Concert 22/2
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2006-07 Season Earplay:22 Musing Monday, September 18, 2006, 7:00 PM Earplay 22: Exploring Monday, March 12, 2007 Pre-concert talk 6:15 pm Richard Aldag, James H. Carr, Christopher Wendell Jones, and Kurt Rohde Earplay 22: Visioning Monday, May 21, 2007 as part of the San Francisco International Arts Festival Galina Ustvol’skaya, Trio, (1949) Laurie Radford, Portals/Portails (2001) Eleanor Alberga, Suite from Dancing with Shadows (1991) Sunji Hong, Impetuoso (2002) • Mirtru Escalona-Mijares, Cinco Transfiguraciones Llanas (2004) (Winner 2006 Earplay Donald Aird Memorial Composition Competition March 12, 2007 Tickets: Free (Donations appreciated) Special Performances: Guillermo Galindo, Post-colonial Discontinuum (2005) Central Valley Tour Summer 2007 elcome to an Earplay performance. Our mission is to nuture new chamber music --composition, Wperformance, and audience--all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-one years, Earplay has made an enormous contribution to the bay area music community. The Earplay Earplay ensemble has performed hundreds of works by more than two Donald Aird hundred composers. Earplay has commissioned an average of two new works per season, and has presented more than one Memorial hundred world premieres. Composers Competition This year the concerts are free to encourage more people to listen to new music. We appreciate your donations to Downloadable application at: make this possible. We look forward to meeting you and hearing www.earplay.org/competitions your responses.. Deadline: March 31, 2007 Stephen Ness President, Board of Directors Special Thanks To: Earplay Earplay Staff Board of Directors Dennis Wadlington, Sherman-Clay San Francisco Girls Chorus Stephen Ness, president Aislinn Scofield Jennifer Burke, Industry May Luke, secretary executive director Jeff Byers Dan Scharlin, treasurer Scott Koué Sheri Greenawald, Director, San Francisco Opera Center technical director/stage manager Scott Koué Terrie Baune Alexander Ness Richard Aldag scheduling coordinator Steve Ness Kurt Rohde Terrie Baune, musician representative Bill Beckerman Karen Rosenak Mary Chun bookkeeping services Christopher Wendell Jones SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER Monday Evening, March 12 at 700 p.m. HERBST THEATRE Owned and operated by the City and County of San Francisco The Herbst Theatre through the Board of Trustees of the War Memorial of San Francisco The Honorable Gavin Newsom, Mayor ARPLAY 22: Exploring TRUSTEES E Wilkes Bashford, President Thomas E. Horn, Vice President Nancy H. Bechtle Mary Chun, conductor Bella Farrow Mrs. Walter A. Haas, Jr. Tod Brody, flutes Terrie Baune, violin Claude M. Jarman, Jr. Peter Josheff, clarinets Ellen Ruth Rose, viola Chrysanthy Leones Mrs. George R. Moscone Karen Rosenak, piano Thalia Moore, cello Paul F. Pelosi Paul E. Reynolds Charlotte Mailliard Shultz Eleni Takopoulos-Kounalakis Guest Artists Elizabeth Murray, Managing Director Gregory P. Ridenour, Assistant Managing Director Katharine Tier, mezzo Dan Reiter, cello Kurt Rohde, viola Featured Soloists Ellen Ruth Rose Kurt Rohde Earplay is funded in part by the Alice M. Ditson Fund of Columbia University, Ann and Gordon Getty Foundation, The Amphion Foundation, the Aaron Copland Fund for New Music, the Bernard Osher Foundation, the James Irvine Foundation, Meet the Composer, the Ross McKee Foundation, the San Francisco Foundation, the San Francisco Grants for the Arts, the William and Flora Hewlett Foundation, and Generous Donors. Program Donors 2005-06 & 2006-07 Seasons György Ligeti Cello Sonata (1948/53) $10,000 + Andrew W. Imbrie Helen Krumboltz Thalia Moore Argosy Foundation Yoshi Kakudo Paul & Ellen McKaskle Contemporary Music Fund Richard & Patricia Taylor Lee Nancy & Howard Mel I. Dialogo. Adagio, rubato, cantabile The James Irvine Foundation $100 + Samuel Nichols & Laurie San II. Capriccio. Presto con slancio Meet the Composer, A Meet the Richard Aldag Martin Composer Commis- William Beck & Yu-Hui Chang Pablo Ortiz sioning Music/USA Seth Brenzel & Malcolm Gaines Neva Pilgrim Christopher Wendell Jones Fictions (2000) Commission Raymond & Mary Chun Patricia Plude Tod Brody The San Francisco Foundation Chen Yi & Long Zhou Kurt Rohde The San Francisco Grants For Jane Galante Mathew Rosenblum the Arts Krzysztof Penderecki Clarinet Quartet (1993) Mark Haiman & Ellen Ruth Rose Laurie San Martin The William and Flora Hewlett Kenneth Johnson Allen Shearer & Claudia Stevens Peter Josheff, Terrie Baune, Foundation Christopher Wendell Jones Phyllis Sutherland Ellen Ruth Rose, Dan Reiter $5,000 + Antoinette Kuhry & John & Kate Swackhamer Anonymous I. Notturno: Adagio Thomas A. Haeuser Ushio Torikai The Aaron Copland Foundation Alfred Lerdahl Up to $50 II. Scherzo: Vivacissimo Amphion Foundation Amy Miller Levine Frances L. Bennion III. Serenade: Tempo di Valse Ann and Gordon Getty Linda Bouchard Foundation Florence Neuhoff IV. Abschied: Larghetto Patricia Bourne The Clarence E. Heller Charitable Nora Norden Foundation Wayne Peterson Renae Breitenstein Intermission The Ross McKee Foundation Michael Richards Kenneth Bruchmeier The San Francisco Arts William Schottstaedt Ernestine S. Cohn Commission Donald and Phyllis Sutherland Alice Berg Cronin James H. CarR Four Wilde Aphorisms (1991) $3,000 + Olly Wilson Lori Dobbins (West Coast Premiere) Alice M. Ditson Fund of Columbia Mark Winges Barbara and Sanford Dornbusch Katharine Tier and Peter Josheff University Dan & Rachel Winheld Jeff L. Dunn The Bernard Osher Foundation $50 + Shinji Eshima I. To Look Wise $1,000 + Mark Appelbaum Donald & Stephanie Friedman II. One’s Real Life Accenture Herbert W. Bielawa Konstantin Gavrilov and H. Cross III. Anybody Carol & Brooke Aird Ann Callaway Ellinor Hagedorn IV. I Couldn’t Help It May Luke John & Mary Caris Alice Hannah John Mugge & Ronald Caltabiano Kitty Brody Stephen J. Harrison Bari & Stephen Ness James & April Carlson John and Lee Hause Kurt Rohde DoubleTrouble (2002) The Zellerbach Family Foundation John Chowning Bud Hazelkorn Mary Chun, Tod Brody, Peter Josheff, $300 + Jeff Dunn Arthur Kreige Terrie Baune, Ellen Ruth Rose, Kurt Mary Chun Hal Fischer Joshua Law Rohde, Thalia Moore, Karen Rosenak Margaret Dorfman Guillermo Galindo Irving Lind I. Obsessive Compulsive Richard Felciano John and Lee Hause Amelie C. Mel De Fontenay Valerie Herr Patricia Moy II. Double Richard Festinger Ruth Knier Scott Jacobson Manya Nelson III. Spazoid Karen Rosenak Kenneth Johnson & Nina Grove Wendy Niles $200 + Louis Karchin David Tanenbaum Patti Noel Dueter William Kraft Arthur Kreiger Earplay Composers: Twenty-Two Years Notes on the Program Eliane Aberdam Fredrik Fahlman David Lang Virginia Samuel Sarah Aderholdt Richard Felciano Massimo Lauricella Laurie San Martin Thomas Adès John Felder Richard Lavenda Carlos Sanchez-Gutiérrez until 1983 for its concert debut and Donald Aird Morton Feldman Mario Lavista Marc Satterwhite Cello Sonata (1948/53) Richard Aldag Richard Festinger Anne LeBaron Eric Sawyer another seven years before being Alexis Alrich Irving Fine Yinam Leef Ralph Shapey published. Allen Anderson Tom Flaherty Fred Lerdahl David Schiff ...I did not choose the tumults of my Robert Basart Andrew Frank Peter Scott Lewis György Ligeti, from the “Ligeti Project David Schober life. Rather, they were imposed on Ross Bauer David Froom Jorge Liderman Philippe Schoeller CD”-Teldec Classics Bruce Christian Bennett Pablo Furman Peter Lieberson Arnold Schoenberg me by two murderous dictatorships: Arthur Berger Guillermo Galindo György Ligeti Roger Sessions first by Hitler and the Nazis, and then Jonathan Berger Michael Gandolfi Liza Lim Allen Shearer Luciano Berio Guy Garnett Scott Lindroth Sheila Silver by Stalin and the Soviet system. Stacy Garrop David Liptak György Ligeti Christophe Bertrand Reynold Simpson Herb Bielawa John Gibson Zhou Long Common to both of these totalitarian (1923-2006) was an Paul Siskind Susan Blaustein James Giroudonv Jing Jing Luo Ronald Bruce Smith dictatorships was the banning of adventurer in form Stephen Blumberg Glenn Glasow Witold Lutoslawski Linda Bouchard Daniel Godfrey Drake Mabry David Soley ‘modern’ art, which both systems and expression and Pierre Boulez Alexander Goehr John MacDonald Harvey Sollberger considered to be ‘hostile to the Claudio Spies a great visionary Martin Boykan Perry Goldstein Steven Mackey people’. Carolyn Bremer Michelle Green Katherine Malyi Jeff Stadelman of contemporary Benjamin Britten Mark Grey Ursula Mamlock Kurt Stallman music. His richly Ann Callaway Stephen Michael Gryc Donald Martino Dorrance Stalvey Ronald Caltabiano Susan Harding David Meckstroth Eitan Steinberg In 1948 all ‘modern’ music was varied output takes a special Frank Stemper Edmund Campion Lou Harrison Marjorie Merryman position in its musical quality and James Carr Ellen Ruth Harrison Olivier Messiaen Mark Stickman banned in Hungary--that is, not Elliott Carter Stephen Hartke Donal Michalsky Igor Stravinsky only Schoenberg, Berg, Webern and uncompromising individuality. Chris Chafe Hugh Hartwell Darius Milhaud Kotoka Suzuki Admired and hugely influential in the Yu-Hui Chang Jonathan Harvey Eric Moe Toru Takemitsu Stravinsky, but even Britten and Eric Chasalow Hans Werner Henze Paul Moravec Bruce Taub Milhaud. Bartok was ‘filtered’ in that profession, the sensual accessibility Yi Chen Martin Herman Gustavo Moretto John Thow of his music has won the hearts of Miguel Chuagui Jennifer