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Apple Software Design Guidelines
Apple Software Design Guidelines May 27, 2004 Java and all Java-based trademarks are Apple Computer, Inc. trademarks or registered trademarks of Sun © 2004 Apple Computer, Inc. Microsystems, Inc. in the U.S. and other All rights reserved. countries. OpenGL is a trademark of Silicon Graphics, No part of this publication may be Inc. reproduced, stored in a retrieval system, or transmitted, in any form or by any means, PowerPC and and the PowerPC logo are mechanical, electronic, photocopying, trademarks of International Business recording, or otherwise, without prior Machines Corporation, used under license written permission of Apple Computer, Inc., therefrom. with the following exceptions: Any person Simultaneously published in the United is hereby authorized to store documentation States and Canada. on a single computer for personal use only Even though Apple has reviewed this manual, and to print copies of documentation for APPLE MAKES NO WARRANTY OR personal use provided that the REPRESENTATION, EITHER EXPRESS OR IMPLIED, WITH RESPECT TO THIS MANUAL, documentation contains Apple's copyright ITS QUALITY, ACCURACY, notice. MERCHANTABILITY, OR FITNESS FOR A PARTICULAR PURPOSE. AS A RESULT, THIS The Apple logo is a trademark of Apple MANUAL IS SOLD ªAS IS,º AND YOU, THE PURCHASER, ARE ASSUMING THE ENTIRE Computer, Inc. RISK AS TO ITS QUALITY AND ACCURACY. Use of the ªkeyboardº Apple logo IN NO EVENT WILL APPLE BE LIABLE FOR DIRECT, INDIRECT, SPECIAL, INCIDENTAL, (Option-Shift-K) for commercial purposes OR CONSEQUENTIAL DAMAGES without the prior written consent of Apple RESULTING FROM ANY DEFECT OR may constitute trademark infringement and INACCURACY IN THIS MANUAL, even if advised of the possibility of such damages. -
August 26, 2014 (Series 29: 1) D.W
August 26, 2014 (Series 29: 1) D.W. Griffith, BROKEN BLOSSOMS, OR THE YELLOW MAN AND THE GIRL (1919, 90 minutes) Directed, written and produced by D.W. Griffith Based on a story by Thomas Burke Cinematography by G.W. Bitzer Film Editing by James Smith Lillian Gish ... Lucy - The Girl Richard Barthelmess ... The Yellow Man Donald Crisp ... Battling Burrows D.W. Griffith (director) (b. David Llewelyn Wark Griffith, January 22, 1875 in LaGrange, Kentucky—d. July 23, 1948 (age 73) in Hollywood, Los Angeles, California) won an Honorary Academy Award in 1936. He has 520 director credits, the first of which was a short, The Adventures of Dollie, in 1908, and the last of which was The Struggle in 1931. Some of his other films are 1930 Abraham Lincoln, 1929 Lady of the Pavements, 1928 The Battle of the Sexes, 1928 Drums of Love, 1926 The Sorrows of Satan, 1925 That Royle Girl, 1925 Sally of the Sawdust, 1924 Darkened Vales (Short), 1911 The Squaw's Love (Short), 1911 Isn't Life Wonderful, 1924 America, 1923 The White Rose, 1921 Bobby, the Coward (Short), 1911 The Primal Call (Short), 1911 Orphans of the Storm, 1920 Way Down East, 1920 The Love Enoch Arden: Part II (Short), and 1911 Enoch Arden: Part I Flower, 1920 The Idol Dancer, 1919 The Greatest Question, (Short). 1919 Scarlet Days, 1919 The Mother and the Law, 1919 The Fall In 1908, his first year as a director, he did 49 films, of Babylon, 1919 Broken Blossoms or The Yellow Man and the some of which were 1908 The Feud and the Turkey (Short), 1908 Girl, 1918 The Greatest Thing in Life, 1918 Hearts of the World, A Woman's Way (Short), 1908 The Ingrate (Short), 1908 The 1916 Intolerance: Love's Struggle Throughout the Ages, 1915 Taming of the Shrew (Short), 1908 The Call of the Wild (Short), The Birth of a Nation, 1914 The Escape, 1914 Home, Sweet 1908 Romance of a Jewess (Short), 1908 The Planter's Wife Home, 1914 The Massacre (Short), 1913 The Mistake (Short), (Short), 1908 The Vaquero's Vow (Short), 1908 Ingomar, the and 1912 Grannie. -
Power Mac G4 (Digital Audio): Setting up (Manual)
Setting Up Your Power Mac G4 Includes setup and expansion information for Power Mac G4 and Macintosh Server G4 computers K Apple Computer, Inc. © 2001 Apple Computer, Inc. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Apple. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. Apple Computer, Inc. 1 Infinite Loop Cupertino, CA 95014-2084 408-996-1010 http://www.apple.com Apple, the Apple logo, AppleShare, AppleTalk, FireWire, the FireWire logo, Mac, Macintosh, the Mac logo, PlainTalk, Power Macintosh, QuickTime, and Sherlock are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. AirPort, the Apple Store, Finder, iMovie, and Power Mac are trademarks of Apple Computer, Inc. PowerPC and the PowerPC logo are trademarks of International Business Machines Corporation, used under license therefrom. Manufactured under license from Dolby Laboratories. “Dolby” and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. © 1992–1997 Dolby Laboratories, Inc. All rights reserved. Other company and product names mentioned herein are trademarks of their respective companies. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. -
1I Wji'.MSL. I
becomes Infatuated with the good- iiiiiiiimiiimiiiiiiimiiiiiiiiiiHiiimiiiiiiiiimiiimiiiimiiiimmiiiiiiiiiiimiiiiiiiiiiH looking American. He pretends to Me- ;r.d Women in News return the dancer's affection, because j Spotlight PLAGIARISM OF through her he is enabled to get valuable information. This is the starter of the story. CHARGED -- MUSIC. __ -_t, Dorothy Gish, as La Clavel, is be witching, alluring; she is seen in i Holiday Attraction the greatest emotional part of her Source of Themes to Be F.x- career and her work is a revelation posed at Meeting on r Last 2 Times Tonight ALASKA GOLD RUSH FEATURE AT COLIticUM _ A story which teems with colorful WASH lOTON. >■*»!». JR. Where Richard [action and takes the spectator back do i he popular songs come from'' to llie days of the Alaskan gold rush. This ipiestlon occupied the attention I is "The Siren Call." the Irvin Willni Ratheimcss of the Hpuxo Patents Committee, be- {production for Paramount, which was FOX NEWS—2 fore which opponents of the new 1 ihe feature attraction at the Coli Shows—7:30—9:25_1 and copyright bill made sharp attack scum theatre last night. upon the authors and composers who This is one of the most delightful are seeking protection from the rad- A Round of Blood” melodramas of the Yukon yet pic- | “Fighting | dish io, phonograph and other mechanical Dorothy turned. Dorothy Dalton is dazzling ■ reproducers. in her characterization of a danc 50 cents = Alfred W Smith, the 10—20—40—Loges IN hall girl who is torn between two representing Music industries Chamber of Com- emotions love f«»r a real man who merce. -
Mac OS X Server Administrator's Guide
034-9285.S4AdminPDF 6/27/02 2:07 PM Page 1 Mac OS X Server Administrator’s Guide K Apple Computer, Inc. © 2002 Apple Computer, Inc. All rights reserved. Under the copyright laws, this publication may not be copied, in whole or in part, without the written consent of Apple. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, AppleScript, AppleShare, AppleTalk, ColorSync, FireWire, Keychain, Mac, Macintosh, Power Macintosh, QuickTime, Sherlock, and WebObjects are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. AirPort, Extensions Manager, Finder, iMac, and Power Mac are trademarks of Apple Computer, Inc. Adobe and PostScript are trademarks of Adobe Systems Incorporated. Java and all Java-based trademarks and logos are trademarks or registered trademarks of Sun Microsystems, Inc. in the U.S. and other countries. Netscape Navigator is a trademark of Netscape Communications Corporation. RealAudio is a trademark of Progressive Networks, Inc. © 1995–2001 The Apache Group. All rights reserved. UNIX is a registered trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. 062-9285/7-26-02 LL9285.Book Page 3 Tuesday, June 25, 2002 3:59 PM Contents Preface How to Use This Guide 39 What’s Included -
Chapter 1. Origins of Mac OS X
1 Chapter 1. Origins of Mac OS X "Most ideas come from previous ideas." Alan Curtis Kay The Mac OS X operating system represents a rather successful coming together of paradigms, ideologies, and technologies that have often resisted each other in the past. A good example is the cordial relationship that exists between the command-line and graphical interfaces in Mac OS X. The system is a result of the trials and tribulations of Apple and NeXT, as well as their user and developer communities. Mac OS X exemplifies how a capable system can result from the direct or indirect efforts of corporations, academic and research communities, the Open Source and Free Software movements, and, of course, individuals. Apple has been around since 1976, and many accounts of its history have been told. If the story of Apple as a company is fascinating, so is the technical history of Apple's operating systems. In this chapter,[1] we will trace the history of Mac OS X, discussing several technologies whose confluence eventually led to the modern-day Apple operating system. [1] This book's accompanying web site (www.osxbook.com) provides a more detailed technical history of all of Apple's operating systems. 1 2 2 1 1.1. Apple's Quest for the[2] Operating System [2] Whereas the word "the" is used here to designate prominence and desirability, it is an interesting coincidence that "THE" was the name of a multiprogramming system described by Edsger W. Dijkstra in a 1968 paper. It was March 1988. The Macintosh had been around for four years. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Melodrama As Vernacular Modernism in China: the Case of D
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Melodrama as Vernacular Modernism in China: The Case of D. W. Griffith Qijun Han, Utrecht University In an article on the pitfalls of cross-cultural analysis, film scholar Emilie Yueh-yu Yeh has proposed replacing the term “melodrama” with “wenyi,” as it can “locate an intrinsic and perhaps more illuminating concept than melodrama to explain Chinese-language cinemas” (Yeh, 2009: 438). In Yeh’s view: Wenyi and melodrama are literally discordant: letters and arts (wenyi) vs. musical theatre (melo-drama). One emphasizes literary value and artistic taste; popular fiction that aspires to serious literature. The other offers the theatrical display and emotional excitement of the sort found in stage musicals (cf. Broadway, operetta, vaudeville). (Yeh, 2009: 445) Yeh is not the first to highlight the concept of wenyi. As early as 1985, Cai Guorong had already raised this issue. For him: Chinese wenyi melodrama developed along two lines: those works that deal with family relationships and ethics, and those that depict romances. […] First, films of this genre use contemporary or recent society as a backdrop; second, they deal with human emotions and are therefore lyrical to an extent. (Cai, 1985; in Zhang, 2012: 25) Yeh has convincingly shown how wenyi connects with and departs from melodrama, and in particular, her historical account of wenyi is a highly valuable tool in interpreting contemporary Chinese films. By proposing to substitute wenyi for melodrama, Yeh has pointed to a set of conceptual tensions underpinning the term melodrama, which is in turn relevant to several issues, such as translation and cultural identity in the aftermath of colonialism and imperialism. -
Welcome to Mac OS X 2 Installing Mac OS X
Welcome to Mac OS X 2 Installing Mac OS X 4 Aqua 6 The Dock 8 The Finder Welcome to Mac OS X, the world’s most advanced 10 Customization operating system. 12 Applications This book helps you start 14 Classic using Mac OS X. 16 Users First install the software, 18 Changing Settings then discover how easy 20 Getting Connected it is to use. 22 iTools 24 Using Mail 26 Printing 28 Troubleshooting 1 Step 1: Upgrade to Mac OS 9.1 using the CD included with Mac OS X If your computer already has Mac OS 9.1 installed, you can skip this step. Installing Step 2: Get information you need to set up Mac OS X To use your current iTools account, have your member name and password available. To use your current network settings, look in these Mac OS 9.1 control panels. Settings In Mac OS 9 TCP/IP TCP/IP control panel Internet and mail Internet control panel Dial-up connection (PPP) Remote Access and Modem control panels If you can’t find this information, look in the applications you use to get email or browse the Web. If you don’t know the information, contact your Internet service provider or system administrator. Step 3: Decide where you want to install Mac OS X On the same disk Install Mac OS X on the same disk or disk partition as Mac OS 9. ‚ Do not format the disk. Or a different disk Install Mac OS X on a different disk or disk partition from Mac OS 9. -
Dw Griffith: American Film Master
he Museum of Modern Art 3/8/65 Vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modemart PROGRAM D. W. GRIFFITH: AMERICAN FILM MASTER The films listed are all directed by Griffith, except where otherwise noted. PART. I \ April 25-28: 1907 RESCUE) FROM AN EAGSUB'S NEST, Edison, directed by Edwin S. Porter; with D. W. Griffith. 1909 THE LONELY VILLA, Biograph; with Mary Pickford, Marion Leonard. 1911 THE LONEDALE OPERATOR, Biograph; with Blanche Sweet, Wilfred Lucas• 1912 THE GIRL AND HER TRUST, Biograph; with Dorothy Bernard, Wilfred Lucas. 1913 OLAF - AN ATOM, Biograph; with Harry Carey (director unknown, but probably D. W. Griffith). Biograph films: April 29- 1909 A DRUNKARD'S REFORMATION, with Linda Arvidson, Arthur Johnson. May 1: 1909 A CORNER IN WHEAT, with Frank Powell, Henry Walthall. 1910 THE USURER, with Grace Henderson, George Nichols. 1911 THE MISER'S HEART, with Edward Dillon, Wilfred Lucas. 1912 THE MUSKETEERS OF PIG ALLEY, with Dorothy and Lillian Gish. May 2-5: 1912 MAN'S GENESIS, Biograph; with Mae Marsh, Robert Harron. 1913-lil- JUDITH OF BETHULIA, Biograph; with Blanche Sweet, Henry Walthall. May 6-8; 1911 ENOCH ARDEN, Biograph; with Linda Arvidson, Wilfred Lucas. 1911* HOME, SWEET HOME, Mutual; with Lillian Gish, Henry Walthall, Mae Marsh, Robert Harron, Blanche Sweet, Owen Moore. May 9-12: 1912 THE GODDESS OF SAGEBRUSH GULCH, Biograph; with Blanche Sweet, Dorothy Bernard, Charles West. 19114. THE AVENGING CONSCIENCE, Mutual; with Blanche Sweet, Henry Walthall, Spottiswoode Aiken. May I3-I5: 1915 THE BIRTH OF A NATION, Epoch; with Lillian Gish, Mae Marsh, Henry Walthall, Robert Harron, Elmer Clifton, Ralph Lewis. -
D. W. Griffith Centennial
H the Museum of Modern Art U West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart D.W. GRIFFITH CENTENNIAL Part II, The Feature Films, May 15 to July 9, 1975 Thursday, May 15 5:30 HOME, SWEET HOME. 1914. With Lillian Gish, Mae Marsh, Blanche Sweet. ca 95 min. and THE MASSACRE. 1912. With Blanche Sweet, ca 30 min. 8:00 D. W. Griffith's THE BIRTH OF A NATION: Muckraking a Southern Legend, a lecture by Russell Merritt, Associate Professor of Communication Arts, University of Wisconsin at Madison Friday, May 16 2:00 THE BIRTH-OF A NATION. 1915. With Lillian Gish, Mae Marsh, Henry B. Walthall, ca 200 min. Saturday, May 17 3:00 HOME, SWEET HOME and THE MASSACRE. (See Thursday, May 15 at 5:30) 5:30 THE AVENGING CONSCIENCE. 1914. With Henry B. Walthall, Blanche Sweet. ca 95 min. and EDGAR ALLAN POE. 1909. With Herbert Yost, Linda Arvidson. ca 15 min. Sunday, May 18 5:30 THE MOTHER AND THE LAW. 1914-1919. With Mae Marsh, Robert Harron, Miriam Cooper, ca 115 min. Monday, May 19 2:00 THE MOTHER AND THE LAW. (See Sunday, May 18 at 5:30) 5:30 THE BIRTH OF A NATION. (See Friday, May 16 at 2:00) Tuesday, May 20 5:30 THE AVENGING CONSCIENCE and EDGAR ALLAN POE. (See Saturday, May 17 at 5:30) Thursday, May 22 67315 INTOLERANCE. 1916. With Mae Marsh, Robert Harron, Miriam Cooper, ca 195 min. Friday, May 23 2:00 INTOLERANCE. (See Thursday, May 22 at 6:30) Saturday, May 24 3700 A ROMANCE OF HAPPY VALLEY. -
DW Griffith: Cinema's Great Pioneer
DW Griffith: Cinema’s Great Pioneer Thursday 30 April 2015, London Throughout June BFI Southbank will host a month-long season dedicated to DW Griffith; described as the ‘Father of Film’ and the ‘Teacher of Us All’ by Lillian Gish and Charlie Chaplin respectively, Griffith was one of the greatest filmmakers of the silent-era. The season will re-examine his complex legacy, including his most famous film The Birth of a Nation (1915), a three-hour epic which was rightly accused of racism. Also screening in the season will be his first film as director The Adventures of Dollie (1908), the influential Intolerance (1916), his first talkie Abraham Lincoln (1930) and a three-part documentary from celebrated film historians Kevin Brownlow and David Gill, DW Griffith: Father of Film (USA-UK, 1993). As the ‘Father of Film’ Griffith pioneered film language which audiences now take for granted, from the use of close-ups for dramatic effect to parallel cutting (alternating two or more scenes that often happen simultaneously but in different locations). As the centenary of The Birth of a Nation (1915) is marked by a major international conference at University College London (UCL), the season will offer audiences a chance to re-evaluate Griffith’s most famous film with The Birth of a Nation at 100: A Roundtable Discussion. The roundtable will gather highly regarded keynote speakers from the UCL conference to present a contemporary assessment of this highly controversial and racist film a hundred years on. The season will also include a number of films starring Griffith’s favourite actress Lillian Gish.