Michael Garrick Quintet October Woman Mp3, Flac, Wma

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Michael Garrick Quintet October Woman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: October Woman Country: UK Released: 1965 Style: Modal MP3 version RAR size: 1737 mb FLAC version RAR size: 1201 mb WMA version RAR size: 1501 mb Rating: 4.4 Votes: 558 Other Formats: VOC RA WAV MPC AA WMA VOX Tracklist A1 Seven Pillars A2 Little Girl A3 Sweet And Sugary Candy A4 Blue Scene A5 Anthem B1 Return Of An Angel B2 Sketches Of Israel B3 October Woman B4 Echoes B5 Fairies Of Oneiros Credits Alto Saxophone – Joe Harriott (tracks: A1 to A3, A5, B2 to B4) Double Bass [Bass] – Coleridge Goode Drums – Colin Barnes Piano, Liner Notes – Michael Garrick Trumpet – Shake Keane (tracks: A1 to A3, A5, B2 to B4) Notes Recorded November 9, 1964. Other versions Category Artist Title (Format) Label Category Country Year Michael Garrick Quintet Michael Garrick Featuring Joe Harriott And CDSML Quintet Featuring CDSML Shake Keane - October Vocalion UK 2005 8413 Joe Harriott And 8413 Woman (CD, Album, RE, Shake Keane RM) Michael Garrick Quintet Michael Garrick Featuring Joe Harriott And Quintet Featuring DA 33 Shake Keane - October Argo DA 33 UK 1965 Joe Harriott And Woman (LP, Album, Mono, Shake Keane Dee) Related Music albums to October Woman by Michael Garrick Quintet Garrick Ohlsson, Frédéric Chopin - Chopin: Sämtliche Polonaisen Joe Harriott & Amancio D'Silva Quartet - Hum Dono The Don Rendell / Ian Carr Quintet - Live In London Michael Garrick Septet - Black Marigolds Brian Keane Featuring Kronos Quartet - Death And The Civil War The Michael Garrick Sextet - Jazz Praises Art Farmer Quintet Featuring Gigi Gryce - Art Farmer Quintet Featuring Gigi Gryce Art Farmer Quintet Featuring Clifford Jordan - Live At Sweet Basil Michael Garrick Trio With Don Weller - You've Changed Joe Harriott - John Mayer Double Quintet - Indo-Jazz Fusions.

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Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre).
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Download.Cfm?File=Wp264.Pdf> Gaventa, J
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