Danny Cohen BSC Director of Photography
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CATHERINE FITZGERALD and DOMINIC WEST – Landscape Designer, Actor
FAVOURITE PLANT 41 CATHERINE FITZGERALD AND DOMINIC WEST – landscape designer, actor Catherine: My favourite is the oak, in pink, an early sign that autumn is on its particular the sessile oak. At Glin there way. are several ancient ones, remnants of the primeval forest, which once stretched all Dominic: I remember when I first walked the way from Killarney down to the down the avenue at Glin, being mouth of the Shannon. I love them astonished by the gunnera that rear up because they are so hoary and ancient — on spikey trunks like pre-historic their bark is rugged and deeply fissured carnivores. Their huge rhino-hide with age. Their long arms ripple like canopies funnel gallons of rainwater tentacles and run with green rivers of down their bristling throats. I placed my polypody ferns, mosses and lichens. infant son on one of them and quickly These ancient creatures support the took a picture before it swallowed him habitats of more than 280 species — up. more wildlife than any other native tree. Catherine: I have many wonderful Dominic: My favourite is the Cedar of memories of playing in the garden at Glin Lebanon. I first saw them in the grounds as a child: my sisters and I made of my sister’s convent in Hertfordshire as elaborate dens in the rhododendron a child and fell in love with their majesty bushes and epic journeys wading up the and distinctive horizontal branches, stony stream which borders the gardens’ which seem to invite children to climb eastern side. The twisting roots of the them. -
Kelly Carlin to Host New Show on Siriusxm
Kelly Carlin to Host New Show on SiriusXM "The Kelly Carlin Show," the new monthly show on Raw Dog Comedy and Carlin's Corner channels to launch with special guest Robin Williams NEW YORK, Feb. 9, 2012 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) announced today that Kelly Carlin, daughter of George Carlin, one of the most influential comedians of all time, will host a new monthly show on Raw Dog Comedy, channel 99, and on Carlin's Corner, the new 24/7 channel devoted to George Carlin, channel 400. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) Each month, The Kelly Carlin Show will feature Kelly interviewing a different comedian, stand-up comedy, personal stories and memories about her legendary and beloved father. The monthly show will kick off with a revealing conversation with special guest Robin Williams, during which the two will discuss Williams' experience on The Richard Pryor Show and Mork & Mindy, what it takes to be an actor versus a stand-up comedian and Williams' thoughts on the end of the world. The Kelly Carlin Show will premiere on Sunday, February 12 at 7:00 pm ET and will air the first Sunday of every month on Raw Dog Comedy, channel 99. The Kelly Carlin Show will also air the first Monday of every month at 8:00 pm ET on Carlin's Corner, channel 400. Upcoming episodes are scheduled to feature conversations with special guests Eddie Izzard, Lewis Black and Chris Hardwick. SiriusXM Raw Dog Comedy features uncensored comedy from the edge: classic comedy, the hottest new stand-ups and original shows. -
Etiek En Toeskouerskap Deur Die Lens Van Michael Haneke Se Amour
LitNet Akademies Jaargang 15, Nommer 2, 2018, ISSN 1995-5928 Verantwoordelike rolprentvervaardiging: etiek en toeskouerskap deur die lens van Michael Haneke se Amour Dian Weys Dian Weys, onafhanklike navorser Opsomming Aangesien ons moderne samelewing deur die media oorweldig word, stel Michael Haneke voor dat filmmakers ‘n verantwoordelikheid het om gehore aan te moedig om aan ‘n film se betekenisskeppingproses deel te neem, veral wanneer dit kom by die uitbeelding van geweld. Wat behels hierdie verantwoordelikheid? Stanley Cavell verduidelik dat, omdat toeskouers tydens die filmkykproses onsigbaar is, film ‘n beroep op ons moderne begeerte doen, nie vir mag oor die wêreld nie, maar eerder die wens om nie mag nodig te hê nie en om nie die laste van ‘n ander te dra nie. Dit is ‘n probleem, glo ek, veral wanneer iemand anders se werklike swaarkry en lyding as bronmateriaal gebruik word, omdat filmmakers dié werklike ervaring wederregtelik in besit neem vir vermaaklikheidsonthalwe. Indien die filmkykproses ons kwytskeld daarvan om die laste van die wêreld te dra en dus verligting bied van die opneem van verantwoordelikheid, argumenteer ek dat ons nie mag wens om nie die laste van iemand anders te dra nie. Ons is, soos Emmanuel Levinas argumenteer, verantwoordelik vir mekaar. Hoe poog Haneke om, tegnies gewys, sy gehore bewus te maak van hierdie verantwoordelikheid? Judith Butler sê dat ‘n begrip van verantwoordelikheid net bereik kan word wanneer ‘n ek-heid die perke van selfkennis erken. Daarom, indien ons, soos Butler sê, net bewus kan raak van die ondeursigtigheid eie aan ons menswees wanneer ons gekonfronteer word met die ondeursigtigheid van ‘n ander, argumenteer ek dat Haneke, deur sy fragmentariese aanslag ten opsigte van die beeld, redigering en klank, sy gehoor in verwantskap plaas met ‘n film wat hul met die perke van hul selfkennis konfronteer. -
Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival. -
1 BBC Four Biopics
BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers. -
Eastwood, Dicaprio Try to Capture First FBI Director's Life in 'J. Edgar'
09 November 2011 | voaspecialenglish.com Eastwood, DiCaprio Try to Capture First FBI Director's Life in 'J. Edgar' AP From left, Leonardo DiCaprio, Armie Hammer and director Clint Eastwood at the premiere of "J. Edgar" last week in Los Angeles (You can download an MP3 of this story at voaspecialenglish.com) DOUG JOHNSON: Welcome to AMERICAN MOSAIC in VOA Special English. (MUSIC) I’m Doug Johnson. Today we play music from American Idol winner Scotty McCreery ... And we answer a question about American whiskey ... But first, it is history at the movie theater where a new film opens about former law enforcement chief J. Edgar Hoover. "J. Edgar" DOUG JOHNSON: The movie "J. Edgar" opens across America today. The film is about J. Edgar Hoover, the first director of the Federal Bureau of Investigation. Hoover was a complex and powerful man. He helped develop the FBI into an efficient and effective crime solving agency. However, in later years, many people 2 questioned the methods used by Hoover and his investigators. Bob Doughty tells more about the man and the movie. BOB DOUGHTY: Clint Eastwood directed the movie "J. Edgar." He grew up in the time when, in his words, "Hoover was always top cop." Eastwood said he had heard different stories about the former FBI director. Some of them were very critical. But Eastwood said anybody who stays in a job as long as Hoover did is going to create some enemies. J. Edgar Hoover was the leader of the FBI and the agency it developed from for almost fifty years. -
18 Jan 19 28 Feb 19
18 JAN 19 28 FEB 19 1 | 18 JAN 19 - 28 FEB 19 49 BELMONT STREET | BELMONTFILMHOUSE.COM What does it mean, ‘to play against type’? Come January/February you may find many examples. Usually it’s motivated by the opportunity to hold aloft a small gold-plated statue, but there are plenty memorable occasions where Hollywood’s elite pulled this trope off fantastically. Think Charlize Theron in Monster. Maybe Jim Carrey in Eternal Sunshine? Or Heath Ledger as Joker. These performances often come to dominate award season. Directors wrenching a truly transformative rendition out of their leads can be the difference between a potential big winner fading into obscurity, or being written into history. The class of 2019 appears particularly full of these turns. There might well be as much intrigue in figuring out which will be remembered, as in watching the performances themselves. ‘Unrecognisable as’ awards could go out to Margot Robbie as Elizabeth I in Mary Queen Of Scots; Melissa McCarthy in Can You Ever Forgive Me?; Nicole Kidman in Destroyer; Christian Bale as Dick Cheney in Vice. Others of course have been down this road before. Steve Carell has come a long, long way since Michael Scott and he looks tremendous in Beautiful Boy. And Matt Dillon, who we’ll see in The House That Jack Built, has always had a penchant for the slightly off-colour. There’s probably no one more off-colour than Lars von Trier. Screening for one night only. At Belmont Filmhouse we try to play against type as much as possible. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Praesens-Film AG Präsentiert PRODUCTION NOTES
Praesens-Film AG präsentiert X + Y PRODUCTION NOTES Ab 9. April im Kino Dauer: 111 Minutes Pressekontakt: Filmbüro, Valerio Bonadei, [email protected], +41 79 653 65 03 1 CAST Asa Butterfield……………………………..……………………….... Nathan Ellis Rafe Spall………………………………………….……………Martin Humphreys Sally Hawkins…………………………………………………………………Julie Ellis Eddie Marsan……………………………………………………….Richard Grieve Jo Yang……………………………………………………………………….Zhang Mei Martin McCann……………………………………………………….Michael Ellis Jake Davies…………………………………………..…………………Luke Shelton Alex Lawther…………………………………………………………..Isaac Cooper Alexa Davies…………………………………….……………………Rebecca Dunn Orion Lee…………………………………………………………………Deng Laoshi Percelle Ascott………………………………………………………….Ben Morgan Suraj Rattu……………………………..…………………………………Pav Kamdar Edward Baker-Close…….………………………………Nathan (9 years old) 2 X+Y Synopsis A young maths genius sees logic thwarted by one truly baffling equation: love. Teenage maths prodigy Nathan (Asa Butterfield) struggles when it comes to building relationships with other people, not least with his mother, Julie (Sally Hawkins). In a world difficult to comprehend, he finds comfort in numbers. And when Nathan is taken under the wing of unconventional and anarchic teacher, Mr. Humphreys (Rafe Spall), the pair forge an unusual friendship. Eventually, Nathan’s talents win him a place on the UK National team at the International Mathematics Olympiad (IMO) and the team travel to a training camp in Taiwan, under the supervision of squad leader Richard (Eddie Marsan). In unfamiliar surroundings, Nathan is confronted by a series of unexpected challenges — not least the unfamiliar feelings he begins to experience for his Chinese counterpart, the beautiful Zhang Mei (Jo Yang), feelings that develop when the young mathematicians return to England for the IMO, held at Trinity College, Cambridge. From suburban England to bustling Taipei and back again, this original and heart-warming film tracks the funny and complex relationships that Nathan builds, as he is confronted by the irrational nature of love. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh. -
1 SET a Woman, MA (Ie Brie Larson) and a Boy with Long
SET A woman, MA (ie Brie Larson) and a boy with long hair, JACK (ie Jacob Tremblay) are in SET – ie ROOM. (Yes, this is a spoof of the film ‘Room’.) Jack is walking around saying hello to objects (and a director we can’t see). JACK: Morning, lamp. Morning, camera. Morning, director. Morning, Ma. MA: Jack, come here. I have something to tell you. Jack sits down with her. MA: Do you know what’s on the other side of that wall? JACK: What other side? MA: The other side of that wall. That fake wall. JACK: What do you mean, fake wall? MA: All these walls are fake, Jack. Listen to me: there’s a whole world on the other side of these walls. There’s a world outside of… Set. JACK: I don’t see any outside world. 1 MA: That’s because for months we’ve been trapped inside Set – inside a film studio, making a movie. But trust me, Jack – outside Set there’s a whole world... And it’s beautiful. There are real people and oceans and dogs and cats… JACK: No way. MA: No, really! I just couldn’t explain it before. When we started filming, you were too young. But now the movie’s about to wrap, I think you’re old enough to understand. JACK shakes his head in bewilderment, refusing to believe her. He starts playing with his toys, refusing to make eye contact. MA: Jack, there’s a real world out there – more real than any green screen you’ve ever seen.