DOCSLIB.ORG

Universidad Tecnológica De La Mixteca Coordinación De Difusión Cultural Centro De Actividades Culturales

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Universidad Tecnológica De La Mixteca Coordinación De Difusión Cultural Centro De Actividades Culturales Universidad Tecnológica de la Mixteca Coordinación de Difusión Cultural Centro de Actividades Culturales Programación del mes de NOVIEMBRE del 2011 Martes 1 y Miércoles 2 de Noviembre de 2011 Recordación de nuestras tradiciones y costumbres, celebración de la fiesta de todos los muertos. Jueves 3 de Noviembre de 2011 a las 19:15 hrs. Friendship Club. “ALL Hallows Eve y Muertos”, The Friendship Club, also known as the English Club, will meet for some fun and games. We'll play Lottery in English and bob for apples. Lottery is a popular family game played in Mexico and bobbing for apples is a popular game played in the US in the fall after the apple harvest. We hope you will join us for some fall fun. See you there. Martes 8 de Noviembre de 2011 a las 19:15 hrs. Club de Astronomía VISIÓN MAYA basada en el calendario. Presenta Eva Lindgren (Suecia) Descripción: ¿Qué dice el calendario Maya? ¿Qué nos enseña en la actualidad? Se trata de un nuevo paradigma para todo lo que existe de una manera integral…La exposición está basada en los estudios del Dr.Carl Johan Calleman. MIÉRCOLES 9 de Novimebre de 2011 a las 19:15 hrs Auditorio de la UTM Cine Club - Ciclo XXV La imaginería de TIM BURTON EL CADAVER DE LA NOVIA (2005) SINOPSIS: Es una película de género fantástico basada en un cuento popular ruso- judío del siglo XIX y ambientada en un pueblo ficticio de la época victoriana. Fue filmada utilizando por primera vez en un largometraje la técnica del Stop-Motion y se ha convertido en un clásico. La historia se sitúa en un frío y triste pueblo de la Época Victoriana, una parodia de la Europa aristocrática. Un joven nervioso llamado Víctor, hijo de los pescadores Nell y William Van Dort, está a punto de casarse con la joven y bella Victoria, hija de los aristócratas arruinados Maudeline y Finis Everglot. Aunque no se conocen, quedan prendidos el uno del otro casi al instante. La película muestra el estilo y los temas clásicos de Tim Burton (la compleja interacción entre la luz y la oscuridad y el estar atrapado entre dos mundos irreconciliables). La vida es retratada como un lugar aburrido de tonos grisáceos, al contrario de la colorista y divertida muerte Lunes 14 de Noviembre de 2011 a las 19:00 hrs. Inicio de ensayos para la presentación de La Posada Navideñas, Clubes de baile, música, danza folclórica, teatro…y agregados culturales. MIÉRCOLES 16 de Noviembre de 2011 a las 19:15 hrs Auditorio de la UTM Cine Club - Ciclo XXV La imaginería de TIM BURTON EL JOVEN MANOS DE TIJERA (2005) SINOPSIS: La película inicia con una conversación coloquial entre una anciana y su nieta, la cual contempla desde la ventana cómo cae la nieve y, curiosa, le pregunta a su abuela la razón de por que nieva. Así pues, la mujer comienza su relato... Su historia se inicia cuando, hacia los años 70, una vendedora de maquillaje llamada Peg, entra a una mansión con el fin de vender sus productos de belleza AVON. Al adentrarse en el lugar se encuentra con Edward, un joven que fue creado a partir de un robot y no fue terminado tras la muerte de su creador, quedando con tijeras en vez de manos… El protagonista, Johnny Deep, es el joven solitario e ingenuo con tijeras en vez de manos. Es encontrado por la promotora de maquillaje Peg Boggs. Conmovida por su bondad e inocencia decide llevárselo a su casa de colores pasteles tipo "paraíso suburbano". Edward intenta demostrar a cada uno en su vecindad que puede aceptar las cosas de la vida y ser feliz. También ofrece una renovación para la vecindad entera pues con el filo de navaja de sus manos puede hacer cosas como realizar esculturas podando las plantas o cortando el pelo. Dirección Tim Burton Mike Johnson Dirección artística Nelson Lowry Producción Tim Burton y Allison Abbate Diseño de producción Alex McDowell Guión John August Caroline Thompson Pamela Pettler Música Danny Elfman Fotografía Pete Kozachik Reparto Johnny Depp Helena Bonham Carter Emily Watson Tracey Ullman Paul Whitehouse Joanna Lumley Albert Finney Richard E. Grant Christopher Lee Michael Gough Danny Elfman País(es) Estados Unidos Reino Unido Año 2005 Género Animación Comedia Fantasía Musical Duración 75 minutos Jueves 17 de Noviembre de 2011 a las 19:15 hrs. Club de Apreciación Musical LOS ALOCADOS SESENTAS, (La generación del amor y la paz.) Al cargo de José Luís Jasso Descripción: Un recorrido cronológico plasmando la evolución estética del rock durante la década de los sesentas, siendo esta corriente musical reflejo de las inquietudes juveniles y de movimientos sociales. Leyendas como Hendrix, Jopplin, Zappa e íconos como Rolling Stones, Génesis, Beatles entre otros… Jueves 17 y Viernes 18 de Noviembre de 2011 Reunión Nacional de Ciencias Empresariales Auditorio de la UTM – Todo el día. Ver programación. Martes 22 de Noviembre de 2011 a las 19:15 hrs. Sala de Exposiciones Temporales. Arquitectura de Papel. Presenta el Arq. Jesús Sánchez Luqueño La crisis financiera ha provocado que la arquitectura actual atraviese por un decaimiento, la mayoría de los mejores diseños se quedan en la idea; la funcionalidad y la belleza estética se han minimizado, se ha reducido a papel, las buenas ideas sufren un estado de coma, no se sabe cuando volverán a la vida… La exposición muestra buenas ideas que se han quedado en “arquitectura de papel”: apuntes, bocetos, trazos, planos, maquetas serán mostrados. MIÉRCOLES 23 de Noviembre de 2011 a las 19:15 hrs. Auditorio de la UTM Cine Club - Ciclo XXV La imaginería de TIM BURTON NUEVE (2009) Un científico innombrado recibe la orden del dictador de la nación para crear una máquina de inteligencia artificial llamada B:R:A:I:N. que utiliza para construir artefactos de destrucción para ser usados contra los seres humanos lo mismo que gases tóxicos para derrotar cualquier señal de vida. Pero unos diminutos robots son también creados y son los mismos que se enfrentan a la máquina bestial. Se trata de otro de los largometrajes creados por Tim Burton usando la técnica de Stop Motion, esto es cuadro por cuadro, dando como resultado una película donde el diseño y la técnica son de alta calidad y la estética primordial. Dirección Shane Acker Tim Burton Timur Bekmambetov Produción Jim Lemley Dana Ginsburg Jinko Gotoh Guión Pamela Pettler Shane Acker (original short) Historia Ben Gluck (Supervisor) Elijah Wood John C. Reilly Jennifer Connelly Elénco Christopher Plummer Crispin Glover Martin Landau Fred Tatasciore Danny Elfman (Theme) Música Deborah Lurie Edición Nick Kenway Relativity Media Estudio Starz Animation Tim Burton Productions Estreno (s) 9 Septiembre 2009 Duración 80 minutes País Estados Unidos. Sábado 26 de Noviembre de 2011 a partir de las 10:00 hrs. Club de Ajedrez Shah Mat IV TORNEO DE AJEDREZ UTM-MIXTECA. Todos los interesados en participar en el IV Torneo de Ajedrez de la Mixteca, el cual se llevará a cabo el día sábado 26 de noviembre a partir de las 10 hrs. a.m. en el Centro de Actividades Culturales (UTM) Sala de Usos Múltiples. PREMIOS: Se premiaran a los tres primeros lugares con trofeos y diplomas. REQUISITOS: Es importante traer su tablero de ajedrez) CUOTA PARA PREMIACIÓN: 50 pesos FORMA DE JUEGO: Ronda suiza INSCRIPCIONES: Centro de Actividades Culturales. Lunes 28 de Noviembre de 2011 a partir de las 19 hrs. LA UTM EN LAS COMUNIDADES DE LA MIXTECA SAN ANDRÉS YUTATÍO. Presentación del Ensamble de Música y Danza folclórica de la UTM. Explanada Municipal MIÉRCOLES 30 de Noviembre de 2011 a las 19:15 hrs. Auditorio de la UTM Cine Club - Ciclo XXV La imaginería de TIM BURTON BEETLEJUICE (1988) SINOPSIS: Beetlejuice es un difunto que vive en el no mundo, recreación del mundo real según la visión de los muertos. Beetlejuice trabaja precisamente como «exorcista de los vivos» (autodenominado «bioexorcista»), es decir, ayuda a los fantasmas a echar de su hogar, o de cualquier otro lugar, a cualquier ser vivo que les pueda molestar. Beetlejuice fue diseñado como un hombre sucio, grosero y pícaro, cuya idea de una buena alimentación son las cucarachas; va desaliñado, su mejor gala es un anticuado traje a rayas y es capaz de transformarse o de desfigurar su cuerpo a su antojo en las más diversas y grotescas formas. Dirección Tim Burton Producción Michael Bender Richard Hashimoto Larry Wilson Guión Michael McDowell Warren Skaaren Larry Wilson Música Danny Elfman Montaje Stan Webb Reparto Michael Keaton Alec Baldwin Geena Davis Winona Ryder Catherine O'Hara Jeffrey Jones Glenn Shadix País(es) Estados Unidos Año 1988 Género Comedia Fantasía Duración 92 minutos Invitamos a la comunidad de la UTM para inscribirse en las actividades de los clubes de Astronomía, ajedrez, apreciación musical, clases de baile, danza folclórica, cine, friendship (in English), teatro, música, canto, poesía. .
Load more

Recommended publications
  • Spartan Daily ] Dent Loans Himself, It Made Sense Loan, He Said
    Tuesday, September 15, 2009 Serving San José State University since 1934 Volume 133, Issue 10 [[SPORTS]][OPINION] A & E Heatley brings scoring touch Kanye West’s verbal Jazz sounds of the ‘30s fill to the San Jose Sharks outburst sparks a debate the King Library Page 4 Page 5 Page 6 SJSU fl ight club has lofty aspirations Students peer around for new loan options By Suzanne Yada who don’t,” he said. “It’s like Staff Writer borrowing from a family mem- ber.” With traditional banks be- Th e peer-to-peer loans are es- coming more unwilling to take sentially that, Cox said. a chance on student loans, other Students can create pro- sources for funding tuition have fi les on the TuitionU Web site stepped in to fi ll the gaps. and list the amount of money One source, peer-to-peer they will need, and in turn ask lending, allows students to ask friends, family or members of their family and friends to con- the public to help pitch in to the tribute to a legally binding stu- total, he said. dent loan, said Brian Cox, chief Students need to raise a mini- business development offi cer for mum of $1,500 in order for Tu- TuitionU.com. itionU to process the loan, he Some students are suspicious said. of the idea, however. Th ey can borrow any amount “I don’t believe in paying back up to the cost of school atten- anything with interest,” said Ab- dance after fi nancial aid, accord- bas Ahsan, a junior mechanical ing to the TuitionU Web site.
    [Show full text]
  • “9” Just Short of a Perfect 10
    6 AQUINAS THURSDAY, SEPTEMBER 17, 2009 7 Arts & Life Editor Joe Wolfe Brand New’s darker “Daisy” VMAs still full Campus Comment COMMentarY BY Arts Life Nicholas Chinman Dervela O’BRIEN of surprises & Staff Writer In the aftermath of the West Fans of the alternative-rock COMMentarY BY incident, Swift stunned the audi- band, Brand New, are anxiously TIM SIMpsON ence with her live performance. Download awaiting the release of the band’s Staff Writer She sang her award winning “9” just short of a perfect 10 fourth album entitled “Daisy,” single “You Belong with Me” in a which is scheduled to be released On September 13, the 2009 crowded New York City subway of the September 22. After almost three MTV Video Music Awards took COMMentarY BY with fans providing the back- years of touring and writing new place at Radio City Music Hall ground vocals to her tune. She JEREMY Evans material since their well-received in New York City. For the sec- week glowed with enthusiasm while Staff Writer “The Devil and God Are Raging ond consecutive year, the event spinning around in circles, danc- Inside Me,” the Long Island native was hosted by comedian Russell ing on the seats and involving In 2005, Shane Acker created band has worked hard to put to- Brand. several members of the crowd an animated short as a student “Pale Blue gether their latest album, which is The night began with a heart- in her upbeat performance. Af- project. He crafted a fascinating sure to surprise its listeners. felt speech delivered by Madon- ter leaving the subway, she and world, one which caught the at- “Daisy” follows many of the na in honor of her late friend Mi- PHOTO BY BRAND NEW MYSPACE PAGE her fans ran to the front of Radio tention of many in the film-mak- Eyes” same dark philosophical themes chael Jackson.
    [Show full text]
  • One.Stop.Shop.Filmland Studios Luxembourg
    filmland studios one.stop.shop. luxembourg one.stop.shop. filmland regroupe sur un même site (Kehlen / luxembourg) des ateliers de construction, plus de 4000 m2 de studios de tournage, des bureaux de production et des services de post-production (notamment studios de montage image et son, auditorium de mixage final, salle d'étalonnage et cellules d'effets spéciaux). surface du complexe > studio 1 = 1 000 m2 [12 mètres de haut] avec bassin > studio 2 = 600 m2 [7 mètres de haut] avec bassin > studio 3 = 400 m2 [7 mètres de haut] > studio 4 = 1 000 m2 [12 mètres de haut] > 2 ateliers de construction de 400 m2 chacun > 500 m2 de bureaux de productions coûts de location > budget jusqu’à 2 m€ : studio : 10€ /m2 - bureaux : 12,5€/m2 > budget entre 2 et 4 m€ : studio : 14€/m2 - bureaux : 12.5€/m2 > budget entre 4 et 6 m€ : studio : 17€/m2 - bureaux : 15€/m2 > budget supérieur à 6 m€ : studio : 20€/m2 - bureaux : 15€/m2 tous les tarifs se calculent mensuellement. Pour toute location supérieure à un mois une réduction de 10% est applicable. jérôme tewes filmland s.a responsable 25-27 Zone industrielle de Kehlen studios filmland L-8287 Kehlen / Luxembourg (+352) 621 83 53 52 / [email protected] 49°39’42.04”n / 6°0’55.98”e filmland les sociétés de production les sociétés de post-production installées sur le site installées sur le site > bidibul productions > espera > deal [ post-production image ] > lux digital > iris productions [ trucages numériques-vfx ] > juliette films > naKo fx [ vfx et animation 3d ] > lucil film > ptd > ni vu ni connu [ sfx, dcp etc.
    [Show full text]
  • Starz Animation Toronto Animates Shane Acker's Hit Movie '9' Using Autodesk Software
    Starz Animation Toronto Animates Shane Acker's Hit Movie '9' Using Autodesk Software September 17, 2009 SAN RAFAEL, Calif., Sept. 17 /PRNewswire-FirstCall/ -- Focus Features' animated, action-packed adventure "9", from director Shane Acker and producers Tim Burton and Timur Bekmambetov, spotlights animation from Starz Animation Toronto using Autodesk, Inc.'s (Nasdaq: ADSK) Autodesk Maya and Autodesk Mudbox 3D software. "9" tells the story of a post-apocalyptic world in which machines have destroyed the human race. A group of small creations was given the spark of life by a scientist in the final days of humanity, and they continue to exist post-apocalypse. With their group so few, these "stitchpunk" creations must summon individual strengths well beyond their own proportions in order to outwit and fight against still-functioning machines. At Starz Animation Toronto, 125 animation artists and 100 other employees completed work on "9" in just 14 months. Maya was used for asset creation, camera work and animation, while Mudbox was used for digital sculpting and texturing. Director of Photography Kevin Adams said, "'9' is a testament to what can be achieved with good planning, fearless execution, and great tools and support from Autodesk." The film's virtual camera is positioned only nine inches off the ground, showing the world from the characters' perspective. This zoomed-in view required highly detailed characters and environments. Adams explained, "Our greatest creative challenge was creating a close-up view that still felt visually rich. Every sequence has a new location with either a new stitchpunk character or an attacking monster." Starz Animation Toronto developed a tremendous amount of detail for each scene.
    [Show full text]
  • Content, Control, and the Socially Networked Film Jon M
    Nova Southeastern University NSUWorks Faculty Scholarship Shepard Broad College of Law 1-1-2010 Content, Control, and the Socially Networked Film Jon M. Garon Follow this and additional works at: https://nsuworks.nova.edu/law_facarticles Recommended Citation Jon M. Garon, Content, Control and the Socially Networked Film, 48 U. LOUISVILLE L. REV. 771 (2010). This Article is brought to you for free and open access by the Shepard Broad College of Law at NSUWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of NSUWorks. For more information, please contact [email protected]. UNIVERSITY OF LouIsvILLE LAw REVIEW Volume Forty-Eight 2010 Number Four CONTENTS COLLOQUIUM: THE SECOND ANNUAL CONFERENCE ON INNOVATION AND COMMUNICATION LAw Digital Copyright Reform and Legal Transplants in Hong Kong Peter K Y u............................................................................................................. 693 Content, Control, and the Socially Networked Film J on M Garon......................................................................................................... 77 1 Desire Without Hierarchy: The Behavioral Economics of Copyright Incentives Steven Hetcher................................... ............................................. 8 17 Patent Auctions: The New Intellectual-Property Marketplace Adam Andrzeewski .......................................... 831 Tech Transfer: Everything (Patent) Is Never Quite Enough Llewellyn Joseph Gibbons.......................................................................................
    [Show full text]
  • Read Book Tim Burton: Interviews Kindle
    TIM BURTON: INTERVIEWS PDF, EPUB, EBOOK Bert Cardullo | 277 pages | 01 Jun 2005 | University Press of Mississippi | 9781578067596 | English | Jackson, United States Tim Burton: Interviews PDF Book Read more Christopher Lee , one of Hammer's stars, was given a cameo role. American filmmaker. Best Motion Picture — Musical or Comedy. Start your Independent Premium subscription today. Vanity Fair. Archived from the original on December 18, There is humor involved—color and life. Friend Reviews. Walt Disney Studios Motion Pictures. Los Angeles Times. Art Fashion Cybergoth Lip Service. Retrieved August 20, Coincidence made it an inadvertent spoof of the blockbuster Independence Day , which had been released five months earlier. I would wake up in a cold sweat about those issues. Family Dog Trivia About Tim Burton: Inter In , it was reported that Burton was working on a live-action adaptation of The Hunchback of Notre-Dame , featuring Josh Brolin , who would also be co-producing. Then there were the Italians, like Mario Bava. Elfman and Burton reunited for Mars Attacks! Brad rated it it was amazing Nov 20, If you haven't heard of record-smashing singer and songwriter Mariah Carey, is there any hope for you? Tim Burton: Interviews Writer Buena Vista Pictures. Odd Man In. It freed me up to not really care. For the car vlogger, see Shmee It was very nice to be connected to somebody who I felt had done so much more than I had at that point. July 19, Retrieved March 14, Log in here. Goth subculture. These interviews pulled back the curtain and gave me a glimpse into the mind of the man behind the movies along with a better understanding of his oeuvre.
    [Show full text]
  • Rogue Moves Distribution/Marketing to Universal in Strategic Shift for Genre Label
    OLE BORNEDAL TO ADAPT AND DIRECT THE HUSBAND, BASED ON DEAN KOONTZ NOVEL, FOR RANDOM HOUSE FILMS & FOCUS FEATURES FOR IMMEDIATE RELEASE NEW YORK, May 20, 2009 – Award-winning filmmaker Ole Bornedal has signed to direct the thriller The Husband, based on the bestselling Dean Koontz novel of the same name. The Husband is a co-production in their unique partnership of Random House Inc.’s Random House Films division and Focus Features; worldwide rights will be held by Focus. The announcement was made today by Focus CEO James Schamus and Random House Films President Peter Gethers. Mr. Bornedal has commenced writing the newest draft of the screenplay adaptation, which had most recently been scripted by Glenn Gers. The Husband was published in 2006 in hardcover in the U.S. and Canada by the Bantam Books imprint of Random House, Inc; the paperback edition was published in 2007 in the U.S. and Canada by Bantam. Each edition was #1 on their respective New York Times Bestseller lists as well as in many countries around the world. The storyline follows an ordinary working man whose love for his wife is put to a harrowing series of tests over a 60-hour period, beginning when his peaceful workday is shattered by a phone call from a stranger. Mr. Schamus and Mr. Gethers said, “Ole’s work, as a writer/director who deftly crafts human-scaled stories of suspense and drama, makes him the ideal filmmaker to bring Dean’s gripping bestseller to the screen.” Mr. Bornedal’s newest thriller as writer/director, Deliver Us from Evil, has just been released in his native Denmark.
    [Show full text]
  • Burton's Film and Television Projects
    Master Class with Tim Burton: Burton’s Selected Film and Television Projects As Director Dark Shadows. Dir. Tim Burton, 2012, U.S.A. 113 mins. Production Co.: Warner Bros. Pictures / Village Roadshow Pictures / Infinitum Nihil / GK Films / The Zanuck Company / Dan Curtis Productions / Tim Burton Productions. Alice in Wonderland. Dir. Tim Burton, 2010, U.S.A. 108 mins. Production Co.: Walt Disney Pictures / Roth Films / Team Todd / The Zanuck Company. Sweeney Todd: The Demon Barber of Fleet Street. Dir. Tim Burton, 2007, U.S.A. and U.K. 116 mins. Production Co.: Warner Bros. Pictures / DreamWorks Pictures / Parkes/MacDonald Productions / The Zanuck Company. Corpse Bride. Dir. Tim Burton, 2005, U.K. and U.S.A. 77 mins. Production Co.: Warner Bros. Pictures / Tim Burton Animation Co. / Laika Entertainment / Patalex Productions / Tim Burton Productions / Will Vinton Studios. Charlie and the Chocolate Factory. Dir. Tim Burton, 2005, U.S.A. and U.K. 115 mins. Production Co.: Warner Bros. Pictures / Village Roadshow Pictures / The Zanuck Company / Plan B Entertainment / Theobald Film Productions / Tim Burton Productions. Big Fish. Dir. Tim Burton, 2003, U.S.A. 125 mins. Production Co.: Columbia Pictures Corp. / Jinks/Cohen Company / The Zanuck Company / Tim Burton Productions. Planet of the Apes. Dir. Tim Burton, 2001, U.S.A. 119 mins. Production Co.: Twentieth Century Fox Film Corporation / The Zanuck Company / Tim Burton Productions. The World of Stainboy. Dir. Tim Burton, 2000, U.S.A. Short. Production Co.: Flinch Studios / Tim Burton Production. Sleepy Hollow. Dir. Tim Burton, 1999, U.S.A. and Germany. 105 mins. Production Co.: Paramount Pictures / Mandalay Pictures / American Zoetrope / Karol Film Productions / Tim Burton Productions.
    [Show full text]
  • Documento Definitivo
    Universidade de Departamento de Línguas e Culturas Aveiro Ano 2012 PAULA CRISTINA A PARCERIA DE TIM BURTON E JOHNNY DEPP E ESPERANÇO A SUA INFLUÊNCIA NO CINEMA MODERNO PEREIRA THE BURTON/ DEPP PARTNERSHIP AND ITS INFLUENCE ON MODERN CINEMA DOCUMENTO DEFINITIVO Universidade de Aveiro Departamento de Línguas e Culturas Ano 2012 PAULA CRISTINA A PARCERIA DE TIM BURTON E JOHNNY DEPP E ESPERANÇO A SUA INFLUÊNCIA NO CINEMA MODERNO PEREIRA THE BURTON/ DEPP PARTNERSHIP AND ITS INFLUENCE ON MODERN CINEMA dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas - Estudos Ingleses realizada sob a orientação científica do Prof. Dr. Anthony David Barker, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro. ii Dedico este trabalho à minha família pelo carinho e compreensão. Aos meus pais pelo incentivo constante, conselhos e incansável apoio. Ao Tiago pelos momentos de descontração imprescindíveis. iii o júri Prof. Doutor Kenneth David Callahan Professor Associado da Universidade de Aveiro presidente Prof. Doutor Nelson Troca Zagalo Professor Auxiliar do Departamento de Comunicação da Universidade do Minho (arguente) Prof. Doutor Anthony David Barker Professora Associado da Universidade de Aveiro (orientador). iv agradecimentos Ao meu orientador Professor Doutor Anthony David Barker pelas aulas extraordinárias, pelo apoio constante, a partilha de saber e as valiosas contribuições para a realização desta dissertação. v palavras-chave Tim Burton, parceria, Johnny Depp, influência, cinema moderno, estúdios de Hollywood. resumo O presente trabalho pretende desvendar o singular universo cinematográfico de Tim Burton, autor de personagens e paisagens predominantemente góticas.
    [Show full text]
  • 6/2/2016 Dvdjan03 Page 1
    DVDjan03 6/2/2016 MOVIE_NAME WIDE_STDRD STAR1 STAR2 02june2016 BuRay Disney remove group 5198 should add Dig Copies DOC was pbs now most donate Point Break (1991) Bray + dvd + DigHD BluR Patrick Swayze, Keanu Reeves gary busey / lori petty RR for railroad: SURF-separate ; DG (SAVEdv TRAV MUSIC ELVIS (500) day of summer BluRay Joseph Gordon-Levitt zooey deschanel 10 first time on BluRay (Blake Edwards) Dudley Moore / Julie Andrews Bo Derek 10 (blake edwards) 1st on BR BluR dudney moore / julie andrews bo derek / robert webber 10 items of less (netF) 101 one hundred one dalm (toon) Bray dvd dig disney studios diamond edition 101 one hundred one dalmations ws glenn close jeff daniels 12 monkeys ws bruce willis / brad pitt madelaeine stowe / christopher 127 hours BluR james franco 13 going on 30 (sp. Ed.) - bad ws jennifer garner / mark ruffalo judy greer / andy serkis 13 rue madeleine (war classic) james cagney / annabella richard conte / frank latimore 15 minutes robert deniro edward burns 16 Blocks B ray Bruce Willis / David Morse Mos Def 1776 ws william daniels / howard da silv ken howard / donald madden 1941 john belushi 1984 (vhs->dvd) richard burton john hurt 20 feet from stardom DVD + Bluray best doc oscar 2014 20,000 leagues under the sea (disney) kirk douglas / james mason paul anka / peter lorre 2001 a space odyssey ws keir dullea gary lockwood 2001 A Space Odyssey (S Kubrik) top 10 BluR keir dullea / gary lockwood play: Stanley Kubrick / Arthur C 2001:A Space Odyssey Best WarnerBros 50 B 1968 2010 the year make contct wd roy scheider
    [Show full text]
  • Je Ne Suis Pas Un Numéro, Je Suis Une Marionnette Virtuelle Libre! » Numéro 9 — États-Unis 2008, 79 Minutes Élène Dallaire
    Document generated on 09/29/2021 2:09 a.m. Séquences La revue de cinéma 9 « Je ne suis pas un numéro, je suis une marionnette virtuelle libre! » Numéro 9 — États-Unis 2008, 79 minutes Élène Dallaire Number 263, November–December 2009 URI: https://id.erudit.org/iderudit/63361ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Dallaire, É. (2009). Review of [9 : « Je ne suis pas un numéro, je suis une marionnette virtuelle libre! » / Numéro 9 — États-Unis 2008, 79 minutes]. Séquences, (263), 44–44. Tous droits réservés © La revue Séquences Inc., 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 44 LES FILMS | CRITIQUES 9 « Je ne suis pas un numéro, je suis une marionnette virtuelle libre ! » Quatre ans après le succès de son court métrage éponyme, Shane Acker arrive avec son long métrage sur les écrans du monde. Mais est-ce facile de passer du court au long ? Avec l’appui de producteurs à succès comme Tim Burton et d’une promotion d’enfer, le film fera grandement ses frais, mais pour s’inscrire dans la grande Histoire du cinéma d’animation, il aurait fallu plus.
    [Show full text]
  • Green Planets Ecology and Science Fiction Edited by Gerry Canavan And
    Green Planets ecoloGy and science Fiction Edited by Gerry Canavan and Kim Stanley Robinson Wesleyan University Press MiddletoWn, ConneCtiCUt Wesleyan University Press Middletown CT 06459 www.wesleyan.edu/wespress © 2014 Wesleyan University Press All rights reserved Manufactured in the United States of America Designed by Mindy Basinger Hill Typeset in Calluna Pro Wesleyan University Press is a member of the Green Press Initiative. The paper used in this book meets their minimum requirement for recycled paper. Hardcover ISBN: 978-0-8195-7426-8 Paperback ISBN: 978-0-8195-7427-5 Ebook ISBN: 978-0-8195-7428-2 Library of Congress Cataloging-in-Publication Data available on request. 5 4 3 2 1 Title page and part title art: Brian Kinney | shutterstock.com "Cover illustration: Abstract art green stars backdrop on black background, © Brian Kinney. Shutterstock.com" For the FUtUre contents ix Preface 1 Introduction: If This Goes On Gerry CaNavaN Part 1 Arcadias and New Jerusalems 25 1 ► Extinction, Extermination, and the Ecological Optimism of H. G. Wells ChrISTINa alT 40 2 ► Evolution and Apocalypse in the Golden Age Michael PaGe 56 3 ► Daoism, Ecology, and World Reduction in Le Guin’s Utopian Fictions GIB PreTTyMaN 77 4 ► Biotic Invasions: Ecological Imperialism in New Wave Science Fiction roB laThaM Part 2 Brave New Worlds and Lands of the Flies 99 5 ► “The Real Problem of a Spaceship Is Its People”: Spaceship Earth as Ecological Science Fiction SaBINe höhler 115 6 ► The Sea and Eternal Summer: An Australian Apocalypse aNdrew MIlNer 127 7 ► Care, Gender, and the Climate-Changed Future: Maggie Gee’s The Ice People adelINe JohNS-PuTra 143 8 ► Future Ecologies, Current Crisis: Ecological Concern in South African Speculative Fiction elzeTTe STeeNkaMP 158 9 ► Ordinary Catastrophes: Paradoxes and Problems in Some Recent Post-Apocalypse Fictions ChrISToPher PalMer Part 3 Quiet Earths, Junk Cities, and the Cultures of the Afternoon 179 10 ► “The Rain Feels New”: Ecotopian Strategies in the Short Fiction of Paolo Bacigalupi eric C.
    [Show full text]