Høstens Aktiviteter Og Arrangementer
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Vrijdagfriday 11
VRIJVRIJDAGFRIFRIDAY CHECK DE MONITORENVOOR LAATSTE VOOR PROGRAMMAWIJZIGINGENWIJZIGINGENFOR LATEST CHANGES:PLEASE CHECK WWW.NORTHSEAJAZZ.COM THE SCREENS FOR LATEST CHANGES 1111 AHOY OPEN 16.30 h. 16.30 17.00 17.30 18.00 18.30 19.00 19.30 20.00 20.30 21.00 21.30 22.00 22.30 23.00 23.30 00.00 00.30 01.00 01.30 ARTIST IN RESIDENCE CLEO LAINE OMARA BOBBY McFERRIN JOHN DANKWORTH PORTUONDO CRISTINA with BRANCO AMAZONAMAZON NDR BIG BAND AND FRIENDS ’GRACIAS’ HANK JONES 90TH BIRTHDAY CONCERT MARIA SCHNEIDER CHARLES LLOYD with HERBIE HANCOCK NILS FISCHER ORCHESTRA QUARTET ROY HARGROVE & QUINTET & TIMBAZO HUDSONHUDSON ROBERTA GAMBARINI ZUCO 103 AL JARREAU SERGIO MENDESANGIE STONE BOOTSY COLLINS NILENILE A TRIBUTE TO JOE ZAWINUL with the ALAIN CLARK LEE RITENOUR JILL SCOTT METROPOLE ORCHESTRA MAASMAAS conducted by VINCE MENDOZA LARGE & LOUD THE NUBLU NEW COOL MATTHEW ORCHESTRA FLAT EARTH HERBERT conducted by SOCIETY MEETS COLLECTIVE BIG BAND LAWRENCE D. JIMI TENOR with CONGOCONGO ”BUTCH” MORRIS JULES DEELDER ELIZABETH LAURA YUYUKONON SHEPHERD IZIBOR FINK dbCLIFFORD ’THE MUSIC OF IVAN LINS’ HANS TEEUWEN CASSANDRA featuring IVAN LINS MARK MURPHY ZINGT! WILSON special guest DARLINGARLING NNENNA FREELON AHOY OPEN 16.30 h. 16.30 17.00 17.30 18.00 18.30 19.00 19.30 20.00 20.30 21.00 21.30 22.00 22.30 23.00 23.30 00.00 00.30 01.00 01.30 PIANO ROOM NORTH SEA JAZZ RON CARTER ABDULLAH COMPOSITION ’DEAR MILES’ ASSIGNMENT PAUL BLEY ELIANE ELIAS featuring IBRAHIM MADEIRAMADEIRA JEROEN VAN VLIET STEPHEN SCOTT TRIO AND THE WINNER IS.. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs. -
Kulturminneplan Fagrapport 250521 Vedlegg 7-2.Pdf
KULTURMINNER I NESBYEN Registering og vurdering av nyere tids kulturminner og kulturmiljøer - fagrapport 25. MAI 2021 NESBYEN KOMMUNE VEDLEGG 7.2 KOMMUNEDELPLAN FOR KULTURMINNER OG KULTURMILJØER 2020-2030 KULTURMINNER I NESBYEN - FAGRAPPORT Innhold 1 Innledning ............................................................................................................................................................. 4 1.1 Formål .......................................................................................................................................................... 4 1.2 Vurdering av nyere tids kulturminner ......................................................................................................... 4 1.3 Metoder og kriterier .................................................................................................................................... 4 1.3.1 Vurdering av verneverdi .......................................................................................................................... 4 1.3.2 Utvelgelse av kulturmiljøer ..................................................................................................................... 8 2 Registeringer ...................................................................................................................................................... 10 3 Kulturminner i Nesbyen kommune .................................................................................................................... 11 3.1 Nesbyen sentrum og Gamle -
Norway Country Report on Farm Animal Genetic Resources, 2002
Norway Country Report on Farm Animal Genetic Resources, 2002 Committee on Farm Animal Genetic Resources Editor: Nina H. Sæther Norway Country Report on Farm Animal Genetic Resources, 2002 ISBN 82-996668-1-3 Published by: The Committee on Farm Animal Genetic Resources (Genressursutvalget for husdyr), 2003 Editor: Nina H. Sæther Layout: Spekter Reklamebyrå AS, www spekter.com Print: Østfold trykkeri Distribution: Norsk Landbruksmuseum, N-1432 Ås, www.nlm.nlh.no NORWAY COUNTRY REPORT ON FARM ANIMAL GENETIC RESOURCES, 2002 Committee on Farm Animal Genetic Resources Edited by Nina H. Sæther Norway Country Report on Farm Animal Genetic Resources CONTENTS Summary ............................................................................................................................................ 6 The Scope of the Report ................................................................................................................... 7 1 Norwegian Livestock Farming and Aquaculture ........................................................................ 9 1.1 Natural Conditions and Regulatory Framework for Agriculture and the Fish Farming Industry .... 9 1.1.1 Natural Conditions ....................................................................................................... 9 1.1.2 Regulatory Framework for Agriculture and the Fish Farming Industry ........................... 9 1.1.3 Distinctive Features of Norwegian Farm Animal Production and Aquaculture .............. 11 1.1.4 Distinctive Features of Norwegian Animal Breeding ................................................... -
1395 Merkeprosjekt Elg I Valdres Og Hallingdal Elgregion (Valhal) Og Øvre Hallingdal
1395 Merkeprosjekt elg i Valdres og Hallingdal elgregion (ValHal) og øvre Hallingdal Sluttrapport Erling J. Solberg, Christer M. Rolandsen & Morten Heim NINAs publikasjoner NINA Rapport Dette er NINAs ordinære rapportering til oppdragsgiver etter gjennomført forsknings-, overvåkings- eller utredningsarbeid. I tillegg vil serien favne mye av instituttets øvrige rapportering, for eksempel fra seminarer og konferanser, resultater av eget forsknings- og utredningsarbeid og litteraturstudier. NINA Rapport kan også utgis på annet språk når det er hensiktsmessig.. NINA Temahefte Som navnet angir behandler temaheftene spesielle emner. Heftene utarbeides etter behov og serien favner svært vidt; fra systematiske bestemmelsesnøkler til informasjon om viktige problemstillinger i samfunnet. NINA Temahefte gis vanligvis en populærvitenskapelig form med mer vekt på illustrasjoner enn NINA Rapport. NINA Fakta Faktaarkene har som mål å gjøre NINAs forskningsresultater raskt og enkelt tilgjengelig for et større publikum. Faktaarkene gir en kort framstilling av noen av våre viktigste forskningstema. Annen publisering I tillegg til rapporteringen i NINAs egne serier publiserer instituttets ansatte en stor del av sine vitenskapelige resultater i internasjonale journaler, populærfaglige bøker og tidsskrifter. Merkeprosjekt elg i Valdres og Hallingdal elgregion (ValHal) og øvre Hallingdal Sluttrapport Erling J. Solberg Christer M. Rolandsen Morten Heim Norsk institutt for naturforskning NINA Rapport 1395 Solberg, E.J., Rolandsen, C.M. & Heim, M. 2017. Merkeprosjekt -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Tom Sykes Music Directorate, University of Salford [email protected]
[JRJ 7.1 (2013) 132-136] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.132 (online) ISSN 1753-8645 Review Duncan Heining, Trad Dads, Dirty Boppers and Free Fu- sioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. Tom Sykes Music Directorate, University of Salford [email protected] Histories of British jazz are rare enough, and those dealing with post-1960 British jazz rarer still. Books such as Hilary Moore’s Inside British Jazz (2007) and George McKay’s Circular Breathing (2005) do include British jazz since 1960 but do not set out to be historical accounts as such. Ian Carr’s Music Outside (2008) is not really a history either, but it does give some historical background and provides a useful snapshot of contempo- rary jazz in Britain at the time of its first publication in 1973. Jim Godbolt’s A History of Jazz in Britain 1950–1970 (1989) partially covers post-1960 Brit- ish jazz, but for a comprehensive history of the period there is really only John Wickes’s Innovations in British Jazz: Volume One 1960–1980 (1999). Duncan Heining’s book is therefore a long-awaited addition to the litera- ture. He covers a similar historical period to Wickes but with a wider stylistic scope, and considers social and cultural contexts rather than focusing on musical innovations as Wickes does (although these are looked at in terms of the creation of a British jazz sound). Heining uses a range of scholarly and other sources, such as his own articles in various jazz magazines. -
I N N H O L D Rotary
Nesbyen Rotaryklubb 1968–2018 RotaRy OrganiseRing av klubben Rotary 3 Rotarys formål er “å gagne andre” ved at vi og jubileet lærer våre medmennesker å kjenne, samt Rotarys motto 3 ved å stille høye etiske krav til oss selv i yrke Styret i NeSbyeN rotaryklubb 2017–18: og samfunnsliv. Rotarianerne ønsker også President Egil Moen 4-spørsmålsprøven 3 å vise respekt og forståelse for alt nyttig Innkommende President Ørjan Fresvik Organisering av klubben og jubileet 3 arbeid, samt ved å søke og virkeliggjøre Rotarys idealer i sitt privatliv, yrkesliv og som Past President Terje J. Løken Tilblivelsen av Nesbyen Rotaryklubb 4 samfunnsborgere. Rotarianerne arbeider for internasjonal forståelse og fred gjennom Sekretær Ståle Eggestøl Gratulerer med 50-års jubileet! 6 vennskap over landegrenser mellom Kasserer Knut Gullingsrud Nesbyen Rotaryklubb 50 år 7 mennesker fra alle yrker. Jubileumsgaven 7 RotaRys motto komiteledere: Ungdomsutveksling 8 “Service Above Self” Program Tore Sauthon Rotarys idé er at medlemmene skal arbeide PR og Informasjon Magne Medgard Anne Kjær Riechert 9 for en mer menneskelig samfunnsutvikling, Arrangementer Rune O. Ihle Group Study Exchange (GSE) 10 hvor det tas hensyn til og vises respekt for det enkelte menneske og ethvert ærlig Lokale og int. prosjekter Ole Johnny Moen ”Mitt stipend fra Rotary Foundation” v/ Arne Nestegård 11 arbeid. Fritt oversatt til norsk: “Omtanke uten baktanke”. Medlemsutvikling og mangfold Torstein E. Hanserud Wintercamp 13 & 26 Ungdomsarbeid Jan H. Haraldseth Aktiviteter, dugnader og prosjekter 14 4-spøRsmålspRøven Om saker vi tenker, sier og gjør har vi en Paul Harris Fellow 17 ransakende 4-spørsmålsprøve: Møtested: Thoen Hotell, Alfarvegen 143, 3540 Nesbyen Møtetid: Mandag kl. -
Bok 5 Fortid På Skinner Del II
Landsverneplan for jernbanen Bok 5 Fortid på Skinner Del II Kap. 8 Krøderbanen Høringsdokument under arbeid LVP5-Fortid på skinner-kap8 Krøderbanen Høringsdokument 15.09.2016 1 OPPSLAG 1 8. Krøderbanen Krøderen stasjon ble fredet i 1981 og rangeres i dag som et av norsk jernbanes aller viktigste kulturminner. Men Krøderbanen er langt mer enn det fysiske miljøet rundt Krøderen stasjon. Gjennom Norsk Jernbaneklubbs virksomhet på banen huser Krøderbanen Norges fremste frivillige kompetansemiljø innen restaurering, drift og vedlikehold av historisk jernbanemateriell. [1] «Krøderen stasjon». Krøderen stasjon er endepunktet på landets lengste museumsjernbane og utgangsstasjon for de fleste museumstogene som kjøres på Krøderbanen. Faste, årlige museumstogkjøringer med normalsporet materiell kom i gang på denne banen i september 1977. Geografiske data Beliggenhet: Krøderen stasjon, 111 kilometer fra Oslo S Fylke: Buskerud Kommuner: Modum og Krødsherad Kjørbar strekning: Vikersund–Krøderen - lengde: 26,1 kilometer - opprinnelig: 26,1 kilometer 2 OPPSLAG 2 [2] «I påvente av togavgang». Fotoet er tatt i venterommet på Krøderen stasjon. Fotografen har reist seg fra sin stol og foreviget stunden i påvente av at billettluken skal åpne og billettsalget ta til. For Krøderbanen er intet dødt museum. Museet levendegjør tidligerte tiders jernbanedrift og formidler landets jernbanehistorie gjennom reiseopplevelser, slik Museet Krøderbanen har forpliktet seg til som mottaker av Norsk Kulturarvs «Olavsrosa». Reisen med Krøderbanens museumstog tar til og ender opp i historiske stasjonsanlegg og -bygninger, som dette venterommet på Krøderen stasjon fra 1872. At dragkampen om Krøderen stasjon etter at NSB flyttet ut i 1985 skulle ende med bevaring av dette unike stasjonsmiljøet var slett ikke opplagt, og det hadde ikke blitt noe av om ikke Norsk Jernbaneklubb hadde kommet på banen og presentert sine planer for Riksantikvaren. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana