Harambe: a Quarterly Newsletter, August
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature -
Biography a Five-Time Grammy-Winning Musician, Actor
Biography A five-time Grammy-winning musician, actor, artist, activist and humanitarian, Ziggy Marley has established his presence on the public stage for over a quarter-century. His newest release, Ziggy Marley In Concert, is a collection of live recordings from his 2012 Wild and Free World Tour. The album, which will release digitally on iTunes December 18th before its worldwide physical release on January 15th of 2013, continues to convey Marley’s overall message of love, freedom, hope and challenge. The album features live tracks from his Grammy-nominated and critically acclaimed 2011 release Wild and Free, including the funky and fun-loving “Forward To Love,” the upbeat groove-driven “Reggae in My Head,” and the rock-fueled reggae anthem “Wild and Free.” Live versions of the Bob Marley classics “War” and “Is This Love” also appear on the album as well as Ziggy’s hits “Tomorrow People” and “True To Myself.” In recent years, Marley has been involved in a slew of projects including an extensive world tour that spanned most of 2011 and 2012. Among those dates was a group of themed tribute shows, “Tuff Gong Worldwide and Ziggy Marley Salute the Legends of Reggae,” which played at various Southern California venues in 2012, including a sell-out show at the Hollywood Bowl. Additional projects include serving as executive producer of the celebrated documentary MARLEY(Shangri-La Entertainment), hosting his own monthly radio show, Legends of Reggae, on SiriusXM’s The Joint, and launching a GMO-free food line called Ziggy Marley Organics. In April of 2011, Marley released his first ever comic book, Marijuanaman (Image Comics), which was published on the symbolically potent date of 4/20. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
View Song List
Super Reggae Originals Togetherness Sunshine This Girl Babylon Fall Unify Simple Days JAH Be My Guide Wickedness JAH Creation Hear Me Father Don’t Wanna Work For The Man Whoa JAH Go To Selassie Down Before Colorless Soul JAH Wise Israel Distant Adventure Why Should I The Struggle Solution Dreadlock Rasta Looking Forward Protect I Strength of Conviction Reggae Classics Bob Marley Waiting in Vain Stir It Up Three Little Birds No Woman No Cry Jamming Buffalo Soldier I Shot the Sherriff Mellow Mood Forever Loving JAH Lively Up Yourself Burning and Looting Hammer JAH Live Gregory Issacs Number One Tune In Night Nurse Sunday Morning Soon Forward Cool Down the Pace Dennis Brown Love and Hate Need a Little Loving Milk and Honey Run Too Tuff Revolution Midnite Ras to the Bone Jubilees of Zion Lonely Nights Rootsman Zion Pavilion Peter Tosh Legalize It Reggaemylitis Ketchie Shuby Downpressor Man Third World 96 Degrees in the Shade Roots with Quality Reggae Ambassador Riddim Haffe Rule Sugar Minott Never Give JAH Up Vanity Rough Ole Life Rub a Dub Don Carlos People Unite Credential Prophecy Civilized Burning Spear Postman Columbus Burning Reggae Culture Two Sevens Clash See Dem a Come Slice of Mt Zion Israel Vibration Same Song Rudeboy Shuffle Cool and Calm Garnet Silk Zion in a Vision It’s Growing Passing Judgment Yellowman Operation Eradication Yellow Like Cheese Alton Ellis Just A Guy Breaking Up is Hard to Do Misty in Roots Follow Fashion Poor and Needy -
Jazzweek World Music Albums Sept
airplay data JazzWeek World Music Albums Sept. 12, 2011 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 – – 1 Various Artists Reggae’s Gone Country VP 188 8 180 5 61 0 2 1 2 1 Monty Alexander Harlem-Kingston Express Live Motema 141 181 -40 9 54 0 3 7 8 3 Tinariwen Tassili ANTI- 107 76 31 4 45 0 4 – 19 4 Club D’elf Electric Moroccoland/So Below Face Pelt 104 3 101 15 60 0 5 3 4 2 Jose Rizo Mongorama Saungu 84 89 -5 12 42 0 6 14 25 1 AfroCubism AfroCubism Nonesuch 83 37 46 44 55 0 7 4 1 1 Thievery Corporation Culture Of Fear ESL 81 88 -7 11 42 0 8 4 6 1 tUnE-YaRdS Whokill 4AD 70 88 -18 24 26 0 9 9 9 3 Various Artists Red Hot + Rio 2: Nova Tropicalia eOne 61 68 -7 11 23 0 10 8 10 6 Steven Kroon Without A Doubt Kroonatune 44 70 -26 10 16 0 11 11 3 2 Bela Fleck & The Flecktones Rocket Science eOne 43 63 -20 16 22 0 12 12 11 7 Ziggy Marley Wild And Free Tuff Gong Worldwide 41 48 -7 13 21 0 13 13 13 8 Stefon Harris, David Sanchez, Christian Scott Ninety Miles Concord Picante 36 45 -9 7 36 0 14 – – 14 David Starfire Bollyhood Bass Six Degrees 31 3 28 23 30 0 15 18 36 15 Sammy Figueroa Urban Nature Senator 29 31 -2 3 32 0 16 16 14 9 Les Doigts De L’Homme 1910 Alma 25 32 -7 14 7 0 17 21 25 17 Various Artists We Remember Gregory Isaacs VP 24 28 -4 5 11 0 18 38 – 18 Francisco Mela & Cuban Safari Tree Of Life Half Note 23 12 11 3 19 0 19 15 17 12 Ocote Soul Sounds Taurus ESL 22 34 -12 11 12 0 19 30 23 11 Mr. -
Legalize It PR
LEE JAFFE “LEGALIZE IT” September 8 - October 6, 2012 OPENING RECEPTION Saturday, September 8 from 7 to 10 PM Dem Passwords is pleased to present, "Legalize It," a photo and video exhibition by Lee Jaffe. ! ! Bronx born Jaffe's narrative unfolds out of filmmaking, performance and conceptual art into music and photography through the lens of an itinerant activist insider. Politicized as a product of the Vietnam War and Civil Rights era and in league with a transgressive milieu of artists extending from the United States to the Caribbean, down to Brazil and overseas to West Africa, Jaffe has hewn a path for rebel expressionism into and outside of the mainstream since the late 1960's. ! From 1972 to '76 Jaffe traveled with and contributed to the energy of the Reggae music explosion led by Bob Marley and company. What remains is their spirit embedded in images rich in modern celebratory energy, ordered by Jaffe's rural topophilia, but more exotic for their rawness.!Peter Tosh!rides a donkey. Bob and Peter hang out by a window in a long-take video. Peter poses in a red clay ganja field. These are young men in touch with a dangerous energy that at the time these images were captured, was only beginning to manifest.! ! The 1974 international breakthrough of "Natty Dread" crystallized their contemporary impact, fertilizing the marketplace for Tosh's solo output and the advancement of their revolutionary politics.! ! Jaffe's collection captures Peter Tosh in the Spring of '76 just months before the release of his now classic debut solo album “Legalize It”,! 11 years before his assassination.! ! "…the divine spirit that we was born and raised with, it teaches us to multiply nothing with nothing and get something. -
Painting to Survive Proposal
Pain%ng to Survive, 1985-1995 Curated by Jonathan Weinberg, ar%st and art historian The Brooklyn Waterfront Ar%sts Coali%on, April 2018 Jane Bauman Lee Jaffe John Bradford Stephen Lack Suzan Courtney Marc Lida Jean Foos Michael O@ersen Joel Handorff Jonathan WeinBerg Richard Hofmann Pain&ng to Survive focuses on a group of painters who responded in complex ways to the AIDS epidemic and the Culture Wars of the Reagan and Bush years. The children of the so-called “Greatest GeneraNon,” these arNsts either grew up in New York City, or came to the Metropolitan area with a sense of great opNmism. Although the city was undergoing enormous economic upheaval in the 1970s, rents were cheap and there was an explosion of possiBiliNes in Lower Manha@an for young arNsts to make and show work. But the collapse of the East Village art scene and the devastaNon of the AIDS epidemic cast a pale over many of their careers. In the case of Hofmann and Lida, AIDS ended their life too early. The loss of so many friends, family and colleagues to the disease traumaNzed those who lived on, even as it Became more and more difficult to jusNfy large scale emoNve painNng in an art world that increasingly valued parody, appropriaNon and minimalism over expressionism. Yet these arNsts kept painNng with marvelous results. This exhiBiNon provides a chance to reassess this work Both in terms of its formal qualiNes and as a form of sanctuary in hard Nmes. For all of these arNsts painNng was a means of expressing anger and mourning, But also qualiNes of Beauty and harmony; a generosity of form to comBat a society that seemed at Nmes heartless and indifferent. -
Eva Presenhuber
EVA PRESENHUBER Press release June 2019 Lee Jaffe Jean-Michel Basquiat June 28 to July 26, 2019 39 Great Jones Street, New York, NY 10012 Opening on Thursday, June 27, 6 to 9 pm Lee Jaffe’s music career was almost over before it began. Following his decision to drop out of Penn State University before his senior year, Jaffe’s band had their musical equipment stolen before they ever played a single show. Musically inclined from an early age, one of Jaffe’s lifelong goals was to play the harmonica alongside Muddy Waters. Despite this goal never being realized Jaffe says with a laugh, he’s now content with the musical accomplishments that are on his CV—band member, Bob Marley and The Wailers. Jaffe met Marley at a hotel in New York in 1973 where he was visiting his friend Jim Capaldi after his group, Traffic, had performed in Madison Square Garden. Marley, whose band had just completed their first album for Island Records, had a cassette of the record and Capaldi insisted Jaffe hear it. It proved to be an epiphany. Marley’s label president, Chris Blackwell asked Jaffe if he would help to organize a North American Tour. Though Jaffe preciously considered a return to Brazil—where he had lived and collaborated with seminal Brazilian artist Hélio Oiticica—Jaffe decided to accept the invitation and departed with Bob to Kingston. After a ten-day stay with Marley, who introduced Jaffe to all of his associates, Jaffe decided to remain in Jamaica. The chance encounter led him to witness the evolution of the Wailers from local heroes to global phenomenon—eventually recording on Bob’s third Island Records album, Natty Dread and performing live on the supporting tour. -
Jah Live! Selassie-I Live!
Jah live! Selassie-I live! En studie kring reggae-musik och afrikansk Messiaskult på Jamaica AV JAN ARVID HELLSTRÖM 1. Bland afrikanska, amerikanska och asia Hawkins Singers och den svenska gospel- tiska religioner spelar sången, rytmer kören Choralerna. I körer av detta slag är na, musiken och dansen en fundamentalgospelns sakrala sida ofta väl bevarad. kultisk roll. De musikaliska och rytmiska Körerna är ibland ”församlingar i minia uttryckssätten är så förknippade med själva tyr” med bibelstudiegrupper, bönegrupper kulten, att man i regel inte kan lösgöra dem osv. Samma intima koppling mellan musik från varandra. och kult finns också i andra musikformer Också inom kristen tradition är det ofta av gospelkaraktär, bl.a. den som företräds direkt missvisande att behandla sång och av den välkända amerikanska gruppen musik som isolerade företeelser. Inom bl.a. ”André Crouch and his disciples”. När svensk hymnologi är det viktigt att på ett gruppen i början av 1977 gästade Sverige helt annat sätt än tidigare försöka se sången gjorde deras konserter ett förbryllande in och musiken utifrån en totalsyn på samtryck på de svenska musikkritikerna och fundens eller de religiösa strömningarnas lyssnarna på grund av sin blandning av pro framväxt och funktion. Den religiösa fessionell musikalisk uppvisning och väckel sången och musiken har genomgående en semöte. helt annan karaktär än en renodlat musika Vid sidan av negro spiritual- och gospel- lisk. musiken har i Sverige på senare år ytter Går man till den afrikanskt influerade ligare en musikform av afro-amerikansk sången och musiken på europeisk eller ame härkomst med en påtaglig religiös dimen rikansk botten är sambandet — för att inte sion börjat uppmärksammas,reggae-musi- säga identiteten — mellan kult, tro och ken. -
Bob Marley & the Wailers Iron Lion Zion Mp3, Flac
Bob Marley & The Wailers Iron Lion Zion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Iron Lion Zion Country: Zimbabwe Released: 1992 Style: Reggae-Pop MP3 version RAR size: 1731 mb FLAC version RAR size: 1529 mb WMA version RAR size: 1468 mb Rating: 4.3 Votes: 193 Other Formats: MP1 AA AC3 ASF MP2 VOC APE Tracklist A1 Iron Lion Zion (12" Mix) 7:04 A2 Smile Jamaica 3:11 B1 Could You Be Loved (12" Mix) 5:26 B2 Three Little Birds (Alternative Mix) 2:59 Companies, etc. Record Company – ZMC – 12 TGX 2 Notes Produced, marketed and distributed in Zimbabwe by ZMC Barcode and Other Identifiers Matrix / Runout (Side A): 12 TGX 2 - A Matrix / Runout (Side B): 12 TGX 2 - B Other versions Category Artist Title (Format) Label Category Country Year Tuff Gong, TGXCD 2, 864 Iron Lion Zion TGXCD 2, 864 Bob Marley Island UK 1992 405-2 (CD, Single) 405-2 Records Iron Lion Zion none Bob Marley Tuff Gong none Jamaica 1992 (7") Bob Marley Iron Lion Zion none & The Tuff Gong none Jamaica 1992 (7") Wailers Iron Lion Zion 422-864-406-4 Bob Marley Tuff Gong 422-864-406-4 US 1992 (Cass, Single) Tuff Gong, Iron Lion Zion 74321 11229 4 Bob Marley Island 74321 11229 4 Netherlands 1992 (Cass, Single) Records Related Music albums to Iron Lion Zion by Bob Marley & The Wailers Bob Marley - Interviews... (So Much Things To Say) Bob Marley - Iron Lion Zion Bob Marley & The Wailers - Jah Live Bob Marley & The Wailers - Confrontation Bob Marley And The Wailers - Bad Card Bob Marley And The Wailers - Natural Mystic (The Legend Lives On) Bob Marley & The Wailers - Smile Jamaica Bob Marley & The Wailers - Could You Be Loved / Africa Unite Bob Marley & The Wailers - Ambush Bob Marley & The Wailers - Buffalo Soldier.