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Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Boston Symphony Orchestra Concert Programs, Season 116, 1996
The security of a trust, Fidelity service and expertise. A CLcuwLc Composition A conductor and his orchestra — together, they perform masterpieces. Fidelity Now Fidelity Personal Trust Services Pergonal can help you achieve the same harmony for your trust portfolio of Trudt $400,000 or more. Serviced You'll receive superior trust services through a dedicated trust officer, with the added benefit of Fidelity s renowned money management expertise. And because Fidelity is the largest privately owned financial services firm in the nation, you can rest assured that we will be there for the long term. Call Fidelity Personal Trust Serviced at 1-800-854-2829. You'll applaud our efforts. Trust Services offered by Fidelity Management Trust Company For more information, visit a Fidelity Investor Center near you: Boston - Back Bay • Boston - Financial District • Braintree, MA • Burlington, MA Fidelity Investments 17598.001 This should not be considered an offer to provide trust services in every state. Trust services vary by state. To determine whether Fidelity may provide trust services in your state, please call Fidelity at 1-800-854-2829. Investor Centers are branches of Fidelity Brokerage Services, Inc. Member NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Sixteenth Season, 1996-97 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke. Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson William M. Crozier, Jr. Julian T. -
Me Tabolis Ts House S Under Cons Truction
Metabolists houses under construction ESSAYS PREVI: The Metabolists’ First, Last and Only Project BY EUI-SUNG YI With the special assistance by Bridget Ackeifi Cities in the sky, superhighways over the seas, floating layers of techno-villages. These utopic proposals for Japan were generated by a passionate and extraordinary group of young Japa- nese architects fueled by the futuristic vision to rebuild their nation. Parallel to their idealism, was the path of Peter Land, an Englishman by way of Yale and South America, tasked to plan housing for the poor. Incredibly, their idealism would cross and the Metabolists’ first and only project would be for a United Nations social housing development in a place very far from Japan: Peru. Eui-Sung Yi sat down with the group’s last living member, Fumihiko Maki, and the organizer of the project, Peter Land, to discuss this project and its place in modern urban design (read the interviews in pg. 65 and 68, respectively). Nearly 50 years ago, architect Peter Land initiated an The competition was an immense undertaking. In the end, architectural competition for the Peruvian capital of Lima. there were 86 different designs, 467 built homes housing 50 - 2014/1 The humble British architect did not devise a competition over 2.800 occupants, a school and a nursery, all within meant for the design of an avant-garde form for a museum 12,3 hectares of property, located only 7 km west of Lima’s or civic monument. Instead, Land, with the support of center. Land asked a total of 26 architectural firms to submit 1 2 his friend and President Fernando Belaúnde Terry and designs: 13 international teams and 13 Peruvian groups both docomomo prestigious members of the Peruvian academia, asked the composed of emerging and progressive architects. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Ear and There Monday, February 8, 2010
Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create. -
Orchestra of St. Luke's 2020 Winter-Sping Season
Press release ORCHESTRA OF ST. LUKE’S BEGINS 2020 WINTER-SPRING SEASON IN FEBRUARY WITH VIOLINIST DANIEL HOPE AND CONTRALTO MARIE-NICOLE LEMIEUX IN HANDEL & VIVALDI: RARE WORKS FOR DOUBLE ORCHESTRA AT CARNEGIE HALL Carnegie Hall Series Concludes on March 5 with Beethoven’s Choral Fantasy featuring La Chapelle de Québec North American Premiere of Work by Composer Eleanor Alberga Anchors 2020 Music in Color Tour Pianist Paavali JumPPanen Joins St. Luke’s Chamber Ensemble for Beethoven’s “Eroica” at The Morgan Library, Merkin Hall, and Brooklyn Museum OSL joined by Taylor 2 Dance Company for OSL’s 43rd Season of Free School Concerts OSL debuts by violinist Daniel HoPe, Pianist Paavali JumPPanen, and singers Marie-Nicole Lemieux, Karina Gauvin, Matthew Brook, and Andrew Haji New York, NY, December 16, 2019 — Orchestra of St. Luke’s (OSL) 2020 winter-spring season will run from February 6 through the end of June, bringing music to over a dozen venues across the five boroughs of New York City. The season includes two Carnegie Hall subscription series concerts led by Principal Conductor Bernard Labadie; OSL’s signature Chamber Music Series with two all-Beethoven programs; a collaboration with New York’s MasterVoices in Sheldon Harnick’s English language version of Bizet’s Carmen; and Music in Color: Eleanor Alberga, OSL’s annual five borough free concert tour highlighting the works and lives of classical composers of color. CARNEGIE HALL PRESENTS ORCHESTRA OF ST. LUKE’S SERIES OSL Principal Conductor Bernard Labadie will lead the Orchestra in two dynamic programs: one dedicated entirely to works for double orchestra by Handel and Vivaldi and the other a celebration of Beethoven’s 250th birthday with a range of works displaying the composer’s audacious genius. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Martin Boykan Elegy, String Quartet No
NWCR786 Martin Boykan Elegy, String Quartet No. 4, Epithalamion Part II 4. IV Der Spinnerin Lied (Brentano) ......... (1:56) 5. V The Winters are so short (Dickinson) (3:29) 6. VI Um Mitternacht (Goethe) ................. (4:36) 7. VII A Bronze Immortal Takes Leave of Han (Li Ho) .................................. (7:09) Jane Bryden, soprano; The Brandeis Contemporary Chamber Players: Christopher Krueger, flute; William Wrzesien, clarinet; Nancy Cirillo, violin; Rhonda Rider, cello; James Orleans, bass; Sally Pinkas, piano; David Hoose, conductor String Quartet No. 4 (1996) ........................................ (17:49) 8. I Vigoroso, II Adagio espressivo Lydian String Quartet: Daniel Stepner, violin; Judith Eissenberg, violin; Mary Ruth Ray, viola; Rhonda Rider, cello Epithalamion (1986) ................................................... (11:01) 10. I Love Song (Ammons) (Prelude) ....... (2:54) 11. II Anon., sixteenth-century poem (Scherzo) .................................................. (1:51) 12. III Epithalamion (Spenser) (Invocation) (6:17) James Maddalena, baritone; Nancy Cirillo, Elegy (1982) ............................................................... (33:19) violin; Virginia Crumb, harp Part I Total Playing Time: 62:22 1. I Ist alles denn verloren (Goethe) ........ (5:25) 2. II A se stesso (Leopardi) ....................... (5:34) Ê 1988, 1998 & © 1998 Composers Recordings, Inc. 3. III Agonia (Ungaretti) ............................ (5:10) © 2007 Anthology of Recorded Music, Inc. Notes and experience, but they are somehow -
2019 Bay State Contest Judges' Biographies
2019 Bay State Contest Judges’ Biographies Seully Hall Donald Berman Donald Berman is Chair of Keyboard Studies at The Longy School of Music of Bard College and a Lecturer at Tufts University. He is a Harvard Radcliffe Institute Fellow and President of The Charles Ives Society. Prizewinner of the Schubert International Competition in Germany, Berman has been called a “thorough, thrillingly clear, and persuasive musician” (NY Times). His CDs include The Unknown Ives Volumes 1 and 2, The Uncovered Ruggles (New World), the 4-CD set Americans in Rome: Music by Fellows of the American Academy in Rome, Piano Music of Martin Boykan, and Scott Wheeler: Tributes and Portraits (Bridge). He has performed throughout the USA as well as abroad in Belgrade, Rome, Beijing, St. Petersburg, and Israel. His principal teachers were Mildred Victor in New York, George Barth at Wesleyan University, John Kirkpatrick, professor emeritus at Yale University, and Leonard Shure at The New England Conservatory. Rieko Aizawa Praised by the NY Times for her “impressive musicality, a crisp touch and expressive phrasing”, Japanese pianist Rieko Aizawa has established her own unique musical voice since her U.S. début at the Kennedy Center and Carnegie Hall with the New York String Orchestra, conducted by Alexander Schneider. The youngest-ever participant at the Marlboro Music Festival, she is a founding member of the Horszowski Trio and co-artistic director of the Alpenglow Chamber Music Festival. She was the last pupil of Mieczyslaw Horszowski at the Curtis Institute of Music; she also studied with Seymour Lipkin and Peter Serkin at the Juilliard School. -
Conductor Zubin Mehta Leads the Israel Philharmonic Orchestra in Opening Concert of the 2015/16 Orchestras Series at Symphony Center
For Immediate Release: Press Contacts: October 28, 2015 Eileen Chambers, 312-294-3092 Rachelle Roe, 312-294-3090 Photos Available By Request [email protected] CONDUCTOR ZUBIN MEHTA LEADS THE ISRAEL PHILHARMONIC ORCHESTRA IN OPENING CONCERT OF THE 2015/16 ORCHESTRAS SERIES AT SYMPHONY CENTER Program Includes Beethoven’s Eroica Symphony, Ravel’s La valse and a work by Josef Bardanashvili Sunday, November 15, at 7 p.m. CHICAGO—The first concert of the 2015/16 Symphony Center Presents (SCP) PowerShares QQQ Orchestras series features the Israel Philharmonic Orchestra (IPO) led by conductor Zubin Mehta, who is the orchestra’s Music Director for Life. The IPO, which is Israel’s premiere cultural ambassador, celebrates its 80th anniversary in the 2015/16 season. Mehta leads a diverse program of works by Beethoven, Ravel and contemporary Israeli composer Josef Bardanashvili on Sunday, November 15, at 7 p.m. at Symphony Center. The concert marks the IPO’s fifth Symphony Center appearance since 1996 with their most recent appearance led by Mehta taking place in 2014. Mehta, an acclaimed Beethoven interpreter, leads the IPO in the composer’s monumental Symphony No. 3 (Eroica) as the program’s centerpiece. The sweeping work opens with an intense and powerful first movement that leads to a brooding funeral march, which hints at Beethoven’s struggle with his increasing deafness, before it reaches a brilliant finale. The IPO program opens with the symphonic poem A Journey to the End of the Millennium based on the critically acclaimed opera of the same name by Georgian-born, Israeli composer Josef Bardanashvili (b. -
Detailed Biography
c/o Justin Stanley JMS Artist Management 89 Wenham Street #2 Jamaica Plain, MA 02139 857-210-4706 [email protected] lydianquartet.com LYDIAN STRING QUARTET - DETAILED BIOGRAPHY From its beginning in 1980, the Lydian Quartet has embraced the full range of the string quartet repertory with curiosity, virtuosity, and dedication to the highest artistic ideals of music making. In its formative years, the quartet studied repertoire with Robert Koff, a founding member of the Julliard String Quartet who had joined the Brandeis faculty in 1958. Forging a personality of their own, the Lydians were awarded top prizes in international string quartet competitions, including Evian, Portsmouth and Banff, culminating in 1984 with the Naumburg Award for Chamber Music. In the years to follow, the quartet continued to build a reputation for their depth of interpretation, performing with "a precision and involvement marking them as among the world's best quartets" (Chicago Sun-Times). Residing at Brandeis University, in Waltham, Massachusetts, the Lydians continue to offer compelling, thoughtful, and dramatic performances of the quartet literature. From the acknowledged masterpieces of the classical, romantic, and modern eras to the remarkable compositions written by today's cutting edge composers, the quartet approaches music-making with a sense of exploration and personal expression that is timeless. The LSQ has performed extensively throughout the United States at venues such as Jordan Hall in Boston; the Kennedy Center and the Library of Congress in Washington, D.C.; Lincoln Center, Miller Theater, and Weill Recital Hall in New York City; the Pacific Rim Festival at the University of California at Santa Cruz; and the Slee Beethoven Series at the University at Buffalo. -
A List of Symphonies the First Seven: 1
A List of Symphonies The First Seven: 1. Anton Webern, Symphonie, Op. 21 2. Artur Schnabel, Symphony No. 2 3. Fartein Valen, Symphony No. 4 4. Humphrey Searle, Symphony No. 5 5. Roger Sessions, Symphony No. 8 6. Arnold Schoenberg, Kammersymphonie Nr. 2 op. 38b 7. Arnold Schoenberg, Kammersymphonie Nr. 1 op. 9b The Others: Stefan Wolpe, Symphony No. 1 Matthijs Vermeulen, Symphony No. 6 (“Les Minutes heureuses”) Allan Pettersson, Symphony No. 4, Symphony No. 5, Symphony No. 6, Symphony No. 8, Symphony No. 13 Wallingford Riegger, Symphony No. 4, Symphony No. 3 Fartein Valen, Symphony No. 1, Symphony No. 2 Alain Bancquart, Symphonie n° 1, Symphonie n° 5 (“Partage de midi” de Paul Claudel) Hanns Eisler, Kammer-Sinfonie Günter Kochan, Sinfonie Nr.3 (In Memoriam Hanns Eisler), Sinfonie Nr.4 Ross Lee Finney, Symphony No. 3, Symphony No. 2 Darius Milhaud, Symphony No. 8 (“Rhodanienne”, Op. 362: Avec mystère et violence) Gian Francesco Malipiero, Symphony No. 9 ("dell'ahimé"), Symphony No. 10 ("Atropo"), & Symphony No. 11 ("Della Cornamuse") Roberto Gerhard, Symphony No. 1, No. 2 ("Metamorphoses") & No. 4 (“New York”) E.J. Moeran, Symphony in g minor Roger Sessions, Symphony No. 4, Symphony No. 5, Symphony No. 9 Edison Denisov, Symphony No. 1, Symphony No. 2; Chamber Symphony No. 1 (1982) Artur Schnabel, Symphony No. 1 Sir Edward Elgar, Symphony No. 2, Symphony No. 1 Frank Corcoran, Symphony No. 3, Symphony No. 2 Ernst Krenek, Symphony No. 5 Erwin Schulhoff, Symphony No. 1 Gerd Domhardt, Sinfonie Nr.2 Alvin Etler, Symphony No. 1 Meyer Kupferman, Symphony No. 4 Humphrey Searle, Symphony No.