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Cadet Remembered During Memorial Service Christ with His Disciples
VOL. 45 NO.06 FEBRUARY 11, 2005 Inside COMMENTARY: Prep school graduates winners, page 2 NEWS: New Secretary of the AF looks to future, page 3 Majors Night, page4 AF needs help understanding lan- guage. FEATURE: Airman in Superbowl ad, page 7 Family talent runs through veins, page 8 SPORTS:Hockey splits two, page 10 Briefly Exercise Evaluation Team member Staff Sgt. Michael Holland, 10th Security Forces, pays close attention to the emergency workers during the Major Accident Response Exercise held Feb. 1. The exercise was in preparation for the upcoming Unit UCI tip Compliance Inspection, which will be Feb. 28 through March 8. (Courtesy Photo) Have a positive attitude. Inspectors want you to do well and expect you are at least meeting mission Unit Compliance Inspection time: Get ready! requirements. Inspectors occasionally encounter indi- By Col. Tom Philipkosky team that we’re ready. The Unit inspectors: Introduce every- want to see documentation to Academy Inspector General viduals with uncooperative Compliance Inspection will one in your work area to the verify checklist items are being or adversarial attitudes. begin with the arrival of 170 inspectors as they arrive. followed. Have you heard? Unfortunately, when that inspectors from AFIA and Be proud: We have noth- Don’t be confrontational: The Unit Compliance happens, it can be more dif- AETC on Sunday, Feb. 27. The ing to hide. Presentation is You might disagree with the Inspection Team is coming!! ficult to find the positive inspection team will evaluate everything — be excited about inspector’s observations, but It is show time at the Air mission impact. -
Thermoflex Pantone Swatches
Pantone Color Match NOTE: Color match is approximate and can vary by manufacture batch ALTERNATIVE THERMOFLEX PLUS PART # PANTONE # PANTONE # THERMOFLEX XTRA PART # PANTONE # WHITE PLS-9100 N/A WHITE TFX-8100 N/A ICE GREY PLS-9120 428C STORM GREY TFX-8150 430C STORM GREY PLS-9150 430C BLACK TFX-8236 3C DARK GREY PLS-9152 425C RED TFX-8301 200C BLACK PLS-9236 3C HOT PINK TFE-8310 215C RED PLS-9301 200C ORANGE TFX-8333 165C ORCHID PINK PLS-9304 493C MAROON TFX-8350 229C DUSTY ROSE PLS-9305 210C ATHLETIC GOLD TFX-8426 1235C MEDIUM PINK PLS-9307 189C NAVY BLUE TFX-8513 2767 ROSA PLS-9308 214C ROYAL BLUE TFX-8522 301 CORAL PLS-9309 177C COLUMBIA BLUE TFX-8576 299 HOT PINK PLS-9310 215C ROYAL PURPLE TFX-8584 2755 CRIMSON PLS-9312 216C KELLY GREEN TFX-8633 342C FLAME RED PLS-9315 032C FOREST GREEN TFX-8676 553C ORANGE PLS-9333 165C ANTIQUE SILVER TFX-8834 877C TANGERINE PLS-9335 1585C OLD GOLD TFX-8843 871C PEACH PLS-9337 1565C SALMON PLS-9338 171C TEXAS ORANGE PLS-9340 1605C ECONOMYFLEX PART # PANTONE # MAROON PLS-9350 229C BLACK EF-01 3C VIOLET PLS-9360 249C WHITE EF-02 N/A ATHLETIC GOLD PLS-9426 1235C RED EF-03 200C MEDIUM YELLOW PLS-9450 116C 7502C ATHLETIC GOLD EF-04 1365C VEGAS GOLD PLS-9460 467C 465C NAVY EF-05 533C OCHRE PLS-9465 874C 394C GREY EF-06 422C LEMON YELLOW PLS-9472 3955C SKY BLUE EF-07 7454C BRIGHT LEMON PLS-9473 102C 296C KELLY GREEN EF-08 342C NAVY BLUE PLS-9513 2767 ROYAL BLUE EF-09 287C REFLEX BLUE PLS-9519 2746C ATH. -
Siderotype Paper Survey
Siderotype Paper Survey November 2018 v1.0 Cyanotype, Vandyke Brownprint, Ziatype Prepared by Eric Anderson www.specialeditionartproject.com www.specialeditionartproject.com !1 Table of Contents" 1. Paper Introductions 4 2. Revere, Cartiere Magnani 6 Processes – Vandyke Brownprint 6 Vandyke Brownprint 7 3. Fluid HP Watercolor, Global Art Materials 9 Processes – Cyanotype, Vandyke Brownprint 9 Cyanotype 11 Vandyke Brownprint 15 4. Rising Stonehenge, Legion Paper 18 Processes – Vandyke Brownprint 18 Vandyke Brownprint 19 5. Arches Platine, Canson 21 Processes – Cyanotype, Vandyke Brownprint 21 Cyanotype 22 Vandyke Brownprint 25 6. Lana Aquarelle, Lana Paper Mill 28 Processes – Cyanotype, Vandyke Brownprint 28 Cyanotype 29 Vandyke Brownprint 32 7. Arches Aquarelle, Canson 35 Processes – Vandyke Brownprint 35 Vandyke Brownprint 36 8. COT 320, Bergger 39 Processes – Cyanotype, Vandyke Brownprint, Ziatype 39 Cyanotype 40 Vandyke Brownprint 43 Ziatype 46 9. Hahnemühle Platinum Rag, Hahnemühle 48 Processes – Cyanotype, Vandyke Brownprint, Ziatype 48 Cyanotype 49 Vandyke Brownprint 52 Ziatype 55 10. Canson 100 RGH/CP, Canson 58 www.specialeditionartproject.com !2 Processes – Vandyke Brownprint 58 Vandyke Brownprint 59 11. Canson Montval, Canson 63 12. Fabriano Aquarelle, Fabriano 63 Appendix A: Survey Collection by Process 64 Appendix B: Exposure Response Correction Curves 67 Appendix C: A Word About Negatives 68 Appendix D: OHP Material for Negatives 71 www.specialeditionartproject.com !3 1. Paper Introductions This paper survey is an e#ort to -
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once. -
SEVIRI HRV Fog RGB Quick Guide
SEVIRI HRV Fog RGB Quick Guide Aim: Distinguishing of fog/low clouds from snow-covered land in high resolution. Area and time period of its main application: Mid-latitude region, daytime during winter. Application and guidelines: The identification of foggy and low cloud-covered areas is important for traffic and aviation security. Winter fog/stratus frequently forms over snowy cloud-free surfaces in high pressure conditions. Fog/water clouds have good colour contrast against snow and snow-free land. This is a daytime RGB as it uses shortwave channels. SEVIRI HRV Fog RGB for 7 March 2014, 08:40 UTC Background The table shows which channels are used in the HRV Fog RGB and lists some of the land and cloud features which typically make a low or high contribution to the colour beams in this RGB. Snow's reflectivity is much higher in the HRV than in the NIR1.6. As water clouds reflect much of the radiation in both channels they can be used in combination to distinguish snow and water clouds. Smaller contribution to Larger contribution to Colour Channel [µm] Physically relates to the signal of the signal of Cloud phase Ice cloud Red NIR1.6 Water clouds Snow reflectivity Snow covered land Cloud optical thickness Thick clouds Green HRV Thin clouds Snow reflectivity Snow covered land Cloud optical thickness Thick clouds Blue HRV Thin clouds Snow refllectivity Snow covered land Notation: HRV: High Resolution Visible channel, NIR: near-infrared, number: central wavelength of the channel in micrometer. HRV is used in two colour beams so the high resolution is not lost. -
TWINSIX 2018 Sim.Pdf
@TWINSIX Due to years of customer feedback requesting the same designs between men’s and women’s jersey collections, we are offering all of the following graphics in both cuts. MEN’S & WOMEN’S ALL ITEMS MADE IN THE USA The 2018 Collection PREMIUM GEAR THE STANDARD BLACK BLUE MEN 150212-01 WOMEN 150612-01 MEN’S ONLY 170212-01 WOMEN 170612-01 WHITE OLIVE GREEN MEN 150212-02 WOMEN 150612-02 MEN’S ONLY 170212-02 WOMEN 170612-02 ORANGE KELLY GREEN MEN 150212-03 WOMEN 150612-03 MEN’S ONLY 130212-01 WOMEN 130612-01 ALL ITEMS MADE IN THE USA The 2018 Collection MEN’S & WOMEN’S GRAPHIC JERSEYS THE REVERB THE CRYPSIS WHITE, BRIGHT RED, BLACK AND TEAL BLACK WITH SHADES OF ARMY GREEN MEN 180201-10 MEN 180201-02 WOMEN 180601-10 WOMEN 180601-02 THE SURGE THE SOLOIST BLACK AND WHITE BRIGHT RED, DARK RED, BLACK, DARK BLUE AND ROYAL BLUE MEN 180201-12 MEN 180201-11 WOMEN 180601-12 WOMEN 180601-11 ALL ITEMS MADE IN THE USA The 2018 Collection MEN’S & WOMEN’S GRAPHIC JERSEYS THE POWER OF SIX THE H.C. BLACK AND OLIVE GREEN SHADES OF CYAN BLUE AND BLACK MEN 180201-09 MEN 180201-05 WOMEN 180601-09 WOMEN 180601-05 THE UPROAR THE NOMAD BLACK, WHITE AND MINT GREEN HIGH-VIZ YELLOW, RED, ROYAL BLUE AND CYAN MEN 180201-13 MEN 180201-08 WOMEN 180601-13 WOMEN 180601-08 ALL ITEMS MADE IN THE USA The 2018 Collection MEN’S & WOMEN’S GRAPHIC JERSEYS THE MARTYR THE FREEDOM MACHINE HIGH-VIZ YELLOW AND BLACK TEAL BLUE, WHITE, BRIGHT RED AND DARK RED MEN 180201-06 MEN 180201-03 WOMEN 180601-06 WOMEN 180601-03 THE G.C. -
Blue Ribbon Review (BRR) of Nuclear Weapons Policies and Procedures
1.0 Executive Summary On 9 October 2007, the Chief of Staff of the Air Force (CSAF) appointed Major General Polly A. Peyer to chair an Air Force blue ribbon review (BRR) of nuclear weapons policies and procedures. On 19 October 2007, the Secretary of the Air Force (SECAF) announced the formation of the BRR in a press conference. The CSAF tasked the review to take an enterprise-wide look at United States Air Force (USAF) nuclear responsibilities. Specifically, the CSAF highlighted a need to examine organizational structure; command authorities and responsibilities; personnel and assignment policies; and education and training associated with the operation, maintenance, storage, handling, transportation, and security of USAF nuclear weapons systems. The chair formed a cross-command, cross-functional team of 30 Airmen with a mix of ranks, skills, and experiences from five commands, Headquarters Air Force (HAF), the Air Force Safety Center, and the United States Navy (USN). The BRR team defined the nuclear enterprise as the spectrum of nuclear weapons management responsibilities, aircraft and intercontinental ballistic missiles (ICBM), within the USAF. The team visited 29 locations, met with 54 organizations, and interviewed 822 people. Additionally, the team researched more than 250 books, periodicals, reports, papers, publications, and documents. The results are organized in five areas: • Leadership and Relationships • Mission Focus and Culture, History, Safety, and Surety • Training and Force Development • Transportation, Accountability, Tracking, Scheduling, and Security • Organization and Resources As the United States (US) reduced its nuclear stockpile following the end of the Cold War, emphasis on nuclear weapons declined and the forces assigned to operate, maintain, and support the nuclear capability reduced accordingly, especially in flying units. -
TRANSLATING SIZE to COLOUR and COLOUR to SIZE Jeroen P
Master’s Tesis TransArts Summer Semester 2014. Accompanying the Presentation of Colours by Jeroen P. Visser. T A!S"AT#!$ S#%& T' ('"')R A!* ('"') T' S#%& Jeroen P. Visser )ni+ersit,t -.r Angewan0te 1unst 2ien 3etreuers: Matthias Micha56a 7 oman P-efer. T A!S"AT#!$ S#%& T' ('"')R A!* ('"') T' S#%& Jeroen Visser )ni+ersit,t -.r Ange/an0te 1unst 2ien9 AT 0. A3ST A(T Tis paper /i55 0iscuss the basics o- co5our theory9 starting -rom !ewton’s 0isco+ery o- the spectrum to $oethe’s Teory of Colours an0 the /ay co5ours are used an0 0efned in mo0ern times, through $39 (M;1 an0 <SV systems. It /i55 -urthermore ta56 about co5our in art by a00ressing the systematic approach o- Josef Albers an0 his Interaction of Colours9 the more per-ormati+e actions o- ;+es 15ein an0 his International Klein Blue an0 the mythica5 Mar6 oth6o /ith his mu5ti-orms. Afer /hich # /i55 get into my o/n system o- translating si>e to co5our an0 co5our to si>e an0 its application. # /i55 conc5u0e /ith some in-ormation on my so5o?sho/ as part o- my gra0uation in June 2014. 1. #!T '*)(T#'! Since # /as not yet able to paint9 0ra/ or scu5pt # 0eci0ed that my best bet o- getting into art schoo5 /as to apply at the photography 0epartment o- the oya5 Aca0emy o- @ine Arts in Ant/erp, 3elgium. Photography a5/ays ha0 a strange position -or me9 nicely :tted bet/een the :el0 o- applied an0 :ne art. 2e /ere encouraged to +isit a number o- photography museums9 most o- /hich sho/ed some -orm o- 0ocumentary photography9 I enAoyed the museums o- mo0ern art a 5ot more ho/ever. -
Pennsylvania Folklife Vol. 36, No. 3 Michael Colby
Ursinus College Digital Commons @ Ursinus College Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection Spring 1987 Pennsylvania Folklife Vol. 36, No. 3 Michael Colby Donald Graves Monica Pieper William T. Parsons Ursinus College Helen Urda Smith Follow this and additional works at: https://digitalcommons.ursinus.edu/pafolklifemag Part of the American Art and Architecture Commons, American Material Culture Commons, Christian Denominations and Sects Commons, Cultural History Commons, Ethnic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Folklore Commons, Genealogy Commons, German Language and Literature Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Linguistics Commons, and the Social and Cultural Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Colby, Michael; Graves, Donald; Pieper, Monica; Parsons, William T.; and Smith, Helen Urda, "Pennsylvania Folklife Vol. 36, No. 3" (1987). Pennsylvania Folklife Magazine. 116. https://digitalcommons.ursinus.edu/pafolklifemag/116 This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. I------.w'l_____ -----,.-~ ~tnn~ lJ {vania oeoeoeoeoeoeoeoeoeoeo ul Ii e (tontril1utor~ MI C HAEL COLBY, a teacher in the Bethlehem A rea School District, a nd DO ALD G RAVES, a freela nce wri ter for the Bethlehem Globe Times a nd Early American Life magazine, are deeply in volved in 18th century life a nd traditions. T hey have bee n growing a nd ha nd -processing fl ax- spinning, dyeing a nd weaving the fi ber into cloth as was done by the settlers in colonial Pennsylva nia- a nd have been connected with the Jacobsburg Environmental Center a nd Historic Bethlehem, Inc. -
Quick Guide Day Land Cloud
Day Land Cloud RGB Quick Guide One Product, Many Applications This RGB (also known as “Natural Color” RGB) is extremely versatile. It shows burn scars, smoke, and large fires. It clearly differentiates between liquid and ice clouds, or surface ice/snow and low Sea Ice clouds. It shows differences in land surface between marshlands and arid regions. It washes, Fire/Smoke dries, and folds your laundry…well okay, no single tool literally does it all… Ice clouds Since this product is composed of one visible and two near IR channels, it is only available during daylight hours. The good news is that these channels are common to many sensors including: VIIRS, MODIS, AVHRR, ABI, and AHI. Day Land Cloud over northeast Alaska from SNPP VIIRS at 1947 UTC, 11 Jul 2017. Note that sea ice, water clouds, ice clouds, and smoke are all evident. Day Land Cloud RGB Recipe Band / Band Diff. Physically Relates Small contribution Large Contribution Color (µm) to… indicates… indicates… Ice-phase clouds, Dry arid land, water Red 1.61 Ice and Snow snow/ice on the surface clouds, fires Little vegetation, rocky Small ice or water Green 0.86 Vegetation or bare ground particles, strong updrafts Blue 0.64 Red Visible No clouds Water clouds Impact on Operations Limitations Separating Ice and Snow Goes to Bed at Night: on the Surface from Low RGB is composed of three Clouds: low clouds composed reflectance channels of liquid water will appear requiring incoming sunshine. white while surface snow/ice will be shades of cyan. Snow and ice on the surface appear similar to cirrus clouds: Since both high level cirrus and Five-Alarm Fire: salmon color indicates large fires, surface ice/snow are frozen water they present a blue-grey streaks indicate smoke, and dark brown similar cyan color. -
Towards a Standard Terminology for Describing Academic Dress
Transactions of the Burgon Society Volume 1 Article 2 1-1-2001 Towards a Standard Terminology for Describing Academic Dress Nicholas Groves Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Groves, Nicholas (2001) "Towards a Standard Terminology for Describing Academic Dress," Transactions of the Burgon Society: Vol. 1. https://doi.org/10.4148/2475-7799.1001 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. BBurgon Society Annual, 2001, pp. 9–12 TOWARDS A STANDARD TERMINOLOGY FOR DESCRIBING ACADEMIC ROBES Nicholas Groves, MA, BMus, FBS, FSAScot It has been clear for many years that a standard, clear, terminology for describing academic robes is needed. Universities and colleges use very imprecise terms, and different institutions will use the same term with different meanings. A standard terminology should enable a gown or hood to be drawn accurately from its description, exactly as an heraldic blazon enables a coat-of-arms to be drawn. 1. Patterns/shapes. A start has already been made here with my classificatory system, whereby the different patterns of full, simple and Aberdeen hoods are each assigned a number, and the various shapes of robes and gowns are similarly codified (see Appendix I). There are probably a few more to be added, and some apparently differing patterns are assigned the same number – e.g. the ‘Leeds’ version of the full hood (with short cowl) is assigned the [f1] of Cambridge, as the length of the cowl is of no importance; likewise ‘London’ pattern doctors robes are listed as Cambridge [d1] as the London version is a very recent deviation.