The Media Student's Book, Fifth Edition
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Addressing and Preventing Sexist Advertising
— Addressing and preventing sexist advertising An analysis of local and global promising practice Abstract This research paper explores the efficacy of interventions that aim to address sexism or promote progressive gender representations in advertising, highlighting examples of local and global promising practice. Interventions to prevent or address sexist advertising may occur through several distinct mechanisms: legislative frameworks; self-regulatory and co-regulatory systems; the provision of educational resources to the broader community; industry initiatives to re-shape advertising culture and promote diverse, inclusive and ethical practice; and the exertion of influence on advertisers and regulators through consumer activism. The paper explores the strengths and limitations of each mechanism and illustrates interventions in practice through a variety of case studies. Critical to addressing sexist advertising is a whole of system approach with mutually reinforcing interventions that capitalise on different opportunities for influence. Concluding summations are offered throughout with a range of recommendations drawn from these at the end of the paper. Authors and researchers This research paper has been written and researched by: Dr Lauren Gurrieri, Senior Lecturer in Marketing, RMIT University Dr Rob Hoffman, Research Assistant, RMIT University This research is funded by Women’s Health Victoria as part of the Advertising (in)equality project and supported by the Victorian Government through its Free from Violence Innovation Fund. -
Breaking Scandal: Inside the Sexual Assault Coverage, the Jezebel Reporter's Defense
Montana Journalism Review Volume 1 Issue 42 Issue 42, 2013 Article 1 2013 Breaking Scandal: Inside the Sexual Assault Coverage, The Jezebel Reporter's Defense University of Montana--Missoula. School of Journalism Follow this and additional works at: https://scholarworks.umt.edu/mjr Part of the Journalism Studies Commons Let us know how access to this document benefits ou.y Recommended Citation School of Journalism, University of Montana--Missoula. (2013) "Breaking Scandal: Inside the Sexual Assault Coverage, The Jezebel Reporter's Defense," Montana Journalism Review: Vol. 1 : Iss. 42 , Article 1. Available at: https://scholarworks.umt.edu/mjr/vol1/iss42/1 This Full Issue is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Journalism Review by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. School of Journalism: Breaking Scandal: Inside the Sexual Assault Coverage, The Jezebel SUMMER 2013 MJR BREAKING SCANDAL Inside the Sexual Assault Coverage The Jezebel Reporter’s Defense ISSUE DUI FASHION: WITH MOMS HELP! REALITY TV ANKLE BRACELETS IN PRISON, GOES MONTANA University42 of Montana TAKE OFF ROOMMATES BOND School of Journalism Published by ScholarWorks at University of Montana, 2015 1 2013 MTJournalismreview_2004 MTJournalismreview 4/11/13 12:18 PM Page 1 Montana Journalism Review, Vol. 1 [2015], Iss. 42, Art. 1 1 https://scholarworks.umt.edu/mjr/vol1/iss42/1 2 School of Journalism: Breaking Scandal: Inside the Sexual Assault Coverage, The Jezebel CONTENTS COVER STORY: THE BLAME GAME 23 TWO NATIONS, ONE VOICE 13-17 4 LETTER FROM THE EDITORS 7-10 YEAR IN REVIEW THE NEW 11 BALL AND CHAIN 18 RUNNING ON EMPTY LIGHTWEIGHT HEROES 22 YOU’VE BEEN SERVED 36 2 Published by ScholarWorks at University of Montana, 2015 3 Montana Journalism Review, Vol. -
Obama Hope Poster: a Copyright Problem
Obama Hope Poster: A Copyright Problem Jeffrey Donnell MRDC 3104 894-8568 Spring, 2011 J Donnell / MechE 2110 Wired Magazine [1] The iconic poster that became popular during the 2008 election campaign. J Donnell / MechE 2110 The photograph from which the image was created. J Donnell / MechE 2110 Hoffmania.com [2] The New York Times [3] A comparison of the poster and the photo in the New York Times. J Donnell / MechE 2110 The website of Shepard Fairey, who created the poster. Fairy‟s statement on the Associated Press‟s lawsuit is linked on the right side. http://obeygiant.com/ J Donnell / MechE 2110 The website of Mannie Garcia, whose photo was used to make the poster. The HOPE link at the top of the page will take you to Garcia‟s comments on ownership of the image. http://web.mac.com/manniegarcia/iWeb/mannie%20 garcia/About%20Me.html J Donnell / MechE 2110 The Associated Press (AP) has sued Shepard Fairey, claiming that he illegally reproduced and sold an image that AP owns. The suit, filed in early 2009, has not been resolved. A related criminal investigation was opened in January 2010 and is ongoing. http://www.ap.org/ J Donnell / MechE 2110 04/16/2009 Statement: Statement from The Associated Press on Shepard Fairey Counterclaims Response The Associated Press is still in the process of reviewing Shepard Fairey's response to its Counterclaims, but it is very revealing that rather than present any evidence to justify his own obvious misappropriation of the AP‟s copyrighted work, he instead focuses on making collateral attacks on the AP, one of the oldest and largest news organizations in the world, regarding standard newsgathering activities. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Wales Published 3 August 2017 Wales Millennium Centre Wales Millennium Centre
Communications Market Report Wales Published 3 August 2017 Wales Millennium Centre Wales Millennium Centre Communications Market Report Main Contents Introduction 1 Setting the scene 2 1 Wales’ communications market 4 2 Television and audiovisual content 14 3 Radio and audio content 41 4 Telecoms and networks 54 5 Internet and online content 72 6 Post 79 Introduction Communications Market Report 2017 - Wales Introduction The report gives an overview of While there is no difference by Welcome to the nation’s communications location in 2017 for take-up of Ofcom’s annual markets, examining availability, Freeview in Wales, take-up of take-up and consumption of satellite TV in Wales is higher in Communications telecommunications, broadcasting, rural areas (59% compared with Market Report internet and postal services, and 43% in urban areas) and take-up comparing the findings with the of cable services is higher in urban for Wales. other nations and the UK as a whole. areas (12% compared to 0% in rural). Compared to the UK overall, The availability of faster internet penetration of satellite TV is higher connectivity continues to grow, in Wales, although households in primarily as a result of the Welsh Wales are less likely than in the UK Government’s Superfast Cymru overall to have cable TV (10% in programme which is being Wales compared to 15% in the UK). implemented by BT. To date, more than 647,487 homes and Fifty-eight per cent of adults businesses in Wales that would not in Wales own a DAB radio set, otherwise have been covered by more than in either Scotland or commercially-driven roll-outs, now Northern Ireland. -
Local TV Summary of Responses to the Local Media Action Plan
Local TV Summary of responses to the Local Media Action Plan June 2011 1 Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries. 2 Local TV Introduction 1. In January 2011, DCMS published a Local Media Action Plan1 setting out options for the creation of a new network of local television services. This plan followed the Shott Review published in December 20102 which looked at the conditions necessary for commercially viable local TV to emerge in the UK. 2. The Local Media Action Plan invited expressions of interest from groups and organisations that had an interest in providing a network channel that would carry and support local services. In addition, DCMS invited comments and views on a range of other questions around provision of local TV. 3. In total, DCMS received 140 responses to the action plan. This was made up of 21 expressions of interest in operating some form of network channel (ranging from centralised models to not-for-profit models to locally owned models); 43 expressions of interest in providing a range of local services; 5 expressions of interest in providing nations-based (i.e. Scotland, Wales, Northern Ireland specific) services; and 71 responses offering comments on the local TV policy proposition more generally. 4. A summary of the responses are set out at Annex A. A list of those who responded is set out at Annex B. Key considerations in determining the Local TV model 5. The Secretary of State’s objectives for local TV are a key part of the Government’s localism agenda. -
Scotland's Digital Media Company
Annual Report and Accounts 2010 Annual Report and Accounts Scotland’s digital media company 2010 STV Group plc STV Group plc In producing this report we have chosen production Pacific Quay methods which aim to minimise the impact on our Glasgow G51 1PQ environment. The papers chosen – Revive 50:50 Gloss and Revive 100 Uncoated contain 50% and 100% recycled Tel: 0141 300 3000 fibre respectively and are certified in accordance with the www.stv.tv FSC (Forest stewardship Council). Both the paper mill and printer involved in this production are environmentally Company Registration Number SC203873 accredited with ISO 14001. Directors’ Report Business Review 02 Highlights of 2010 04 Chairman’s Statement 06 A conversation with Rob Woodward by journalist and media commentator Ray Snoddy 09 Chief Executive’s Review – Scotland’s Digital Media Company 10 – Broadcasting 14 – Content 18 – Ventures 22 KPIs 2010-2012 24 Performance Review 27 Principal Risks and Uncertainties 29 Corporate Social Responsibility Corporate Governance 34 Board of Directors 36 Corporate Governance Report 44 Remuneration Committee Report Accounts 56 STV Group plc Consolidated Financial Statements – Independent Auditors’ Report 58 Consolidated Income Statement 58 Consolidated Statement of Comprehensive Income 59 Consolidated Balance Sheet 60 Consolidated Statement of Changes in Equity 61 Consolidated Statement of Cash Flows 62 Notes to the Financial Statements 90 STV Group plc Company Financial Statements – Independent Auditors’ Report 92 Company Balance Sheet 93 Statement -
The Finance and Production of Independent Film and Television in the UK: a Critical Introduction
The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8. -
Print Journalism: a Critical Introduction
Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved. -
Feminism in the Twenty-First Century: Does It Need (Re)Branding? Maria Morelli University of Leicester
Volume 4(1) 2011 FEMINISMS: THE EVOLUTION Feminism in the Twenty-First Century: Does It Need (Re)branding? Maria Morelli University of Leicester ver the years, the media declared the death of feminism with headlines such as O ‘Feminism was something for our mothers’, in the Independent (Levenson 2009) and ‘Feminism outmoded and unpopular’, in the Guardian (Ward 2003); other headlines such as ‘Warning: Feminism is bad for your health’ in the Independent (Dobson 2007) or ‘Bra- burning feminism has reached burn-out’, in The Times (Frean 2003) have attached negative connotations to feminism. Similar headlines have been in and out the news since the 1980s. However, the evidence suggests that young women are formulating their own constructions of feminism as a way to carve out a personal space for the redefinition of their own identity. Following on from this and using the British and Italian situation as case studies, I shall provide evidence for the observation that an array of new feminist activities, including national networks, local groups, and blogs, has recently been formed. This article will demonstrate, first, that the feminist movement today is still very much alive and very much needed, and, secondly, that, even current activists are undeniably adopting methods that are different from those of their foremothers, this does not necessarily imply that feminism has ceased to exist. Although aspects of these issues have already been considered by earlier studies, this article does so from an interesting and original perspective by examining them through a diverse range of sources available within mainstream media: excerpts from newspapers, feminist blogs and the American TV series Sex and the City. -
City of Girls Elizabeth Gilbert
AUSTRALIA JUNE 2019 City of Girls Elizabeth Gilbert The blazingly brilliant new novel from Elizabeth Gilbert, author of the international bestseller Eat Pray Love: a glittering coming-of-age epic stitched across the fabric of a lost New York Description It is the summer of 1940. Nineteen-year-old Vivian Morris arrives in New York with her suitcase and sewing machine, exiled by her despairing parents. Although her quicksilver talents with a needle and commitment to mastering the perfect hair roll have been deemed insufficient for her to pass into her sophomore year of Vassar, she soon finds gainful employment as the self-appointed seamstress at the Lily Playhouse, her unconventional Aunt Peg's charmingly disreputable Manhattan revue theatre. There, Vivian quickly becomes the toast of the showgirls, transforming the trash and tinsel only fit for the cheap seats into creations for goddesses. Exile in New York is no exile at all: here in this strange wartime city of girls, Vivian and her girlfriends mean to drink the heady highball of life itself to the last drop. And when the legendary English actress Edna Watson comes to the Lily to star in the company's most ambitious show ever, Vivian is entranced by the magic that follows in her wake. But there are hard lessons to be learned, and bitterly regrettable mistakes to be made. Vivian learns that to live the life she wants, she must live many lives, ceaselessly and ingeniously making them new. 'At some point in a woman's life, she just gets tired of being ashamed all the time.