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Swedish Royal Ancestry Book 4 1751-Present
GRANHOLM GENEALOGY SWEDISH ANCESTRY Recent Royalty (1751 - Present) INTRODUCTION Our Swedish ancestry is quite comprehensive as it covers a broad range of the history. For simplicity the information has been presented in four different books. Book 1 – Mythical to Viking Era (? – 1250) Book 2 – Folkunga Dynasty (1250 – 1523) Book 3 – Vasa Dynasty (1523 – 1751) Book 4 – Recent Royalty (1751 – Present) Book 4 covers the most recent history including the wars with Russia that eventually led to the loss of Finland to Russia and the emergence of Finland as an independent nation as well as the history of Sweden during World Wars I and II. A list is included showing our relationship with the royal family according to the lineage from Nils Kettilsson Vasa. The relationship with the spouses is also shown although these are from different ancestral lineages. Text is included for those which are highlighted in the list. Lars Granholm, November 2009 Recent Swedish Royalty Relationship to Lars Erik Granholm 1 Adolf Frederick King of Sweden b. 14 May 1710 Gottorp d. 1771 Stockholm (9th cousin, 10 times removed) m . Louisa Ulrika Queen of Sweden b. 24 July 1720 Berlin d. 16 July 1782 Swartsjö ( 2 2 n d c o u s i n , 1 1 times removed) 2 Frederick Adolf Prince of Sweden b. 1750 d. 1803 (10th cousin, 9 times removed) 2 . Sofia Albertina Princess of Sweden b, 1753 d. 1829 (10th cousin, 9 times removed) 2 . Charles XIII King of Sweden b. 1748 d. 1818 (10th cousin, 9 times removed) 2 Gustav III King of Sweden b. -
The Holistic Portrait Peter Michael Hornung, Editor
88 THE HOLISTIC PORTRAIT By Peter Michael Hornung, Editor and Art Critic at “Politiken” Like other artists in our chaotically picture rich modern age, the painter Ralph Heimans also owes a professional debt to the art that preceded his own work his- torically. However, though he may have turned to it, asked it questions and drawn inspiration from it, he has never copied it. On the other hand, though, his personal standpoint as an artist is a result of the inspiration he drew from it. No one can create anything lasting and valuable without swearing some sort of oath to history, and any artist, even the most rebellious and experimental (or the opposite), must inscribe his or her work in a development, in which he or she serves as a link between past and future: between what went before and maybe influenced them, and what will come after and perhaps be coloured by them. This applies particularly to any artist who has chosen portrait painting as his or her sphere. In this field, the models extend far back in history. The need to be portrayed has existed for as long as there has been people with power and influ- ence: people who wished to be notably present, not only in their age, but also for posterity. Portraits are like memories. With the right degree of likeness they pos- sess the special capacity to make absent people present. Consideration for this likeness is also the reason why people still allow themselves to be painted, model- led, photographed, sketched etc. Heimans’ success as an artist in this historic genre lies not only in the fact that his paintings present a ‘likeness’, as it is referred to in the profession: in other words, that there is a clear and visible correspondence between the character appearing in the painting and the person who was the reason for that painting, and whom the painting must either remind us of or introduce us to. -
Enlightened Monarchy” in Practice
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto “Enlightened Monarchy” in Practice. Reforms, Ceremonies, Self-Fashioning and the Entanglement of Ideals and Values in Late Eighteenth-Century Sweden Henrika Tandefelt This article sets out to study the entanglement of different political, ideological and moral ideals and traditions in the Kingship of Gustav III, King of Sweden 1772–1792. Political thinking and practice in Eighteenth-Century Europe offered many elements and examples that different monarchs could apply in their own particular circumstances. Gustav III was one of the European Kings that openly supported the French enlightened thinkers fashioning himself as a Reformer-King. He was also very influenced by the French culture over all, and the culture of the traditional royal court in particular. In addition the Swedish political history with a fifty-year period of decreased royal power before the coup d’état of Gustav III in 1772 influenced how the European trends and traditions were put into practice. The article pursues to understand the way different elements were bound up together and put to action by the King in his coup d’état 1772, his law reforms in the 1770s and in the establishment of a court of appeal in the town Vasa in Ostrobothnia in 1776 and the ceremonial, pictorial and architectural projects linked to this. In this article I examine what has been called the enlightened absolutism of the Swedish king Gustav III (1746–1792) during his reign of 1772–1792. Gustav III’s reign began with a royal coup d’état in August 1772 and ended with the king being murdered during a masquerade ball at the Royal Opera in Stockholm in March 1792. -
Rococo in Scandinavia (Copenhagen, 30 - 31 May 17)
Rococo in Scandinavia (Copenhagen, 30 - 31 May 17) Copenhagen (Denmark), May 30–31, 2017 Registration deadline: May 29, 2017 Corinne Thépaut-Cabasset, Victoria and Albert Museum International scientific conference 30-31 May 2017 Palais Thott, Copenhagen In 2017, in Copenhagen, the conference “The Rococo in Scandinavia” will explore the many ways in which the history of style affected the arts and the culture of Scandinavia over the course of the long Eighteenth century by exploring the Rococo stream. The past years in Copenhagen have shown an interest for rococo culture. After ROKOKO MANIA fashion exhibition at the Designmuseum Denmark in 2012, and in 2016 the first monograph of the most eminent 18th century painter in Scandinavia, Carl Gustaf Pilo, by the Danish art historian Charlotte Christensen, and the William Hogarth’s Treaty of Beauty at the Statens Museum for Kunst (2016). These past events demonstrate the obvious potential in developing this topic in Den- mark. The study of the dissemination of Rococo in Scandinavia has never been addressed in a public forum. This is why and how the idea of having a conference in Copenhagen emerged and was developed, and ought to happen in Scandinavia under the auspices of the French Embassy in Den- mark. This conference will convene for the first time 18th century experts from Denmark, Germany, Fin- land, France, Sweden and America in a public forum about the Rococo in Scandinavia. Program Conference Rococo in Scandinavia: Day 1: Thott Palace, 30 May 2017 13h-17h30 Address: Det Thottske Palae, Kongens Nytorv 4, 1050 København K (Danmark) 13h-30: Welcome by H.E François Zimeray, French Ambassador in Denmark 13h40: Charlotte CHRISTENSEN, former curator at the Designmuseum (Denmark): Fatal fires: How Copenhagen lost its Rococo… 14h00: Jørgen HEIN, senior curator at Rosenborg Palace (Denmark): Saved from the fire and sent to the garden: Rococo from the first Christiansborg at Rosenborg 14h20: Merit LAINE, Associate Professor, Dept. -
Festival 2009
ISSN 0905-4391 July-August 2009 Danish Westindian Society 44. Year, ed. 3 Protektor: Hendes Majestæt Dronningen Festival 2009 1 Welcome to Festival 2009 Dear friends It is a great pleasure once again to welcome our friends from St. Croix, St. Thomas and St. John. For several months the Festival Committee and its chairman Walther Damgaard has been preparing this Festival and as this is the 11th time it is being held here in Denmark, we hope our ex- perience in planning shows in the contains of the program. The structure of the 2 weeks are based on former festivals, due to the very positive response we received from participants in the 9th and 10th Festivals. Although the structure is the same, the daily program is in most cases different from former Festivals. Besides showing you different parts of Denmark, our goal has been both to show you the sights a normal tourist would see like the Amalienborg Castle and the Cathedral of Copenhagen, as well as showing you what we Danes call typical and more down to earth activities such as lunch with smørrebrød (open sandwiches), a leisure garden and Nørrebro (working-class district of Copenhagen). Our Farewell Party will be held in the big hall in the Workers’ Museum. If you participated in the 1993 Festival I am sure you can remember the place, as we had a marvellous party there. 2 Whereas the Festival Committee can plan the perfect program, it is not possible to plan the Danish summer weather. So if it rains and you will need warm and rainproof clothes, I hope you will take it as an exotic adventure. -
Andreas Peter Berns Torff
Andreas Peter Berns torff Jørgen Hornemann Erscheint in der Reihe »zeit+geschichte« Andreas Peter der Sparkassenstiftung Schleswig-Holstein als Band Nr. 52 Berns torff Ein europäischer Staatsmann des Revolutionszeitalters Kunst der Reform – Politik des Ausgleichs Gefördert durch Gaedeke-Stiftung / Wotersen Herausgegeben von Hartwig Graf v. Berns torff Sparkassenstiftung Schleswig-Holstein Schleswig-Holsteinische Ritterschaft Aus dem Dänischen von Jens Schmid- Mölholm Ritterschaft des vormaligen Fürstentums Lüneburg Billardclub von 1693 Stiftung Schleswig-Holsteinische Landschaft Familie v. Bernstorff Inhalt 9 Geleitwort in Nöten 84 · Rasches Avancement 85 · Gicht 86 · Kulturförderung 87 · 13 Vorwort des Herausgebers Krieg als Geißel der Menschheit 88 · Verlobungswünsche 89 · Die Stol- 15 Vorwort des Autors zur Originalausgabe bergs 90 · Verlobung 96 · Mission nach Paris 97 · Angst vor Großfürst Peter 97 · Zar Peter III. 101 · Dänische Truppen in Holstein 104 · Wun- 19 KINDHEIT UND JUGEND derbare Rettung 106 · Haus und Hof 108 · Landwirtschaft 112 · Von den (1735 BIS 1752) Pflichten eines Gutsbesitzers 114 · Landwirtschaftsreformen auf dem Das Familienstatut Andreas Gottliebs des Älteren 19 · Die Eltern 22 · Berns torff ’schen Besitz 116 · Ämter häufung 121 · Konfirmation des Kron- Inhalt Kindheit 25 prinzen Christian 122 · Verlosung der landwirtschaftlichen Flächen 123 · Tod Friedrichs V. 125 33 STUDIENJAHRE (1752 BIS 1755) 127 EIN KRANKER KÖNIG: CHRISTIAN VII. Leipzig 33 · Die Perücke 33 · Klopstock und Gellert 34 · « Les bons cœurs (1766 BIS 1808) s’attachent facilement » 35 · Göttingen 36 · »Warum bin ich nicht bürger- Kritik des alten Systems 127 · Jagd auf die Fremden 129 · Vorwürfe lich?« 37 · Studieninhalte 39 · Patria ubique 40 · Genf 41 · Instruktionen des gegen Johann Hartwig Ernst 132 · Caroline Mathilde 133 · Christian VII. -
University of Copenhagen
Fashionable Encounters. Perspectives and Trends in Textiles and Dress in the Early Modern Nordic World Nosch, Marie Louise Bech; Ringgaard, Maj ; Venborg Pedersen, Mikkel; Toftegaard, Kirsten; Engelhardt Mathiasen, Tove Publication date: 2014 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Nosch, M. L. B., Ringgaard, M., Venborg Pedersen, M., Toftegaard, K., & Engelhardt Mathiasen, T. (Eds.) (2014). Fashionable Encounters. Perspectives and Trends in Textiles and Dress in the Early Modern Nordic World. Oxbow Books. ANCIENT TEXTILE SERIES Vol. 14 Download date: 26. sep.. 2021 FASHIONABLE ENCOUNTERS Perspectives and Trends in Textile and Dress in the Early Modern Nordic World Edited by Tove Engelhardt Mathiassen, Marie-Louise Nosch, Maj Ringgaard, Kirsten Toftegaard and Mikkel Venborg Pedersen ANCIENT TEXTILES SERIES VOL. 14 Oxbow Books Oxford & Philadelphia Published in the United Kingdom in 2014 by OXBOW BOOKS 10 Hythe Bridge Street, Oxford OX1 2EW and in the United States by OXBOW BOOKS 908 Darby Road, Havertown, PA 19083 © Oxbow Books and the individual authors 2014 Hardcover Edition: ISBN 978-1-78297-382-9 Digital Edition: ISBN 978-1-78297-383-6 A CIP record for this book is available from the British Library All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the publisher in writing. Printed -
Results Klassiska 586
Results Klassiska 586 No. Item Hammer price 1 A pair of blue and white lotus dishes, Qing dynasty, Guangxu (1874-1908) marks and of 16 000 SEK period. 2 A group of objects, Qing dynasty and circa 1900. 6 700 SEK 3 A group of 10 mandarin insignia, late Qing dynasty. 12 000 SEK 4 ROBE, silk. Height 112,5 cm. China, late Qing dynasty (1644–1911). 5 000 SEK 5 A pair of gilt copper seal boxes, Qing dynasty. 6 500 SEK 6 A Chinese Kweichow Auto Silver Dollar, Year 17 (1928). Unsold 7 A group of seven silver coins, USA, Mexico and China, dated 1874-1920). 8 000 SEK 8 Two fans decorated with figures and one also with calligraphy, late Qing Dynasty (1644- 2 000 SEK 1912). 9 A fine daoist painting of gods holding written spells, attendants and horsemen, Ming 50 000 SEK dynasty, 17th century. 10 A hanging daoist Shuilu-scroll by an anonymous artist, Qing dynasty, 18th century. Unsold 11 A large blue and white censer, Qing dynasty, Kangxis six character mark (1662-1722). 90 000 SEK 12 A seated blue glazed buddhist lion, Ming dynasty, 17th Century. Unsold 13 A gilt copper alloy tripod censer, Qing dynasty, presumably 18th Century with Xuandes Unsold six character mark. 14 A bronze head of a guardian king, Ming dynasty (1368-1644). 7 000 SEK 15 A famille rose tea boat, Qing dynasty with Jiaqings seal mark and period (1796-1820). Unsold 16 A pair of famille rose peaches spoons, Qing dynasty, Guangxus six character mark and Unsold period (1875-1908). -
Timeline – from the 1500S to the Present Day
Timeline – from the 1500s to the present day 16th Century In the 1500s, Europe saw a rise of central states with a strong royal power. Gustav Vasa was elected king of Sweden in 1523. He strengthened his power further by cutting the ties with the Catholic Church, joining Sweden to the Protestant faith, and introducing a hereditary monarchy. For Gustav Vasa, and for other Renaissance rulers, magnificent state rooms at the royal palaces were important. Contemporary art, such as portraits and woven tapestries, legitimized the ruling family. Gustav Vasa’s sons had high ambitions regarding art and architecture. But influences didn’t reach Sweden from the main areas of the Renaissance, on the Italian peninsula, but from northern Europe. However, a significant part of the Renaissance art in the museum’s collections came to Sweden as war-loots during the 1600s. 17th Century This period is usually called the Baroque. The word Baroque can also be used to describe an artistic style, with dynamic compositions, strong emotions and a direct appeal to the senses. The style originated in Catholic Europe but spread to Protestant areas and throughout the world. One of the purposes of art was to persuade, to argue for the right faith or for a prince’s claim to power and glory. Silver and precious textiles spoke convincingly about the owner’s position. With realistic images of Jesus, Mary and the saints, the artists wished to remind the viewer of their humanity and make them imagine their suffering. This hall shows art related to the cultural cities of Rome, Antwerp, Paris and Amsterdam. -
Self-Portrait As Pictura by Amalia Von Königsmarck Art Bulletin Of
Art Bulletin of Nationalmuseum Stockholm Volume 23 Self-portrait as Pictura by Amalia von Königsmarck Eva-Lena Karlsson , Curator, Collections and Swedish National Portrait Gallery Art Bulletin of Nationalmuseum, Stockholm, © The National Library of Sweden, Stockholm Graphic Design is published with generous support from (Fig. 4, p. 38. Fig. 21, p. 211. Fig. 28, p. 215) BIGG the Friends of the Nationalmuseum. © Alte Nationalgallerie, Berlin (Fig. 2, p. 40) Layout Nationalmuseum collaborates with © Hamburger Kunsthalle, Hamburg Agneta Bervokk Svenska Dagbladet and Grand Hôtel Stockholm. (Fig. 3, p. 41) We would also like to thank FCB Fältman & © Neue Pinakothek, Munich Translation and Language Editing Malmén. (Fig. 5, p. 43) Gabriella Berggren, William Jewson, David Jones © The Morgan Library & Museum, New York and Martin Naylor Cover Illustration (Fig. 4, p. 109. Fig. 32–33, p. 217) Christoffer Wilhelm Eckersberg (1783–1853), © The Matthiesen Gallery, London Publishing Danish. “Ciociara”– Portrait of a Roman Country Girl, (Fig. 1, p. 108) Ludvig Florén, Magnus Olausson (Editors) and 1816. Oil on canvas, 52 x 46.5 cm. Purchase: Wiros © The Ashmolean Museum, Oxford Ingrid Lindell (Publications Manager) Fund. NM 7334. (Fig. 2, p. 122) © Minneapolis Institute of Art, Minneapolis Art Bulletin of Nationalmuseum is published Publisher (Fig. 3, p. 123) annually and contains articles on the history and Berndt Arell, Director General © Robilant + Voena theory of art relating to the collections of the (Fig. 4, p. 124) Nationalmuseum. Editor © The Swedish National Archives, Stockholm Ludvig Florén and Magnus Olausson (Fig. 3, p. 204) Nationalmuseum © The Nelson-Atkins Museum of Art, Kansas City. Box 16176 Editorial Committee Photo: Joshua Ferdinand SE–103 24 Stockholm, Sweden Janna Herder, Linda Hinners, Merit Laine, (Fig. -
Fine Art + Antiques
BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART + ANTIQUES Live auction 896 AUCTION 896 • SEPTEMBER 2020 896_antik_omslag.indd 1 20.08.2020 16.01 MALERIER + ANTIKVITETER Traditionel Auktion 896 AUKTION 15. - 17. september 2020 EFTERSYN Torsdag 10. september kl. 11 - 17 Fredag 11. september kl. 11 - 17 Lørdag 12. september kl. 11 - 16 Søndag 13. september kl. 11 - 16 Mandag 14. september kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.dk 896_antik_s001-015_start.indd 1 20.08.2020 15.25 Vigtig information om auktion 896 og eftersynet COVID-19 har ændret meget i Danmark, og det gælder også hos Bruun Rasmussen. Vi følger myndig- hedernes retningslinjer og afholder den Traditionelle Auktion og det forudgående eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller kontakte en af vores eksperter, der kan fortælle dig mere om specifikke kunstgenstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionsalen. Du har flere muligheder for at følge auktionen og byde med hjemmefra: • Live-bidding: Byd med på hjemmesiden via direkte videotransmission fra auktionssalen. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret. Servicen kan bestilles på hjemmesiden eller via email til [email protected] indtil 24 timer før auktionen. -
Collegium Volume 16
Intellectual and Political Elites of the Enlightenment Edited by Tatiana V. Artemyeva and Mikhail I. Mikeshin VOLUME 16 Published in 2014 by Helsinki Collegium for Advanced Studies P.O. Box 4 (Fabianinkatu 24) FI-00014 University of Helsinki Finland ISSN 1796-2986 ISBN 978-951-51-0539-4 © Editor & Contributors 2014 __________________________________________________________________ COLLeGIUM: Studies across Disciplines in the Humanities and Social Sciences Editors-in-Chief Sari Kivistö, Johanna Sumiala Managing Editor Maija Väätämöinen Editorial Board Elvira Brattico, Eva Johanna Holmberg, Nora Hämäläinen, Juliette Kennedy, Simo Knuuttila, Klaus Laalo, Merja Polvinen, Silvija Serafimova, Mikko Tolonen, Flutur Troshani Board of Consulting Editors Laura Assmuth, Marghareta Carucci, Denis Casey, Douglas Davies, Charles Husband, Mika Kajava, Leena Kaunonen, Kuisma Korhonen, Dan Lloyd, Petri Luomanen, Matti Miestamo, Marianna Muravyeva, Andrew Newby, Mika Ojakangas, Tom Popkewitz, Katariina Salmela-Aro, Hanna Snellman, Koen Stapelbroek, Ian Thatcher, Kristiina Taivalkoski-Shilov, Miira Tuominen, Karen Vedel, Alan Warde Web: www.helsinki.fi/collegium/journal Cover picture: Louis XIV Visiting the Royal Academy of Sciences. Intellectual and Political Elites of the Enlightenment Edited by Tatiana V. Artemyeva and Mikhail I. Mikeshin Contents Intellectual and Political Elites of the Enlightenment: Some Introductory Notes Tatiana V. Artemyeva and Mikhail I. Mikeshin 1 Enlightened Monarchy and Enlightened Monarchs “Enlightened Monarchy” in Practice.