DOCSLIB.ORG

WELCOME to the GLITTER DAZE Thesis Submitted to the College Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WELCOME to the GLITTER DAZE Thesis Submitted to the College Of WELCOME TO THE GLITTER DAZE Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Christine Jane Olding Dayton, Ohio May, 2014 WELCOME TO THE GLITTER DAZE Name: Olding, Christine Jane APPROVED BY: ___________________________ Albino Carrillo, MFA Faculty Advisor ___________________________ Patrick Thomas, Ph.D. Faculty Reader ___________________________ Andrew Slade, Ph.D. Faculty Reader ii ©Copyright by Christine Jane Olding All rights reserved 2014 ABSTRACT WELCOME TO THE GLITTER DAZE Name: Olding, Christine Jane University of Dayton Advisor: Albino Carrillo, MFA This thesis looks to examine the impact that the founding fathers of Glam Rock, T.Rex (Marc Bolan), David Bowie and Lou Reed had on the youth culture during the early 1970’s. Along with a lyrical analysis of three of these artists more famous songs, there is also an analytical analysis concerning Bolan, Bowie and Reed in terms of Michel Foucault’s theory of the madman. In between each research section, there are two short stories that mirror the research and findings within those sections. This thesis is presented in a digital format to help present the fathers of Glam in a way that gives them justice. When reading my thesis, the audience has the choice of how to read each section. There is a menu at the top of the page with sub-pages that help to break down the writing within each section. Also, within each section there is a piece of multimedia that helps to further present the reader with a well-rounded understanding of the Glam Rock movement. iii Dedicated to Music, Cigarettes and Coffee iv ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Albino Carrillo, for supporting me through this process and allowing me to take risks in order to write about something I truly love. His guidance and patience throughout this process allowed this work to be what I envisioned, and for that I am eternally grateful. Also, I would like to think the creators of the music that is discussed within my thesis: Marc Bolan, David Bowie and Lou Reed. Without them, none of this would have been possible (literally). As well as, other faculty members that have helped through this process as well as my friends and family. v TABLE OF CONTENTS ABSTRACT……………………………………………………………………………iii DEDICATION…………………………………………………………………………iv ACKNOWLEDGMENTS……………………………………………………………...v WORKS CITED………………………………………………………………………viii PHOTOGRAPH SOURCES…………………………………………………………..x The below pages are hyperlinked to the digital web-text format of my thesis. WEB-TEXT PAGES: 1. Homepage 2. Intro a. Before there was Glam b. Marc Bolan and T.Rex History c. David Bowie History d. Lou Reed History e. The Creation of Glam f. Lack of Glam Scholarship g. Michel Foucault and Glam h. Creative Representation of Glam 3. Baby Strange a. Bolan and Sexual Exploration b. Baby Strange: The Words c. Baby Strange: The Performance d. Baby Strange and the Madman e. Baby Strange, Charlie and Margo 4. Life on Mars a. Bowie, Mars and the Madman b. Life on Mars?: The Words c. Life on Mars?: The Performance d. Life on Mars?, Charlie and Margo 5. Perfect Day a. Reed and The Velvets vi b. Perfect Day: The Words c. The Madman and Perfect Day d. Perfect Day: The Performance e. Charlie, Margo and the Perfect Day 6. Happiness is a Cold Needle a. Electric Witch b. Like a Planet c. Turn and Face the Stranger d. Walk Out of Her Mind e. It's My Wife and It's My Life f. Hit Me Like a Flower 7. Final Thoughts a. About the Author b. Sources vii WORKS CITED Auslander, Philip. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor, MI: University of Michigan, 2006. Print. Classic Albums – Lou Reed: Transformer. Dir. Bob Smeaton. Perf. Lou Reed. Eagle Rock Entertainment, 2001. Foucault, Michel. “The Order of Discourse.” Untying the Text: A Post-structuralist Reader. By Robert Young. Boston: Routledge & Kegan Paul, 1981. 51-77. Print. Inside T. Rex: A Critical Review 1970 – 1973. Dir. Bob Carruthers. Perf. T.Rex. 2005. Jovanovic, Rob. The Velvet Underground Peeled. London: Aurum, 2010. Print Lenig, Stuart. The Twisted Tale of Glam Rock. Santa Barbara, CA: Praeger, 2010. Print. Life on Mars?. Perf. David Bowie. http://www.youtube.com. N.p., n.d. Web. “Lou Reed in His Own Words: The Godfather of Junkie Chic?” International Business Times RSS. N.p., n.d. Web. 30 Mar. 2014. Mailer, Norman. The White Negro. San Francisco: City Lights, 1957. Print. Marc Bolan. Perf. Marc Bolan. BBC 4, n.d. McDonald, Joe. I Feel like I’m Fixin’ to Die. Vanguard, 1967. MP3. Nazaryan, Alexander. “Oh! Sweet Nuthin’: Some Notes on the Passing of Lou Reed.”Newsweek. N.p., 28 Oct. 2013. Web. 30 Mar. 2014. Perfect Day with Jools Holland 2003. Perf. Lou Reed. http://www.youtube.com. N.p., n.d. Web viii T.Rex Live at Wembley 1972. Perf. T.Rex. Www.youtube.com. N.p., n.d. Web. ix PHOTOGRAPH SOURCES AVRO. David Bowie- TopPop 1974. N.d. Wikipedia.org. Web. Britmax. Bolan Bust. N.d. Wikipedia.org. Web. Chris. Marc Bolan. 2011. Flickr.com. Web. Chris. Marc Bolan. 2011. Flickr.com. Web. Davies, Diane. Stonewall Inn 1969. 1969. Wikipedia.org. Web. Hansen, Torben. Marijuana Joint. 2008. Wikipedia.org. Web. Iluvrhinestones. David Bowie Hollywood. 2007. Wikipedia.org. Web. Joly, Atelier. British Ale. 2004. Wikipedia.org. Web. Markos, Michael. Iggy Pop 1977. 1977. Wikipedia.org. Web. Nclm. Kolding Cemetery, Snowy,through a Window. 2013. Wikipedia.org. Web. Nikkita2706. Marlboro4wiki2. N.d. Wikipedia.org. Web. Norton, Danny. Lou Reed. N.d. Wikipedia.org. Web. Plag, Florian. Rock the Mic. 2011. Flickr.com. Web. Semmens, Crispin. Vinyl Very Dusty. N.d. Wikipedia.org. Web. Toole, Steven. Lou Reed-Conspiracy. N.d. Wikipedia.org. Web. Velrado, Michael. Heroin. N.d. Flickr.com. Web. Walton, Rik. David Bowie Early. N.d. Wikipedia.org. Web. Øyvind Vik, Aloba. David Bowie’s Vox Mark VI Guitar, HRC Warsaw. N.d. Wikipedia.org. x .
Load more

Recommended publications
  • The History of Rock Music: 1970-1975
    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction.
    [Show full text]
  • Sweet at Top of the Pops
    1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) .........................................................................................................................................................
    [Show full text]
  • Expanded Number S-0981 -0003-01-00001 Title Items
    S-0981-0003-01 -00001 Expanded Number S-0981 -0003-01-00001 Title Items-!in-General files - miscellaneous publications Date Created 01104/1945 Record Type Archival Item Container S-0981-0003: United Nations Conference on International Organization (UNCIO) subject files Print Name of Person Submit Image Signature of Person Submit -iI I \ \ M MAA'SMir- 8 CAT f 0, J, U, ILTUmflý_ f 4J OFFICIAL BIWEEKLY - U. S. OFFICE OF EDUCATION, FEDERAL SECURITY AGENCY Vol. 3, No. 19 Washington, D. C. April 3, 1945 ROUTE TO: I / I 2 :3 I 4 5 The above blank may be helpful in routing this copy of EDUCATION 9 FOR VICTORY to various staff-mem- bers and perhaps finally to the library. Seep a file of the issues of EDu- CATION FOR VICTORY for future reference. F, f9n &tt4 iddie International Organization Proposed at Durmbarton Oaks Page MOST MOMENTOUS ISSUE------ BUILDING THE PEACE............- Most Momentous Issue of Our Times EDUCATOR'S BULLETIN BOARD.--- 12 War can be prevented! Peace can be built I The stakes are high. The battle- field is in the hearts and minds of men and women. There, stand arrayed the DISPOSAL oF SURPLUS PROPERTY TO ancient evils of ignorance and prejudice, injustice, and selfishness against the new EDUCATIONAL INSTITUTIONS.--- 13 hopes and ideals of a better, a freer, and a more humane world. SCHOOL ADMINISTRATION ----- 17 The prevention of war and the building of peace must be an organized, a continu- ing effort. Plans to that end, developed in tentative form at Dunmbarton Oaks, will COOPERATIVE STUDY -------------- 18 be submitted to the conference of peace-loving nations of the world at San Francisco 20 in April.
    [Show full text]
  • Joan Jett & the Blackhearts
    Joan Jett & the Blackhearts By Jaan Uhelszki As leader of her hard-rockin’ band, Jett has influenced countless young women to pick up guitars - and play loud. IF YOU HAD TO SIT DOWN AND IMAGINE THE IDEAL female rocker, what would she look like? Tight leather pants, lots of mascara, black (definitely not blond) hair, and she would have to play guitar like Chuck Berry’s long-lost daughter. She wouldn’t look like Madonna or Taylor Swift. Maybe she would look something like Ronnie Spector, a little formidable and dangerous, definitely - androgynous, for sure. In fact, if you close your eyes and think about it, she would be the spitting image of Joan Jett. ^ Jett has always brought danger, defiance, and fierceness to rock & roll. Along with the Blackhearts - Jamaican slang for loner - she has never been afraid to explore her own vulnerabilities or her darker sides, or to speak her mind. It wouldn’t be going too far to call Joan Jett the last American rock star, pursuing her considerable craft for the right reason: a devo­ tion to the true spirit of the music. She doesn’t just love rock & roll; she honors it. ^ Whether she’s performing in a blue burka for U.S. troops in Afghanistan, working for PETA, or honoring the slain Seattle singer Mia Zapata by recording a live album with Zapata’s band the Gits - and donating the proceeds to help fund the investigation of Zapata’s murder - her motivation is consistent. Over the years, she’s acted as spiritual advisor to Ian MacKaye, Paul Westerberg, and Peaches.
    [Show full text]
  • Glam Rock by Barney Hoskyns 1
    Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.
    [Show full text]
  • Bolan: the Rise and Fall of a 20Th Century Superstar by Mark Paytress
    Read and Download Ebook Bolan: The Rise and Fall of a 20th Century Superstar... Bolan: The Rise and Fall of a 20th Century Superstar Mark Paytress PDF File: Bolan: The Rise and Fall of a 20th 1 Century Superstar... Read and Download Ebook Bolan: The Rise and Fall of a 20th Century Superstar... Bolan: The Rise and Fall of a 20th Century Superstar Mark Paytress Bolan: The Rise and Fall of a 20th Century Superstar Mark Paytress Exploring the making - and undoing - of the self-styled 20th century boy Marc Bolan, this book provides a portrait of a pop obsessive, a chameleon whose remarkable life allows us to explore the subterranean worlds he inhabited. Bolan: The Rise and Fall of a 20th Century Superstar Details Date : Published September 1st 2006 by Omnibus Press (first published 2003) ISBN : 9781846091476 Author : Mark Paytress Format : Paperback 408 pages Genre : Music, Biography, Nonfiction Download Bolan: The Rise and Fall of a 20th Century Superstar ...pdf Read Online Bolan: The Rise and Fall of a 20th Century Superstar ...pdf Download and Read Free Online Bolan: The Rise and Fall of a 20th Century Superstar Mark Paytress PDF File: Bolan: The Rise and Fall of a 20th 2 Century Superstar... Read and Download Ebook Bolan: The Rise and Fall of a 20th Century Superstar... From Reader Review Bolan: The Rise and Fall of a 20th Century Superstar for online ebook Tosh says Marc Bolan and T.Rex were very much part of my teen years. Marc Bolan represented a foreign force (from the U.K.) that made one realize that there was something "out" out there.
    [Show full text]
  • December 2016 Welcome to the Latest Tagtm Members
    TAG Club Members Newsletter – www.Marc-Bolan.net NEWSLETTER 033 – OCTOBER - DECEMBER 2016 WELCOME TO THE LATEST TAGTM MEMBERS NEWSLETTER OVERLEAF: MARC ALMOND INTERVIEW WITH MARC, AND TYRANNOSAURUS REX MENTIONS The article is a long one so here are the ‘Marc Mentions’. Use the link below to read the whole article http://www.theartsdesk.com/new-music/theartsdesk-qa-musician-marc-almond Issue 033 – October to December, 2016 - Page 1 TAG Club Members Newsletter – www.Marc-Bolan.net Issue 033 – October to December, 2016 - Page 2 TAG Club Members Newsletter – www.Marc-Bolan.net Issue 033 – October to December, 2016 - Page 3 TAG Club Members Newsletter – www.Marc-Bolan.net COMPREHENSIVE NEW BOOK ON GLAM ROCK. HERE’S THE DANGEROUS MINDS REVIEW Issue 033 – October to December, 2016 - Page 4 TAG Club Members Newsletter – www.Marc-Bolan.net Issue 033 – October to December, 2016 - Page 5 TAG Club Members Newsletter – www.Marc-Bolan.net Issue 033 – October to December, 2016 - Page 6 TAG Club Members Newsletter – www.Marc-Bolan.net Issue 033 – October to December, 2016 - Page 7 TAG Club Members Newsletter – www.Marc-Bolan.net Read the article online and watch a video, which is at the bottom of the review here:- http://dangerousminds.net/comments/shock_and_awe_how_platform_shoes_mascara_and_glitter_sav ed_rock_n_roll Issue 033 – October to December, 2016 - Page 8 TAG Club Members Newsletter – www.Marc-Bolan.net HERE’S THE IRISH TIMESREVIEW “Mike Chapman and I were watching TV in my flat,” recalls Nicky Chinn, one half of the most successful songwriting partnership of the 1970s glam rock era. “The Osmonds were landing at London Airport, the place was going crazy, and the reporter said, ‘This is like a teenage rampage.’ I just said immediately, ‘That’s the next single.’” Combining a level of commercial nous, creative serendipity and an old-school rule of journalism – two is a coincidence;, three is a trend, glam rock (1971-1975) played a pivotal role not only in the development of punk but also in the advance of gender fluidity.
    [Show full text]
  • Cosmic Dancer: the Life & Music of Marc Bolan Free
    FREE COSMIC DANCER: THE LIFE & MUSIC OF MARC BOLAN PDF Paul Roland | 304 pages | 07 May 2012 | Tomahawk Press | 9780956683403 | English | Sheffield, United Kingdom Metal Guru - The Life And Music Of Marc Bolan by Paul Roland - RAMzine The lowest-priced item in unused and unworn condition with absolutely no signs of wear. The item may be missing the original packaging such as the original box or bag or tags or in the original packaging but not sealed. The item may be a factory second or a new, unused item with defects or irregularities. See details for description of any imperfections. What does this price mean? This is the price excluding shipping and handling fees a seller has provided at which the same item, or one that is nearly identical to it, is being offered for sale or has been offered for sale in the recent past. The price may be the seller's own price elsewhere or another seller's price. The "off" amount and percentage simply signifies the calculated difference between the seller-provided price for the item elsewhere and the seller's price on eBay. Skip to main content. About this product. Stock photo. New other : Lowest price The lowest-priced item in unused and unworn condition with absolutely no signs of wear. This title chronicles the life and music of the vibrato-voiced glam rock idol and 20th century boy who created some of the most instantly appealing and enduring songs of the 70s. See all 2 new other listings. Buy It Now. Add to cart. Rex as their natural successor.
    [Show full text]
  • A Quartet of Tyrannosaurus Rex and T.Rex Titles Set for Release in March Submitted By: Bennett Public Relations Tuesday, 7 January 2014
    A Quartet of Tyrannosaurus Rex and T.Rex titles set for release in March Submitted by: Bennett Public Relations Tuesday, 7 January 2014 TYRANNOSAURUS REX AND T.REX A QUARTET OF MARC BOLAN RELEASES FOR MARCH 2014 Four classic albums from Marc Bolan’s Tyrannosaurus Rex and T. Rex catalogue will be released on 3 March 2014 by Universal Music Catalogue/Polydor and by Demon Music on their Edsel label. The release of A Beard of Stars, T.Rex, and a double CD set including Tanx and Zinc Alloy And The Riders of Tomorrow/A Creamed Cage, come just prior to the national tour of 20th Century Boy http://www.20thcenturyboythemusical.co.uk, a new musical inspired by the life of the rock legend who continues to captivate each and every generation with his catalogue of hits and classic tracks. Universal Music Catalogue/Polydor turn back the clock for the earliest of the releases – A Beard of Stars (1970) and T.Rex from 1971, each with a bonus disc of rarities unmask Bolan on the threshold of success. A Beard of Stars, a more accessible and streamlined outing than previous Tyrannosaurus Rex releases turned out to be Bolan’s farewell to his late ’60s hippie duo and was the first to feature photogenic new sidekick, the bongo-playing Mickey Finn. The tie-in single, By The Light Of A Magical Moon, was as charming as its title, and the entire set is woven with mysticism and melody. A Beard Of Stars also marked the first real stirrings of electricity, with album closer Elemental Child clocking in at five-a-a-half-minutes, thanks to some extended Hendrix-style guitar soloing.
    [Show full text]
  • RUPERT and MARC Marc Bolan, Rupert and "Hippie" Culture
    RUPERT AND MARC Marc Bolan, Rupert and "hippie" culture ingsley Mole sat high on a windy knoll, his Keyes consuming the silent midnight woods. He nuzzled his long molish snout deep inside the heart Artwork for George Underwood ... perhaps a of a marigold and let his molish imagination skip to little too "hippie" for Rupert, but certainly in the same vein and of the same quality "My People and fro over sunken galleons and pirate pictures of were Fair and had Sky in their Hair - but Now rusted doubloons and deep-water cabins stacked to They're Content to Wear Stars on their Brows" the brim with musty muskets and goldfish gauntlets, once worn by Henry Morgan. ... so the Mole, kneeling when some of Alfred Bestall's most surreal, imaginative, on the soft soil, said a morning prayer to Ra, not fairytale stories appeared. He hit his mid-teens in the even caring if he dirtied his yellow Rupert trousers early 1960s, when Lord of the Rings was beginning to because his molish mind knew that praying was make its mark on youth culture and C.S. Lewis's Narnia special .... stories were happily becoming classics, so he was almost What on earth? What is this certainly attracted, as odd outpouring of dippy an imaginative and hippieness? The above is poetically-minded taken from the children's story, pre-hippie, to the read by John Peel, on the same aspects of Tyrannosaurus Rex album Rupert that attracted "My People were Fair and had the slightly older Paul Sky in their Hair - but Now McCartney, Terry they're Content to wear Stars Jones and Terence on their Brows"(!).
    [Show full text]
  • Top of the Pops 18/04/68
    TOP OF THE POPS 18/04/68 TOP OF THE POPS 13/06/68 Introduced by Alan Freeman & Stuart Henry Introduced by Pete Murray Englebert Humperdinck - A Man Without Love (Studio) Des O’Connor - I Pretend (Studio) (rpt) John Rowles - If I Only Had Time (Studio) Don Partridge - Blue Eyes (Studio) (rpt) Reparata & The Delrons - Captain Of Your Ship (Studio) (rpt) Donovan - Hurdy Gurdy Man (Studio) Spanky & Our Gang - Like To Get To Know You (Studio) Esther & Abi Ofarim - One More Dance (Studio) Box Tops - Cry Like A Baby (Disc/Dancers) John Rowles - Hush Not A Word To Mary (Studio) Kinks - Wonderboy (Studio) Julie Driscoll, Brian Auger & The Trinity - This Wheel’s On Fire (Studio) (rpt) Paper Dolls - Something Here In My Heart (Studio) Marmalade - Lovin’ Things (Studio) Showstoppers - Ain’t Nothing But A Houseparty (Studio) Gary Puckett & The Union Gap - Young Girl (Promo) Louis Armstrong - What A Wonderful World (Promo) TOP OF THE POPS 20/06/68 TOP OF THE POPS 25/04/68 Introduced by Stuart Henry Introduced by Jimmy Savile Cliff Richard - I’ll Love You Forever Today (Studio) 1910 Fruitgum Co - Simon Says (Disc) Des O’Connor - I Pretend (Studio) (rpt) Honeybus - I Can’t Let Maggie Go (Studio) (rpt) Don Partridge - Blue Eyes (Studio) (rpt) Jacky - White Horses (Studio) Lulu - Boy (Studio) (rpt) Sandie Shaw - Don’t Run Away (Studio) Marmalade - Lovin’ Things (Studio) Scott Walker - Joanna (Studio) Equals - Baby Come Back (Studio) Herd - I Don’t Want Our Loving To Die (Studio) (rpt) Rolling Stones - Jumping Jack Flash (Disc/Dancers) Hollies - Jennifer
    [Show full text]
  • Mick Jagger © Felix Aeppli 04-2020 / 09-2021
    Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance.
    [Show full text]