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Evaluating the Sociology of First Amendment Silence Mae Kuykendall
Hastings Constitutional Law Quarterly Volume 42 Article 3 Number 4 Summer 2015 1-1-2015 Evaluating the Sociology of First Amendment Silence Mae Kuykendall Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Mae Kuykendall, Evaluating the Sociology of First Amendment Silence, 42 Hastings Const. L.Q. 695 (2015). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol42/iss4/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Evaluating the Sociology of First Amendment Silence by MAE KUYKENDALL* Introduction Silence is that curious answer to the riddle, "What is golden and disappears when you speak its name?" In the context of First Amendment jurisprudence, Silence is just as puzzling as a riddle. Silence may be used as a verb, as in, to cause a speaker to cease speaking or as a noun, as in, the absence of speaking or sound. In either form, Silence has long been recognized as a rhetorical vehicle for expression. As it is wont to do, Silence often sits quietly in the interstices of First Amendment doctrine. But when she speaks, she roars. When Silence becomes speech, and that speech becomes law, Silence can get a thumping for its unseemly intrusion. The thumping of silence as legal doctrine, such as it has been, was a product of the Court's rescue of the Boy Scouts in Boy Scouts of America v. -
People's Power
#2 May 2011 Special Issue PersPectives Political analysis and commentary from the Middle East PeoPle’s Power the arab world in revolt Published by the Heinrich Böll stiftung 2011 This work is licensed under the conditions of a Creative Commons license: http://creativecommons.org/licenses/by-nc-nd/3.0/. You can download an electronic version online. You are free to copy, distribute and transmit the work under the following conditions: Attribution - you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); Noncommercial - you may not use this work for commercial purposes; No Derivative Works - you may not alter, transform, or build upon this work. editor-in-chief: Layla Al-Zubaidi editors: Doreen Khoury, Anbara Abu-Ayyash, Joachim Paul Layout: Catherine Coetzer, c2designs, Cédric Hofstetter translators: Mona Abu-Rayyan, Joumana Seikaly, Word Gym Ltd. cover photograph: Gwenael Piaser Printed by: www.coloursps.com Additional editing, print edition: Sonya Knox Opinions expressed in articles are those of their authors, and not HBS. heinrich böll Foundation – Middle east The Heinrich Böll Foundation, associated with the German Green Party, is a legally autonomous and intellectually open political foundation. Our foremost task is civic education in Germany and abroad with the aim of promoting informed democratic opinion, socio-political commitment and mutual understanding. In addition, the Heinrich Böll Foundation supports artistic, cultural and scholarly projects, as well as cooperation in the development field. The political values of ecology, democracy, gender democracy, solidarity and non-violence are our chief points of reference. -
Conservation and the Myth of Consensus
Essays Conservation and the Myth of Consensus M. NILS PETERSON,∗ MARKUS J. PETERSON,† AND TARLA RAI PETERSON‡ ∗Department of Fisheries and Wildlife, Michigan State University, 13 Natural Resources Building, East Lansing, MI 48824-1222, U.S.A., email [email protected] †Department of Wildlife and Fisheries Sciences, Texas A&M University, College Station, TX 77843-2258, U.S.A. ‡Department of Communication, University of Utah, Salt Lake City, UT 84112-0491, U.S.A. Abstract: Environmental policy makers are embracing consensus-based approaches to environmental de- cision making in an attempt to enhance public participation in conservation and facilitate the potentially incompatible goals of environmental protection and economic growth. Although such approaches may pro- duce positive results in immediate spatial and temporal contexts and under some forms of governance, their overuse has potentially dangerous implications for conservation within many democratic societies. We suggest that environmental decision making rooted in consensus theory leads to the dilution of socially powerful con- servation metaphors and legitimizes current power relationships rooted in unsustainable social constructions of reality. We also suggest an argumentative model of environmental decision making rooted in ecology will facilitate progressive environmental policy by placing the environmental agenda on firmer epistemological ground and legitimizing challenges to current power hegemonies that dictate unsustainable practices. Key Words: democracy, environmental conflict, -
Jay & Silent Bob Reboot
Presents JAY & SILENT BOB REBOOT A film by Kevin Smith 105 mins, USA, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com JAY AND SILENT BOB REBOOT SYNOPSIS: The stoner icons who first hit the screen 25 years ago in CLERKS are back! When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again! 1 CAST & CREW BIOGRAPHIES: KEVIN SMITH (Silent Bob, Director / Writer) Kevin Smith has been saying silly cinematic shit since his first film Clerks, released way back in 1994. He had a heart attack and almost died last year but survived solely so he could direct his magnum opus, Jay and Silent Bob Reboot. A polygamist, he’s married to both his wife Jen and podcasting. JASON MEWES (Jay) Jason Mewes most recently made his directorial debut on MADNESS IN THE METHOD, which was released in August 2019. With cult-fans following his controversial antics, Mewes has captured audiences with his rebellious banter against his unspoken other half and longtime friend, Kevin Smith. Since the beginning of the duo’s offbeat work together, Mewes and Smith have continued to build on their beloved character-driven roles from the Jay and Silent Bob series. It’s been over a decade since fans last saw the duo in live- action, but they’re back along with a star-studded cast in the upcoming comedy film, JAY AND SILENT BOB REBOOT. -
THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes
THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart technically-minded students have most important in the world. ments' details, even creating digi had the chance to flex their cre Now, through real-time computer tal images of the artwork and fur ative and technical muscles by animation developed by the niture in the rooms. Museum vis designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre apartments. -
The Opposition to Israel's Withdrawal from the Gaza Strip: Legi
1 ENGL 114 Professor Andrew Ehrgood The Opposition to Israel's Withdrawal from the Gaza Strip: Legitimizing Civil Disobedience from Both Sides of the Political Map by Aya Shoshan The Left Faces an Unexpected Dilemma As an Israeli leftist, I shared the left’s excitement when, in February 2004, Prime Minister Sharon announced his plan to withdraw from the Gaza strip. Even though this wasn't the peace agreement that the left craved for, no one could ignore the historical importance of this decision. The dominant view among the left was that after 38 years of occupation of Palestinian territories, Israel was finally acknowledging that the occupation was destructive. The withdrawal was also a precedent for evacuating other Israeli settlements. If the plan proved feasible, it would make way for other evacuations in the future. Finally, that the decision to withdraw had been made by a right-wing government meant that the understanding of the need to withdraw had crossed political boundaries and become a consensus. In the midst of this enthusiasm, disturbing voices of resistance appeared from the far right. Aside from expected protests against the withdrawal, some right-wing leaders and activists called for more severe steps, such as refusing to serve in the military and physically resisting the evacuation of settlements. These statements outraged the left. How dare the settlers, who have been nurtured by the state for years, who have taken pride in being patriotic and loyal to the state, who have dragged Israel into countless unnecessary confrontations with the Palestinians, how dare they turn their back on the law and the government now? There was an immense urge among the left to denounce the right resistance, and many left-wing activists and thinkers joined forces to do so. -
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Journal of Bisexuality ISSN: 1529-9716 (Print) 1529-9724 (Online) Journal homepage: https://www.tandfonline.com/loi/wjbi20 Bi Film-Video World High and Low Maria Pramaggiore To cite this article: Maria Pramaggiore (2001) Bi Film-Video World High and Low, Journal of Bisexuality, 2:2-3, 243-266, DOI: 10.1300/J159v02n02_17 To link to this article: https://doi.org/10.1300/J159v02n02_17 Published online: 12 Oct 2008. Submit your article to this journal Article views: 115 Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=wjbi20 © 2002 by The Haworth Press, Inc. All rights reserved. ___________________________________________________________________ [Haworth co-indexing entry note]: “High and Low: Bisexual Women and Aesthetics in Chasing Amy and High Art.” Pramaggiore, Maria. Co-published simultaneously in Journal of Bisexuality (Harrington Park Press, an imprint of The Haworth Press, Inc.) Vol. 2, No. 2/3, 2002, pp. 243-266; and: Bisexual Women in the Twenty-First Century (ed: Dawn Atkins) Harrington Park Press, an imprint of The Haworth Press, Inc., 2002, pp. 243-266. Single or multiple copies of this article are available for a fee from The Haworth Docu- ment Delivery Service [1-800-HAWORTH, 9:00 a.m. - 5:00 p.m. (EST). E-mail address: getinfo@ haworthpressinc.com]. Bi Film-Video World 245 SUMMARY. This essay examines two recent U.S. films that explicitly connect art and women’s bisexuality: Kevin Smith’s Chasing Amy (1997) and Lisa Cholodenko’s High Art (1998). The affiliation between bisexuality and art reflects a paradox: an erotics of refusing distinctions, bisexuality acts as a metaphor for both the breakdown of sexual catego- ries and the blending of high art and low entertainment. -
Virality : Contagion Theory in the Age of Networks / Tony D
VIRALITY This page intentionally left blank VIRALITY TONY D. SAMPSON UNIVERSITY OF MINNESOTA PRESS Minneapolis London Portions of chapters 1 and 3 were previously published as “Error-Contagion: Network Hypnosis and Collective Culpability,” in Error: Glitch, Noise, and Jam in New Media Cultures, ed. Mark Nunes (New York: Continuum, 2011). Portions of chapters 4 and 5 were previously published as “Contagion Theory beyond the Microbe,” in C Theory: Journal of Theory, Technology, and Culture (January 2011), http://www.ctheory.net/articles.aspx?id=675. Copyright 2012 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Sampson, Tony D. Virality : contagion theory in the age of networks / Tony D. Sampson. Includes bibliographical references and index. ISBN 978-0-8166-7004-8 (hc : alk. paper) ISBN 978-0-8166-7005-5 (pb : alk. paper) 1. Imitation. 2. Social interaction. 3. Crowds. 4. Tarde, Gabriel, 1843–1904. I. Title. BF357.S26 2012 302'.41—dc23 2012008201 Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. 20 19 18 17 16 15 14 13 12 10 9 8 7 6 5 4 3 2 1 Dedicated to John Stanley Sampson (1960–1984) This page intentionally left blank Contents Introduction 1 1. -
Clarifying the Structure and Nature of Left-Wing Authoritarianism
Journal of Personality and Social Psychology PREPRINT © 2021 American Psychological Association In press. Not the version of record. Final version DOI: 10.1037/pspp0000341 Clarifying the Structure and Nature of Left-wing Authoritarianism Thomas H. Costello, Shauna M. Bowes Sean T. Stevens Emory University New York University Foundation for Individual Rights in Education Irwin D. Waldman, Arber Tasimi Scott O. Lilienfeld Emory University Emory University University of Melbourne Authoritarianism has been the subject of scientific inquiry for nearly a century, yet the vast majority of authoritarianism research has focused on right-wing authoritarianism. In the present studies, we inves- tigate the nature, structure, and nomological network of left-wing authoritarianism (LWA), a construct famously known as “the Loch Ness Monster” of political psychology. We iteratively construct a meas- ure and data-driven conceptualization of LWA across six samples (N = 7,258) and conduct quantitative tests of LWA’s relations with over 60 authoritarianism-related variables. We find that LWA, right- wing authoritarianism, and social dominance orientation reflect a shared constellation of personality traits, cognitive features, beliefs, and motivational values that might be considered the “heart” of au- thoritarianism. Still, relative to right-wing authoritarians, left-wing authoritarians were lower in dog- matism and cognitive rigidity, higher in negative emotionality, and expressed stronger support for a political system with substantial centralized state control. Our results also indicate that LWA power- fully predicts behavioral aggression and is strongly correlated with participation in political violence. We conclude that a movement away from exclusively right-wing conceptualizations of authoritarian- ism may be required to illuminate authoritarianism’s central features, conceptual breadth, and psycho- logical appeal. -
Popular Uprisings and Philippine Democracy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UW Law Digital Commons (University of Washington) Washington International Law Journal Volume 15 Number 1 2-1-2006 It's All the Rage: Popular Uprisings and Philippine Democracy Dante B. Gatmaytan Follow this and additional works at: https://digitalcommons.law.uw.edu/wilj Part of the Comparative and Foreign Law Commons Recommended Citation Dante B. Gatmaytan, It's All the Rage: Popular Uprisings and Philippine Democracy, 15 Pac. Rim L & Pol'y J. 1 (2006). Available at: https://digitalcommons.law.uw.edu/wilj/vol15/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at UW Law Digital Commons. It has been accepted for inclusion in Washington International Law Journal by an authorized editor of UW Law Digital Commons. For more information, please contact [email protected]. Copyright © 2006 Pacific Rim Law & Policy Journal Association IT’S ALL THE RAGE: POPULAR UPRISINGS AND PHILIPPINE DEMOCRACY † Dante B. Gatmaytan Abstract: Massive peaceful demonstrations ended the authoritarian regime of Ferdinand Marcos in the Philippines twenty years ago. The “people power” uprising was called a democratic revolution and inspired hopes that it would lead to the consolidation of democracy in the Philippines. When popular uprisings were later used to remove or threaten other leaders, people power was criticized as an assault on democratic institutions and was interpreted as a sign of the political immaturity of Filipinos. The literature on people power is presently marked by disagreement as to whether all popular uprisings should be considered part of the people power tradition. -
Kevin Smith Press Release Update
CSFINEARTSCENTER.ORG Contact: Amanda Weston, Media Relations and Outreach Manager 719-477-4316; [email protected] FOR IMMEDIATE RELEASE Jay & Silent Bob Get Old COLORADO SPRINGS (Oct 13, 2015) — The Colorado Springs Fine Arts Center (FAC) presents Jay and Silent Bob Get Old. The hilarious duo Jay & Silent Bob are back. Film icons Kevin Smith and Jason Mewes made history and fans all over the world with the characters Jay & Silent Bob from the movies Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back and Clerks 2. Now you can see them live at the FAC recording their comedy podcast Jay & Silent Bob Get Old. Smith, playing to a sold out show at 7:30p, will be joined by Mewes for a second and completely different performance at 9:45p. This is what fans everywhere have been waiting for – a rare opportunity to see their heroes on stage doing what they love, telling stories! Ranked #1 on ITunes Comedy podcasts, this is a sometimes touching, always hilarious, look at what happens when two people grow up in Hollywood’s gaze. These limited engagements will be recorded as the stories evolve live in front of the audience, and released for free on www.smodcast.com. Jay & Silent Bob Get Old When: December 16, 2015 9:45p Where: Colorado Springs Fine Arts Center, 30 W. Dale St. Tickets: Starting at $36 Something else: This performance is following the SOLD OUT performance – An Evening with Kevin Smith: Q&A Session at 7:30p Kevin Smith @ThatKevinSmith is the fat guy who got thrown off the plane. -
The Political Economy of Independent Film: a Case Study of Kevin Smith Films
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Political Economy of Independent Films: A Case Study of Kevin Smith Films Grace Kathleen Keenan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION THE POLITICAL ECONOMY OF INDEPENDENT FILMS: A CASE STUDY OF KEVIN SMITH FILMS By GRACE KATHLEEN KEENAN A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Arts in Media Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Grace Kathleen Keenan defended on April 9, 2009. ____________________________________ Jennifer M. Proffitt Professor Directing Thesis ____________________________________ Stephen D. McDowell Committee Member ____________________________________ Andrew Opel Committee Member __________________________________________________ Stephen D. McDowell, Chair, Department of Communication __________________________________________________ Gary R. Heald, Interim Dean, College of Communication The Graduate School has verified and approved the above named committee members. ii For my parents, who have always seen me as their shining star iii ACKNOWLEGEMENTS Dr. Proffitt: Without your dedication to learning and students, this thesis would have been impossible. You truly have the patience of an angel. Much love. Dad: How do you put up with me? Thank you for all your emotional and financial support. Mom: You are always striving to understand. I think I get that from you. Newton Hazelbaker: Again, how do you put up with me? Thank you for your absolute and unconditional love. Laura Clements: Perhaps the most fun person I’ve ever met.