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Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
Media Under Fire: Reporting Conflict in Iraq
INFORMATION, ANALYSIS AND ADVICE FOR THE PARLIAMENT INFORMATION AND RESEARCH SERVICES Current Issues Brief No. 21 2002–03 Media Under Fire: Reporting Conflict in Iraq DEPARTMENT OF THE PARLIAMENTARY LIBRARY ISSN 1440-2009 Copyright Commonwealth of Australia 2003 Except to the extent of the uses permitted under the Copyright Act 1968, no part of this publication may be reproduced or transmitted in any form or by any means including information storage and retrieval systems, without the prior written consent of the Department of the Parliamentary Library, other than by Senators and Members of the Australian Parliament in the course of their official duties. This paper has been prepared for general distribution to Senators and Members of the Australian Parliament. While great care is taken to ensure that the paper is accurate and balanced, the paper is written using information publicly available at the time of production. The views expressed are those of the author and should not be attributed to the Information and Research Services (IRS). Advice on legislation or legal policy issues contained in this paper is provided for use in parliamentary debate and for related parliamentary purposes. This paper is not professional legal opinion. Readers are reminded that the paper is not an official parliamentary or Australian government document. IRS staff are available to discuss the paper's contents with Senators and Members and their staff but not with members of the public. Published by the Department of the Parliamentary Library, 2003 I NFORMATION AND R ESEARCH S ERVICES Current Issues Brief No. 21 2002–03 Media Under Fire: Reporting Conflict in Iraq Sarah Miskin, Politics and Public Administration Group Laura Rayner and Maria Lalic, Foreign Affairs, Defence and Trade Group 24 March 2003 Acknowledgments Our thanks to Jack Waterford, Jane Hearn, Cathy Madden and Alex Tewes for their useful comments and contributions on earlier drafts of this paper. -
Corporate Social Responsibility in Lebanon
LEBANESE TRANSPARENCY ASSOCI A TION Corporate Social Responsibility in Lebanon The Lebanese Transparency Association P.O. Box 05-005, Baabda , Lebanon Tel/Fax: 169-9-510590; 169-9515501 [email protected] www.transparency-lebanon.org The Lebanese Transparency Association PO Box 05 005 Baabda, Lebanon Telephone +169 9 510590 • Fax +169 9 515501 www.transparency-lebanon.org LEBANESE TRANSPARENCY ASSOCIATION Introduction Corporate social responsibility (CSR) at its best practice can be defined as the overall management process that accompanies all the efforts of an organization within the limits of a certain ethical conduct. CSR starts internally within the organization as a set of beliefs and values of all the human resource. In such a case the organization will naturally communicate those ethical values through: 1. Personal interaction level (Meetings, promotions, events, media gatherings) 2. Corporate communications (press releases, webpage, print communications, product labels, advertising campaigns, brand building strategies, corporate logo) In effect and as illustrated in Fig 1, these communicated beliefs will result in added trust towards the organizations’ overall image and will potentially increase business and sustain development in the long run. In the ideal case, CSR is conducted as part of and adapted to the business strategy and vision, which is normally defined by the top management. According to the St. Galler Management Concept (University of St. Gallen, Bleicher 1991), these principles should be realized by the strategical and operational management levels. The whole strategy is therefore conducted by the whole company and becomes a part of the company’s identity. To act socially responsible and to integrate CSR in a businesses’ strategy has eventually the aim of increasing sales revenues and achieving profits, as opposed to purely philanthropic actions. -
Leonardian Fluid Mechanics in the Codex Atlanticus VIII-IX
LEONARDIAN FLUID MECHANICS IN THE CODEX ATLANTICUS VIII-IX ENZO MACAGNO IIHR Monograph No. 115 Iowa Institute of Hydraulic Research The University of Iowa Iowa City, Iowa 52242-1585 August 1997 LEONARDIAN FLUID MECHANICS IN THE CODEX ATLANTICUS VIII-IX ENZO MACAGNO Sponsored by National Science Foundation and National Endowment for the Humanities IIHR Monograph No. 115 Iowa Institute of Hydraulic Research The University of Iowa Iowa City, Iowa 52242-1585 August 1997 i THE MAIN RESEARCH TOOL IN THE CRITICAL ANALYSIS OF LEONARDIAN FLUID MECHANICS Laboratory Methodology Beginning at Iowa in the early sixties, the laboratory methodology for the objective study of Leonardo's reported observations and experiments was gradually developed along more than three decades and is still in use. Long periods were spent in fluid mechanics and hydraulics laboratories in the USA and Europe (Iowa- Institute of Hydraulic Research, College of Engineering Iowa City, Institut fur Hydromechanik Karlsruhe , Laboratoire de Mécanique des Fluides Orsay, and others).Some illustrations of such a methodology are interspersed in this monograph. ii TABLE OF CONTENTS INTRODUCTION Opening Remarks.............................................................. 1 THE CODEX ATLANTICUS Brief History...........................................................................3 Publications of the Codex Atlanticus............................... 5 ORGANIZATION OF THIS VOLUME................................................7 FUTURE W ORK.............................................................................. -
6. from Vietnam to Iraq: Negative Trends in Television War Reporting
THE PUBLIC RIGHT TO KNOW 6. From Vietnam to Iraq: Negative trends in television war reporting ABSTRACT In 1876, an American newspaperman with the US 7th Cavalry, Mark Kellogg, declared: ‘I go with Custer, and will be at the death.’1 This overtly heroic pronouncement embodies what many still want to believe is the greatest role in journalism: to go up to the fight, to be with ‘the boys’, to expose yourself to risk, to get the story and the blood-soaked images, to vividly describe a world of strength and weakness, of courage under fire, of victory and defeat—and, quite possibly, to die. So culturally embedded has this idea become that it raises hopes among thousands of journalism students worldwide that they too might become that holiest of entities in the media pantheon, the television war correspondent. They may find they have left it too late. Accompanied by evolutionary technologies and breathtaking media change, TV war reporting has shifted from an independent style of filmed reportage to live pieces-to-camera from reporters who have little or nothing to say. In this article, I explore how this has come about; offer some views about the resulting negative impact on practitioners and the public; and explain why, in my opinion, our ‘right to know’ about warfare has been seriously eroded as a result. Keywords: conflict reporting, embedded, television war reporting, war correspondents TONY MANIATY Australian Centre for Independent Journalism N 22nd December 1961, the first American serviceman was killed in Saigon. By April 1969 a staggering 543,000 US troops occupied OSouth Vietnam, with calls from field commanders for even more. -
The War Correspondent
The War Correspondent The War Correspondent Fully updated second edition Greg McLaughlin First published 2002 Fully updated second edition first published 2016 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © Greg McLaughlin 2002, 2016 The right of Greg McLaughlin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 3319 9 Hardback ISBN 978 0 7453 3318 2 Paperback ISBN 978 1 7837 1758 3 PDF eBook ISBN 978 1 7837 1760 6 Kindle eBook ISBN 978 1 7837 1759 0 EPUB eBook This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. Typeset by Stanford DTP Services, Northampton, England Simultaneously printed in the European Union and United States of America Contents Acknowledgements ix Abbreviations x 1 Introduction 1 PART I: THE WAR CORRESPONDENT IN HISTORICAL PERSPECTIVE 2 The War Correspondent: Risk, Motivation and Tradition 9 3 Journalism, Objectivity and War 33 4 From Luckless Tribe to Wireless Tribe: The Impact of Media Technologies on War Reporting 63 PART II: THE WAR CORRESPONDENT AND THE MILITARY 5 Getting to Know Each Other: From Crimea to Vietnam 93 6 Learning and Forgetting: From the Falklands to the Gulf 118 7 Goodbye Vietnam Syndrome: The Embed System in Afghanistan and Iraq 141 PART III: THE WAR CORRESPONDENT AND IDEOLOGICAL FRAMEWORKS 8 Reporting the Cold War and the New World Order 161 9 Reporting the ‘War on Terror’ and the Return of the Evil Empire 190 10 Conclusions: ‘Telling Truth To Power’ – the Ultimate Role of the War Correspondent? 214 1 Introduction William Howard Russell is widely regarded as one of the first war cor- respondents to write for a commercial daily newspaper. -
The Cornelius Ryan Collection of World War II Papers
The Cornelius Ryan Collection of World War II Papers Doug McCabe My country can never again afford the luxury of another Montgomery success. Bernard, The Prince of the Netherlands, Interview with Cornelius Ryan for the book A Bridge Too Far The quotation above is just one of thousands of golden nuggets contained in the collection of research files of reporter, journalist and author Cornelius Ryan (1920– 1974). This native Irishman was one of the first writers on mili- tary subjects to go beyond using official records and the reminiscences of high- ranking commanders by contacting common soldiers and civilians in order to access their personal experiences of war. Along with his skill as a writer, the anecdotes they provided him with “humanized” his books, made them best sellers and turned two of them into films. And— to prove their longevity— The Longest Day (1959), The Last Battle (1966) and A Bridge Too Far (1974) are still in print while the films are still shown several times a year on American television. The Ryan Collection, housed at Ohio University in Athens, Ohio, is the most heavily used collection at the Mahn Center for Archives and Special Collections. Queries come in from students and faculty on campus, from researchers throughout the U.S. as well as from overseas, especially Europe. They range from relatives and descendants to casual and amateur histo- rians to professional academicians. They ask for just a few pages from a questionnaire to dozens of pages of documents or photographs. What they all seem to want are the stories that get at the pathos of war and conflict. -
'Assassinated' War Correspondent Marie Colvin, Lawsuit Filed by Her Relatives Claims
Feedback Tuesday, Apr 10th 2018 12AM 64°F 3AM 57°F 5-Day Forecast Home U.K. News Sports U.S. Showbiz Australia Femail Health Science Money Video Travel Columnists DailyMailTV Latest Headlines News World News Arts Headlines Pictures Most read Wires Coupons Login ADVERTISEMENT As low as $0.10 ea STUDENT Ribbon Learn More Assad's forces 'assassinated' Site Web Enter your search renowned war correspondent Marie ADVERTISEMENT Colvin and then celebrated after they learned their rockets had killed her, lawsuit iled by her relatives claims President Bashar Assad's forces targeted Marie Colvin and celebrated her death This is according to a sworn statement a former Syrian intelligence oicer made The 55-year-old Sunday Times reporter died in a rocket attack in Homs By JESSICA GREEN FOR MAILONLINE PUBLISHED: 14:25 EDT, 9 April 2018 | UPDATED: 16:14 EDT, 9 April 2018 65 175 shares View comments Syria President Bashar Assad's forces allegedly targeted veteran war correspondent Marie Colvin and then celebrated after they learned their rockets had killed her. This is according to a sworn statement a former Syrian intelligence oicer made in a wrongful death suit iled by her relatives. The 56-year-old Sunday Times reporter died alongside French photographer Remi Ochlik, 28, in a rocket attack on the besieged city of Homs. ADVERTISING Like +1 Daily Mail Daily Mail Follow Follow @DailyMail Daily Mail Follow Follow @dailymailuk Daily Mail FEMAIL TODAY The intelligence defector, code named EXCLUSIVE: Tristan Ulysses, says Assad's military and Thompson caught on intelligence oicials sought to capture or video locking lips with a brunette at NYC club kill journalists and media activists in just days before Khloe Homs. -
The Pathos of Function: Leonardo's Technical Drawings
Originalveröffentlichung in: Schramm, Helmar (Hrsg.): Instruments in art and science: on the architectonics of cultural boundaries in the 17th century (Theatrum scientiarum : English edition ; 2), Berlin 2008, S. 78-105 FRANK FEHRENBACH The Pathos of Function: Leonardo's Technical Drawings r. A late pen and ink drawing by Leonardo da Vinci, now in Windsor Castle (W 12698 recto, ca. 1513), reverses ideas common in the Re naissance about the sometimes antagonistic relationship between nature and culture (fig. 1). In contrast to his almost contemporary "Deluge Se ries," the drawing does not show the worst case scenario of meteorolo gy, destroying the creations of man, but a flood of tools and instruments that fall on the surface of the earth. We identify, among other objects, pincers, hammers, nails, angles, glasses, rulers, rakes, bottles, bagpipes, ladders, clocks, plates, discs, and what is more, among the clouds, a lion. In contrast to a line on the top of the sheet "Here Adam and here Eve" which probably belonged to another sketch on the same sheet, later cut off,1 the legend of the actual drawing leaves no doubt about its pessimistic meaning: "O miseria umana, di quante cose per danari ti fai servo. O human misery, to how many things are you enslaved just for the money." Related to the lion in the clouds, the sketch becomes a prod igy (cf. Peter Apian, Practica for 1532, Landshut 1531; fig. 2), perhaps alluding to the proverbial technophilia of the Florentines city of the Marzocco or a cryptosignature of LeoneLeonardo himself.2 But it is more reasonable, I believe, to interpret the lion as a reference to Pope Leo X, elected in 1513, a person who raised many hopes in Leonardo, which turned, however, into disappointment and complaints. -
Geo-Visualization Tools for Participatory Urban Planning the Case of Tripoli, Lebanon
KARTOGRAPHISCHE BAUSTEINE BAND 35 DRESDEN 2007 Remarks on the cover The cover illustration combines two different types of imagery. The first one forms the background: it is a geocoded mosaic of three QuickBird scenes of Tripoli acquired on 26 January 2003, 8 April 2003 and 2 July 2003. This is overlaid by four photographs depicting typical scenes of the city centre of Tripoli. From East to West they display the following sites: waste on the both sides of the main river (Abu Ali River); street-vendors at the entrance to the old souk; daily traffic jam in the old city; disused houses in the old city waiting for a renovation since the end of the Civil War in 1990. i Note: More than one month after the beginning of the disastrous summer 2006 war in Lebanon I submit my thesis with the hope that it will be the last conflict in my country, the country which is known for its multicultural and multireligious structure. I hope that by the conclusion of my work Lebanon will have peace and peace for ever. Ich habe die vorliegende Dissertation etwas mehr als einen Monat nach dem katastrophalen Krieg im Sommer 2006 im Lebanon eingereicht. Ich hoffe, daß bis zur Fertigstellung des Drucks dieser Konflikt gelöst ist und endlich dauerhafter Frieden im Libanon einkehrt, dem Land, das für seine Multikulturalität und Multireligiosität bekannt ist. Dresden, August 2006 Disclaimer This document describes work undertaken as part of a programme of study at the Dresden University for Technology, Institute of Cartography. All views and opinions expressed therein remain the sole responsibility of the author, and do not necessarily represent those of the institute. -
ARS ET INGENIUM Toward Leonardo Da Vinci's Legacy of Similitude and Invention Looking Forward to Commemorating the Fifth Cente
Biennale Internazionale d’Arte Contemporanea di Firenze ARS ET INGENIUM Toward Leonardo da Vinci’s Legacy of Similitude and Invention Looking forward to commemorating the fifth centennial of Leonardo da Vinci’s death in 2019, the International Contemporary Art Biennial of Florence would arouse some reflection on the cognitive and creative approach of the great master of the Renaissance who is regarded as a genius of all time. More particularly, the theme of the XIIth Florence Biennale is focused on Leonardo’s multifaceted being: an outstanding artist yet a ‘scientist’, he was committed to exploring nature so as to grasp a knowledge spanning different disciplines – comparative anatomy, botany, geology, physics, also intertwining cosmology with his studies on light, and much more. As we may read in his letter to Ludovico Maria Sforza, Duke of Milan (also known as ‘Ludovico il Moro’), whereby he affirmed he could represent anything in form of ‘of marble, bronze, and clay sculpture, and similiter in pictura’, Leonardo thrived in synthesising visual and structural elements because he also had the skills of an architect and engineer.i He was able to design mobile bridges, buildings and channels as well as breakthrough artillery, pyrotechnic effects, and a wide variety of devices. Indeed, we may well cherish the fantasy of some of Leonardo’ inventions evoked through artistry and imagination at the Fortezza da Basso during the days in which it will host installations by hundred of artists from around the world, many of whom showing their installations. -
Expanding Trades in Late Ottoman Cairo and Damascus
chapter 2 Expanding Trades in Late Ottoman Cairo and Damascus The rising appeal of Islamic collectibles in Europe findings brought up by digs; Islamic artworks rep- and America set a pattern among those who vis- resented a marginal trade in comparison. Stock ited, or sojourned in, the Middle East: that of pro- of objects from the Islamic period seems indeed curing antiques locally and transporting them more limited in Cairo than in Damascus. As a back home. The sought-after artefacts were mostly matter of fact, established dealers specialising secured through formal trade. From the mid- in Islamic artworks emerged at a later stage in nineteenth century onwards, all indicators are that the Egyptian city. In contrast, the Syrian capital Cairo and Damascus became active market-places housed traders in Islamic curios since at least the for Islamic artworks, although the information is 1850s, and it remained for many decades the most fragmentary and unevenly distributed. Evidence renowned place for the abundance and quality of on antique dealing does exist for fin-de-siècle available antiques, whether arms, ceramics, metal- Egypt, but it mostly covers “Egyptian” objects, by work, or indeed architectural salvage. Most Syrian which are meant the Ancient pieces obtained pri- travelogues include a chapter on the riches of the marily at excavations, but also at the villages clos- bazaars, the lavish objects on display, and the opu- est to the ruins.1 No comparable documentation lence of Damascene merchants.2 Products, old and is available for Islamic artefacts produced under new, ranged from locally-made “silks, and embroi- Fatimid, Ayyubid, Mamluk, or Ottoman rule.