7537 Maple St. 866-1736 ISSUE NO. 23 • SEPTEMBER 1982 "I'm not sure, but I'm almost positive, that all music came from New Orleans. -
CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14
18740 CONGRESSIONAL RECORD—HOUSE, Vol. 154, Pt. 14 September 15, 2008 music unequaled by any other single per- Today is a day of both great sadness and PRIVILEGED REPORT ON RESOLU- former.’’ joy—sadness that Isaac has left us too soon TION RECOMMENDING THAT THE Isaac Hayes hailed from humble beginnings and joy that we were fortunate enough to have HOUSE OF REPRESENTATIVES in Covington, Tennessee. He spent his child- known him. Isaac was a personal friend and a FIND KARL ROVE IN CONTEMPT hood and formative years in Memphis, years supporter in my re-election bid, actively partici- OF CONGRESS FOR REFUSAL TO which shaped his future success as a song- pating in my campaign. I appreciate his talent, COMPLY WITH A SUBPOENA writer, singer, and actor, graduating from Ma- his contributions to his fellow man and his DULY ISSUED BY THE COM- nassas High School. Undoubtedly, Isaac’s in- friendship. He rose from the most humble of MITTEE ON THE JUDICIARY fluences can be attributed to his time spent in beginnings to fame and wealth but he never Mr. SCOTT of Virginia, from the church singing gospel music with the Morning forgot where he came from and he retained Committee on the Judiciary, submitted Stars, doo-wop with Sir Isaac & the Doo-Dads, his love and respect for his fellow human a privileged report (Rept. No. 110–847) the Teen Tones and the Ambassadors. Isaac beings. Being in the presence of Isaac made on the resolution recommending that Hayes became a soul music icon with his one want to be a better person, to do good. -
CONGRESSIONAL RECORD— Extensions Of
E1796 CONGRESSIONAL RECORD — Extensions of Remarks September 16, 2008 HONORING THE LIFE AND MUSIC Whereas Isaac Hayes, through his Isaac side Gate 19 in United’s Terminal C. Both OF THE LATE ISAAC HAYES Hayes Foundation, built an 8,000 square foot memorials appeared spontaneously, raised educational facility in Ghana, West Africa, and by airport and airline employees without SPEECH OF fanfare or ceremony. These two memorials was a strong advocate for the education and are one and the same. And there is no HON. STEVE COHEN well-being of the children of Ghana; In 1992, grander memorial. That memorial is the flag OF TENNESSEE in recognition of his humanitarian work, he of the United States of America. IN THE HOUSE OF REPRESENTATIVES was crowned an honorary king of Ghana’s The flags fly proudly to this day, and will Ada district. likely fly forever. They symbolize the deter- Monday, September 15, 2008 Whereas Isaac Hayes donated thousands of mination of this airport, this Nation, and the Mr. COHEN. Mr. Speaker, Isaac Hayes dollars, through grants from his Isaac Hayes community assembled here to recover from made an indelible impact on the hearts, minds Foundation, to schools in Memphis, Nashville, that grievous wound. Today, we dedicate a third memorial as a and souls of his fans that has sustained for and Washington, DC for the purpose of im- remembrance of that day and its impact on generations. Dick Clark observed: ‘‘It’s rare proving the musical education programs of all of us. This memorial is accessible to all when an artist’s talent can touch an entire those schools and for the purchase of musical who come to this airport. -
Detroit Blues Society Who’S Who of Detroit Blues
Detroit Blues Society Who’s Who of Detroit Blues A Adams, Alberta (a.k.a.: Roberta Louise Osborne): vocalist. She was born circa July 1920 Indiana and moved to Detroit at age three. Toured with T-Bone Walker, Louie Jordan, Eddie “Cleanhead” Vinson, Duke Ellington, Tiny Bradshaw, RJ’s Rhythm Rockers and others. Recorded on Detroit label United Sound Systems and on Cannonball Records. She is known as “Detroit’s Queen of the Blues” and was awarded Detroit Blues Society Lifetime Achievement Award in 1977. Tracks released by Chess Records include the song Remember. Recordings include contributions to (CD) Alberta Adams-Say Baby Say, Blues Across America-The Detroit Scene, Alberta Adams and RJ’s Blues Crew-Uncut Detroit II, Alberta Adams-Born With The Blues, VA-Chess Blues. Reference: Detroit Blues, Vol. 2, No. 3, pp.11-17; R. J. Spangler, Big City Blues, Oct.-Nov. 2000; Living Blues, #160, December 2001, pp. 22-29. Adams, Dwight: trumpet/flugelhorn. Played with the Blues Insurgents, Dwight Adams Combo. Recordings include contributions to (CD) Bill Heid & The Detroit Blues Masters-We Play The Blues, Alberta Adams-Say Baby Say, Blues Across America-The Detroit Scene, Johnnie Bassett and The Blues Insurgents-Cadillac Blues, Johnnie Bassett & The Blues Insurgents-I Gave My Life to the Blues Ahada: vocalist. She performed in Detroit with the Sudden Impact Band. AJ: percussion. He played with the Howling Diablos. Recordings include contributions to (CD) Howling Diablos-It’s My Party Allan, Barnard: bass. Recordings include contributions to (CD) Joce’lyn B-Bitch a da Blues Allen, “Little Sonny”: Hammond B-3. -
Isaac Hayes Theme from Shaft Mp3, Flac, Wma
Isaac Hayes Theme From Shaft mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Stage & Screen Album: Theme From Shaft Country: US Released: 1971 Style: Theme, Disco, Funk MP3 version RAR size: 1706 mb FLAC version RAR size: 1312 mb WMA version RAR size: 1432 mb Rating: 4.1 Votes: 164 Other Formats: AIFF AAC XM AHX WMA MP2 ASF Tracklist A Theme From Shaft 3:15 B Cafe Regio's 2:55 Credits Arranged By – Isaac Hayes, Johnny Allen Featuring [Rhythm By] – The Bar-Kays*, The Movement* Written-By, Arranged By, Producer – Isaac Hayes Notes Side A: "Intro 1:50" Enterprise blue logo vinyl label. Taken from the LP ENS 2-5002, "Shaft". Label variant has large type for title, in quotes. Other versions Category Artist Title (Format) Label Category Country Year Isaac Theme From Shaft (7", ENA-9038 Enterprise ENA-9038 US 1971 Hayes Single, Mono) Isaac Theme From Shaft (7", 2659-069 Stax 2659-069 Ireland 1971 Hayes Single, Mono) Isaac ENA-9038 Theme From Shaft (7") Enterprise ENA-9038 US 1971 Hayes Tema De La Película Shaft 2025 069, Isaac Stax, 2025 069, [Theme From Shaft] (7", Chile 1971 ENA-9038 Hayes Enterprise ENA-9038 Single) Theme From Shaft / Cafe Isaac STAX 810 Regio's (Instrumental) (7", Stax STAX 810 UK 1987 Hayes Single, Mono, RE, Pus) Related Music albums to Theme From Shaft by Isaac Hayes Isaac Hayes - Theme From The Men / Type Thang The Ventures - Theme From Shaft Unknown Artist - Theme From Shaft / Tea For Two Isaac Hayes - Theme From The Men Isaac Hayes - Theme From Shaft / Cafe Regio's Isaac Hayes - Theme From "Shaft" / Ellie's Love Theme Isaac Hayes - "Shaft" Dance Mixes Isaac Hayes - Shaft Isaac Hayes - Wonderful / Someone Made You For Me Isaac Hayes - Chronicle. -
Isaac Hayes - Ultimate Isaac Hayes Can You Dig It
Isaac Hayes - Ultimate Isaac Hayes Can You Dig It Written by Robert ID1990 Friday, 14 October 2005 06:09 - Over the course of its 15-year history, Stax Records was home to a plethora of stars such as Otis Redding, Sam and Dave, Booker T. & the MGs, the Staple Singers, Johnnie Taylor, and the Dramatics. As talented and great as the aforementioned artists were, none of them ultimately had the impact on black popular music that Isaac Hayes did from 1969 through 1975. Hayes’s story is one of epic proportions. In the mid- to late 1960s Isaac, and his songwriting and producing partner David Porter, played a seminal role in creating the nascent sound of soul music, writing and producing such genre-defining records as Sam and Dave’s “Soul Man,” “Hold On I’m Comin’,” “When Something Is Wrong With My Baby,” “Wrap It Up,” and “I Thank You.” In their spare time, the dynamic songwriting duo also penned hits for Carla Thomas, Johnnie Taylor, Ruby Johnson, the Soul Children, and Mable John. As a session man, Isaac played on dozens of additional hits. His songwriting, production, and session work alone would make Hayes worthy of any music hall of fame that one could possibly name. Yet, as monumental as his contributions were in this first part of his career, they are dwarfed by the impact of his solo albums such as Hot Buttered Soul, Shaft, and Black Moses. With these records Hayes would become the biggest artist Stax ever produced and one of the most important artists in the history of rhythm and blues. -
Gold Thunder
Gold Thunder 1 Gold Thunder 2 Gold Thunder Accolades for Tony Tony Newton has always been on the leading edge of music. His style and precision has long been recognized by real players in the industry. – Clarence McDonald Grammy Winning Keyboardist TonyNewton, one of the most talented entities I have ever had the plea- sure to hear and get to know, Truly a diamond that will not be hidden-. Jauqo III-X,Bassist/Producer I met Tony at a Motown session, I had heard through the vine as well as hearing his playing how great he was, he was Smokey Robinson's musi- cal director and played with Tony Williams, whom I admired what a great musician talent as well as a great person Tony. James Gadson – World Renowned Drummer/Producer Mean Streets Rock Magazine of Los Angeles states, “Tony Newton is a monumental master and true music visionary!” I have never met anybody in my life that has given me the truth in so dif- ferent many forms -- Life long lessons that inspire, guide, teach, follow through, and just totally give it all. Tony is not only one of the greatest musicians I've ever heard or worked with, but through him, I have been given the opportunity to see music and life through the eyes of a true genius! Tony, we love you, Mike, Marcia, and Dalton. – MMM Music Tony Newton, is one of the best creative minds I come across in my life- time and he is also a real musical genius dating back to Motown as a mu- sician known as the baby funk brother – Lou Nathan, CEO Nexxus Ent.