DOCSLIB.ORG

Anything but Normal : Elrow Comes to Australia (Mailto:Kate

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anything but Normal : Elrow Comes to Australia (Mailto:Kate 23/1/2018 Anything but normal : elrow comes to Australia - Decoded Magazine (https://www.decodedmagazine.com/) World (https://www.decodedmagazine.com/category/world/) Oceania (https://www.decodedmagazine.com/category/world/oceania/) Australia (https://www.decodedmagazine.com/category/world/oceania/australia/) Anything but normal : elrow comes to Australia Anything but normal : elrow comes to Australia Kate Stephenson (https://www.decodedmagazine.com/author/kate-stephenson/) (mailto:[email protected]) Australia (https://www.decodedmagazine.com/category/world/oceania/australia/) Feature Articles (https://www.decodedmagazine.com/cate January 9, 2018 10:53 am (https://www.decodedmagazine.com/2018/01/) 145 Advertisement (https://www.decodedmagazine.com/author/kate- stephenson/) Latest Posts NEWS (HTTPS://WWW.DECODEDMAGA (https://www.decodedmagazine.com/wp-content/uploads/2018/01/ELROW-NOMADS-001LR.jpg) (https://www.d elrow (https://www.elrow.com/en/) CEO Juan Arnau Junior takes us on a whistle stop tour of Spanish electronic music culture in the lead up to his rst codedmagazinever Australian tour, as we spread rumours about about fake LSD, Florida 135 and why he will never tire of confetti. com/natura- sonoris-return in-style-with-a In October, a large shipping container containing three tonnes of confetti, a menagerie of inatable animals and a wardrobe studded with psychedelic euphoric-sequins left Spain bound for far away shores. For years, Australia has been waiting for elrow to paint its shores with glitter, house music and excess. In a matterrelease-from- of days, the kaleidoscopic daydream will nally become reality as their Psychedelic Trip tour comes to Melbourne and Sydney. For party perfectionist and elrowhenry-saiz/) CEO Juan Arnau Junior, it was all about waiting for the right moment. ‘I didn’t want to bring the brand until it was ready,’ he told Decoded as we caught up with him from Barcelona. ‘I wasn’t even sure if it was going to be successful.’ With rumours rife of fake LSD tabs, atomic mushrooms and a whole arsenal of gymnasts, dancers, actors and performers waiting in the wings, there’s little wonder the last remaining tickets are basically hallucinations. NEWS (HTTPS://WWW.DECODEDMAGA Those who have had the pleasure of renouncing reality at an elrow party at any of their special global locations will be familiar with the otherworldly themes the parties are centered around. (https://www.d ‘Over the seven years we have been running, we have worked our elrow parties around 17 dierent creative themes,’ says Juan. ‘If I had to sum elrow up in one codedmagazin phrase, it’s where we make the magic happen. For our rst ever Australian tour, we went with the Psychedelic Trip theme for a number of reasons. First and com/stephan- foremost, it’s one of our favourites. Secondly, we are all going on this trip together. And crucially, because the psychedelic colour scheme works really well in an hinz-returns-t enclosed space, like the warehouses we are playing in. If it was an open air party I would likely have brought the Sambodromo de Brasil theme that has worked second-state- so well last year in Barcelona and at ADE.’ with-his-latest(https://tibbaa ep/) The injection of creative gasoline that goes into the production behind the scenes is almost impossible to comprehend. This is much more than just another club night, but in fact a technicolour vision in serotonin. Stepping into the party is to leave your inhibitions at the door and dive into an REVIEWS enchanted rabbit hole. It’s like Roald Dahl meets Studio 54, lled with space cadets and glitter warriors in blissful cacophony, doodled o(HvTerTPS:/ /WWWby.DECODEDM a AGA kid who went mad with a box of crayons. But these doodlers are professionals. (https://www.d codedmagazin https://www.decodedmagazine.com/anything-normal-elrow-comes-australia/ 1/8 23/1/2018 Anything but normal : elrow comes to Australia - Decoded Magazine codedmagazin ‘We produce everything in Barcelona, in a large warehouse with a talented team of 25 creatives, whose sole role it is to produce costumes and decorations. We com/doc- have stage hands, performance managers, choreographers and technical directors. On tour, we hire actors and stilt walkers locally. Due to tight turnarounds, we martin-and- often only have a few hours to train them in the elrow way of how to interact with crowd and excel as we require.’ joeski-join- forces-once- There are many challenges in recreating elrow party overseas involving everything from logistics to authenticity while on tour. ‘We started touring fouragain-for-the- years ago, rstly taking elrow to France, then on to Italy, Belgium, Holland and later England where the brand really ourished. It’s crucial that we understand andlatest-release- control every part of the show working with promoters. We’ve taken time and energy to create and perfect this brand and will not compromise on it. We did someon-lapsus- shows in North America, but the further you go, the more challenging it is. The local promoter has to believe in the brand. It’s not a cheap product, there are amusic/) lot of people involved. For our shows in Ibiza or Barcelona I employ up to 150 actors and stilt walkers.’ Curiously, Juan Arnau Junior did not turn up to the interview in a spandex unitard riding an inatable glow worm. On the outset he seemed like a normal guy, Find us on Face who you might meet on any danceoor. But like his bright ideas, Arnau’s heritage is aeons away from normal. elrow may only have been going for seven years, but the Arnau family heritage takes them back over six generations spanning over a hundred years of escapades as entertainers, transforming from farming to festivals in the blink of an eye. Dec 63,04 It all began in the humble Spanish town of Fraga, when Arnau’s Great Great Grandfather started bringing cabaret girls to bars in the 1870s. His edgling industry advanced from bar to casino and from casino to black and white movie theatre as a family business of nocturnal hedonism found its feet – and later gave Spain its dancing shoes. After the Civil War in 1942, Arnau’s family opened the iconic Florida 135 (http://www.f135.com), which became one of the world’s oldest techno clubs, playing warm host to the likes of Laurent Garnier (http://www.laurentgarnier.com) and Sven Vath (http://www.cocoon.net/sven-vath/) before anyone Likeelse Page in the country. ‘To have a pioneering club of 4,000 capacity in such a small town meant people from all over Spain would come from miles around to our local party,’ says Arnau. ‘My rst memories were more about bands; rock and pop acts. But when my father began to bring some of the rst DJs and electronic music acts to Spain in the 90s, I began to nd my niche. It was exciting to watch the new sound from the north of Europe unfold. My father was very much into techno87 friends like and celebrated this with the launch of Monegros festival in the desert.’ © Photography by Evie Williams for Here & Now (fb.com/wearehereandnow) ‘When my father took me to the stage in Monegros in front of 5000 people, I was 13 years old. But I learned a very valuable lesson, which has inuenced everything about my business ethos. He remined me that in front of me were so many people from sixteen dierent countries, with one common denominator. They were smiling. My father told me it was the reason why he did what he did. His advice – if you think about money you will never succeed. First up, you have to think about entertaining people and putting on a show. To this day, it is my benchmark. If I look at the crowd and they are not smiling, it’s my wake up alarm to change something in the show.’ It may be a challenge to constantly keep reinventing the elrow brand to titillate and amuse, but it’s for this very reason that Arnau keeps pushing the tempo to keep revellers enchanted. ‘One of my favourite moments was when all the customers were going absolutely crazy playing baseball in the middle of the danceoor. But we’ve had it all. I like to test new concepts in our spiritual home of elrow Barcelona (https://www.decodedmagazine.com/take-look-inside-new- elrow-global-hq-barcelona/). It’s here that we have no limitations on budget so I can test some really exciting concepts. Whenever we do anything we test it there. It is our home, our club and we can and will do anything we want there. We’ve had people get married at elrow with special marriage certicates. We’ve created our own economy and have given out dollars for partygoers to spend in shops we’ve created. We’ve breathed life into over 1,500 characters in our lifetime. It’s like watching a live burlesque performance coming to life, but most importantly, it’s the people themselves who create the party.’ What does make elrow truly stand out is the shift of focus from the DJ to the customer experience. Physically, the DJ takes centre stage, but they are a million miles away from the kind of club where they are the sole focus. And there’s good reason for this invigorated ideology. ‘We opened our Barcelona club in Viladecans 10 years ago, when Spain was in the middle of a dark recession. We needed to do something more than just bring top artists to our shows. We had to think of a new, more relevant concept that would be a breath of fresh air.
Load more

Recommended publications
  • Música Popular
    Música Popular EL DIRECTO NO ENTIENDE DE CRISIS JOSU OLARTE. Crítico musical del Grupo Correo ENTREVISTAS JUAN ARNAU. Director de Florida 135 DAVID SANDOVAL. Director de Poder Latino 1. INTRODUCCIÓN 2. LAS GRANDES CIFRAS DE LA MÚSICA POPULAR EN ESPAÑA 3. LOS GRANDES FESTIVALES 4. LOS CONCIERTOS Y RECITALES El directo no entiende de crisis Josu Olarte. Crítico musical del Grupo Correo as giras de los principales 75 millones de euros (unos 12.500 millones de artistas nacionales, el asenta- pesetas). miento del circuito estable de Las más de 71.000 actuaciones de música salas y la consolidación de los popular que hace dos temporadas tuvieron lugar principales festivales marcaron en más de 9.500 salas y recintos al aire libre de Lun año positivo para la música popular en vivo. todo el país ilustran la dimensión y el grado de es- Frente a una industria discográfica que, tructuración interna alcanzado por el entramado gracias al fenómeno comercial suscitado por industrial del espectáculo que ha sabido adaptar a Operación triunfo, enmascaró en una moderada los tiempos, modas y coyunturas su modelo de caída del 2% la crisis del sector, el negocio de la negocio. música en directo parece gozar de buena salud. El viejo concepto de las giras dinosáuri- Un diagnóstico que se intuía por el abrumador cas ha perdido su razón de ser. El público se número de giras, actuaciones y eventos públicos muestra cada vez más reacio a ver a sus artistas y privados programados y que han confirmado favoritos con prismáticos y el “stadium rock” los datos.
    [Show full text]
  • Todd Terry & Roland Clark
    TASTEMAKER DJ PROMO REPORT RELEASE: Todd Terry & Roland Clark - Dance LABEL: InHouse Records REAKTION AVERAGE RATING: 9/10 www.reaktion.net DJ REAKTIONS (612) - ULTIMATE REAKTION PROMO Sergio Mega (CTS, Afro Acid) Nice one! support! Ray MD (The Warrior Recordings) Ray MD (The Warrior Recordings) nice one ... full support ;) RAY MD Rio Dela Duna (Vamos Music) Hot track I love it thx ! Nico Cabeza (MOON HARBOUR-TRONIC) try Judge Jules Nice Judge Jules (BBC Radio) Thanks! Royal Supreme Music I'll review Mark Knight (Toolroom) downloading for mark knight, thanks for the music Gil (Treasured Grooves) Super dope !!! DJ Darkstone thanks Marco Key Grate tracks! Thanks.. Paul Oakenfold (Perfecto) thanks - downloading for stadium artists Anthony Pappa It’s ok and l will use this as a filler. Thanks. Pappa. Dopamine Music hot groove! thanks for music Asino (Spinnin Records) awesome stuff! Tehnofonika Records Thanks! NELLO SIMIOLI (KISS KISS RADIO ITALY) This is my favorite sounds! DJ Vivona (Sunclock, King Street Sounds) Cool! Oscar Aguilera (100%Pure, Deeperfect, Form, 1605 / elRow, Monegros, Florida 135) Thanks for the music. Dj Spesh (Looq Records) great stuff! Crsitian Varela (Pornographic Recordings) Well done!! Martin Smith (Deeper Sounds on Mixlr, Attic Torquay) Souding good! Will try it out for sure. Thanks Dennis Cruz (Lemonaid rec) Nice Track, it wiill try... thanks Gregor Salto (G-REX Music) dl for salto sounds Mark Ferrer (OLE MUSIC/COMIC LABEL) Thanks for the music ;) B.Traits (BBC Radio 1) Nice! Downloading on behalf of B.Traits gareth hester (Believe Me Records) great track MnCve aka Miguel Mayen not for me thanks! Paco Osuna (Plus 8) Will try thanks ;) Joseph Capriati downloading for joseph capriati, thanks ! No Else(Witty Tunes,Sphera, Mile End) massive tune from two legendary artist.
    [Show full text]
  • CESAR LORES DJ & Producer
    CESAR LORES DJ & Producer A.K.A (Caesar’s Scissors, Azidman, C&G, Lavlevet, Suborn) BIOGRAPHY_E 08/2007 Born and resident in Barcelona, César began DJ-ing in underground clubs in the city from the age of 18. Right from the offset, his style varied from the most danceable new wave to acid house. In the Nineties he dedicated himself to the club sound associated with festivals like Sonar and clubs like Rex Paris, Florida 135, Space Ibiza and BCM Mallorca. Alongside a busy DJ career, César joined Spain's largest independent record label Blanco y Negro Music, where he quickly developed a reputation as one of the leading global dance A&R’s. Now the Artistic Director, he has spent the last decade creating and developing numerous renowned and award- winning dance imprints alongside his main project Vendetta Records. As a producer, César has released over 40 records and a substantial catalogue of compilation albums. Three years ago he started a successful new compilation collection called I Love House which brought him back to spinning the old hits he used to play earlier in his career. Twenty years working in music and an encyclopaedic collection of records result in his unique and eclectic DJ style, married with an innate ability to know exactly which record to play at exactly the right moment. He brings an elegance and harmony to his DJ sets befitting of his years of music experience. Currently, you can see César spinning in cities like Paris, New York, Berlin, Madrid and Barcelona. BIOGRAPHY_ES 08/2007 Nacido y residente en Barcelona, a los 18 años empezó a trabajar como deejay en algunos clubs de la ciudad.
    [Show full text]
  • Secció Oberta Discogràfiques Dance
    p001-158 (21).qxd 20/12/2006 13:03 PÆgina 125 CORE Treballs de Comunicació [Societat Catalana Metadata,de Comunicació] citation and similar papers at core.ac.uk Provided by Diposit Digital de Documents de la UAB Núm. 21 (desembre 2006), p. 125-138 Secció oberta Discogràfiques dance. Una indústria cultural en transformació per David Fernández Membre del Grup de Recerca en Imatge, So i Síntesi (GRISS) de la Universitat Autònoma de Barcelona . Una indústria cultural en transformació dance Discogràfiques 125 p001-158 (21).qxd 20/12/2006 13:03 PÆgina 126 Discogràfiques dance. Una indústria cultural en transformació La indústria discogràfica s’ha caracteritzat, històricament, per una forta tendència a la concentració, que en l’actualitat es reflecteix en l’existència de quatre grans companyies multinacionals (SonyBMG, Warner, Universal i EMI) que controlen els principals mercats. En el cas espanyol, les quatre majors controlaven l’any 2005 una quota de mer- cat de gairebé el 80 % dels més de quatre-cents milions d’euros que van facturar les companyies a Espanya, segons dades de l’associació patro- nal Promusicae.1 Aquest percentatge es concentra en la música pop i rock, els gèneres més massius, mentre que altres gèneres, com el dance, han estat poc atesos per aquesta gran indústria. El gènere dance comprèn tota una sèrie de manifestacions musicals que es caracteritzen per estar creades a partir de sons sintètics, mitjan- çant maquinari i programari especialitzat. Música electrònica és un sinò- nim comunament acceptat d’aquest. En la recerca sobre la indústria discogràfica, la importància que repre- senta el sector dance no s’ha ressaltat prou fins ara, segurament pel desconeixement del funcionament d’aquest segment de mercat.
    [Show full text]
  • Secció Oberta Discogràfiques Dance
    p001-158 (21).qxd 20/12/2006 13:03 PÆgina 125 Treballs de Comunicació [Societat Catalana de Comunicació] Núm. 21 (desembre 2006), p. 125-138 Secció oberta Discogràfiques dance. Una indústria cultural en transformació per David Fernández Membre del Grup de Recerca en Imatge, So i Síntesi (GRISS) de la Universitat Autònoma de Barcelona . Una indústria cultural en transformació dance Discogràfiques 125 p001-158 (21).qxd 20/12/2006 13:03 PÆgina 126 Discogràfiques dance. Una indústria cultural en transformació La indústria discogràfica s’ha caracteritzat, històricament, per una forta tendència a la concentració, que en l’actualitat es reflecteix en l’existència de quatre grans companyies multinacionals (SonyBMG, Warner, Universal i EMI) que controlen els principals mercats. En el cas espanyol, les quatre majors controlaven l’any 2005 una quota de mer- cat de gairebé el 80 % dels més de quatre-cents milions d’euros que van facturar les companyies a Espanya, segons dades de l’associació patro- nal Promusicae.1 Aquest percentatge es concentra en la música pop i rock, els gèneres més massius, mentre que altres gèneres, com el dance, han estat poc atesos per aquesta gran indústria. El gènere dance comprèn tota una sèrie de manifestacions musicals que es caracteritzen per estar creades a partir de sons sintètics, mitjan- çant maquinari i programari especialitzat. Música electrònica és un sinò- nim comunament acceptat d’aquest. En la recerca sobre la indústria discogràfica, la importància que repre- senta el sector dance no s’ha ressaltat prou fins ara, segurament pel desconeixement del funcionament d’aquest segment de mercat.
    [Show full text]
  • ON the FLOOR the On-The-Pulse Guide to the Deep, Down and Dirty Gyrations of Global Clubland
    ON THE FLOOR The on-the-pulse guide to the deep, down and dirty gyrations of global clubland DJ MAG ANNOUNCES BEST OF NORTH AMERICA AWARDS TOUR We celebrate our first BONA Awards in LA, Miami, San Fran and more… MAY 2017 will see DJ Mag USA spread its wings to thrive in 2017. Over the past couple of months, we’ve more, we’ll head over to Soundcheck, Washington cover our friends in the north (this means you, been busy fleshing out the nominations, which the following day (7th July) with Autograf. Next up Canada) and in its place, DJ Mag North America include unstoppable talents such as Carl Craig, on Saturday 8th July, Heart Miami hosts Moon Boots, takes flight. With it comes the sister awards to our Maceo Plex, The Black Madonna, Mike Servito, My Favorite Robot and a very special headliner yet to wildly successful Best Of British Awards, aptly titled Kaytranada, Lauren Lane, The Martinez Brothers, be announced, before we switch coasts to San the Best Of North America Awards. Claude VonStroke, Kerri Chandler, Avalon Emerson Francisco where Victor Calderone heads up our party Here at DJ Mag we know how polarising the Top 100 and DJ Earl. at Halcyon on Friday 14th July. Then we’ll be flying DJs poll can be — however, it’s publicly voted and To celebrate the BONA awards, we’re touring across back east on Saturday 22nd July, when the legendary therefore is out of our control. Best Of North the States and Canada, bringing a selection of Carl Craig will headline House Of Yes in NYC.
    [Show full text]
  • Boftes, Clubs, Raves: Metamorfosis De La Festa Juvenil*
    Boftes, clubs, raves: metamorfosis de la festa juvenil* Carles Feixa Un dissabte a la Florida Universitat de Lleida ((Aquest és un altre món. No escolto, alco els bracos, estiro els dits i em deixo emportar per la mú- sica. És un ritme monbton perb desequilibrat, que Joan Pallares s'accelera fins a assolir els límits. So pots descansar, Escola de Treball Social. el cor et batega massa fort si pares. És millor saltar, Universitat de Lleida moure el car, i enfilar-te al 'pbdium'. Estis envoltat de gent, de cossos suats que t'empenyen a conti- nuar... )) (relat d'un estudiant). ((Una característica essencial per a ser un makine- En l'univers de la In the universe of ro: disfrutar amb la música 'techno' i disfrutar a les cultura juvenil, ((fer youth culture, the discoteques. La vida d'aquest -diguem-ho així- grup festa))s'identifica amb festive is identified de gent s'articula entorn la discoteca, que és el lloc l'experihncia de sortir, with the experience of per evadir-se de la quotidianitat i per 'purificar-se' de escoltar musica i ballar going out, listening to la vida avorrida)) (Aleu [et al.] 1997: 1). en locals nocturns music, and dancing ut durant el cap de night spots on Són les onze del vespre d'un dissabte d'abril de setmana. De les weekends. From the 1997. El dia i l'hora no són, potser, els més primeres boites a les first "boites" to today's adients per fer una prhctica d'antropologia. Per6 aet~lals "macrodiscotheques", ((macrodiscoteques)), from "guateques" to aquesta nit hem decidit visitar una exbtica ce- dels gwateques a la festa the rave, from rimbnia festiva que té lloc cada dissabte per la nit rave, de la cultura "makinera" to club en el territori d'una tribu vei'na.
    [Show full text]
  • Catalan Sounds CATALAN SOUNDS CATALAN SOUNDS
    CATALAN SOUNDS CATALAN SOUNDS CATALAN SOUNDS Catalonia has close historical links with the finest music Catalunya tiene un vínculo histórico con la música being made today. This relationship is apparent in the vigente en la actualidad. Esta relación se da en la majority of musical genres. It is no exaggeration to say mayoría de los géneros musicales. Podemos decir sin that the level of creativity and production and of regular equivocarnos que el nivel de creatividad, producción y live venues all over the Catalan territory is of the very exhibición estable por todo el territorio catalán es de highest quality; indeed, in folk and classical music the una altísima calidad siendo nuestro país, además, un country is an international point of reference. There is no referente internacional en la música folclórica y clásica. doubt that the variety of festivals, concert seasons and Podemos afirmar también que la variedad de oferta de original productions featuring Catalan orchestras, soloists, festivales, ciclos y producciones propias con orquestas, groups and ensembles is among the richest in Europe. solistas, grupos y ensambles es de primer nivel europeo. At the same time, Catalonia can boast a jazz scene that is one Igualmente, Catalunya cuenta actualmente con una of the most vibrant in Europe today, thanks to the intense escena del jazz, que es de las más ricas de Europa activity of the country’s clubs and established promoters; in gracias a la ebullición de sus clubes y programaciones the towns and cities, urban fusions, new languages, cross-
    [Show full text]
  • Dossier(Documento Pdf)
    Dossier de prensa X Edición SLAP! FESTIVAL 2019: INTRO El festival de música más importante despertando a nivel internacional. Con especial mimo a las bandas de la de Zaragoza, el Slap!, llega este año Son tres hermanas apasionadas de la tierra, este año se muestra su variedad a su décima edición y lo consigue música de origen yemenita, que han y eclecticismo: el rock setentero de siendo todavía el referente transformado con electrónica, hip White Coven, el pop inclasificable de fundamental de la música negra y hop y sonidos latinos, siempre bajo Bigott, la experimentación de Rosin sus nuevas tendencias. Será el fin de la influencia de la Motown, consi- de Palo; y el homenaje a la música de semana del 5 al 7 de julio en el guiendo marcar huella estilística y Nueva Orleans de Dr Cuti y Los camping municipal Ciudad de musical. En sus 4 únicas citas para Mogambos. Zaragoza y contará con un cartel este 2019, han elegido Slap! variado, el más extenso de su historia Festival –el único concierto en Conciertos en el Bosque con 15 actuaciones en directo y 17 España- para cerrar su gira tras sesiones de dj, reflejo de los todos Washington, Villeurbanne y Ámsterdam. Una de principales novedades de los géneros y subgéneros que 2019 son los encuentros íntimos con abarca la black music. El canario Bejo posee un carisma artistas. Aprovechando el encanto de sugerente y estética única. Reconoce la arboleda del Camping de Esta décima edición será todo un sin problemas influencias del rap Zaragoza, se va a instalar un peculiar homenaje a sus diez años de historia español, como Sólo Los Solo, Nach, escenario al que se llegará a través y continuará con su filosofía de Toteking, 7 Notas 7 Colores o Mala de un laberinto y con capacidad ofrecer al espectador propuestas Rodríguez, pero se encuentra muy limitada para 100 personas, con poco conocidas para los menos cercano a los ritmos calientes: desde actuaciones más cercanas y expertos, pero que sorprenden al la salsa al reggaeton.
    [Show full text]
  • Estudio Sociocultural De La Subcultura “Rave”
    Trabajo Fin de Grado ESTUDIO SOCIOCULTURAL DE LA SUBCULTURA “RAVE” Autor : Alberto González Silos Tutor de trabajo : Fernando Ramón Contreras Medina Departamento de Periodismo 1 Universidad de Sevilla Convocatoria de diciembre 2017 Índice RESUMEN................................................................................................................. 3 PALABRAS CLAVE................................................................................................. 3 INTRODUCCIÓN...................................................................................................... 4 OBJETIVOS E HIPÓTESIS....................................................................................... 6 METODOLOGÍA........................................................................................................ 7 MARCO TEÓRICO.................................................................................................... 8 1. ¿Qué es la música electrónica?...................................................................... 8 2. ¿Qué es la música rave?................................................................................. 9 3. ¿Qué es la subcultura rave?............................................................................ 10 4. Perspectiva sociocultural …………………………………………………. 21 5. La subcultura clubbing …………………………………………………….34 6. Ocio diurno, after hours ………………………………………………….. 40 CONCLUSIONES…………………………………………………………………..48 BIBLIOGRAFÍA……………………………………………………………………50 2 Resumen Hoy día es una evidencia que la música genera agentes
    [Show full text]
  • Bookmyshow Brings Elrow, the World's Craziest Party, to India!
    BookMyShow brings elrow, the world’s craziest party, to India! The day-long pop-up party comes to town this March…get ready to celebrate the Samba way! --Tickets to be exclusively available on BookMyShow starting this week-- Mumbai, February 11, 2019: Let you hair loose as the craziest party comes to Mumbai this March! After spreading its wild take on fun and fiesta across 34 countries and 84 cities, elrow, the most unique party debuts in India on Saturday, March 16th. Brought to India by BookMyShow, elrow’s India debut will be based on its world famous Samba theme ‘Sambowdromo do Brasil’. What can you expect from this extravaganza? Pulsating rhythms, confetti, inflatables, lost explorers and fun-loving jungle dwellers amidst Brazilian rain forests, samba and carnival! What’s more? Specially curated food and cocktails - a complete crazy party experience in India. Commenting on bringing yet another brand new global entertainment experience to India, Albert Almeida, COO – Live Entertainment, BookMyShow, said, “As we continue to provide world class entertainment to our consumers, elrow marks BookMyShow’s entry into yet another unexplored genre of out-of-home entertainment in India. Over 80 cities across the globe have experienced and loved elrow and we are excited to work with them on their India debut. With elrow’s unmatched experience in the live entertainment ecosystem and BookMyShow’s deep understanding of this market and user preferences we are all set to deliver elrow’s successful maiden India party. Through this association, we are another step closer to strengthening India’s position on the global live events and entertainment map.” The 8 hour long party will be hosted in a specially designed air-conditioned hangar at the centrally located MMRDA grounds.
    [Show full text]