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Natural Folly and Subversion in Much Ado About Nothing*
Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi Journal of Theatre Criticism and Dramaturgy Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 32, (2021): xx-xx DOI: 10.26650/jtcd.861023 Research Article / Araştırma Makalesi Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing* Ben Haworth1 ABSTRACT This essay argues that Shakespeare’s natural fools, clowns, rustics, and buffoons provide far more than light comic relief. Using the example of Dogberry, from Much Ado About Nothing, I demonstrate that in allowing his fools to usurp their position of clownish caricature, to move outside of their normal social spheres, Shakespeare exposes the folly within societal institutions. Though an examination of language, namely the use of malapropisms, and the manipulation of traditional licence extended to natural fools, I contend that such theatrical *This article is prepared with reference to the master dissertation titled “Early Modern depictions of folly opened the way for social commentary, parody and inversions Motley: The Function of Fools and Folly on the of hierarchies of power on the stage. Shakespearean Stage”, completed in 2016 at Keywords: Shakespeare, Subversion, Folly, Malapropism, Dogberry Nottingham Trent University UK. 1Lecturer, Nottingham Trent University, English Faculty, UK ORCID: B.H. 0000-0002-3318-8666 Corresponding author / Sorumlu yazar: Ben Haworth, Lecturer, Nottingham Trent University, English Faculty, UK E-mail/E-posta: [email protected] Submitted/Başvuru: 14.01.2021 Revision Requested/Revizyon Talebi: 05.02.2021 Last Revision Received/Son Revizyon: 05.02.2021 Accepted/Kabul: 15.03.2021 Citation/Atıf: Haworth, Ben. “Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 32, (2021): xx-xx. -
The Low-Status Character in Shakespeare's Comedies Linda St
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-1973 The Low-Status Character in Shakespeare's Comedies Linda St. Clair Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the English Language and Literature Commons Recommended Citation St. Clair, Linda, "The Low-Status Character in Shakespeare's Comedies" (1973). Masters Theses & Specialist Projects. Paper 1028. http://digitalcommons.wku.edu/theses/1028 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. ARCHIVES THE LOW-STATUS CHARACTER IN SHAKESPEAREf S CCiiEDIES A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bov/ling Green, Kentucky In Partial Fulfillment of the Requirements for the Degree Master of Arts Linda Abbott St. Clair May, 1973 THE LOW-STATUS CHARACTER IN SHAKESPEARE'S COMEDIES APPROVED >///!}<•/ -J?/ /f?3\ (Date) a D TfV OfThesis / A, ^ of the Grafduate School ACKNOWLEDGEMENTS With gratitude I express my appreciation to Dr. Addie Milliard who gave so generously of her time and knowledge to aid me in this study. My thanks also go to Dr. Nancy Davis and Dr. v.'ill Fridy, both of whom painstakingly read my first draft, offering invaluable suggestions for improvement. iii TABLE OF CONTENTS ACKNOWLEDGEMENTS iii INTRODUCTION 1 THE EARLY COMEDIES 8 THE MIDDLE COMEDIES 35 THE LATER COMEDIES 8? CONCLUSION 106 BIBLIOGRAPHY Ill iv INTRODUCTION Just as the audience which viewed Shakespeare's plays was a diverse group made of all social classes, so are the characters which Shakespeare created. -
Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh. -
THE CHRONICLE Save the Whale
ANNUAL SEND-HOME ISSUE Save the whale HooPn'Hornisscheduled to produce "Moby 1 Dick: A Whale of a Tale" this November. T THE CHRONICLE See jVrts, page 4. WEDNESDAY. JULY 28. 1993 DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 20,000 VOL 89. NO. S8 Employees charge Medical Center with discrimination By ALISON STUEBE chancellor for health affairs, to pressed to them, as unambigu cal Center had established a bers ofthe University commu Employees pleaded for help examine the status of minority ously as I could, that I take "Jewish Connection." Members nity can focus their energies on to end the "plantation mental employees. allegations of~ discrimination ofthe task force declined to com improving tolerance and hu ity" in the Medical Center in a In their letter, the nine mem very seriously," Keohane said ment on this statement. man understanding and not be letter sent to NAACP bers ofthe task force in a letter to the executive di Heads of the University and distracted by efforts to divide leaders and local poli accusethe University rector of the National Associa the Medical Center denounced us," Keohane said in a state ticians last week. of ignoring discrimi tion forthe Advancementof Col the Jewish connection reference. ment. The letter, written nation in the work ored People and the president "The inclusion of the blatantly Last November, the Medical by members of the place, limiting the ofthe Durham chapter. anti-Semitic comment in the let Center conducted a Gallup poll Medical Center minor power of minority ad Taskforce members said they ter... is appalling to me person of 7,505 non-faculty employees. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Much Ado About Nothing's Criticism of the Renaissance Patriarchy
Illinois Wesleyan University Digital Commons @ IWU Honors Projects English 4-25-2007 Much Ado About Nothing's Criticism of the Renaissance Patriarchy Kristen Zomparelli '07 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/eng_honproj Part of the English Language and Literature Commons Recommended Citation Zomparelli '07, Kristen, "Much Ado About Nothing's Criticism of the Renaissance Patriarchy" (2007). Honors Projects. 1. https://digitalcommons.iwu.edu/eng_honproj/1 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Kristen Zomparelli Dr. Bushman English Independent Study Research Honors (Credit Granted 4 April 2007) 25 April 2007 Much Ado About Nothing's Criticism of the Renaissance Patriarchy "Well, niece, I trust you will be ruled by your father." (2.1.47-48) "The hero that here lies." (Shakespeare, Much Ado 5.3.5) In a 1956 production of Measure for Measure, actress Margaret Johnston played Isabella as anything but the silent 'Y0man, obedient to the patriarchal system. -
Much Ado About Nothing” – Lecture/Class
“REVENGE IN SHAKESPEARE’S PLAYS” “MUCH ADO ABOUT NOTHING” – LECTURE/CLASS WRITTEN: In the second half of 1598 or 99 -- no later because the role of Dogberry was sometimes replaced by the name of “Will Kemp”, the actor who always played the role; Kemp left the Lord Chamberlain’s Men in 1599. AGE: 34-35 Years Old (B.1564-D.1616) CHRONO: Seventh in the line of Comedies after “The Two Gentlemen of Verona”, “The Comedy of Errors”, “Taming of the Shrew”, “Love’s Labours Lost”, “A Midsummer’s Night’s Dream”, “The Merchant of Venice”. QUARTO: A Quarto edition of the play appeared in 1600. GENRE: “Tragicomic” SOURCE: “Completely and entirely unhistorical” VERSION: The play is “Shakespeare’s earliest version of the more serious story of the man who mistakenly believes his partner has been unfaithful to him”. (“Othello” for one.) SUCCESS: There are no records of early performances but there are “allusions to its success.” HIGHLIGHT: The comedy was revived in 1613 for a Court performance at Whitehall before King James, his daughter Princess Elizabeth and her new husband in May 1613. AFTER: Oddly, the play was “performed only sporadically until David Garrick’s acclaimed revival in 1748”. CRITICS: 1891 – A.B. Walkley: “a composite picture of the multifarious, seething, fermenting life, the polychromatic phantasmagoria of the Renaissance.” 1905 – George Bernard Shaw: “a hopeless story, pleasing only to lovers of the illustrated police papers BENEDICTS: Anthony Quayle, John Gielgud, Michael Redgrave, Donald Sinden BEATRICES: Peggy Ashcroft, Margaret Leighton, Judi Dench, Maggie Smith RECENT: There was “a boost in recent fortunes with the well-received 1993 film version directed by Kenneth Branagh and starring Branagh and Emma Thompson.” SETTING: Messina in northeastern Sicily at the narrow strait separating Sicily from Italy. -
Murder in the Mews the Adventure of Johnnie Waverly the Adventure Of
The Adventure of the Clapham 8-Jan-89 Captain Hastings Cook Inspector Japp Miss Lemon Murder in the Mews 15-Jan-89 Captain Hastings Inspector Japp Miss Lemon The Adventure of Johnnie 22-Jan-89 Captain Hastings Waverly Inspector Japp Miss Lemon Four and Twenty Blackbirds 29-Jan-89 Captain Hastings Inspector Japp Miss Lemon The Third Floor Flat 5-Feb-89 Captain Hastings The Third Floor Flat 5-Feb-89 Inspector Japp Miss Lemon Triangle at Rhodes 12-Feb-89 Problem at Sea 19-Feb-89 Captain Hastings The Incredible Theft 26-Feb-89 Captain Hastings Inspector Japp Miss Lemon The King of Clubs 12-Mar-89 Captain Hastings Inspector Japp The Dream 19-Mar-89 Captain Hastings Inspector Japp Miss Lemon [edit] Series Two (1990) Title UK Airdate Recurring Cast Peril at End House 7-Jan-90 Captain Hastings (feature-length) Inspector Japp Miss Lemon The Veiled Lady 14-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Lost Mine 21-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Cornish Mystery 28-Jan-90 Captain Hastings Inspector Japp Miss Lemon The Disappearance of Mr. 4-Feb-90 Captain Hastings Davenheim Inspector Japp Miss Lemon Double Sin 11-Feb-90 Captain Hastings Inspector Japp Miss Lemon Double Sin 11-Feb-90 The Adventure of the Cheap 18-Feb-90 Captain Hastings Flat Inspector Japp Miss Lemon The Kidnapped Prime Minister 25-Feb-90 Captain Hastings Inspector Japp Miss Lemon The Adventure of the Western 4-Mar-90 Captain Hastings Star Inspector Japp Miss Lemon The Mysterious Affair at Styles 16-Sep-90 Captain Hastings (feature-length) Inspector Japp -
Tip Měsíce KAPITÁN PHILLIPS 20:00
Tip měsíce pressroom web KAPITÁN PHILLIPS životopisný, drama 19. října Hraná rekonstrukce přepadení americké lodi Alabama čtveřicí somálských pirátů, jež se odehrálo v roce 2009. Vůdce pirátů Muse (Barkhad Abdi) a jeho kumpáni se Phillipse zmocní a drží jej jako 20:00 rukojmí v záchranném člunu. S únosci absolvuje vyčerpávající psychologický souboj, v němž mu běží o holý život... TURBO Turbo 20:00 Neděle 5. října 2014 KONZULTANT 2013 | 92 minut | All | animovaný, komedie Nedělní premiéry MUŽ Z OCELI Režie: David Soren ŽIVOT BEZ MÁMY RODIČOVSKÁ LÁSKA PŘÍBĚH SOMÁLSKÝCH PIRÁTŮ RICHARD PRYOR: ZAPOMEŇTE NA LOGIKU MOLLY MAXWELLOVÁ pressroom LEGENDÁRNÍ PARTA web A DOST! Animovaná komedie pro celou rodinu realizovaná známým americkým studiem DreamWorks Animation využívá motivu převtělení nemotorného živočicha do supervýkonného stroje. Titulní postavou je pomalý hlemýžď, který se původně plahočí po obyčejné zahrádce. Jednoho dne však uvidí v televizi slavný závod Indy 500 a zatouží po kariéře automobilového šampióna. Jeho zázračnou proměnu odstartuje náhoda, při níž se připlete k neoficiálním PUTOVÁNÍ S DINOSAURY závodům. Poté, co spadne na kapotu jednoho z vozů, octne se uvnitř jeho motoru. V něm proběhne jeho kuriózní mutace v závratně rychlé auto. Po řadě dalších groteskních událostí se Turbo nakonec zúčastní vytouženého závo- du. V něm však dojde k hromadné havárii, kvůli níž čiperný hrdina klání málem nedokončí... Režii vtipné podívané – zpestřené hlasy známých českých herců – měl David Soren. TURBO KONZULTANT 20:00 (The Counselor ) Neděle 12. října 2014 KONZULTANT Nedělní premiéry MUŽ Z OCELI 2013 | 112 minut | 18 | kriminální, thriller Režie: Ridley Scott ŽIVOT BEZ MÁMY Hrají: Michael Fassbender, Penélope Cruz, Cameron Diaz, Javier Bardem, Brad Pitt RODIČOVSKÁ LÁSKA PŘÍBĚH SOMÁLSKÝCH PIRÁTŮ RICHARD PRYOR: ZAPOMEŇTE NA LOGIKU MOLLY MAXWELLOVÁ pressroom LEGENDÁRNÍ PARTA web A DOST! Existenciální thriller, jež podle původního scénáře Cormacka McCarthyho režíroval Ridley Scott, líčí obludné prak- tiky drogové mafie. -
Radio 4 Extra Listings for 2 – 8 February 2013 Page 1 of 8 SATURDAY 02 FEBRUARY 2013 Mrs Nelly Woodburn
Radio 4 Extra Listings for 2 – 8 February 2013 Page 1 of 8 SATURDAY 02 FEBRUARY 2013 Mrs Nelly Woodburn ...... Elizabeth Proud May 2004. Colonel Chiley ...... Garard Green SAT 08:00 Garrison Keillor's Radio Show (b00y38bc) SAT 00:00 Terry Pratchett (b007jmq9) Mr Cavendish ...... Keith Drinkel Series 6 Wyrd Sisters Mrs Chiley ...... Ann Windsor Episode 11 4. Degrees of Royalty Mrs Mortimer ...... Kate Binchy From Minnesota - the American funny man welcomes Elvis Lancre's new ruler teeters on the edge of madness. The old King Fanny ...... Siriol Jenkins Costello and vocal powerhouses Jearlyn and Jevetta Steele. will be revenged. The three witches set to work! Edward ...... David Holt From 2009. Starring Sheila Hancock, Lynda Baron and Deborah Berlin. The Rev Bury ...... John Fleming SAT 09:00 Alexander Armstrong's Radio Heroes The conclusion of Terry Pratchett's popular tale. Mrs Centum ...... Theresa Streatfield (b01qdwl5) Granny Weatherwax …. Sheila Hancock Maria Brown ...... Melanie Hudson The X-Men? Pah! Superman? Bah! Give us Jet Morgan any day Nanny Ogg …. Lynda Baron Mr Holder ...... Eric Allan - as Alexander Armstrong celebrates those fine gentleman Magrat Garlick …. Deborah Berlin Nancy ...... Joanna Wake adventurers of the wireless Duke Felmet … Ian Masters Music by Malcolm McKee. Big screen do-gooders like the Avengers have the glam and the Lady Felmet …. Kristin Milward Producer: Sue Wilson moves, but you don't have to be superhuman to be a hero. Enjoy King Verence …. John Hartley First broadcast on BBC Radio 4 in August 1992. our very own British brand of intrepid adventurer, for whom The Fool …. Andrew Branch SAT 04:00 Elizabeth Taylor - Dangerous Calm (b0076h31) style, panache, wit and guile serve just as well as x-ray vision, Vitoller …. -
ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007. -
Xerox University Microfilms 300 North Zm (> Road Ann Arbor, Michigan 48106 75-3059
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