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DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
6Y
6y ~;c"ariJ f!1tetc"er I .< • '"Ii> I ;. 1 ." ; QQ[-tll~(]aJI. Q(]lLtrt tQ1;-l~LQLl(]latvy ~llL(it(]~ -,,' // THE ADLITH BROWN MEMORIAL LECTURE SERIES I. 1985 Bahamas Courtney Blackman "A Heterdox Approach to the Adjustment Problem" 2. 1986 St. Kitts Maurice Odie "Transnational Banks and the Problems of Small Debtors" 3. 1987 Belize William Demas "Public Administration for Sustained Development" 4. 1988 Trinidad & Edwin Carrington Tobago "The Caribbean and Europe in the I 990s" 5. 1989 Barbados Bishnodat Persaud "The Caribbean in Changing World: We Must Not Fail" 6. 1990 Guyana Karl Bennett "Monetary Integration in CAR/COM 7. 1991 Belize Owen Jefferson "Liberalization of the Foreign Exchange System in Jamaica', 8. 1992 Bahamas Havelock Brewster "The Caribbean Community in a Changing lnternational Environment Towards the Next Century" 9. 1993 Trinidad& Richard Bernal Tobago "The Caribbean Caught in the Cross Currents of Globalization and Regional ism" 10. 1994 Jamaica Dwight Venner "Institutional Changes in the Process of National Development: The Case for an Independent Central Bank" 11. 1995 St. Kitts Neville Nicholls "Taking Charge of Our Future Development" 12. 1996 Trinidad & Richard Fletcher Tobago "After Four Decades of Economic Malpractice: What are The Options For The Caribbean?" Richard Fletcher, an economist and an attorney-at-law, is a Jamaican national who lives and works abroad but who shares a strong sense of continued commitment to the Caribbean Region, having been a member ofthe early group ofWest Indian Social Science students at The University ofthe West Indies. Mr. Fletcher studied Economics at The University of the West Indies, Mona Campus, graduating with a B.Sc. -
Global Governance, Poverty and Inequality
Global Governance, Poverty and Inequality In the first decade of the twenty-first century the world experienced a series of crises that have combined to exacerbate already profound conditions of global economic inequality and poverty in the world’s poorest countries. In 2007, the unsound lending practices that caused a collapse in the US housing market ushered in a broader economic crisis that reverberated throughout the global financial system. This economic shockwave had a global impact, triggering not just instability in other industrialized countries, but also in their developing counter- parts, also highlighting deficiencies in the current structures of global governance to protect the world’s poorest and most disadvantaged. In these times of crisis, it is important to question the capacity and the appropriateness of existing global governance approaches to address both poverty and inequality. This work seeks to critically evaluate the role of global governance mechanisms for dealing with these pressing issues. With a focus on both formal and informal governance mechan- isms, and drawing leading scholars together from a range of disciplines, this collection offers sharp analyses of the successes and failures of the global system in tackling the pressing problems of poverty and inequality. Jennifer Clapp is the Centre for International Governance Innovation (CIGI) Chair in Global Environmental Governance and Professor in the Faculty of Environmental Studies at the University of Waterloo, Canada. Rorden Wilkinson is Professor of International Political Economy in the School of Social Sciences and Associate Director of the Brooks World Poverty Institute (BWPI) at the . Routledge Global Institutions Edited by Thomas G. -
Fostering Growth and Development in Small States Through Disruptive Change: a Case Study of the Caribbean
The Centre for International Governance Innovation THE CARIBBEAN PAPERS A Project on Caribbean Economic Governance Fostering Growth and Development in Small States through Disruptive Change: A Case Study of the Caribbean Avinash D. Persaud Caribbean Paper No. 11 October 2011 An electronic version of this publication is available for download at: www.cigionline.org Addressing International Governance Challenges THE CARIBBEAN PAPERS Summary About the Caribbean Economic The desks of civil servants in small states are stacked with Governance Project yellowing consultancy reports from multilateral agencies on the need to generate sustainable jobs and growth, This project convened researchers and attract investment, bolster infrastructure and institutions, leaders within the private and public sectors and improve the efficiency and reduce the expense of to examine and provide substantive answers government. The real question is not what, but why? Why, and policy prescriptions to current economic in spite of everything we know, are many small states, governance challenges facing the Caribbean especially those in the Caribbean, trapped in a zone of low region. The papers were initially presented at growth, stagnation or relative decline? Policy makers face CIGI workshops, where the authors benefited physical and financial constraints and implementation from extensive comments and discussion on deficiencies, but the overriding constraint, even more so their work. This series presents and discusses than in other countries, is political economy. policy issues pertaining to trade, investment, human capital, the fiscal outlook, public sector The economic framework shapes the political structure, management practices and other issues relevant making it difficult for governments to reshape the to the Caribbean region’s economic future. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Ecotourism in a Small Caribbean Island: Lessons Learned for Economic Development and Nature Preservation
ECOTOURISM IN A SMALL CARBBEAN ISLAND: LESSONS LEARNED FOR ECONOMIC DEVELOPMENT AND NATURE PRESERVATION l By VANESSA ANNE VERE SLINGER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2002 ACKNOWLEDGMENTS The Program for Studies in Tropical Conservation Fellowship (PSTC) supported this research through the Compton Foundation, and a College of Liberal Arts and Sciences McLaughlin Dissertation Fellowship. Government agencies in Dominica helped throughout the period of research including NDC, the Dominican Ministry of Tourism, and the Dominican Ministry of Forestry. The DCA, and the DHTA were very helpful in providing data and suggestions. Numerous individuals aided and supported my research efforts in Dominica: the Aird family, Maria Bellot, the Grell family, Lenox Honychurch, Ma Bass, and Charles Maynard. I am particularly indebted to all the people involved in the tourism industry, both in private businesses and local conservation agencies, who took time to sit with me and answer questions or converse about tourism on the majestic and beautiful Caribbean island of Dominica. On a personal note, I am truly blessed to be surrounded by the love and encouragement of lots of friends and family too numerous to mention here. Last, but certainly not least, I would like to thank my committee members for their guidance and support: my chair. Dr. Nigel Smith, Dr. Cesar Caviedes, Dr. Barbara McDade, Dr. Hugh Popenoe, and Dr. Peter Hildebrand. I would also like to take this opportunity to thank Dr. Edward Malecki for his support and advice in several aspects of my academic career. -
Bookshelf 2020
New West Indian Guide 95 (2021) 63–95 nwig brill.com/nwig Bookshelf 2020 Richard Price and Sally Price Coquina Key, Florida, USA [email protected]; www.richandsally.net This has been a most trying year for book reviewers. How many of the scholars we solicited answered that the unexpected demands of remote teach- ing, or the obligations of home schooling, or any other unusual responsibilities caused by Covid-19 made it impossible for them to write a review? And how many reviewers balked at (while others kindly acquiesced to) the new practice of many publishers sending out review copies exclusively in digital form? Another indicator of Covid-inspired chaos in the publishing industry?When we asked Palgrave/Springer (which publishes more of the books we review than any other publisher) to send a book, scheduled for July 2020 publication, to our reviewer, the following reply came back: “Unfortunately, … Decoloniality and Gender in Jamaica Kincaid and Gisèle Pineau, seems to have been massively postponed; the publication date appears to be 31 May 2025.” Publishers, with warehouses closed, or open only sporadically, have gener- ally done their best but here’s a list of books that we requested (almost all for Bookshelf) but never received: Nous n’avons pas vu passer les jours, by Simone Schwarz-Bart & Yann Plougastel (Paris: Grasset, 2019, paper €19.00) La Souvenance, by Ernest Pépin (Petit-Bourg, Guadeloupe: Caraïbéditions, 2019, paper €17.30) My Time Among the Whites: Notes from an Unfinished Education, by Jennine Capó Crucet (New York: Picador, 2019, paper US$17.00) Ordinary Girls: A Memoir, by Jaquira Díaz (New York: Algonquin Books, 2019, cloth US$26.95) Saint X: A Novel, by Alexis Schaitkin (New York: Celadon Books, 2020, cloth US$26.99) Shame on Me: An Anatomy of Race and Belonging, byTessa McWatt (London: Scribe UK, 2019, paper US$17.13) Bla_k:EssaysandInterviews, by M. -
The Jazz Rag
THE JAZZ RAG ISSUE 132 SUMMER 2014 UK £3.25 LAURA MVULA AT BRECON JAZZ CONTENTS BRECON JAZZ FESTIVAL (PAGE 14) ACCLAIMED SINGER/SONGWRITER LAURA MVULA IS ONLY ONE OF THE STARS OF THE FESTIVAL. ARTIST-IN-RESIDENCE HUW WARREN TALKS ABOUT 30 YEARS OF BRECON. 4. NEWS 5. UPCOMING EVENTS 8. 10 OVERLOOKED JAZZ GREATS 10. RED HOT PEPPER 12. COMPETITIONS/LETTER 13. PROPAGANDA SWING SUBSCRIBE TO THE JAZZ RAG 16. SOUTHPORT WINTER JAZZ THE NEXT SIX EDITIONS MAILED 17. LITHUANIA'S SINGER OF THE YEAR DIRECT TO YOUR DOOR FOR ONLY £17.50* 18. FRESH SOUND OF BARCELONA Simply send us your name. address and postcode along with your 20. CD REVIEWS payment and we’ll commence the service from the next issue. OTHER SUBSCRIPTION RATES: 30. BOOK REVIEWS EU £20.50 USA, CANADA, AUSTRALIA £24.50 Cheques / Postal orders payable to BIG BEAR MUSIC 32. BEGINNING TO CD LIGHT Please send to: JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 34. LIVE REVIEWS * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 30 YEARS OF BIRMINGHAM JAZZ FESTIVAL Fax: 0121 454 9996 This year is the 30th Birmingham International Jazz and Blues Festival. That sounds an Email: [email protected] impressive enough number in terms of years, but how about 5498 performances? Web: www.jazzrag.com That’s the figure the statisticians at BIJBF have come up with for Birmingham 1985- 2013, so make that 5499 by adding in the inaugural M&B Jam Session (Humphrey Publisher / editor: Jim Simpson Lyttelton (right), Digby Fairweather et al.) in Cannon Hill Park in 1984. -
Eddie Lockjaw Davis 2020-02-19.Xlsx
Eddie "Lockjaw" Davis 2020‐02‐19 Titel Artister Album Komp./Lyric Datum St. Louis Blues Count Basie ‐ p, arr Richard Boone ‐ vo, tb Bobby Plater, Marshall Royal ‐ as Charlie Fowlkes ‐ bars Norman Keenan ‐ b Ed Shaughnessy, Basie´s Beat W. C. Handy 1967‐01‐01 Rufus Jones ‐ dr Freddie Green ‐ g Billy Mitchell, Eddie "Lockjaw" Davis, Eric Dixon, Marshall Brown ‐ ts Al Grey, Grover Mitchell, Harlan Floyd, Henderson Chambers ‐ tb Bill Hughes ‐ b tb Al Aarons, Gene Goe, Harry "Sweets" Edison, Phil Guilbeau, Sonny Cohn, Wallace Davenport ‐ tp Whirly‐Bird Count Basie & His Orchestra The Complete Atomic Basie Neal Hefti 1958‐01‐01 Spinal Fats Navarro (tp) Eddie "Lockjaw" Davis (ts) Al Haig (p) Huey Long (g) Gene Ramey (b) Denzil Best (d) Eddie Davis & His Beboppers Eddie "Lockjaw" Davis 1946‐12‐20 Three Deuces Jerome Richardson (fl,ts) Eddie "Lockjaw" Davis (ts) Shirley Scott (org) George Duvivier (b) Arthur Edgehill (d) Coobook Eddie "Lockjaw" Davis 1958‐06‐20 Four Harry "Sweets" Edison (tp) Eddie "Lockjaw" Davis (ts) Hugh Lawson (p) Ike Isaacs (b) Clarence Johnston (d) Jawbreakers Eddie "Cleanhead" Vinson 1962‐04‐18 Midnight at Minton´s Eddie "Lockjaw" Davis, Johnny Griffin (ts) Junior Mance (p) Larry Gales (b) Ben Riley (d) Griff And Lock Babs Gonzales 1960‐11‐04 Broadway Joe Newman (tp) Eddie "Lockjaw" Davis (ts) Shirley Scott (org) Count Basie (p) George Count Basie Presents The Eddie Davis Trio + Joe Newman Billy Byrd; Teddy McRae; Henri Wood 1957‐12‐17 Hey jim se ovan Basie´s Beat Babs Gonzales; James Moody 1967‐01‐01 Cherokee se ovan Count -
Gender Transformations in the Trinidad Carnival Author Uses the Presence
P. De Freitas Disrupting the nation : gender transformations in the Trinidad Carnival Author uses the presence and performance of women in Trinidad's Carnival, and the narratives surrounding them, to comprehend the linkages between Carnival and the Trinidadian national identity, between gender and the nationalist project. She contends that the public debates surrounding the perceived 'feminization' of Carnival are highly charged because it both exposes the dilemma of post-colonial nation-building and strikes at the heart of the nationalist project. In: New West Indian Guide/ Nieuwe West-Indische Gids 73 (1999), no: 1/2, Leiden, 5-34 This PDF-file was downloaded from http://www.kitlv-journals.nl PATRICIA A. DE FREITAS DISRUPTING "THE NATION" : GENDER TRANSFORMATIONS IN THE TRINIDAD CARNIVAL INTRODUCTION Annually, between the Christian seasons of Christmas and Lent, the twin- island "nation" of Trinidad and Tobago devotes a considerable amount of resources and energy to Carnival activities.1 A season in its own right, the Carnival culminates in a two-day street celebration marked by music, dancing, and masquerade performances. Historically, Trinidad's Carnival2 has served as a social barometer of sorts, registering the ethos, fantasies, ideals, and contests of the society, what Victor Turner (1986:41) has called the hopelessly intermingled indicative and subjunctive "moods" of a culture. In turn, Carnival has had a profound effect on the Self-conscious- ness and behavior of Trinidadians as a people. Each year, Carnival is known, and sometimes expected, to generate a controversy or highly con- tentious issue. Some controversies are year-specific and often confined to the organizational bodies responsible for the planning and performance of the Carnival.