Homer Conference 2017 Proceedings
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Homeric Time Travel Erwin F
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 7-2018 Homeric Time Travel Erwin F. Cook Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Cook, E.F. (2018). Homeric time travel. Literary Imagination, 20(2), 220-221. doi:10.1093/litimag/imy065 This Post-Print is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Homeric Time Travel In a recent pair of articles I argued that the Odyssey presents itself as the heroic analogue to, or even substitute for, fertility myth.1 The return of Odysseus thus heralds the return of prosperity to his kingdom in a manner functionally equivalent to the return of Persephone, and with her of life, to earth in springtime. The first paper focused on a detailed comparison of the plots of the Homeric Hymn to Demeter and the Odyssey;2 and the second on the relationship between Persephone’s withdrawal and return and the narrative device of ring-composition.3 In my analysis of ring-composition, I concluded that what began as a cognitive and functional pattern, organizing small-scale narrative structures, evolved into an aesthetic pattern, organizing large blocks of narrative, before finally becoming an ideological pattern, connecting the hero’s return to the promise of renewal offered by fertility myth and cult. -
The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Ornithological Approaches to Greek Mythology: the Case of the Shearwater
Ornithological Approaches to Greek Mythology: The Case of the Shearwater In the Odyssey 5.333-337, Ino-Leucothea rescues Odysseus from a terrifying storm while in the shape of an αἴθυια (aithyia) and gives him a magic veil so he can reach the land of the Phaeacians. But what bird is an aithyia, and, perhaps more importantly, can this information help us understand this passage of the Odyssey and other ancient texts where the bird appears? Many attempts at identifying Ino-Leucothea’s bird shape have been made. Lambin (2006) suggests that the name of byne that is occasionally (e.g. Lyc. Al. 757-761) applied to the goddess highlights her kourotrophic functions. In a more pragmatic way, Thompson (1895) suggests that the aithyia is a large gull such as Larus marinus. This identification is based on Aristotle (H.A. 7.542b) and Pliny (10.32) who report that the bird breeds in rocks by the sea in early spring. However, in a response to Thompson’s identification of a different bird, the ἐρωδιός (erôdios) as a heron, Fowler stresses that this bird nests in burrows by the sea (Pliny 10.126-127) and therefore must be Scopoli’s shearwater, Puffinus kuhli, now renamed Calonectris diomedea. The similarities between the aithyia and the erôdios prompted Thompson not only to reconsider his identification of the erôdios as a shearwater but also to argue that other bird names such as aithyia, memnôn, and mergus must also correspond to the shearwater. Thompson (1918) comes to this conclusion by taking a closer look at the mythological information concerning these birds. -
Child Abuse in Greek Mythology: a Review C Stavrianos, I Stavrianou, P Kafas
The Internet Journal of Forensic Science ISPUB.COM Volume 3 Number 1 Child Abuse in Greek Mythology: A Review C Stavrianos, I Stavrianou, P Kafas Citation C Stavrianos, I Stavrianou, P Kafas. Child Abuse in Greek Mythology: A Review. The Internet Journal of Forensic Science. 2007 Volume 3 Number 1. Abstract The aim of this review was to describe child abuse cases in ancient Greek mythology. Names like Hercules, Saturn, Aesculapius, Medea are very familiar. The stories can be divided into 3 categories: child abuse from gods to gods, from gods to humans and from humans to humans. In these stories children were abused in different ways and the reasons were of social, financial, political, religious, medical and sexual origin. The interpretations of the myths differed and the conclusions seemed controversial. Archaeologists, historians, and philosophers still try to bring these ancient stories into light in connection with the archaeological findings. The possibility for a dentist to face a child abuse case in the dental office nowadays proved the fact that child abuse was not only a phenomenon of the past but also a reality of the present. INTRODUCTION courses are easily available to everyone. Child abuse may be defined as any non-accidental trauma, On 1860 the forensic odontologist Ambroise Tardieu, neglect, failure to meet basic needs or abuse inflicted upon a referring to 32 cases, made a connection between subdural child by a caretaker that is beyond the acceptable norm of haematoma and abuse. In 1874 a church group in New York childcare in our culture. Abused children found in all 1 City took a child named Mary-Helen from home in which economic, social, ethnic and cultural backgrounds and she was being abused. -
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling. -
The Golden Fleece: Essays Free
FREE THE GOLDEN FLEECE: ESSAYS PDF Muriel Spark,Penelope Jardine | 248 pages | 01 Apr 2014 | Carcanet Press Ltd | 9781847772510 | English | Manchester, United Kingdom Carcanet Press - The Golden Fleece: Essays Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? The Golden Fleece: Essays if other :. Thanks for telling us about the problem. Return to Book Page. Get A Copy. Paperbackpages. Published March 27th by Carcanet Press Ltd. More Details Other Editions 5. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Golden Fleeceplease sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. All Languages. More filters. Sort order. Start your review of The Golden Fleece: Essays. Indu Muralidharan rated it liked it Dec 20, Judith rated it The Golden Fleece: Essays it Nov 26, Angie rated it liked it Nov 22, D rated it it was amazing Aug 14, Mar 25, Helen rated it really liked it. Mary Ann rated it liked it Nov 01, Frances Ainslie rated it really liked it Oct 07, Nadene rated it it was ok Apr 25, Gray Eveleigh rated it liked it Mar 22, Jenny rated it really liked it Apr 18, Iona rated it really liked it Jan 12, Diarmaid rated it did not like it Apr 05, Nicola Fantom marked it as to-read Feb 27, Betty marked it as to-read Feb 27, Cristina -
Euripides and Gender: the Difference the Fragments Make
Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Ruby Blondell, Chair Deborah Kamen Olga Levaniouk Program Authorized to Offer Degree: Classics © Copyright 2013 Melissa Karen Anne Funke University of Washington Abstract Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke Chair of the Supervisory Committee: Professor Ruby Blondell Department of Classics Research on gender in Greek tragedy has traditionally focused on the extant plays, with only sporadic recourse to discussion of the many fragmentary plays for which we have evidence. This project aims to perform an extensive study of the sixty-two fragmentary plays of Euripides in order to provide a picture of his presentation of gender that is as full as possible. Beginning with an overview of the history of the collection and transmission of the fragments and an introduction to the study of gender in tragedy and Euripides’ extant plays, this project takes up the contexts in which the fragments are found and the supplementary information on plot and character (known as testimonia) as a guide in its analysis of the fragments themselves. These contexts include the fifth- century CE anthology of Stobaeus, who preserved over one third of Euripides’ fragments, and other late antique sources such as Clement’s Miscellanies, Plutarch’s Moralia, and Athenaeus’ Deipnosophistae. The sections on testimonia investigate sources ranging from the mythographers Hyginus and Apollodorus to Apulian pottery to a group of papyrus hypotheses known as the “Tales from Euripides”, with a special focus on plot-type, especially the rape-and-recognition and Potiphar’s wife storylines. -
Euripides Scenes in Byzantine Art
EURIPIDES SCENES IN BYZANTINE ART (PLATES 25-36) N EXT to Homer's Odyssey and Iliad no classical text has stimulated the imagina- tion in the representational arts of classical antiquity more than the dramas of Euripides. A few decades after they were written vase painters of the fourth century B.C. depicted significant moments of Euripidean plays, the two Iphigenias, the Medea, the Oenomauas,the HypsipylCe,the Andromeda and many others in complex compositions.1 Hardly a century later, at the beginning of Hellenism, the desire of the artists to represent the content of a single drama more fully than was possible in even the most complex vase paintings led to the invention of narrative picture cycles in which scene follows scene as the narration proceeds with constant repetition of the chief actors. It is significant that even in the earliest group of monuments on which this new principle of pictorial narration can most clearly be studied, the so-called Megarian bowls, illustrations of Euripidean dramas already rival those of Homeric poems for numerical superiority.2 In both methods, the monoscenic and the cyclic, illustrations from Euripides enjoy a rare popularity throughout the Hellenistic and Roman periods. Numerous Pompeian frescoes which seem to copy earlier panel paintings of great masters depict moments of highly dramatic tension such as the sudden recognition of Jason by Pelias, the brooding of Medea before the killing of her children, or Iphigenia's encounter with Orestes and Pylades,' scenes which undoubtedly are dependent on the Peliades, the Medea, and the Iphigenia Among the Taurians of Euripides. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
Parnassus, Delphi, and the Thyiades Mcinerney, Jeremy Greek, Roman and Byzantine Studies; Fall 1997; 38, 3; Proquest Pg
Parnassus, Delphi, and the Thyiades McInerney, Jeremy Greek, Roman and Byzantine Studies; Fall 1997; 38, 3; ProQuest pg. 263 Parnassus, Delphi, and the Thyiades Jeremy McInerney AN INTERNATIONAL SANCTUARY, Delphi helped bring a bout the transition within the emerging poleis of the ~ Archaic period to what Fran~ois de Polignac has called a "more finished, <adult' stage of society and institutions. "1 Delphi's business was international in scope: the sanctuary was involved in colonization, arbitration, and panhellenism.2 Yet one important aspect of Delphi's emergence as a panhellenic sanc tuary rarely studied is the impact of this extraordinary status on the community of Delphi and its surrounding region. In this paper I propose that, as the sanctuary of Delphi came to repre sent order, conciliation, and mediation to the Greeks, the local topography of the region was made to reflect these same themes. Delphi and Mt Parnassus became, through myth and ritual, a landscape in which tensions between wildness and civilization-a polarity at the heart of the culture of the polis could be narrated, enacted, and organized. Delphi and Parnas sus stood for the polarities from which the polis was construc ted. On the one side was Delphi, representing the triumph of order over chaos, as expressed in the myth of the sanctuary's foundation, when Apollo destroys Pytho and brings culture to the original inhabitants of Parnassus (Strab. 9.3.12). On the other side was Mt Parnassus, the wilderness tamed by Apollo. These 1 F. de Polignac, UMediation, Competition, and Sovereignty: The Evolution of Rural Sanctuaries in Geometric Greece,» in S. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
University of Groningen the Myth of the Golden Fleece Bremmer, Jan N
University of Groningen The Myth of the Golden Fleece Bremmer, Jan N. Published in: Journal Ancient Near Eastern Religions IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2007 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2007). The Myth of the Golden Fleece. Journal Ancient Near Eastern Religions, 6, 9-38. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 30-09-2021 XV THE MYTH OF THE GOLDEN FLEECE One of the best known Greek myths is that of Jason and his Argonauts, who sailed to Colchis to fetch the Golden Fleece.