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Image Encryption and Decryption Schemes Using Linear and Quadratic Fractal Algorithms and Their Systems
Image Encryption and Decryption Schemes Using Linear and Quadratic Fractal Algorithms and Their Systems Anatoliy Kovalchuk 1 [0000-0001-5910-4734], Ivan Izonin 1 [0000-0002-9761-0096] Christine Strauss 2 [0000-0003-0276-3610], Mariia Podavalkina 1 [0000-0001-6544-0654], Natalia Lotoshynska 1 [0000-0002-6618-0070] and Nataliya Kustra 1 [0000-0002-3562-2032] 1 Department of Publishing Information Technologies, Lviv Polytechnic National University, Lviv, Ukraine [email protected], [email protected], [email protected], [email protected], [email protected] 2 Department of Electronic Business, University of Vienna, Vienna, Austria [email protected] Abstract. Image protection and organizing the associated processes is based on the assumption that an image is a stochastic signal. This results in the transition of the classic encryption methods into the image perspective. However the image is some specific signal that, in addition to the typical informativeness (informative data), also involves visual informativeness. The visual informativeness implies additional and new challenges for the issue of protection. As it involves the highly sophisticated modern image processing techniques, this informativeness enables unauthorized access. In fact, the organization of the attack on an encrypted image is possible in two ways: through the traditional hacking of encryption methods or through the methods of visual image processing (filtering methods, contour separation, etc.). Although the methods mentioned above do not fully reproduce the encrypted image, they can provide an opportunity to obtain some information from the image. In this regard, the encryption methods, when used in images, have another task - the complete noise of the encrypted image. -
Spatial Accessibility to Amenities in Fractal and Non Fractal Urban Patterns Cécile Tannier, Gilles Vuidel, Hélène Houot, Pierre Frankhauser
Spatial accessibility to amenities in fractal and non fractal urban patterns Cécile Tannier, Gilles Vuidel, Hélène Houot, Pierre Frankhauser To cite this version: Cécile Tannier, Gilles Vuidel, Hélène Houot, Pierre Frankhauser. Spatial accessibility to amenities in fractal and non fractal urban patterns. Environment and Planning B: Planning and Design, SAGE Publications, 2012, 39 (5), pp.801-819. 10.1068/b37132. hal-00804263 HAL Id: hal-00804263 https://hal.archives-ouvertes.fr/hal-00804263 Submitted on 14 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. TANNIER C., VUIDEL G., HOUOT H., FRANKHAUSER P. (2012), Spatial accessibility to amenities in fractal and non fractal urban patterns, Environment and Planning B: Planning and Design, vol. 39, n°5, pp. 801-819. EPB 137-132: Spatial accessibility to amenities in fractal and non fractal urban patterns Cécile TANNIER* ([email protected]) - corresponding author Gilles VUIDEL* ([email protected]) Hélène HOUOT* ([email protected]) Pierre FRANKHAUSER* ([email protected]) * ThéMA, CNRS - University of Franche-Comté 32 rue Mégevand F-25 030 Besançon Cedex, France Tel: +33 381 66 54 81 Fax: +33 381 66 53 55 1 Spatial accessibility to amenities in fractal and non fractal urban patterns Abstract One of the challenges of urban planning and design is to come up with an optimal urban form that meets all of the environmental, social and economic expectations of sustainable urban development. -
Classical Math Fractals in Postscript Fractal Geometry I
Kees van der Laan VOORJAAR 2013 49 Classical Math Fractals in PostScript Fractal Geometry I Abstract Classical mathematical fractals in BASIC are explained and converted into mean-and-lean EPSF defs, of which the .eps pictures are delivered in .pdf format and cropped to the prescribed BoundingBox when processed by Acrobat Pro, to be included easily in pdf(La)TEX, Word, … documents. The EPSF fractals are transcriptions of the Turtle Graphics BASIC codes or pro- grammed anew, recursively, based on the production rules of oriented objects. The Linden- mayer production rules are enriched by PostScript concepts. Experience gained in converting a TEX script into WYSIWYG Word is communicated. Keywords Acrobat Pro, Adobe, art, attractor, backtracking, BASIC, Cantor Dust, C curve, dragon curve, EPSF, FIFO, fractal, fractal dimension, fractal geometry, Game of Life, Hilbert curve, IDE (In- tegrated development Environment), IFS (Iterated Function System), infinity, kronkel (twist), Lauwerier, Lévy, LIFO, Lindenmayer, minimal encapsulated PostScript, minimal plain TeX, Minkowski, Monte Carlo, Photoshop, production rule, PSlib, self-similarity, Sierpiński (island, carpet), Star fractals, TACP,TEXworks, Turtle Graphics, (adaptable) user space, von Koch (island), Word Contents - Introduction - Lévy (Properties, PostScript program, Run the program, Turtle Graphics) Cantor - Lindenmayer enriched by PostScript concepts for the Lévy fractal 0 - von Koch (Properties, PostScript def, Turtle Graphics, von Koch island) Cantor1 - Lindenmayer enriched by PostScript concepts for the von Koch fractal Cantor2 - Kronkel Cantor - Minkowski 3 - Dragon figures - Stars - Game of Life - Annotated References - Conclusions (TEX mark up, Conversion into Word) - Acknowledgements (IDE) - Appendix: Fractal Dimension - Appendix: Cantor Dust Peano curves: order 1, 2, 3 - Appendix: Hilbert Curve - Appendix: Sierpiński islands Introduction My late professor Hans Lauwerier published nice, inspiring booklets about fractals with programs in BASIC. -
Bachelorarbeit Im Studiengang Audiovisuelle Medien Die
Bachelorarbeit im Studiengang Audiovisuelle Medien Die Nutzbarkeit von Fraktalen in VFX Produktionen vorgelegt von Denise Hauck an der Hochschule der Medien Stuttgart am 29.03.2019 zur Erlangung des akademischen Grades eines Bachelor of Engineering Erst-Prüferin: Prof. Katja Schmid Zweit-Prüfer: Prof. Jan Adamczyk Eidesstattliche Erklärung Name: Vorname: Hauck Denise Matrikel-Nr.: 30394 Studiengang: Audiovisuelle Medien Hiermit versichere ich, Denise Hauck, ehrenwörtlich, dass ich die vorliegende Bachelorarbeit mit dem Titel: „Die Nutzbarkeit von Fraktalen in VFX Produktionen“ selbstständig und ohne fremde Hilfe verfasst und keine anderen als die angegebenen Hilfsmittel benutzt habe. Die Stellen der Arbeit, die dem Wortlaut oder dem Sinn nach anderen Werken entnommen wurden, sind in jedem Fall unter Angabe der Quelle kenntlich gemacht. Die Arbeit ist noch nicht veröffentlicht oder in anderer Form als Prüfungsleistung vorgelegt worden. Ich habe die Bedeutung der ehrenwörtlichen Versicherung und die prüfungsrechtlichen Folgen (§26 Abs. 2 Bachelor-SPO (6 Semester), § 24 Abs. 2 Bachelor-SPO (7 Semester), § 23 Abs. 2 Master-SPO (3 Semester) bzw. § 19 Abs. 2 Master-SPO (4 Semester und berufsbegleitend) der HdM) einer unrichtigen oder unvollständigen ehrenwörtlichen Versicherung zur Kenntnis genommen. Stuttgart, den 29.03.2019 2 Kurzfassung Das Ziel dieser Bachelorarbeit ist es, ein Verständnis für die Generierung und Verwendung von Fraktalen in VFX Produktionen, zu vermitteln. Dabei bildet der Einblick in die Arten und Entstehung der Fraktale -
Fractals a Fractal Is a Shape That Seem to Have the Same Structure No Matter How Far You Zoom In, Like the figure Below
Fractals A fractal is a shape that seem to have the same structure no matter how far you zoom in, like the figure below. Sometimes it's only part of the shape that repeats. In the figure below, called an Apollonian Gasket, no part looks like the whole shape, but the parts near the edges still repeat when you zoom in. Today you'll learn how to construct a few fractals: • The Snowflake • The Sierpinski Carpet • The Sierpinski Triangle • The Pythagoras Tree • The Dragon Curve After you make a few of those, try constructing some fractals of your own design! There's more on the back. ! Challenge Problems In order to solve some of the more difficult problems today, you'll need to know about the geometric series. In a geometric series, we add up a sequence of terms, 1 each of which is a fixed multiple of the previous one. For example, if the ratio is 2 , then a geometric series looks like 1 1 1 1 1 1 1 + + · + · · + ::: 2 2 2 2 2 2 1 12 13 = 1 + + + + ::: 2 2 2 The geometric series has the incredibly useful property that we have a good way of 1 figuring out what the sum equals. Let's let r equal the common ratio (like 2 above) and n be the number of terms we're adding up. Our series looks like 1 + r + r2 + ::: + rn−2 + rn−1 If we multiply this by 1 − r we get something rather simple. (1 − r)(1 + r + r2 + ::: + rn−2 + rn−1) = 1 + r + r2 + ::: + rn−2 + rn−1 − ( r + r2 + ::: + rn−2 + rn−1 + rn ) = 1 − rn Thus 1 − rn 1 + r + r2 + ::: + rn−2 + rn−1 = : 1 − r If we're clever, we can use this formula to compute the areas and perimeters of some of the shapes we create. -
Math Morphing Proximate and Evolutionary Mechanisms
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2009 Volume V: Evolutionary Medicine Math Morphing Proximate and Evolutionary Mechanisms Curriculum Unit 09.05.09 by Kenneth William Spinka Introduction Background Essential Questions Lesson Plans Website Student Resources Glossary Of Terms Bibliography Appendix Introduction An important theoretical development was Nikolaas Tinbergen's distinction made originally in ethology between evolutionary and proximate mechanisms; Randolph M. Nesse and George C. Williams summarize its relevance to medicine: All biological traits need two kinds of explanation: proximate and evolutionary. The proximate explanation for a disease describes what is wrong in the bodily mechanism of individuals affected Curriculum Unit 09.05.09 1 of 27 by it. An evolutionary explanation is completely different. Instead of explaining why people are different, it explains why we are all the same in ways that leave us vulnerable to disease. Why do we all have wisdom teeth, an appendix, and cells that if triggered can rampantly multiply out of control? [1] A fractal is generally "a rough or fragmented geometric shape that can be split into parts, each of which is (at least approximately) a reduced-size copy of the whole," a property called self-similarity. The term was coined by Beno?t Mandelbrot in 1975 and was derived from the Latin fractus meaning "broken" or "fractured." A mathematical fractal is based on an equation that undergoes iteration, a form of feedback based on recursion. http://www.kwsi.com/ynhti2009/image01.html A fractal often has the following features: 1. It has a fine structure at arbitrarily small scales. -
Understanding the Mandelbrot and Julia Set
Understanding the Mandelbrot and Julia Set Jake Zyons Wood August 31, 2015 Introduction Fractals infiltrate the disciplinary spectra of set theory, complex algebra, generative art, computer science, chaos theory, and more. Fractals visually embody recursive structures endowing them with the ability of nigh infinite complexity. The Sierpinski Triangle, Koch Snowflake, and Dragon Curve comprise a few of the more widely recognized iterated function fractals. These recursive structures possess an intuitive geometric simplicity which makes their creation, at least at a shallow recursive depth, easy to do by hand with pencil and paper. The Mandelbrot and Julia set, on the other hand, allow no such convenience. These fractals are part of the class: escape-time fractals, and have only really entered mathematicians’ consciousness in the late 1970’s[1]. The purpose of this paper is to clearly explain the logical procedures of creating escape-time fractals. This will include reviewing the necessary math for this type of fractal, then specifically explaining the algorithms commonly used in the Mandelbrot Set as well as its variations. By the end, the careful reader should, without too much effort, feel totally at ease with the underlying principles of these fractals. What Makes The Mandelbrot Set a set? 1 Figure 1: Black and white Mandelbrot visualization The Mandelbrot Set truly is a set in the mathematica sense of the word. A set is a collection of anything with a specific property, the Mandelbrot Set, for instance, is a collection of complex numbers which all share a common property (explained in Part II). All complex numbers can in fact be labeled as either a member of the Mandelbrot set, or not. -
Exploring the Effect of Direction on Vector-Based Fractals
Exploring the Effect of Direction on Vector-Based Fractals Magdy Ibrahim and Robert J. Krawczyk College of Architecture Illinois Institute of Technology 3360 S. State St. Chicago, IL, 60616, USA Email: [email protected], [email protected] Abstract This paper investigates an approach to begin the study of fractals in architectural design. Vector-based fractals are studied to determine if the modification of vector direction in either the generator or the initiator will develop alternate fractal forms. The Koch Snowflake is used as the demonstrating fractal. Introduction A fractal is an object or quantity that displays self-similarity on all scales. The object need not exhibit exactly the same structure at all scales, but the same “type” of structures must appear on all scales [7]. Fractals were first discussed by Mandelbrot in the 1970s [4], but the idea was identified as early as 1925. Fractals have been investigated for their visual qualities as art, their relationship to explain natural processes, music, medicine, and in mathematics [5]. Javier Barrallo classified fractals [2] into six main groups depending on their type: 1. Fractals derived from standard geometry by using iterative transformations on an initial common figure. 2. IFS (Iterated Function Systems), this is a type of fractal introduced by Michael Barnsley. 3. Strange attractors. 4. Plasma fractals. Created with techniques like fractional Brownian motion. 5. L-Systems, also called Lindenmayer systems, were not invented to create fractals but to model cellular growth and interactions. 6. Fractals created by the iteration of complex polynomials. From the mathematical point of view, we can classify fractals into three major categories. -
Furniture Design Inspired from Fractals
169 Rania Mosaad Saad Furniture design inspired from fractals. Dr. Rania Mosaad Saad Assistant Professor, Interior Design and Furniture Department, Faculty of Applied Arts, Helwan University, Cairo, Egypt Abstract: Keywords: Fractals are a new branch of mathematics and art. But what are they really?, How Fractals can they affect on Furniture design?, How to benefit from the formation values and Mandelbrot Set properties of fractals in Furniture Design?, these were the research problem . Julia Sets This research consists of two axis .The first axe describes the most famous fractals IFS fractals were created, studies the Fractals structure, explains the most important fractal L-system fractals properties and their reflections on furniture design. The second axe applying Fractal flame functional and aesthetic values of deferent Fractals formations in furniture design Newton fractals inspired from them to achieve the research objectives. Furniture Design The research follows the descriptive methodology to describe the fractals kinds and properties, and applied methodology in furniture design inspired from fractals. Paper received 12th July 2016, Accepted 22th September 2016 , Published 15st of October 2016 nearly identical starting positions, and have real Introduction: world applications in nature and human creations. Nature is the artist's inspiring since the beginning Some architectures and interior designers turn to of creation. Despite the different artistic trends draw inspiration from the decorative formations, across different eras- ancient and modern- and the geometric and dynamic properties of fractals in artists perception of reality, but that all of these their designs which enriched the field of trends were united in the basic inspiration (the architecture and interior design, and benefited nature). -
Ontologia De Domínio Fractal
MÉTODOS COMPUTACIONAIS PARA A CONSTRUÇÃO DA ONTOLOGIA DE DOMÍNIO FRACTAL Ivo Wolff Gersberg Dissertação de Mestrado apresentada ao Programa de Pós-graduação em Engenharia Civil, COPPE, da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do título de Mestre em Engenharia Civil. Orientadores: Nelson Francisco Favilla Ebecken Luiz Bevilacqua Rio de Janeiro Agosto de 2011 MÉTODOS COMPUTACIONAIS PARA CONSTRUÇÃO DA ONTOLOGIA DE DOMÍNIO FRACTAL Ivo Wolff Gersberg DISSERTAÇÃO SUBMETIDA AO CORPO DOCENTE DO INSTITUTO ALBERTO LUIZ COIMBRA DE PÓS-GRADUAÇÃO E PESQUISA DE ENGENHARIA (COPPE) DA UNIVERSIDADE FEDERAL DO RIO DE JANEIRO COMO PARTE DOS REQUISITOS NECESSÁRIOS PARA A OBTENÇÃO DO GRAU DE MESTRE EM CIÊNCIAS EM ENGENHARIA CIVIL. Examinada por: ________________________________________________ Prof. Nelson Francisco Favilla Ebecken, D.Sc. ________________________________________________ Prof. Luiz Bevilacqua, Ph.D. ________________________________________________ Prof. Marta Lima de Queirós Mattoso, D.Sc. ________________________________________________ Prof. Fernanda Araújo Baião, D.Sc. RIO DE JANEIRO, RJ - BRASIL AGOSTO DE 2011 Gersberg, Ivo Wolff Métodos computacionais para a construção da Ontologia de Domínio Fractal/ Ivo Wolff Gersberg. – Rio de Janeiro: UFRJ/COPPE, 2011. XIII, 144 p.: il.; 29,7 cm. Orientador: Nelson Francisco Favilla Ebecken Luiz Bevilacqua Dissertação (mestrado) – UFRJ/ COPPE/ Programa de Engenharia Civil, 2011. Referências Bibliográficas: p. 130-133. 1. Ontologias. 2. Mineração de Textos. 3. Fractal. 4. Metodologia para Construção de Ontologias de Domínio. I. Ebecken, Nelson Francisco Favilla et al . II. Universidade Federal do Rio de Janeiro, COPPE, Programa de Engenharia Civil. III. Titulo. iii À minha mãe e meu pai, Basia e Jayme Gersberg. iv AGRADECIMENTOS Agradeço aos meus orientadores, professores Nelson Ebecken e Luiz Bevilacqua, pelo incentivo e paciência. -
Using Fractal Dimensions for Characterizing Intra-Urban Diversity
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Thomas, Isabelle; Keersmaecker, Marie-Laurence De; Frankhauser, Pierre Conference Paper Using fractal dimensions for characterizing intra- urban diversity. The example of Brussels 43rd Congress of the European Regional Science Association: "Peripheries, Centres, and Spatial Development in the New Europe", 27th - 30th August 2003, Jyväskylä, Finland Provided in Cooperation with: European Regional Science Association (ERSA) Suggested Citation: Thomas, Isabelle; Keersmaecker, Marie-Laurence De; Frankhauser, Pierre (2003) : Using fractal dimensions for characterizing intra-urban diversity. The example of Brussels, 43rd Congress of the European Regional Science Association: "Peripheries, Centres, and Spatial Development in the New Europe", 27th - 30th August 2003, Jyväskylä, Finland, European Regional Science Association (ERSA), Louvain-la-Neuve This Version is available at: http://hdl.handle.net/10419/115977 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
Rafael De Andrade Sousa Utilização De Múltiplas
RAFAEL DE ANDRADE SOUSA UTILIZAÇÃO DE MÚLTIPLAS REPRESENTAÇÕES EXTERNAS PARA CONSTRUÇÃO DE FRACTAIS EM AMBIENTES EXPLORATÓRIOS DE APRENDIZAGEM Proposta de Dissertação de Mestrado apre- sentada ao Programa de Pós-Graduação em Informática, Setor de Ciências Exatas, Uni- versidade Federal do Paraná. Orientador: Prof. Dr. Alexandre Ibrahim Direne CURITIBA 2010 RAFAEL DE ANDRADE SOUSA UTILIZAÇÃO DE MÚLTIPLAS REPRESENTAÇÕES EXTERNAS PARA CONSTRUÇÃO DE FRACTAIS EM AMBIENTES EXPLORATÓRIOS DE APRENDIZAGEM Dissertação apresentada como requisito par- cial à obtenção do grau de Mestre. Pro- grama de Pós-Graduação em Informática, Setor de Ciências Exatas, Universidade Fe- deral do Paraná. Orientador: Prof. Dr. Alexandre Ibrahim Direne CURITIBA 2010 RAFAEL DE ANDRADE SOUSA UTILIZAÇÃO DE MÚLTIPLAS REPRESENTAÇÕES EXTERNAS PARA CONSTRUÇÃO DE FRACTAIS EM AMBIENTES EXPLORATÓRIOS DE APRENDIZAGEM Dissertação apresentada como requisito par- cial à obtenção do grau de Mestre. Pro- grama de Pós-Graduação em Informática, Setor de Ciências Exatas, Universidade Fe- deral do Paraná. Orientador: Prof. Dr. Alexandre Ibrahim Direne CURITIBA 2010 RAFAEL DE ANDRADE SOUSA UTILIZAÇÃO DE MÚLTIPLAS REPRESENTAÇÕES EXTERNAS PARA CONSTRUÇÃO DE FRACTAIS EM AMBIENTES EXPLORATÓRIOS DE APRENDIZAGEM Dissertação aprovada como requisito parcial à obtenção do grau de Mestre no Programa de Pós-Graduação em Informática da Universidade Federal do Paraná, pela Comissão formada pelos professores: Orientador: Prof. Dr. Alexandre Ibrahim Direne Departamento de Informática, UFPR Prof. Dr. Davidson Cury Departamento de Informática, Universidade Federal do Espírito Santo Prof. Dr. Andrey Ricardo Pimentel Departamento de Informática, Universidade Federal do Paraná Curitiba, 30 de agosto de 2010 i AGRADECIMENTOS A Deus, pela imerecida Graça que tenho recebido desde o meu nascimento pois até aqui me ajudou o Senhor.