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Jagdish Prasad Sunil Kumar
+91-9811192425 Jagdish Prasad Sunil Kumar https://www.indiamart.com/jpskmusicalstore/ Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Naal Drums and Shruti Box. About Us Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Harmonium Musical Instrument, Dhol Musical Instrument, Dholak Musical Instrument, Swarmandal Musical Instruments, Santur Musical Instruments, Tanpura Musical Instruments, Khanjari Musical Instruments, Electronic Banjos, Pakhawaj Drums, Djembe Drums, Khol Drums, Naal Drums and Shruti Box. Our products are extremely well-liked owing to their top features and nominal prices. These products are made by professional’s team employing the advanced techniques and best quality material, which is bought from trustworthy sellers of market. Professionals manufacture these products as per universal industry parameters. Being a customer’s centric organization, professionals also make these products according our client’s requirements and necessities. Due to huge distribution network, fair business polices and quality-centric approach, we have gained trust of our patrons. Apart from, we work under the leadership of our mentor Ashish Verma. Under his supervision our firm has attained heights of success. We also provide many facilities to the patrons to put their demands forward and get them solve timely and as per their requirements. For more information, please visit https://www.indiamart.com/jpskmusicalstore/profile.html -
Review Articles
In the wake of the Leonidas 93 Review Articles In the Wake of the Leonidas reflections on Indo-Fijian indenture historiography Doug Munro Abstract The historiography of Indo-Fijian indenture came into its own with the publication of Ken Gillion’s Fiji’s Indian Migrants in 1962. A work of ‘balanced’ scholarship, it contrasts with the more ‘emotional’ A New System of Slavery (1974) by Hugh Tinker, which places greater stress on the iniquities of the indenture system. These two texts set the terms of discussion when the centenary of the arrival of Indian indentured labourers in Fiji, in 1979, gave impetus to further study by historians from the University of the South Pacific, notably Ahmed Ali, Vijay Naidu and Brij V Lal. This article evaluates the ongoing state of scholarship and asks why the momentum has not been maintained. Keywords Fiji; historiography; indenture; Indians; Indo-Fijians; plantations The Journal of Pacific Studies, Volume 28, no.1, 2005, 93–117 © by JPacS Editorial Board (SSED,USP) 93 94 The Journal of Pacific Studies Vol.28 no.1, 2005 NEW ZEALAND OBSERVED 1940 as a centenary, Australia marked a bicentenary in 1988, and 1992 was remembered with flourishes as the Columbus quincentenary. Temporal markers such as these are celebrated and, additionally, they serve to provide the impetus for historical research. That is what happened in Fiji in 1979 with the centenary of the arrival, on the Leonidas, of the first 463 Indian indentured labourers (girmitiya) to Fiji. The centenary celebrations included a round of festivities and commemorations, as well as special issues of newspapers. -
Hindu Music in Bangkok: the Om Uma Devi Shiva Band
Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok: The Om Uma Devi Shiva Band Kumkom Pornprasit+ (Thailand) Abstract This research focuses on the Om Uma Devi Shiva, a Hindu band in Bangkok, which was founded by a group of acquainted Hindu Indian musicians living in Thailand. The band of seven musicians earns a living by performing ritual music in Bangkok and other provinces. Ram Kumar acts as the band’s manager, instructor and song composer. The instruments utilized in the band are the dholak drum, tabla drum, harmonium and cymbals. The members of Om Uma Devi Shiva band learned their musical knowledge from their ancestors along with music gurus in India. In order to pass on this knowledge to future generations they have set up music courses for both Indian and Thai youths. The Om Uma Devi Shiva band is an example of how to maintain and present one’s original cultural identity in a new social context. Keywords: Hindu Music, Om Uma Devi Shiva Band, Hindu Indian, Bangkok Music + Kumkom Pornprasit, Professor, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand. email: [email protected]. Received 6/3/21 – Revised 6/5/21 – Accepted 6/6/21 Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok… | 218 Introduction Bangkok is a metropolitan area in which people of different ethnic groups live together, weaving together their diverse ways of life. Hindu Indians, considered an important ethnic minority in Bangkok, came to settle in Bangkok during the late 18 century A.D. to early 19 century A.D. -
The Abolition of Indian Indentured Migration to Mauritius C. Bates, M
The abolition of Indian Indentured Migration to Mauritius C. Bates, M. Carter & V. Govinden ABSTRACT The passing of a bill in 1917 in the Indian Legislative Council to abolish the use of contracts of indenture to recruit Indian migrants to work overseas has been hailed as a great achievement for Indian nationalists, helping to raise the status of Indians overseas, and improving the working lives of Indian labourers. However, there was a large gap between the passage of this bill and its implementation, which has been overlooked by historians. In Mauritius, the last ship carrying indentured workers arrived as late as 1924 and the last contract of indenture did not expire until 1929. The delay was justified in terms of allowing employers time to ‘adjust’ to the new ‘freer’ labour market conditions. In practice, this adjustment had already begun two decades earlier. Falling sugar prices and the growth of the settled population on Mauritius, had already led to a dramatic reduction in the number of indentured workers being recruited from India compared with the hey-days of sugar in the nineteenth century. Time- expired labourers and their descendants working on short or informal contracts had become the back-bone of the economy. In successive years in the 1900s no migrant ships set sail at all for Mauritius and a growing proportion of Indians who did arrive in the late 19th and early 20th century were traveling as ‘free passengers’. Indians had already found their niche within the economy and rather than look to the colonial government for recognition and enfranchisement, were busy enfranchising themselves. -
The Odys-S-Ey of I Ndentuf1e
The Odys-s-ey of I ndentuf1e No one who under"dand<; the hido7'ian ~ cmit would plead <;e7'iou<;ly that all g7'DUp<; <;hould 7'eceive equal time. We know m07'e about mme g7'DUp<; than othe7'<; not only becau<;e of the pred/ection ofhi<;to7'iam 07' the nature of thei7' mU7'Ce<; but frequently becau<;e we <;hould know m07'e about mme g7'DUp<; ofind'Vldual, in te7'm<; of thei7' imporlance and thei7' effect<; upon othe7'<;. The p7'Dblem i<; that hido7'iam have tended to <;pend too much of thei7' time in the company of the 'move7'<; and <;hake7'<; I and too hUle in the unive7'<;e of the mar<; ofmankind. I LClW1"enCe 'W. Levine 'Indians are ubiquitous', wrote the Calcutta newspaper The Statesman on 5 August 1980. According to it, there were then only five countries in the world where Indians 'have not yet chosen to stay': Cape Verde Islands, Guinea Bissau, North Korea, Mauritania and Romania. Today, according to one recent estimate, 8.6 million people of South Asian origin live outside the subcontinent, in the United Kingdom and Europe (1.48 million), Africa 42 the oJy~~ey of inJentu1'e (1.39 million), Southeast Asia (1.86 million), the Middle East (1.32 million), Caribbean and Latin America (958,000), North America (729,000), and the Pacific (954,000).2 The creation of this diaspora is a remarkable phenomenon. The resurgence of interest in overseas Indian communities, especially since the 1970s} has perhaps been inspired by the intensification of the great debate over the nature of slavery in the United States, the precarious political position of Indians in a number of former British colonies, and the increasing visibility of overseas Indians in the international labour and capital markets. -
Fijian Studies Vol 14, No
2 Fijian Studies Vol 14, No. 1 Documents 'Defactualization': A Brief Note on the Making Ganesh Chand 138 of Syria Wreck Rescue Record Fijian Studies The McGregor Report (On the Syria Rescue William McGregor 145 Operation [1884]) A Journal of Contemporary Fiji 'Letter from Alex Cockburn to Acting Colonial Alexander Cockburn 155 Secretary Dr. William McGregor Vol. 14 No. 1 Special Issue on History: Fact, Fiction, & Factions May 2016 Dr. William McGregor to Arthur Gordon, William McGregor 158 11 June 1884' Articles Of Journals and Journeys: Reflections Brij V. Lal 5 A Room to Write: End of Life without Fiction Subramani 25 The Tamarind Tree: Vignettes from a plantation Brij V. Lal 35 frontier in Fiji Faction, Fact and Fiction Doug Munro 51 Fact, Fiction & Faction: A Selection of Published Works Tombstone Blues: Is Josephine Earp's Memoir of Jefferson Decker 63 her Legendary Husband a Hoax? Fact, Fiction or Faction Pamela Rushby 67 Totaram Sanadhya’s Experience of Racism in Purushottama 71 early White Australia (a transcreated narrative) Bilimoria Indian Indentured Labourers of Guyana – Khalil Rahman Ali 89 A Historical Fiction Perspective Dialogue Hope and Disappointment: Nearly Impossible Satish Rai 99 Task of Searching Ancestral Roots in India The Fiji-Indian: A Complex Fate Satendra Nandan 109 Message from Fiji Media Watch: Agatha Ferei Furivai 127 World Press Freedom Day, 3 May 2015 On Open Letter James Bhagwan 130 World Press Freedom Day Address, 2016 Shailendra Singh 133 Fijian Studies Vol. 14 No. 1 © Fiji Institute of Applied Studies 1 When no one is left to tell the story, would there be no history? On History: Fact, Fiction, & Factions Fijian Studies Vol. -
The Journal of the Music Academy Madras Devoted to the Advancement of the Science and Art of Music
The Journal of Music Academy Madras ISSN. 0970-3101 Publication by THE MUSIC ACADEMY MADRAS Sangita Sampradaya Pradarsini of Subbarama Dikshitar (Tamil) Part I, II & III each 150.00 Part – IV 50.00 Part – V 180.00 The Journal Sangita Sampradaya Pradarsini of Subbarama Dikshitar of (English) Volume – I 750.00 Volume – II 900.00 The Music Academy Madras Volume – III 900.00 Devoted to the Advancement of the Science and Art of Music Volume – IV 650.00 Volume – V 750.00 Vol. 89 2018 Appendix (A & B) Veena Seshannavin Uruppadigal (in Tamil) 250.00 ŸÊ„¢U fl‚ÊÁ◊ flÒ∑ȧá∆U Ÿ ÿÊÁªNÔUŒÿ ⁄UflÊÒ– Ragas of Sangita Saramrta – T.V. Subba Rao & ◊jQÊ— ÿòÊ ªÊÿÁãà ÃòÊ ÁÃDÊÁ◊ ŸÊ⁄UŒH Dr. S.R. Janakiraman (in English) 50.00 “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; Lakshana Gitas – Dr. S.R. Janakiraman 50.00 (but) where my Bhaktas sing, there be I, Narada !” Narada Bhakti Sutra The Chaturdandi Prakasika of Venkatamakhin 50.00 (Sanskrit Text with supplement) E Krishna Iyer Centenary Issue 25.00 Professor Sambamoorthy, the Visionary Musicologist 150.00 By Brahma EDITOR Sriram V. Raga Lakshanangal – Dr. S.R. Janakiraman (in Tamil) Volume – I, II & III each 150.00 VOL. 89 – 2018 VOL. COMPUPRINT • 2811 6768 Published by N. Murali on behalf The Music Academy Madras at New No. 168, TTK Road, Royapettah, Chennai 600 014 and Printed by N. Subramanian at Sudarsan Graphics Offset Press, 14, Neelakanta Metha Street, T. Nagar, Chennai 600 014. Editor : V. Sriram. THE MUSIC ACADEMY MADRAS ISSN. -
The Wrestler's Body: Identity and Ideology in North India
The Wrestler’s Body Identity and Ideology in North India Joseph S. Alter UNIVERSITY OF CALIFORNIA PRESS Berkeley · Los Angeles · Oxford © 1992 The Regents of the University of California For my parents Robert Copley Alter Mary Ellen Stewart Alter Preferred Citation: Alter, Joseph S. The Wrestler's Body: Identity and Ideology in North India. Berkeley: University of California Press, c1992 1992. http://ark.cdlib.org/ark:/13030/ft6n39p104/ 2 Contents • Note on Translation • Preface • 1. Search and Research • 2. The Akhara: Where Earth Is Turned Into Gold • 3. Gurus and Chelas: The Alchemy of Discipleship • 4. The Patron and the Wrestler • 5. The Discipline of the Wrestler’s Body • 6. Nag Panchami: Snakes, Sex, and Semen • 7. Wrestling Tournaments and the Body’s Recreation • 8. Hanuman: Shakti, Bhakti, and Brahmacharya • 9. The Sannyasi and the Wrestler • 10. Utopian Somatics and Nationalist Discourse • 11. The Individual Re-Formed • Plates • The Nature of Wrestling Nationalism • Glossary 3 Note on Translation I have made every effort to ensure that the translation of material from Hindi to English is as accurate as possible. All translations are my own. In citing classical Sanskrit texts I have referenced the chapter and verse of the original source and have also cited the secondary source of the translated material. All other citations are quoted verbatim even when the English usage is idiosyncratic and not consistent with the prose style or spelling conventions employed in the main text. A translation of single words or short phrases appears in the first instance of use and sometimes again if the same word or phrase is used subsequently much later in the text. -
Beyond Créolité and Coolitude, the Indian on the Plantation: Recreolization in the Transoceanic Frame
Middle Atlantic Review of Latin American Studies, 2020 Vol. 4, No. 2, 174-193 Beyond Créolité and Coolitude, the Indian on the Plantation: Recreolization in the Transoceanic Frame Ananya Jahanara Kabir Kings College London [email protected] This essay explores the ways in which Caribbean artists of Indian heritage memorialize the transformation of Caribbean history, demography, and lifeways through the arrival of their ancestors, and their transformation, in turn, by this new space. Identifying for this purpose an iconic figure that I term “the Indian on the Plantation,” I demonstrate how the influential theories of Caribbean identity-formation that serve as useful starting points for explicating the play of memory and identity that shapes Indo-Caribbean artistic praxis—coolitude (as coined by Mauritian author Khal Torabully) and créolité (as most influentially articulated by the Martinican trio of Jean Barnabé, Patrick Chamoiseau, and Raphaël Confiant)—are nevertheless constrained by certain discursive limitations. Unpacking these limitations, I offer instead evidence from curatorial and quotidian realms in Guadeloupe as a lens through which to assess an emergent artistic practice that cuts across Francophone and Anglophone constituencies to occupy the Caribbean Plantation while privileging signifiers of an Indic heritage. Reading these attempts as examples of decreolization that actually suggest an ongoing and unpredictable recreolization of culture, I situate this apparent paradox within a transoceanic heuristic frame that brings -
Facility Usage Application Form
Hindu Community and Cultural Center 1232 Arrowhead Ave, Livermore, CA 94551 A Non-Profit Organization since 1977 Tax ID# 94-2427126; Inc# D0821589 Shiva-Vishnu Temple Tel: 925-449-6255; Fax: 925-455-0404 Om Namah Shivaya Om Namo Narayanaya Web: http://www.livermoretemple.org FACILITY USAGE AGREEMENT Serial Number ________ User’s Name: _________________________________________________________ Address: _____________________________________________________________ Contact Phone and email id: _____________________________________________ Event Hall to be used*: __________________________________________________ Event Room to be used*: _________________________________________________ *see event hall and event rooms usage schedule (Page 2 of 4) Event date: ___________________ Event time: ___________________ Nature of event: ______________________________ Number of guests expected: _____ This agreement is executed at Livermore, CA on the ____________ day of _________________20____ between the Hindu Community & Cultural Center (hereafter referred to as HCCC), a California Non-Profit organization located at 1232 Arrowhead Avenue, Livermore, CA 94550-6963 and the User with contact address as noted above. IT IS UNDERSTOOD AND AGREED THAT NO RESERVATION, CONFIRMED OR OTHERWISE SHALL BE BINDING ON THE HCCC UNLESS THIS AGREEMENT FORM IS SIGNED BY HCCC AND USER AND THE AMOUNTS REQUIRED HEREIN ARE RECEIVED IN FULL. THE HCCC RESERVES THE RIGHT TO DECLINE THE USAGE OF ITS FACILITIES TO ANYONE. It is agreed between the parties hereto as follows: CONTRACTED USABLE AREA: The HCCC hereby provides the User the facility, per the terms and conditions mentioned hereunder. In consideration of the permission given to the User, the User agrees and undertakes to accept the use of the Event Hall/Kitchen/Event Room of HCCC which is situated at 1200-1232 Arrowhead Avenue, in the city of Livermore, County of Alameda, California. -
The Social Consequences of Control: Accounting for Indentured Labour in Fiji 1879 - 1920
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Sharma, Umesh & Irvine, Helen (2016) The social consequences of control: Accounting for indentured labour in Fiji 1879 - 1920. Qualitative Research in Accounting and Management, 13(2), pp. 1-31. This file was downloaded from: https://eprints.qut.edu.au/91954/ c Copyright 2016 Emerald Group Publishing Limited This article is (c) Emerald Group Publishing and permission has been granted for this ver- sion to appear here (http://eprints.qut.edu.au). Emerald does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Emerald Group Publishing Limited. Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1108/QRAM-04-2015-0039 The social consequences of control: Accounting for indentured labour in Fiji 1879 – 1920 Umesh Sharma Department of Accounting, Waikato Management School, University of Waikato PB3105, Hamilton 3240, New Zealand. Phone +64-7-8562889; Fax: +64-7-8384332 E-mail: [email protected] Helen Irvine School of Accountancy, Queensland University of Technology GPO Box 2434, Brisbane, Queensland, Australia Phone: +61-7-31382856; Fax: +61-7-31381812 Email: [email protected] Abstract Purpose: This is a study of the social consequences of accounting controls over labour. -
Cultural Programmes Held in Jails During the Year 2018
Additional Table – 64 Cultural Programmes held in jails during the year 2018 Andhra Pradesh On 26-01-2018 i.e. Republic Day all the prisons of the state celebrated the day in which sports and essay writing competition were conducted and distributed prizes to the participants. Conducted different cultural activities with the female prison inmates in Women Jails. Conducted Dance and Singing Competitions on the occasion of International Women’s Day on 08-03-2018 in which eminent members of the Community were invited. On 2nd October all the prisons of the state conducted different cultural programmes like dance programmes, singing competition, debates on different topics and conducted rangoli competitions and also skits programmes by the inmates was conducted. On 15-08-2018 i.e. Independence Day celebration conducted in all the prisons. Arunachal Pradesh Inspirational Songs/musical programme were conducted in the prisons of the state. Assam Bihu Holi, Durga Puja, Kali Puja, Eid, Bhagabat path, Kirton Path, Nam Kirton, X-mas, Bhaona, Evening prayer, Republic day, Independence Day, Assamese songs etc. were celebrated in all the prisons of the state. Bihar Cultural programme on the occasion of Independence Day & Republic day were organized in year 2018. Spiritual and Meditational programme were conducted by James institution and during cultural programme blankets were distributed among prisoners. Music Competition, Singing & Dancing programme by prisoners were organized on eve of Independence Day, Republic day, Holi and Dussehra. Bhajan, kirtan, dance and drama were held at the occasion of national festivals and other festive time. One music hall containing one keyboard, one Electronic pad with sound system, one ZOZ set, one Guitar, one Banjo, one Harmonium, one Table with Duggi, one Naal, Two Big Dholak, one Duffle, Ten Pairs of Jhall, one mouth organ, six jhika, one pair tabla etc.