Dateline Volume 42-3
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According to Hollywood Sara Persson Abstract: This Article Examines Birth
for(e)dialogue Volume 3, Issue 1 (2019): Media and Gender How to Give Birth - According to Hollywood Sara Persson Abstract: This article examines birth scenes in five mainstream films in order to explore the way norms about birthing are reproduced or challenged. The films are: Juno (Reitman, 2007), Knocked Up (Apatow, 2007), Baby Mama (McCullers, 2008), The Back-up Plan (Poul, 2010) and What to Expect When You’re Expecting (Jones, 2012). What do the birthing scenes look like, are they realistic with non-on-set births and does the directors’ and writers’ gender, age, skin colour and class have any parallels with what is portrayed? The analysis shows that certain norms are upheld in all films; vaginal delivery in hospital, birthing positions of half sitting or laying down and present partners or friends during delivery. Scenes not representing this were depicted as the Other and thus made deviant. Homogeneity in the group behind the camera was found which correlates with certain homogeneity on screen as well. Of all the eight scenes, the women give birth half sitting or laying down in seven, implying a dominance of certain positions. These positions were found to be very common off-screen too, despite the wide range of birthing positions available and recommendations to try different ones during labour. This implies that the practicality for personnel goes beforehand. By using feminist theories on the body and medical studies on births, these findings reveal power structures devaluating female-coded bodies. The results also enhance the importance of analysing patterns of representation in general, but birthing depictions in particular, since these representations can affect people’s understanding of how a birth should be in real life. -
Juno: Not Just Another Teen Movie It All Starts with a Chair, Where Juno (Ellen Page) Has Unprotected Sex with Her Best Friend Bleeker (Michael Cera)
Heinekamp 1 Ali Heinekamp Professor Bullock English 102, Section 2 27 October 2008 Juno: Not Just Another Teen Movie It all starts with a chair, where Juno (Ellen Page) has unprotected sex with her best friend Bleeker (Michael Cera). Several weeks later, she’s at a convenience store, buying a pregnancy test. Only sixteen, Juno faces the terrifying task of telling her parents that she is pregnant. With their support, Juno moves forward in her decision to give birth and give the child to Mark (Jason Bateman) and Vanessa (Jennifer Garner), a wealthy and seemingly perfect married couple looking to adopt. Although the situations Juno’s characters find themselves in and their dialogue may be criticized as unrealistic, the film, written by Diablo Cody and directed by Jason Reitman, successfully portrays the emotions of a teen being shoved into maturity way too fast. Much of the time, Juno seems unrealistic because it seems to treat the impact of teen pregnancy so lightly. The consequences of Juno’s pregnancy are sugar-coated to such an extent that in many cases, they are barely apparent. The film downplays the emotional struggle that a pregnant woman would feel in deciding to give birth and then put that child up for adoption, and it ignores the discomforts of pregnancy, such as mood swings and nausea. Likewise, Juno’s dialogue is too good to be true — funny and clever, but unrealistic. For example, Juno tells Mark and Vanessa “If I could just have the thing and give it to you now, I totally would. Heinekamp.indd 1 12/8/10 11:50:02 AM Heinekamp 2 But I’m guessing it looks probably like a sea monkey right now, and we should let it get a little cuter.” At another point, talking about her absent mother, Juno says, “Oh, and she inexplicably mails me a cactus every Valentine’s Day. -
Infant Sorrow and Friends Perform Songs from the Film 'GET HIM to the GREEK' Live One Night Only!
May 12, 2010 Infant Sorrow and Friends Perform Songs From the Film 'GET HIM TO THE GREEK' Live one Night Only! Featuring Special Appearances by: Infant Sorrow, Russell Brand, Jonah Hill, Carl Barat from The Libertines and Special Guests LOS ANGELES, May 12 /PRNewswire/ -- Infant Sorrow and Friends is a live one-night- only concert by performers from the upcoming comedy GET HIM TO THE GREEK at The Roxy on Monday, May 24. The evening features songs from the film and forthcoming album as performed by Infant Sorrow, Russell Brand, Carl Barat of the hugely popular U.K. band The Libertines, with special appearances by Jonah Hill and other surprise guests. The events begin at 8:00 PM, and the first 100 people to arrive at The Roxy will receive a limited edition Infant Sorrow T-shirt. Tickets go on sale Friday, May 14, at 10 AM. The album INFANT SORROW – GET HIM TO THE GREEK is available June 1 through Universal Republic. ABOUT GET HIM TO THE GREEK: GET HIM TO THE GREEK reunites Jonah Hill and Russell Brand with Forgetting Sarah Marshall director Nicholas Stoller in the story of a record company executive with three days to drag an uncooperative rock legend to Hollywood for a comeback concert. The comedy is the latest film from producer Judd Apatow (The 40-Year-Old Virgin, Knocked Up, Funny People) and arrives in theaters on June 4. www.gethimtothegreek.com MONDAY, MAY 24 THE ROXY 8:00 PM 9009 Sunset Boulevard, West Hollywood, CA 90069 ON SALE FRIDAY, MAY 14, AT 10 AM TICKETS AVAILABLE ONLINE AT WWW.LIVENATION.COM OR BY PHONE AT (877) 598-6671. -
Seth Rogen and Katherine Heigl Share an Awkward Meal Knock, in Knocked up Page: 5 MP: Y M C
+ Pregnant pause: Seth Rogen and Katherine Heigl share an awkward meal Knock, in Knocked Up Page: 5 MP: Y M C knock, K who’s there? Seth Rogen’s role in Knocked Up was a case of life imitating art, writes SALLY BROWNE Couple: Colour: ITH Seth Rogen, what you see is what you get. The Canadian actor, who plays amiable slacker Ben Stone in the roman- tic comedy Knocked Up, says his scenes Win the movie aren’t far off his real-life experiences. In the film, directed by The 40 Year Old Virgin’s Judd Apatow and also starring Paul Rudd, Ben gets a sur- prise when his one-night stand with attractive E! News presenter Alison Scott (played by Grey’s Anatomy’s Katherine Heigl) turns into a life-changing situation after she falls pregnant. That might be a stretch from Seth’s reality, but the scenes where Ben hangs out at home with his friends, who play pranks on each other and watch DVDs all day, are not far off. ‘‘I actually lived with a lot of those guys,’’ Rogen says. ‘‘Those were my actual best friends those guys. It was at times literally identical to what you see in the movie. We all took pictures of our apartments and gave them to the set decorators, and that’s how they made the set.’’ Rogen’s deep, booming laugh is easy to warm to. You get the feeling he’d be a fun guy to hang out with, provided you were equipped with safety gear. ‘‘They would just ask us, ‘What do you guys do in your free time?’ We would smoke weed and then light boxing gloves on fire and beat the crap out of each other with them,’’ he says. -
Pressbook-Our-Grand-Despair.Pdf (1.4 Mib)
a film by SEYFİ TEOMAN BULUT FILM presents a film by SEYFİ TEOMAN 2011 Turkey-Germany-Netherlands 102 minutes 35mm color 1:2:35 Dolby Digital in Turkish INTERNATIONAL PRESS GERMAN PRESS WORLD SALES Richard Lormand world cinema publicity Jasmin Knich The Match Factory T +33 9 7044 9865 (France) Entertainment Kombinat GmbH Balthasarstrasse 79-81 +1 337 214 4815 (USA) Boxhagener Strasse 106 50670 Cologne Germany 10245 Berlin Germany T +49 152 2422 1837 (in Berlin) T +49 221 539 709 0 +33 6 0949 7925 T +49 30 29 77 29-20 F +49 221 539 709 10 [email protected] F +49 30 29 77 29-77 [email protected] www.filmpressplus.com [email protected] www.the-match-factory.com www.entertainmentkombinat.de www.ourgranddespair.com SYNOPSIS The peaceful cohabitation of bachelors Ender and Çetin is disrupted when they allow a friend’s sister to move in with them. The 30-something longtime friends are overwhelmed by the presence of the uncommunicative Nihal. What possessed them to accept the responsibility of a university student in their home? Especially a girl struggling with the trauma of recently losing her parents in a car accident. But simple daily rituals like sharing meals eventually bring the three roommates together for more pleasant moments. Nihal soon comes out of her depressed shell and the two men discover a vibrant beautiful young woman. Always caring and protective gentlemen, Ender and Çetin are intent on being conscientious guardians. Nihal enjoys discussing literature and poetry with scholarly Ender, and she finds comfort in boisterous Çetin’s earthy humor. -
Love Across the Atlantic: an Interdisciplinary Conference on US
Love Across the Atlantic: An Interdisciplinary Conference on US-UK Romance University of Roehampton, June 16 2017 In conjunction with New College, University of Alabama 9.30am – 10.00am – Registration – Reception, ground floor Elm Grove building Tea & coffee (and refreshments throughout the day) on the 4th floor of Elm Grove from 9.30am NB Keynotes, all panels and closing remarks will be on the 3rd floor of Elm Grove 10.00 – 11.20 – Welcome & Keynote 11.20 – 11.45 – Break 11.45 – 1.25 – Panels 1a and 1b 1.25 – 2.15 – LUNCH 2.15 – 3.35 – Panels 2a and 2b 3.35 – 4.00 – Break 4.00 – 5.20 Panels 3a and 3b 5.20 – 5.30 Closing Remarks 5.30 – 6.30 Reception (Conference Centre) 6.45 – Supper at King’s Head (optional) 10am – 11.20 Welcome from Deborah Jermyn & Catherine Roach and Opening Keynote Professors Karen Randell, Nottingham Trent University and Alexis Weedon, University of Bedfordshire ‘Transatlantic love: distance makes the heart grow fonder - Love and romance across the miles in the work of Elinor Glyn’. BREAK Panels 11.45am – 1.25pm 1a – Small screen, big love: Transatlantic romance on TV Chair: Deborah Jermyn Frances Smith, University College London: ‘Catastrophe: Love in the Glocal City’ Martha Shearer, Universities of Surrey and Royal Holloway, ‘"British people are awful": Anglo-American romance and gentrification in Looking and You're the Worst’ Ashley Morgan, Cardiff School of Art & Design: ‘An Englishman in New York – Sex and Celibacy in Elementary (2012-)’ Caroline Bainbridge, University of Roehampton: ‘Post-feminism as catastrophe? Sharon Horgan and the transatlantic psycho-politics of comic romantic tragedy’ 1b – Transatlantic love in cross-media and cross-cultural contexts Chair: Karen Randell Ted Trost, University of Alabama: '"Imagine there's no countries": John Lennon's Politics of Love’. -
Daai Ding: Sex, Sexual Violence and Coercion in Men's Prisons
Daai Ding: Sex, Sexual Violence and Coercion in Men's Prisons by Sasha Gear & Kindiza Ngubeni Research paper written for the Centre for the Study of Violence and Reconciliation, 2002. Sasha Gear is a Researcher in the Criminal Justice Programme at the Centre for the Study of Violence and Reconciliation. Kindiza Ngubeni is a Community Facilitator in the Criminal Justice Programme at the Centre for the Study of Violence and Reconciliation. Contents Introduction Prison culture and the context of research Methodological Outline The sample Ethics Of Wives and Men Gangs and these relationships Vulnerability to Sexual Subordination: Who Becomes a Wyfie? 'You know nothing and you are scared' Prison Know-how 'Even in prison, money makes prison go round' 'The weaker one' Good looks 'They saw I was smart' Crime status Publicity Educational involvement It happens everywhere Gangs and Sex Sex as a topic of recruitment-speak Classification and structures for determining sex roles Ranks, rules and access to sex Men's access to sex The place of wyfies in gangs Gangs preside over who may have sex Gang preside over the nature of sexual activity Social meanings of 'Man' and 'Woman' 'Even the criminal in you is now gone' Victim 'responsibility' and perpetrator 'entitlement' 'They don't want to be their friends anymore' Promotion to 'Manhood' Revenge and cycles of abuse Alternative Modes of Sex 'Uchincha ipondo' Other consensual relationships Table: Some defining features of three main reported relationship-types in which sex takes place 'Homosexuality' and -
Judd Apatow Asked If He Could Take a Pass at His Profile
Man at His Best The Profile By ANNA PEELE Filmmaker, producer, and writer Judd Apatow asked if he could take a pass at his profile. We thought, What could go wrong? Instructions to meet the man who will lead me to Judd Apatow specify only that he can be found “under the rainbow,” which turns out to be a 30-ton 100-foot-high $1.6 million homage to The Wizard of Oz� On the way, I make eye contact with a goat dressed as a unicorn. But the strangest thing about Sony Pictures Studios is the state of the of- fice occupied by Judd Apatow, pro- ducer of Anchorman and Girls, au- teur behind the filmsKnocked Up and The 40-Year-Old Virgin, and arguably the man who is better than anyone but Lorne Michaels at making co- medians famous. Apatow’s work- place is barren, with lurid lighting and views only of nearby walls. He likes this barren office, though. He has a nicer one in Santa Monica, but it’s packed with the by-products of shaping the entertainment industry for three decades, and Apatow want- ed something unburdened. The new place, which would be totally generic without the whiteboard casually fes- tooned with names like “Louis C.K.” and “Chris Rock,” comes with a Net- flix deal that has Apatow produc- ing the upcoming Pee-wee Herman movie and two guaranteed seasons of Love, a new romantic sitcom, with writer and actor Paul Rust. Apatow has described himself as looking like “the next abusive alcoholic stepfather in Boyhood�” But with his ’90s rock-critic outfit (unbuttoned plaid shirt over silk- screened T, jeans, and sneakers), Apatow is sloppily handsome. -
Report of a Home Office Fact-Finding Mission Ethiopia: the Political Situation
Report of a Home Office Fact-Finding Mission Ethiopia: The political situation Conducted 16 September 2019 to 20 September 2019 Published 10 February 2020 This project is partly funded by the EU Asylum, Migration Contentsand Integration Fund. Making management of migration flows more efficient across the European Union. Contents Introduction .............................................................................................................. 5 Background ............................................................................................................ 5 Purpose of the mission ........................................................................................... 5 Report’s structure ................................................................................................... 5 Methodology ............................................................................................................. 6 Identification of sources .......................................................................................... 6 Arranging and conducting interviews ...................................................................... 6 Notes of interviews/meetings .................................................................................. 7 List of abbreviations ................................................................................................ 8 Executive summary .................................................................................................. 9 Synthesis of notes ................................................................................................ -
The Straightedge Subculture on the Internet: a Case Study
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2003 The Straightedge Subculture on the Internet: A Case Study James Patrick Williams University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Sociology Commons Recommended Citation Williams, James Patrick, "The Straightedge Subculture on the Internet: A Case Study. " PhD diss., University of Tennessee, 2003. https://trace.tennessee.edu/utk_graddiss/2358 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James Patrick Williams entitled "The Straightedge Subculture on the Internet: A Case Study." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. , Major Professor We have read this dissertation and recommend its acceptance: Thomas C. Hood, Suzanne B. Kurth, Sherry Cable, Handel Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by J. Patrick Williams entitled “The Straightedge Subculture on the Internet: A Case Study.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Sociology. -
American Masculinity and Homosocial Behavior in the Bromance Era
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 8-2013 American Masculinity and Homosocial Behavior in the Bromance Era Diana Sargent Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Sargent, Diana, "American Masculinity and Homosocial Behavior in the Bromance Era." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_theses/99 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. AMERICAN MASCULINITY AND HOMOSOCIAL BEHAVIOR IN THE BROMANCE ERA by DIANA SARGENT Under the Direction of Patricia Davis ABSTRACT This study examines and reflects upon the current “bromance” culture that has emerged in American society and aims to conceptualize how media texts relate to masculine hegemony. Attention to current media portrayals, codes of conduct, rituals, homosocial interaction, and con- structions of masculinity in American culture is essential for the evaluation of the current era of American masculinity. Mediated portrayals present an ironic position on male closeness, dictate how men should behave towards women and other men, and create real life situations in which these mediated expectations are fostered and put into practice. Textual analyses of the films Superbad and I Love You, Man and the television series How I Met Your Mother were conducted, as well as an ethnographic study of cult film audiences of The Room to better understand mani- festations of homosocial environments in mediated texts and in real life settings. -
Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity.