Discovering the Best of Italy
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On the Spiritual Matter of Art Curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020
on the spiritual matter of art curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020 JOHN ARMLEDER | MATILDE CASSANI | FRANCESCO CLEMENTE | ENZO CUCCHI | ELISABETTA DI MAGGIO | JIMMIE DURHAM | HARIS EPAMINONDA | HASSAN KHAN | KIMSOOJA | ABDOULAYE KONATÉ | VICTOR MAN | SHIRIN NESHAT | YOKO ONO | MICHAL ROVNER | REMO SALVADORI | TOMÁS SARACENO | SEAN SCULLY | JEREMY SHAW | NAMSAL SIEDLECKI with loans from: Vatican Museums | National Roman Museum | National Etruscan Museum - Villa Giulia | Capitoline Museums dedicated to Lea Mattarella www.maxxi.art #spiritualealMAXXI Rome, 16 October 2019. What does it mean today to talk about spirituality? Where does spirituality fit into a world dominated by a digital and technological culture and an ultra-deterministic mentality? Is there still a spiritual dimension underpinning the demands of art? In order to reflect on these and other questions MAXXI, the National Museum of XXI Century Arts, is bringing together a number of leading figures from the contemporary art scene in the major group show on the spiritual matter of art, strongly supported by the President of the Fondazione MAXXI Giovanna Melandri and curated by Bartolomeo Pietromarchi (from 17 October 2019 to 8 March 2020). Main partner Enel, which for the period of the exhibition is supporting the initiative Enel Tuesdays with a special ticket price reduction every Tuesday. Sponsor Inwit. on the spiritual matter of art is a project that investigates the issue of the spiritual through the lens of contemporary art and, at the same time, that of the ancient history of Rome. In a layout offering diverse possible paths, the exhibition features the works of 19 artists, leading names on the international scene from very different backgrounds and cultures. -
Theatre Tips Sion of the Men in Her Life, Unfolded on Stage
Issue 152 September 2018 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY GETTY IMAGES Theatre Tips sion of the men in her life, unfolded on stage. Broadway show inexpensively, but of course, Not every theatre experience is as emotion- you shouldn’t rely on winning to have plans M ELISSA JAR M EL ally charged as that one, but they all offer a to see theatre that night. Some shows like One of the best ways that I know how chance to see life from a different perspective Mean Girls, Book of Mormon, and Once On to take myself out of lab life is to see live the- and with a unique group of people. In future This Island offer in person lotteries every atre, and I’m lucky that New York City offers posts, I hope to highlight shows I’ve watched day that are usually drawn two hours before an overwhelming number of options to do on and off Broadway, but this time I want to the performance. In the last couple of years, this affordably (though Hamilton ticket pric- give you tips for seeing theatre on a budget. many shows have begun to offer digital lot- es may have you fooled about this). If you are a full time student, teacher, tery options. Broadway Direct (https://lot- One of the aspects I love most about or faculty member (or other qualifying cat- tery.broadwaydirect.com/) offers digital lot- going to the theatre is the acute feeling that egory), the Theatre Development Fund is teries for Lion King, Aladdin, Spongebob, and I am part of a connected community. -
2 FEBBRAIO 2015 Palazzo Dell'istruzione
2 FEBBRAIO 2015 Palazzo dell’istruzione The building which hosts the head offices of the Italian Ministry of Education was designed by the architect Cesare Bazzani, well known in those days for having built also Palazzo delle Belle Arti (Palace of Fine Arts), which now hosts the National Gallery of Modern Art. The construction of the Palace, started in 1912, was completed only in 1928. The building recalls the style and the eclectic taste of the beginning of the Twentieth Century. Its monumental architectural forms, inspired by Classicism, are softened by the baroque lines which liven up the facade, enriched in the front as well as in the internal spaces by an important series of ornaments and symbolic decorations with book-shaped capitals, grotesque caryatids, battering- ram heads, flower garlands. From the monumental Hall which introduces to the Palace, you can access the Courtyard of Honour, currently used for commemorative and prize-giving ceremonies at the end of the school year. On the sides of the Hall, two Honour Staircases, made of white marble, lead to the Minister’s Offices and to the Ministry representative rooms (Ministers’ Hall, Minister’s and Head of Cabinet’s Offices) decorated by Antonino Calcagnadoro, Paolo Paschetto and Rodolfo Villani in the year 1928. The paintings, made with the cold encaustic and the casein glue poster paint, two of the oldest and most traditional techniques of Italian Art, depict some allegorical figures: Literature, Science, Wisdom, History, Genius and Art. The series, painted by Calcagnodoro for the decoration of the Ministers’ Hall, is particularly valuable. It is a sequence which illustrates Education and 1 Knowledge in the various stages of Italian history with the depiction of some of its most important representatives: Dante Alighieri, San Francesco and Santa Chiara, Leonardo da Vinci, Raffaello Sanzio, Benvenuto Cellini, Michelangelo Merisi. -
Venice & Florence
Venice & Florence from £ 1,095.00 per person Based on 2 adults (August 2020 departure) Venice Florence Italy Italy 2 2 3 1 6 DESTINATIONS HOTELS TICKETS TRANSFERS NIGHTS Rail Tickets included Flights not included in the price of the experience: to be added as per your personal choice of UK departure airport *Price and itinerary are subject to change Call our Sales Experts for a Tailor-made Package 0208 973 2292 Venice From day 1 to day 4 (06/Aug/2020 > 09/Aug/2020) Italy About the city Perhaps no city is as fabulous as Venice, a metropolis built upon pilings, a labyrinth poised over a lagoon. 3 Venice has been called the drawing room of Europe, and indeed for centuries the city was a sanctuary for ideas and idealists, a crossroad of the Byzantine and Roman worlds. Today Venice is a different kind of drawing room. Wealthy visitors clamber into gondolas to gawk at the Byzantine palaces while being serenaded by accordionists and art appreciators stand on tiptoe for a glimpse of Renaissance masterpieces. No monument is as memorable as the city itself, so use the major sights only as an excuse for wandering. Venice revolves around piazza San Marco. The best feature of the mosaic-covered Basilica di San Marco is the Pala D’Oro, a glittering gold Byzantine bas-relief. The Torre dell’Orologio, left of San Marco, is a beautifully embellished clock tower. For culture vultures check the Accademia for the best of Venetian paintings. Some say that the tourist Venice is indeed Venice, but there are other Venices as well. -
Best Sculpture in Rome"
"Best Sculpture in Rome" Créé par: Cityseeker 11 Emplacements marqués Wax Museum "History in Wax" Linked to the famed Madame Tussaud's in London, the Museo delle Cere recreates historical scenes such as Leonardo da Vinci painting the Mona Lisa surrounded by the Medici family and Machiavelli. Another scene shows Mussolini's last Cabinet meeting. There is of course a chamber of horrors with a garrotte, a gas chamber and an electric chair. The museum by _Pek_ was built to replicate similar buildings in London and Paris. It is a must visit if one is ever in the city in order to take home some unforgettable memories. +39 06 679 6482 Piazza dei Santi Apostoli 68/A, Rome Capitoline Museums "Le premier musée du monde" Les musées Capitoline sont dans deux palais qui se font face. Celui sur la gauche des marches de Michelange est le Nouveau Palais, qui abrite l'une des plus importantes collections de sculptures d'Europe. Il fut dessiné par Michelange et devint le premier musée public en 1734 sur l'ordre du pape Clément XII. L'autre palais, le Conservatori, abrite d'importantes peintures by Anthony Majanlahti comme St Jean Baptiste de Caravaggio et des oeuvres de titian, veronese, Rubens et Tintoretto. Une sculpture d'un énorme pied se trouve dans la cours, et faisait autrefois partie d'une statue de l'empereur Constantin. Une des ouvres fameuses est sans aucun doute la louve, une sculpture étrusque du 5ème siècle avant J-C à laquelle Romulus et Rémus furent ajoutés à la Renaissance. +39 06 0608 www.museicapitolini.org/s info.museicapitolini@comu Piazza Campidoglio, Rome ede/piazza_e_palazzi/pala ne.roma.it zzo_dei_conservatori#c Museo Barracco di Scultura Antica "Sculpturally Speaking" The Palazzo della Piccola Farnesina, built in 1523, houses the Museo Barracco di Scultura Antica, formed from a collection of pre-Roman art sculptures, Assyrian bas-reliefs, Attic vases, Egyptian hieroglyphics and exceptional Etruscan and Roman pieces. -
Tintoretto: Artist of Renaissance Venice March 24, 2019 - July 7, 2019
Updated Thursday, January 31, 2019 | 10:24:35 Tintoretto: Artist of Renaissance Venice March 24, 2019 - July 7, 2019 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. ID: 4764-018 Jacopo Tintoretto A Young Man of the Doria Family, c. 1560 oil on canvas overall: 107 x 73 cm (42 1/8 x 28 3/4 in.) framed: 148 x 107 x 22 cm (58 1/4 x 42 1/8 x 8 11/16 in.) Museo Cerralbo, Madrid ID: 4764-019 Jacopo Tintoretto Man with a Golden Chain, c. 1560 oil on canvas overall: 104 x 77 cm (40 7/8 x 30 1/4 in.) framed: 120 x 91.7 x 6.5 cm (47 1/4 x 36 1/8 x 2 9/16 in.) Museo Nacional del Prado, Madrid © Museo Nacional del Prado ID: 4764-061 Jacopo Tintoretto Venus and Vulcan, c. -
1 the Search for the Spirit of the Ecorche Of
1 1 The Search for the Spirit of the Ecorche of Michelangelo; a Painter’s Journey Delivered New York Studio School, November 6, 2007 Copyright Kim Sloane © 11/6/07 Not for reproduction or distribution. Draft with notes - Friday, November 16, 2007 11/16/2007-2 1) This lecture is based on a true story. The story begins standing in front of a painting at the Metropolitan Museum, with a pencil and sketchbook in my hand. It has continued ever since, in the form of a journey both intellectual and artistic. It has become a prolonged meditation on traditions, influence, kinds of influence, and above all, on the subject of movement, the movement of ideas, movements of form, and movements of the mind and, most importantly , how all these work together. It is not intended as Art history, but an attempt to follow ideas, in the studio tradition, artist to artist, as we do here this evening, both through the visual record of painting, drawing and sculpture and in the writings that artists have left us. It is an attempt to uncover kinds of influence that go beyond formal appearance. This evening. I would like to take you on my journey and would like to share some of my discoveries with you The painting I was standing in front of, drawing was the Abduction of Rebecca by Delacroix. Slide - Abduction of Rebecca, Delacroix 1846 As many of us know, to really see, to penetrate a painting, drawing from it is the best way. I have drawn from this painting many times, but this time, something different 2 happened, something new. -
And Yet Another Papal Commission for Funerary Sculpture.I Ji;Ij1ii!Jmr.Ll 1Iii Lit F
"Art and death do not go well together," lamented Michelangelo in a famous letter, as he faced middle age and yet another papal commission for funerary sculpture.I ji;iJ1II!Jmr.ll_ 1IIi lIt f . I . hat, however, is precisely what Pope Clement VII called on him to 'I do-unite art and death-when. in f1520 he directed the already renowned Hi/ Iorty-five-year-old artist to execute a -.I funerary chapel to house the remains of ', ., four members of the Medici family. jU :r /I # I InI. response, Michelangelo created j one of the most enigmatic sculptural groups of his career. The allegorical f I1 human figures, called Day, Night, Dawn, ~:1I /0 and Dusk, have intrigued viewers ever since the artist left them strewn about the 17 chapel floor in 1534, when he left 0 I I Florence for Rome, never to return. U IRF IJ1 lq*." _- N I I :t: j0 _- F 01 I, Le !1 r t -\ t I .1 ''..I zIIIt , i V Even though it is the only one of his sculptural groups resid- Lorenzo in Florence. Mchelangelo worked on the project Spo- ing in its original setting, we can only conjecture at what radically for fourteen years, but of the four tombs, he only Michelangelo had in mind when he conceived the still-incom- partially completed two. plete decoration in the Medici chapel. The artist conceived each tomb as a cohesive ensemble uni- Pope Clement VII (formerly Giulio de' Medici) charged fying architecture and sculpture. In a central niche, an effigy MIichelangelo worked on -i X ithe project sporadically for fourteen years, but of the four tombs, he only partially completed two. -
Great Libraries of Rome TOUR HIGHLIGHTS
The Sistine Hall of the Vatican Library / Anna & Michal OCTOBER 3–11, 2020 Great Libraries of Rome TOUR HIGHLIGHTS Tour the most beautiful libraries of Rome and see their rare manuscript collections. By special arrangement, enter the Vatican Museums before they open to the public. Gain behind-the-scenes- access to a private villa opened by the owners exclusively for Manuscript Society travelers. Enter the Vatican Library by special permission to see important manuscripts housed in the collection. HOTEL ACCOMMODATIONS Luxe Rose Garden Hotel in Rome Enjoy the gracious amenities and central location of the Luxe Rose Garden Hotel, situated within walking distance of the Villa Borghese, the Spanish Steps, and the Trevi Fountain. The superior 4-star hotel’s Roseto restaurant allows guests to enjoy a range of Italian specialties in an idyllic rose garden setting. With a gym, spa, and lovely small indoor pool, the Rose Garden meets guests’ every need to relax after a long day of sightseeing. (left) Parnassus and School of Athens (details), Room of the Segnatura, c. 1508-1520, Raphael, Vatican Museums (Oro1) CUSTOM ITINERARY This custom travel program has been created uniquely for The Manuscript Society. SATURDAY, OCTOBER 3, 2020 Departures Travelers will board independent flights to Rome Fiumicino Airport (FCO) from the United States. SUNDAY, OCTOBER 4, 2020 Welcome to Rome Upon arrival at the Rome Fiumicino Airport (FCO), take private car transfers to the Luxe Rose Garden Hotel to check in. Gather this evening for a private visit to the French Academy in Rome, housed in the breathtaking surroundings of the Villa Medici complex. -
Attraction List
ATTRACTION LIST Normal Adult FREE ENTRY WITH THE OMNIA CARD Entry Fee Sistine Chapel and Vatican Museum (skip the line) € 30.00 72-hour Hop-On Hop-Off Bus Tour € 32.00 Basilica Of St.John In The Lateran and the Cloister € 5.00 Carcer Tullianum € 10.00 Cloister of St. Paul’s Outside the Walls Basilica € 4.00 Normal Adult FREE ENTRY TO THE FIRST TWO ATTRACTIONS WITH THE ROMA PASS Entry Fee Colosseum + Roman Forum + Palatine Hill € 16.00 Castel Sant’Angelo € 15.00 Capitoline Museums € 11.50 Galleria Borghese € 13.00 FURTHER MUSEUMS / ARCHEOLOGICAL SITES ON THE ROMA PASS WITH DISCOUNTED ENTRY National Academy of Saint Luke (Free) Ancient Appian Way - Mausoleum of Cecilia Metella and the Castrum Caetani Ancient Appian Way – Baths of Caracalla Ancient Appian Way - Villa of the Quintili Rome Modern Art Gallery National Gallery of Ancient Art in Palazzo Barberini and Palazzo Corsini Spada Gallery National Gallery of Modern and Contemporary Art MACRO – Rome Contemporary Art Museum MAXXI - National Museum of 21st Century Arts Trajan’s Markets - Museum of the Imperial Forums Museums of Villa Torlonia Carlo Bilotti Orangery Museum in Villa Borghese (Free) Civic Zoology Museum Ara Pacis Museum Museum of Roman Civilization Museum of the Roman Republic and of the Garibaldian Memory (Free) Museum of the City Walls (Free) Casal de’ Pazzi Museum (Free) Rome Museum Rome Trastevere Museum Museum of Ancient Sculpture Giovanni Barracco (Free) Napoleonic Museum (Free) National Museum of Musical Instruments National Museum of Palazzo Venezia National Etruscan -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
Best Museums in Rome"
"Best Museums in Rome" Créé par: Cityseeker 21 Emplacements marqués Complesso del Vittoriano "Warriors at Eternal Rest" Popular among locals as Il Milite Ignoto 'The Unknown Soldier', Complesso del Vittoriano is a museum that houses the bodies of various soldiers who fought in the World War I. After efforts of more than 20 years put into constructing this monument, it was finally completed in 1911. The architecture and exterior of the museum is of equal importance. The front by Paolo Costa Baldi facade of the museum is embellished with statues representing the various regions of Italy. The fountains of the two seas, greets visitors who enter through the gates. Do pay close attention to the inscriptions on various artifacts. +39 06 678 0664 www.ilvittoriano.com/ Via di San Pietro in Carcere, Rome Wax Museum "History in Wax" Linked to the famed Madame Tussaud's in London, the Museo delle Cere recreates historical scenes such as Leonardo da Vinci painting the Mona Lisa surrounded by the Medici family and Machiavelli. Another scene shows Mussolini's last Cabinet meeting. There is of course a chamber of horrors with a garrotte, a gas chamber and an electric chair. The museum by _Pek_ was built to replicate similar buildings in London and Paris. It is a must visit if one is ever in the city in order to take home some unforgettable memories. +39 06 679 6482 Piazza dei Santi Apostoli 68/A, Rome Capitoline Museums "Le premier musée du monde" Les musées Capitoline sont dans deux palais qui se font face. Celui sur la gauche des marches de Michelange est le Nouveau Palais, qui abrite l'une des plus importantes collections de sculptures d'Europe.